Auto_focus Acting Up

bdunbar79 said:
I have the same problem with both of my bodies, in low light and trying to AF on fast-action. It boils down to the fact that I just don't think the 1DX's AF is as good as all the hype when it was first released

I believe this is true. The Ai Servo AF on 1Dx and 5D III does not seem to warrant all the initial hoopla, especially in Ai Servo. However, I just got my 5D MkIII back from Canon Service, where I had it cleaned and checked before the warranty ran out. I did mention to them that the Al Servo mode seems to have tendency to misfocus, and the service summary mentions:

"Confirm autofocus to factory standard (Ai Servo). It was found that the adjustment of the AF assembly was incorrect, causing the focus to operate improperly. Electrical adjustments were carried out on the AF assembly. Product function was confirmed."

There is no way to perform proper A-B testing of Ai Servo in exact same situation pre and post "AF adjustment," but I do believe the Al Servo focusing is working perceptibly better now, which is very difficult to quantify. If your recent Canon body is having unusually worse-than-expected Ai Servo performance, it may (or may not) be worth it to have Canon Service check it out before warranty runs out. They probably need a cleaning anyway..
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Jessops [UK camera retailer] closes

Sorry to hear your local retailer is going under=/. The one in my town is close to going under too. I buy all my bags and Flashes there. I have a hard time buying a used flash.

On the mac front which seems to have hijacked the latter part of this thread. Rusty.. That episode was and still is hilarious.

I love my MBP Retina and my self built desktop. They both run SSD's and 16gb of ram (desktop is an older I5 but works great) and just SMOKE anything I do. I have to say for the price of the low end retina I have not seen a PC based laptop that can do what this little guy does. Clients LOVE seeing the photos or designs (I work as a patent writer and design/prototype engineer for a patent firm on the screen rather then the 46" TV we have setup in our conference room because of how vivid the colors are. I could not do half of my work though without a PC, since Autodesk does not program for Mac. I love them both... and honestly after writing this I don't think I could live with out either OS.
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Chicken-Sausage Gumbo Video: 5D3, still working to learn lighting/color correct

Hi all,

I've posted my latest edition of my cooking show on youtube: CWI- Cooking While Intoxicated: Chicken and Andouille Sausage Gumbo

https://www.youtube.com/watch?v=hufnMolvF9s

I think I'm getting better at my editing...and this was my first attempt really using extra lighting (other than what is just in the room). I have a couple of stands I'm using, with clamp lights...and some diffusers.

I know I have a LOT to work on with that, and it wasn't until I reshot ONE last scene, that I discovered that I had not had the proper white balance set.
I bought one of those ExpoDisc things to set custom white balance....but I didn't know that you had to set it AND set the white balance setting to use custom too...(D'oh).

So, I had a heck of a time cleaning up the color on the video, but I did my best. Also, it seems Davinci Resolve isn't working nice with FCPX with xml round tripping since they were upgraded, so I had to try to learn to do what I could with FCPX's native color and masking tools.

Anyway, I'm getting better I think, as I go along. I love doing this, so I'm learning a bit more on every time, by watching TV/Movies and analyzing how they do things...and with my editing, doing audio...remembering to record room tone in case I have to dub something...etc.

So, please give me your thoughts and suggestions...I'm still quite the noob, but I'm trying to learn.

cayenne

ps. If you like good gumbo, I'd suggest this recipe...I brought the leftovers to work the next day, and it disappeared in about 5 min after the work got out. And most of my co-workers are born and bred cajuns or from New Orleans proper.

Reikan FoCal Pro with 40 STM

East Wind Photography said:
I would generally say no you don't. However if you have more than one body you may need it. Also FoCal does have quite a few features above just AFMA calibration. Aperture sharpness is one of them as well as verifying your equipment is still calibrated. Calibrations can drift over time.

But if AFMA is all you are concerned about then you don't need focal if canon got it all set up for you.

AudioGlenn said:
Question: Is FoCal really necessary after Canon calibrates all your stuff to work together? I just got all my stuff back from them and everything seems better without any AFMA at all!

Yes, that's right. I do like using the Aperture sharpness test. I want to play with the AF point tests too.
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Is anyone using Nikon 14-24 on 5D3? Set up?

Mt Spokane Photography said:
Its a pretty specialized lens, and not for general use. It is extremely susceptable to flare, and can grab stray light where you would swear it did not exist.
If you are able to take the time to wait for the right lighting conditions to avoid flare, its a super lens. If you are impatient, you might be frustrated.
Using a fully manual setup pretty much requires a lot of patience, and trial / error exposure.

I'm a landscape guy and when I shoot Canon I typically use the 17 TSE which has the same curved lens, the 24 TSE (all TSE's are manual focus just the the Nikon 14-24 using a Novoflex converter on a Canon camera). I have but don't use the 14mm Canon because the 17 seems much sharper. All curved lenses need you to ensure that side light doesn't get in the lens. Since I shoot mostly live view, I am pretty familiar with keeping out lens flare. Since I depend on histograms and raw shooting, exposure is no big deal. I know about where F8 and F11 are on the Novoflex slide switch with the 14-24. Why use the 14-24? It is just a great lens with a wide zoom range and equal or better than the Canon prime TSE lenses. I never will give it up. I'm still waiting for Canon to make a high MP camera to better the Nikon D800E. The D800E is what I'm using for really all my landscapes and the 14-24 is my go to lens if I don't need the perspective control features for the composition. If I do, then I go to their PCE 24mm. Right now, the Canon 17 and 24 mark 2 lenses certainly have the Nikon PCE lenses beat. Now for a camera to match????
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Just Got Camera Back from Canon Service and the Graininess is unnacceptable

I see a lot of softness on my monitor, no grain.

Same issue with my 5D3 and service from Canon.

sek

revup67 said:
I am attempting to sort out any resets the service center may have done but most of them including AFMA are all in place for all lenses.

However, after taking several outdoor photos today @ 1000 ISO I don't recall ever seeing this much graininess and trying to figure out what's changed. Is it likely any of these settings would cause this appearance:
High ISO NR was on Standard..just changed to "OFF"
Highlight Tone Priority was on, now off

If there's anything else one can think of to turn "off or "on" please advise. I've shot at ISO 3200 indoors without flash and shots were amazing. I'm not sure what the issue could be.. Every shot taken was grainy. Lens used 400mm 5.6 L. I used the 24-105 the other day outdoors (after picked up from service) and strangely I had no issues with graininess.
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6D AF and Focal Plane issues by recomposing

Frage said:
neuroanatomist said:

Great links, thanks!

Since recomposig sucks (visual-vacations.com dixit), I was just wondering how it all happens on a 6D.

well... i certainly can perform either way (re-compose or select one of those focus point) if you can lend me a 6d. i bet that canon 6d is much much better than a camera that i am using everyday for experiment purpose which is canon 30d (note: i am using select focus point on this one).

for ai servo, if i still remember correctly, canon suggests to track your subject starting from center focus point for better result.

one of a renown photographer who prefers to use re-compose technique is bambi cantrell. it is just the matter of technique that you have to train yourself when preferring to use it that way.
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5DmkII and Live View

PeterJ said:
EOBeav said:
n/m, I should have shot in manual, not aperture priority.
I don't think Av changes the ISO unless you have it set to auto-ISO. I can't remember the default but you probably have that set for Av?

In Live View, if you're in Aperture Priority, the camera will automagically select a different ISO. Shoot in full manual and it's not a problem. This is the on the 5D2, remember.
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Canon 5D Mark iii and 64Gigabyte SD card

good to hear someone responds here and the site is alive and kicking,

i have a friend who has high expectations from CF cards, he wants to know if they are able to snap photos while shooting a video with out any notice, on a 5dm3too, i yet to see that on any DSLR but i also never tried it with the newer cards, i do see a freeze in video for a whole sec and usually you shoot about 27-30 frames a sec so i will have to try it myself since i will have a lexar 32GB 1000x cf card in my hands within a week, also a 64GB /95mb SD card so ill try those.

If anyone here has tried to take photos while shooting video with a fast CF card do share the info, as far as i know with the SD card i have which is a sandisk 64GB/45mb atm it freezes the video for a sec.
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600mm F/4L IS AFMA settings

You can get full page address labels at staples or Office Depot. You can just stick it to a piece of plywood or on the side of your neighbors house that you don't like. I paste them on foam board but any rigid surface would work.

jonathan7007 said:
I started outside a couple of weeks ago and although my tripod is super steady (old aluminum Gitzo Tele Studex 5-section model that must weigh 20-25 lbs) the wind was moving the board on which the target was pinned. Big light stand but too much "Sail" area. It's always windy here in the middle of the Pacific where the trades blow in after last touching land 3,000 miles northeast in California.

Two light stands with weights might work so positioned as to allow the clamps to attach to each side of the mounting board... also smaller board area around the target. I have a 300 to test in the mix so some distances involved. Wish that Mk3 test wasn't crippled by Canon's software interface.

I can't really whine about this as the opportunity to test this independently on a lens-by-lens basis is terrific.

jonathan7007
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Canon Experience Stores Coming Soon [CR3]

DaynaLee said:
When Canon announced it's MAP pricing, I thought that would be good for independent camera stores that are being undercut by the big online retailers. MAP pricing would give the stores the chance to sell the cameras at the same price as the big online retailers, and the customer could walk out of the store with their purchase. The store stays in business.

I guess I was being idealistic and naive to think that Canon was instituting MAP pricing to help the small independent camera compete with the big online retailers.

These Canon stores will not only create high profile competition to the small independents, they will have the advantage of being the manufacturer and distributer of the product, giving them a cost advantage. That cost advantage will not translate into better prices for consumers. It doesn't at Apple stores! Instead it will be redirected towards glitzier stores in high traffic shopping centers that small stores can't afford. The massive Canon advertising program , which now works to support the sale of Canon products at independent retailers, will provide Canon with the foundation to promote their own stores and draw sales away from the small retailers. Those small retailers cannot afford to mount advertising campaigns on the scale that Canon can.

At this time, one of the major photo retailers in my area has been running ads on TV in conjunction with Canon. Instead of having that support from Canon, Canon will be working against them and they'll be on their own.

I'm sure that the Canon stores will be as sharp and glitzy as the Apple stores and the salespeople will be well trained on Canon products. The stores will probably be better stocked with Canon products than the small independents as well.

But I doubt that Canon stores will be carrying aftermarket and third party merchandize like Sigma, Tamron lenses, or Nissin flashes, or aftermarket batteries. The small accessories like lens hoods and caps, shutter release and flash cables...they'll all be premium priced Canon products, not less expensive aftermarket brands that work just as well.

And when the customer is trying to decide on a camera, the saleperson is not going to show you a Canon and a Nikon or some other brand. He's going to show you a Canon and a Canon. Not two comparable cameras at similar price points, but two different quality level Canons at different price points.

My greatest concern is the harm this will do to my local independent camera shop..the place I go to when I need a roll of seamless, or some sort of wierd cable or bracket or lighting accessory, the place where I can try stuff other than Canon brand.

So if they open one of those stores in my area, I'll go there, enjoy the glitz, try out the cameras, pick the brains of the salespeople, but when I decide what I'm going to buy, I'm going to keep my purse closed and head over to my local camera store and spend my money there. My local shop is a small shop, off the beaten path and is crammed with all kinds of gadgets and accessories. The owner told me that if Canon opens a store nearby, it would probably kill his business. I would hate to see that happen.

I hope Canon does not do this.

What you say is absolutely true. However the world does not work that way. The big fish eats the small fish... Sad fact.
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warehouse space for photography in DC/MD/VA?

kubelik said:
good luck with your own shoot, bchernicoff!

Thanks. When I got there we ended spending most of our time talking about what he wants to do long term. He's interested in portraits as well as shooting his work and wants to convert one of the rooms in his workshop into a small photography studio. The room is large enough and has a high, matte-black ceiling, so it's perfect. We're going to work to get it setup over the next couple of weeks. I'll let you know how it goes. I did mention that there were probably other people in the area that would pay to use it, so we'll see what he thinks.
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5D3 Volleyball Weekend and General Thoughts

Men's volleyball...now there is something you don't see too much of down here in the south.

I am stuck watching the girl play club ball in converted warehouses. This last weekend they had the courts netted off from the parents so I had to sit in one place all day and stick the lens through the net. The zoom came handy as I was not able to walk around for different angles. But how b.o.r.i.n.g.
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5dc still relavent

I just recently purchased a 5D classic in November, and I was coming from a Rebel, and I can confirm that there is a huge improvement in image quality. Even with regards to ISO, the 5d looks much better than my t3i at higher ISO's so I guess ISO quality depends on what you are comparing it to. The hardest part to get used to was all the settings and switching everything around, because the UI is definitely dated, so there is a bit of a learning curve in figuring out how to quickly adjust all the different settings.

I also had the 50mm f1.4 and 17-40 f4 to work with, so I got some great results, and I definitely noticed a richness and depth that I wasn't getting before. It was definitely an improvement in IQ, just a more polished look and better colors than my t3i.

I also would say that $450 is a pretty good deal for a 5d classic that is in good shape. When I purchased mine, I was watching ebay and they seemed to be going from the mid-$500's and up depending on how they were packaged, and who was selling the camera. B&H and Adorama were selling used 5d's for the $600 to $700 range.

One caveat is that it is heavier and bigger than my rebel, and it doesn't do video. So I've kept my rebel as a backup body to use when I want a lighter/smaller camera or for video.
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5DM3 Custom Function / reassign button and GP-E2 Glitches

revup67 said:
There is a setting for this (don't have it connected now but as I recall it has a sun icon). you can toggle this on and off - it's within the city name..here it says Los Angeles. I have not had an issue since I've toggled this off. The time stamps are all correct now so I'm fairly confident that was the issue. You raise an interesting point and that is to turn off DLS on the camera. That certainly is another work around though since I rely on the camera time more than the GPS (not always connected) I may stay put and wait to hear back on what canon has to say. PS did you get the latest version of the 600mm @ F/4 ?

My point was that the sun icon by the city name is part of the camera time setting, not a GPS function. It's on the same menu screen as 'GPS functions' but a different line, meaning it's a camera function. Or with the GP-E2 connected, is there a second place to set city and 'sun' that comes up when you highlight GPS functions and press Set? (Why would the GPS setting need a city entered, isn't that the point of a GPS?!?). Assuming there's only one such setting, leaving the sun/DST off is the way to go, since we're currently on standard time.

Yes, I have the 600/4L IS II.
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Canon U.S.A. Introduces Two New Cinema Prime Lenses, Expanding The Cinema EOS Prime Lens Product Lin

Re: Canon U.S.A. Introduces Two New Cinema Prime Lenses, Expanding The Cinema EOS Prime Lens Product

verysimplejason said:

I know Samyang cinema lenses, if you've read my previous posts till the last line I mentioned them twice, I own the 14mm f/2.8 not cinema version and I think it's absolutely stunning...and about the moustache distortion which is not that strong and don't know if present also in the cinema version, well that's totally fixable with PTLens.

Here's a test of the 35 T1.5 Quick test Rokinon 35mm T1.5 Cine Lens for Nikon F

as you can see there's no focus breathing (Samyang and Rokinon are the same brand).

Lens Review Rokinon Cine 35 T1.5
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