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thank.Gordon.
P.s. this is the rumors section, stuff seems to move towards the regular section once the camera is out, so you'll find more discussion here: https://www.canonrumors.com/forum/index.php?forums/powershot.49/
I read the note on the Ra, but I don't think it would work for my infrared purposes, as I go full spectrum. As I understood the press notice, it feels like the Ra would not be full spectrum, but closer to a 665nm mod.You don't want to wait and see if/when the rumoured EOS RA is coming? I had read something recently that there would be an announcement soon.
At what focus distance and how much do you value that 11mm? Stuff like that can be done but it is much more expensive than most photographers are prepared to pay for it.I'm not a fan of Canon round down or up of numbers, they consider 389 to be 400 and 5.8 to be 5.6, Why can't they make a 400mm actually 400 this time around.
My Sandisk Extreme Pro 300 Mb/s UHS-II arrived yesterday and I tried it versus a new Sandisk Extreme Pro 170 Mb/s UHS-I card. Identical performance as far as I can see.Hi Alan
So I am not a scientistand I don't have enough hands to operate a stopwatch for the exercise.
About the cards, with a Sandisk Extreme Pro 300 Mb/sec SDXC II card of 32GB capacity, at shutter speed 1/1250 at f4.0, iso from 400-640, with Release and Speed priority AF enabled, I can get 29 RAW shots before the camera stops. With that card, it seems that within one second or perhaps one and a half seconds I am able to start shooting again, not the full 29 but at least some bursts of 4 or 5 frames.
With the Sandisk Extreme Pro 95 Mb/sec SDXC I card of 64GB capacity, at shutter speed 1/1250 at f4.0, iso 400-640, same camera settings for AF as above, I can get 28 or 29 RAW shots before the camera stops. With this slower card, it seems that I can start to shoot again within about 1.5 seconds roughly, but its two or three shot bursts before it stops again. The main benefits with the SDXC II cardseem to be in if you fill the buffer then delay before you can start to shoot again is significantly less.
The third test I did was to use the SDXC II card (300 Mb/sec) again, but with the camera set as above except image quality was changed to C-RAW, and the 90D took 113 shots before filling the buffer. So a viable option for action sequences...
Cheers
Grant
Well, they did move the Mark III badge from the bottom right front of the camera to the top right front of the camera for the Mark IV. Maybe that's what he meant?![]()
Buttons are illuminated. At least many of them are according to the B&H videostill no light on the buttons?
Thanks for taking the time to look up all those numbers, but you needn't have bothered. All of those lenses go to 600mm. The focal length at which they become f/6.3 is irrelevant, they are f/6.3 at 600mm.
Non fish eye lens perfect for body cam, clip it on to a backpack and use it for recording activities like trekking, biking, etc... like I mentioned before this is where Nikon Keymission 80 was targetted but failed. Canon Ivy being cheaper and much easier to use will be selling with same action cam crowd who dont want a fish eye camera.I guess Canon knows their market over there, but wow...I still keep asking myself WTF would you do with these things?
C
Meanwhile, Elon Musk is selling Sony cameras to the Martians. It's just the beginning of a plan to take Sony interstellar with their stellar product line.your "solid proof" is another opinion? ok then.
what a waist of reading time
He would have, but Canon is doomed.He should have got a Canon DSLR, which he would not leave at home.
While I certainly enjoy an occasional video 'review'. I personally prefer reading reviews. I find the written word makes me think more. Whereas a video just makes me think about the presenter, what's in field of view, etc. - so distracted to an extent from the actual content. So sometimes it's just another form of entertainment - especially when I'm watching Jared Polin - Froknowsphoto.
However, a few individuals that I find myself watching with some regularity, because of their content and how they present are: Matt Granger, Dustin Abbott, and Tony (& Chelsea) Northrup. These ones present in a pretty no-nonsense way and they make me think. With Dustin I like that he still does written reviews as that is what I prefer, he and Bryan Carnathan (thedigitalpicture.com).
I agree with your assessment concerning subscription models.