7D "error code 20
Thanks for the replies and the insight everyone. I will give you an update when his camera gets back from repair
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Landtosea said:Don Haines said:I would head to a decent astronomy store. They will have a selection of decent spotting scopes and high powered binoculars that you should be able to get at a reasonable price..... and the best thing is you get to touch and try the gear first.
My suggestion is: Print/draw your target with your 1/4 inch hole... plus one or two sizes larger and smaller, park car 300 yards from store with target on the roof, and try out what the store recommends right there..... there is nothing better than seeing it work to let you know that it will work.
Thanks, but I have done the homework on the spotting scopes and know what models perform and which do not. I am really surprised that senor Steve can see them with his 42x Nightforce, even though that is an expensive high end scope? This is a prime example of glass quality making the difference and why a cheaper spotting scope is not going to help.
What I did not think to try and you brought to mind is my son has a decent telescope. I have to at least give it a shot... I am still interested in my lens options and may pursue the above mentioned 400mm combo.
neuroanatomist said:Tough to spot on a Nikon spec list, mabe...but that's better than impossible to spot on a Canon spec list, since it's not there at all (e.g. the 7D has AFMA, but it's not referenced in the specs).AvTvM said:But Neuro ... especially as a Canon-user it is really tough to spot the feature in the somewhat unwieldy spec list!![]()
troy19 said:CCY020 said:French lady
Great catch.
Did you try to get more DR out of the blacks to visualize her body. Otherwise the head is "flying" over the guitar.
Or maybe it's just my monitor hiding this?
Louis said:neuroanatomist said:Louis said:I wonder if its possible to make the 5D3 -EV3 like the 6D?
Almost certainly not...
If not then I wonder how they are going to fix this problem
Ryan_W said:Does Jon claim that his work hasn't been adjusted in post? I don't know of any serious photographer (editorial, commercial or otherwise) that doesn't adjust his or her work in post. I do know of a few who pretend they don't, and do.
Faxon said:The butterfly brush seems awfully pricey for my needs, however. (Maybe I can modify a ten dollar electric toothbrush).
RGF said:I would like to have a serious discussion. I am not going switch in haste, I am justing thinking about this issues. So please, no flames, etc. Well thought out comments are welcomed.
Comparing Nikon and Canon bodies here are my thoughts
5D M3 no match
D800 no match, when/if Canon comes out with a high MP body, it is likely to be expensive.
Canon 1.3 crop in a 1 series body is great, Nikon's FX/DX lacks this feature. The 1.3 crop makes my 500 a bit longer
Not sure how I would compare the 1D X versus D4 (correct body?), but not terribly important since the 1D X is out of my price range.
Canon vs Nikon lenses
Nikon wins in wide angle.
Canon and NIkon both have great mid range lenses (24-70, 70-200). Canon's 24-105 is probably better than Nikons 24-120.
On the long end, similar quality though with the new super telephotos Canon may have an edge in optical quality and definitely on weight. But at what cost?
Nikon has 200-400, Canon has an interested lens in development, not out yet, costs $3000 (?) than Nikon's.
Speciality lenses - Tilt shift I think Canon wins at least for wide angles. Macro - both are great.
Conclusions
Canon - more expensive, lighter weight Super telephotos, weak in the wide angles expect for Tilt Shift
Nikon - less expense, stronger in wide angles,
Anything else?
Mt Spokane Photography said:Extension tubes are very precisely machined as well, the good ones, anyway. Most tube users are not worried about edge to edge sharpness, and you are magnifying the image anyway to only see the center portion.R1-7D said:Thanks for the responses.
At least I was smart enough to experiment on something first before messing with my $2000 camera:
I know I said it was my 5D2, but I actually was playing with the mount on my 25mm extension tube to make sure it could be removed easily enough first. The reason is that I have quite a scratched mount on my 5D2 and was thinking I could replace it if it were an easy job.
I simply said 5D2 in the thread to for simplicity for getting my question across.
Now that I know my answer, however, I have another question as a result of my stupid tinkering:
Since I had the four mount screws out on the extension tube, will that too throw the focusing out of whack when used with another lens?
Thanks for the help and everyone's patience. In the future I'll try to make myself leave this stuff alone and control my OCD better.
Unless you see a problem with the image, don't worry. I would avoid messing with the camera mount though.
+1Marsu42 said:eyeland said:I guess thatr the Tamron wins hands down for video use over the canon mk2 due to the VC?
Only if you use handheld static video, but for most professional applications a body stabilization gear is used which prevents the typical IS/VC "skip" when moving around.
Mine too! ... eagerly waiting for its release.RLPhoto said:This will definitely be my first tilt-shift.
I suppose the problem with small start up companies is that they don't have the resources, so they depend on third parties.Mt Spokane Photography said:Thats why smart companies license software and include it in the package.
A example might be Canon Cameras and the software included with them does include patented software licensed from third parties, including MP4 codecs. Its also why you can only download updates from the Canon site. I use Nero software, and they include third party patented software which has its own software agreement and activation before you can use it to play MP4 files.
The point being that they include it, and do not subject you to having to hope to get it from a third party.