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LSXPhotog · Jul 7, 2019

Not sure if anyone saw the review on DPReview, but they shard some very blurry, hazy images in their review. I personally didn't like this lens, but it was certainly very sharp.

koenkooi · Jul 7, 2019

The lack of CA is really impressive, I used this lens to during my daughters swimming lessons and no issues with the reflected light on the water. And f/1.2 at that distance is great for putting other kids outside the DoF

Quirkz · Jul 7, 2019

Or an RF camera... with an EF mount.

;D

Del Paso · Jul 6, 2019

simply gorgeous picts!

Maximilian · Jul 5, 2019

bichex said:
Use live view At the time of the total eclipse, no filters are needed. minutes before use 10-step nd filter

Thanks for your reply.

Jasonmc89 · Jul 5, 2019

bgoyette said:
As Netflix is a major purchaser of independent productions and contracts out the production of a number of it's own properties, they have camera standards, similar to other networks like BBC, Discovery, natGeo, etc. Because it's become such a behemoth in the industry, it's camera specs are watched by all the manufacturers.

Netflix made some waves in the DP community a few years ago when it required 4k capture, essentially blacklisting the most popular camera in the single camera series category -- Arri's Alexa XT. While this camera is responsible for some of the best digitally-captured large screen productions and a huge percentage of TV series produced world wide, it only captures 3.2k and thus is not allowed by Netflix's standards to be used as an A camera. It's stupid, really, most experienced DP's will tell you, but Netflix has stuck to it's guns...essentially forcing Arri to create a 4k camera (the 65 and later the LF) that could be used on Netflix shows.

Now to Canon...not really a big deal, as all of it's Cinema EOS cameras except the C100mkII and C200 are Netflix certified, including the original C500. Not sure why the C200 is excluded...but it's currently not on their list.

(edit: apparently the C200 isn't officially certified by Netflix because it cannot accept timecode input, which would be important if it was being used with other camera's on a set. Thus while not officially certified the C200 can be used in RAW mode on a case by case basis).

Cameras & Image Capture: Requirements and Best Practices

Skip to translations WHY NETFLIX HAS AN APPROVED CAMERA LIST To help creatives produce their best work and create compelling visual experiences for our audience, Netflix requires 90% of a program...

partnerhelp.netflixstudios.com

Very interesting! Thank you for your reply

hamish · Jul 4, 2019

andrei1989 said:
anything new on the M front? a previous rumor said first half of 2019 which has come and gone without any info...
any chance the new M and lenses will come out with the G5X/G7X?

The later rumo(u)rs indicated late July/August for the M announcement. Patience, grasshopper

Although I really want to know what it will be too, as I'm looking to upgrade a 200D. I'll either get the M5 Mk. II and EF adapter or, if that's too expensive for my limited budget, a used 80D on ebay.

Keith_Reeder · Jul 4, 2019

st jack photography said:
It is a rule on this forum that you have to be a fanboy and suck Canon's you-know if you want to leave a comment

No - just don't be a whiny, flamebaiting troll about it.

Canon fans cant handle the truth

Your opinion isn't the "truth". Never was, never will be.

Maybe just learn to use the cameras properly?

Keith_Reeder · Jul 4, 2019

Hjalmarg1 said:
Will the Canon's APS-C mirrorless version will be another R-type format or a revamped EOS-M?

We'll know when Canon lets us know. Right now, it's anybody's guess.

Keith_Reeder · Jul 4, 2019

Ian_of_glos said:
I use Lightroom a lot so that is 3 years worth of work I would lose. Yes I have the original RAW and JPEG files but all the updates would be lost.

How's that an "Adobe" issue? It's true of migrating from any solution to any other solution.

Besides, most of the competitors to Lightroom have conversion/migration tools. So "in Adobe's clutches" remains complete nonsense.

Keith_Reeder · Jul 2, 2019

Kannon said:
This is my opinion. Others have different ones... Did I complain? I didn't want to. Only express my opinion, nothing more....

No need to take it personally - I'm just pointing out that there's no such thing as pleasing all the people, all the time.

LDS · Jul 2, 2019

The New Camera has leaked images of what should be the G5X Mk II, from Nokishita as usual.

Canon G5X Mark II « NEW CAMERA

thenewcamera.com

【噂】キヤノン「PowerShot G5 X Mark II」の特徴【画像追加】

デジタルカメラに関する情報や噂を気の向くままに紹介しています。

www.nokishita-camera.com

Very different from the Mk I

Maximilian · Jul 1, 2019

Yet another sequence from Crete
200D + 85/1.8 + CPL, 1/800, f/8, ISO 320-200
Interesting that the second wave breaks before the first in front. I haven't seen that much before.

peters · Jul 1, 2019

Must.... be..... strong....

Don Haines · Jun 30, 2019

I love the 70-200F4, and have been happily using the previous version since the day it was released.

Jun 30, 2019

Kit. said:
It should be enough for Sunny-16 fill flash in X-sync mode, but a bit short in power in HSS mode, unless you find a way to move the flash closer to the subject.

Will see how it goes. It can always end up as a slave to a 600 at a later date

Bert63 · Jun 30, 2019

Mt Spokane Photography said:
I have a 5D MK IV and the R. I haven't timed the AF on both, but they are both fast. However, when I put on a 2X TC, the R autofocuses and my 5D MK IV will not unless I put it into liveview. Then I stack TC's (1.4X + 2X), I can still autofocus if I manually put the lens in the approximate range. One trick for a very distant subject from MFD is to first focus 100 ft away then on the distant object. Of course, if you are near MFD, it will focus on objects 100 ft or less just fine but slowly. I use the limiter with stacked TC's.

Silent shutter is nice, but no flash. You won't scare birds with the shutter or the flash. But they may not be well lighter either.

Would love to see examples of your shots with the 2X. Also - which lens are you using these combos on?

keithcooper · Jun 29, 2019

Bennymiata said:
With auto-focus?
Now THAT would be revolutionary!

However, this patent will make using a tilt-shift easier and faster.

In the patent, the AF is used to set the plane of focus, having entered arbitrary points on the desired 'surface' in combination with the right amount of tilt.
What's not directly shown here is the potential need to rotate the tilt axis to match the surface plane, so to fully automate it, the whole lens would need the setting of tilt axis motorised as well

Of course, with no tilt, the AF could be used as 'normal' AF, even with shift.

I have a printed focal plane card I use for setting the tilt axis and tilt for arbitrary planes at closer working distances

Setting the tilt axis for tilt-shift lenses at angles other than vertical or horizontal

Setting the tilt axis for tilt-shift lenses to an arbitrary angle other than vertical or horizontal, so as to match the desired plane of focus for subjects.

www.northlight-images.co.uk

Quirkz · Jun 29, 2019

YuengLinger said:
I'd use this f/1.8 as a walkaround a lot on an Rf body. Looks like it would pair great with the RP.

And that’s exactly what I do with my RP. My compact Fuji x-e3+35mm 1.4 combo now usually get left behind in favor of this combo. The Fuji is smaller and lighter, but not enough to matter compared to the quality impact (AF, light gathering, isolation, etc)

Don Haines · Jun 28, 2019

Del Paso said:
And I'll buy my flock in Wales or Scotland, sheep are there much more hardy.

Hmmmmmm..........

There are about 30 sheep fleeces in the living room, in plastic bags under the canoes.....

I wonder how many lens hoods I can ruin?

Viggo · Jun 28, 2019

Only thing I can think of is that function where you can tell the camera to not continue to try and focus if focus can’t be achieved. You can either tell it to keep trying or simply stop.

Joules · Jun 28, 2019

Keith_Reeder said:
It would have another vote - mine - if the poll wasn't closed.

Same, would have been a vote for the Sigma 150-600mm C from me.

Keith_Reeder · Jun 28, 2019

It's an awful lot cheaper than the long white lenses...

Maximilian · Jun 28, 2019

Wonderful

Terry Danks · Jun 27, 2019

SV said:
"We expect to see Canon’s IBIS technology to arrive in the next major EOS R series camera. "

Let's hope so, and soon!!

Many posts here are redolent of the period when Canon first introduced IS. I recall one forum poster who declared they'd never accept "wobbly bits" in their lenses! Another who said Nikon would never go beyond their first VR lens (a 100-400 IIRC?), years after Canon had IS across their entire "super" tele line.
I actually dumped all my Nikon gear, including the 800mm f/5.6 in order to get the Canon 600/4 IS when it was introduced. To my purpose, no feature was more essential than IS. I still feel that way. What has changed is that Canon is no longer a leader. While my 600/4 is gone, I still have the 300/2.8 IS.
IBIS is where it's at for me. I have been teetering on getting into Sony because of their mirrorless/IBIS bodies. Not sure I can wait for Canon. They're awfully slow to catch up. So different from how it was 15 years ago.

Make no mistake! People are hesitating to buy Canon bodies precisely because they lack IBIS!

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