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New Canon Full-Frame Cinema Camera the EOS C700 FF to be Showcased at Cine Gear Expo 2018

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<em>The company will offer hands-on demonstrations with its latest products and host panel discussions</em></p>
<p><strong>MELVILLE, N.Y., May 31, 2018</strong> – Canon U.S.A., Inc., a leader in digital imaging solutions, will showcase its newest digital cinema products in Booth #12 at Cine Gear Expo 2018 in Los Angeles.</p>
<p>Visitors to the Canon booth will have the opportunity to experience the full range of Canon Cinema cameras and lenses, 4K reference displays, and DSLR cameras and lenses, including the recently announced EOS C700 FF Cinema Camera. Available in EF or PL mount, the EOS C700 FF features a 5.9K full-frame sensor with built-in anamorphic de-squeeze capabilities and RAW capture. The camera will be on display paired with the CN-E20mm T1.5 LF F lens, the latest addition to Canon’s line of CN-E prime lenses. Canon’s newest 4K HDR reference display, the 24-inch DP-V2421, will also be available for hands-on demonstrations, showcasing on-set HDR functionality.</p>
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<p>Cine Gear attendees will be able to learn more about Canon’s CarePAK PRO Extended Service Plan, which recently expanded to include professional video and cinema products. Canon CarePAK PRO offers coverage from accidental damage such as drops, spills and power surges, protecting customer investments from unforeseen repair costs and excessive downtime. Conditions and restrictions apply*.</p>
<p>In addition to showcasing products and professional service and support offerings, Canon will host a series of panel discussions and educational seminars. On Saturday, attendees** will have the opportunity to see the new EOS C700 FF in action with a screening of <i>Dishful of Dollars</i>, a short film directed by Nigel Dick and shot by Nancy Schreiber, ASC. The full panel schedule is as follows:</p>
<p><strong><span style="text-decoration: underline;">Friday, June 1</span></strong></p>
<p><strong>2:30-3:15 pm</strong></p>
<p><strong>Screening Room 5</strong></p>
<p><strong>Choosing Between Full Frame And Super 35mm: A Hands-On Image Characteristics Comparison for Cinematographers</strong>

Instructor: Loren Simons, Sr. Engineer, Field Applications, Canon U.S.A.</p>
<p><strong><span style="text-decoration: underline;">Friday, June 1</span></strong></p>
<p><strong>5:30-6:30 pm</strong></p>
<p><strong>Paramount Theater</strong></p>
<p><strong>Options in Optics</strong></p>
<p>Moderator: Tim Smith, Sr. Film and Television Advisor, Canon U.S.A.</p>
<p>Panelists:</p>
<ul>
<li>Daniel Levin (<i>Inside the FBI</i>)</li>
<li>Claudia Raschke (<i>RBG, The Price of Everything</i>)</li>
<li>Steven Poster (<i>The Boor, Amityville: The Awakening</i>)</li>
</ul>
<p><strong><span style="text-decoration: underline;">Saturday, June 2</span></strong></p>
<p><strong>4:30-5:30 pm</strong></p>
<p><strong>Paramount Theater</strong></p>
<p><strong><i>Dishful of Dollars</i> – In-depth with the EOS C700 Full Frame</strong></p>
<p>Moderator: Tim Smith, Sr. Film and Television Advisor, Canon U.S.A.</p>
<p>Panelists:</p>
<ul>
<li>Nancy Schreiber, ASC (Director of Photography)</li>
<li>Nigel Dick (Director)</li>
<li>Gunnar Mortensen (1st AC)</li>
<li>Loren Simons (Sr. Engineer, Field Applications, Canon U.S.A.)</li>
</ul>
<p>Follow Canon’s Cine Gear activities on Twitter at @CanonUSApro or on Instagram at @CanonUSAprovideo.</p>
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16-35 f/2.8L III for astro?

Hi everyone,

I do a fair bit of back country hiking and photography, but I am finding my legs just don't want to carry me that far with my current kit. Looking for options to lighten/shrink the load, and I'd be curious to hear your opinions on the best path forward.

Right now I am carrying a 5D mk IV, Canon 16-35 f/4L, Canon 24-70 f/2.8L II (or a 24-105 f/4L), sometimes a Canon 70-200 f/2.8 L II, and definitely a Rokinon 14mm f/2.8 in addition to a LEE filter system and a manfrotto 055 carbon fibre tripod. Obviously, this is way way too much when combined with camping gear, food and clothing. I'd estimate that I am shooting probably 50% of the time with the 24-70, 35% with the 16-35, 10% with the 14, and 5% with the 70-200, and the really only times I'm at f/2.8 is on the 14mm (for what it's worth).

Right now I am thinking that my best compromise (without changing what I shoot) may be to replace the 70-200 f/2.8L II with a 70-200 f/4L (really curious to see what comes from the announcement next week), and look for a different wide angle option which can both take the LEE filter system and can produce decent wide astro photos (i.e. replacing the 16-35 f/4L and the Rokinon 14mm f/2.8 with a Canon 16-35 f/2.8L III).

So I have three questions:
[list type=decimal]
[*]How well does the Canon 16-35 f/2.8L III perform for astrophotography? I have heard that it really struggles with vignetting at 2.8 which could pose a barrier to some of the wide milky way stitches I've been doing (example here: https://www.flickr.com/photos/122837542@N02/42095824811/in/dateposted-public/). Anyone have any thoughts on whether the vignetting issue is overblown?
[*]Are there any other zoom lens options that are at least 16mm at the wide end, with a traditional filter thread that would accept the LEE 100mm filter system?
[*]Any other suggestions to reduce the weight that I haven't considered?
[/list]

Any input would be greatly appreciated!

Service Advisory: Canon EOS 70D For Error 70 & Error 80

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Canon has released a service advisory for the Canon EOS 70D.</p>
<p><strong>Error 70 or Error 80 Occurs Repeatedly – [Added 30 May 2018]</strong></p>
<p>Thank you for using Canon products.</p>
<p>We would like to offer our sincere apologies to users who have been inconvenienced by the phenomenon described below. We value the trust our customers have placed in us, and we are dedicated to continuously improving product quality as well as delivering industry-leading service and support.</p>
<p>In rare cases, error 70 or error 80 may repeatedly display on some EOS 70D digital SLR cameras due to an internal communication failure resulting from the structure of the electrical printed circuit board. If use of the camera is subsequently continued, a state may occur in which the camera’s power does not turn on. In most cases, this phenomenon occurs in conjunction with continuous use of the camera while the camera’s internal temperature is high, such as when shooting movies continuously.</p>
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<p>“Err 70” or “Err 80” will appear on the LCD monitor at the back of the camera or on the LCD panel at the top of the camera.</p>

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				Err 70 display on the LCD monitor
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				<a href='http://www.canonrumors.com/wp-content/uploads/2018/05/Err-80_tcm14-1676512.jpg'><img width="168" height="162" src="http://www.canonrumors.com/wp-content/uploads/2018/05/Err-80_tcm14-1676512-168x162.jpg" class="attachment-thumbnail size-thumbnail" alt="" aria-describedby="gallery-1-35177" /></a>
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				Err 80 display on the LCD panel
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<p>There may be rare occurrences of error 70 or error 80, after which the camera functions can be recovered by turning the power off and on again, or by re-installing and reinserting the battery. The phenomenon described here refers to the frequent reoccurrence of error 70 or error 80.</p>
<p>The phenomenon may occur only in cameras whose first two digits in its serial number are within the range of “00” to “22”.</p>
<p><a href="http://www.canonrumors.com/wp-content/uploads/2018/05/step_3_image_tcm14-1676513.png"><img class="aligncenter size-full wp-image-35178" src="http://www.canonrumors.com/wp-content/uploads/2018/05/step_3_image_tcm14-1676513.png" alt="" width="463" height="176" srcset="http://www.canonrumors.com/wp-content/uploads/2018/05/step_3_image_tcm14-1676513.png 463w, http://www.canonrumors.com/wp-content/uploads/2018/05/step_3_image_tcm14-1676513-225x86.png 225w" sizes="(max-width: 463px) 100vw, 463px" /></a></p>
<p>Cameras on which error 70 or error 80 occurs repeatedly and that have a serial number within the range specified above will be inspected/repaired free of charge. Please note that inspection/repairs for any other issue will be handled as normal repairs.</p>
<p>If you wish to make a request for the free inspection/repairs, please bring the camera body only with the body cap attached to a <strong><a class="formatlink" href="https://www.canon.co.uk/support/consumer_products/repair.aspx">Canon Service Centre</a></strong>.</p>
<p>If you have any enquiries, please <strong><a class="formatlink" href="https://www.canon.co.uk/support/consumer_products/telephone_numbers/">contact us</a></strong> for further assistance.</p>
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Canon Officially Discontinues the EOS-1v Film Camera

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<p>Canon Japan has officially ended the sale of their last film camera, the EOS-1v.</p>
<p><strong>From <a href="http://cweb.canon.jp/e-support/products/eos/180530eos1v-end.html">Canon Japan</a></strong> (Google Translated):</p>
<blockquote><p>Thank you very much for your continued patronage of Canon products.</p>
<p>By the way, we are finally decided to end sales for the film single lens reflex camera “EOS – 1v”.</p>
<p>We will also take repair measures until October 31, 2025, even after the repair correspondence period of our company’s repair service contract for the purpose of improving service and support for customers who use this product.</p></blockquote>
<p>This comes on the heals of Leica cancelling the M7, though they’re continuing to make the beautiful M-P for the moment.</p>
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Two New Lenses Coming From Canon Next Week [CR3]

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<p>We’re told that the date is finally upon us and we can confirm that Canon will announce two new lenses next week. At the time of writing this, I’m not sure if it’ll be Tuesday or Friday of next week, but we should know in the next 24 hours or so.</p>
<p>Pricing and availability is not yet know.</p>
<p><strong>Lenses being announced:</strong></p>
<ul>
<li>Canon EF 70-200mm f/4L IS II</li>
<li>Canon EF 70-200mm f/2.8L IS III (Though we’ve never seen this lens actually named in full for announcement, we’re running on assumptions, which can be dangerous.)</li>
</ul>
<p>The EF-M 32mm f/1.4 will be announced closer to Photokina, which happens in September.</p>
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New prime Sony lenses rumors.... A chance for Canonians?

An Sony rumor site writes about patents of Sony 500&600mm 4.0 lenses.
https://www.sonyalpharumors.com/new-sony-patent-discloses-500-f-4-and-600-f-4-e-mount-lens-design/

In my opinion this is a chance for us Canonians that Canon and Nikon will be forced (a little bit more) to come up with new lenses - and indirectly to produce better "highend" bodies.
An A9 on an 600mm geniune sony lens would be a pleasure to use (IF you have the extra $$$$ amount on money - as the price tag will be highend too).

As I read in another forum, these lenses for MLS-bodies will be a little bit lighter than lenses for FF. Nonsens?

DJI Launches The Ronin-S Gimbal Stabilizer

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<p><em>DJI has just revealed final details for its highly-anticipated single-handed gimbal stabilizer—the Ronin-S. This exceptionally capable device will help smooth footage when working with DSLRs and mirrorless cameras up to 7.9 lb. For now, the Ronin-S will be exclusive to B&H </em></p>
<p><strong>NEW YORK, May 29, 2018</strong> – B&H Photo would like to share the official announcement of the DJI Ronin-S 3-Axis Gimbal Stabilizer, a lithe, single-handed tool used to smooth movement when shooting video with a DSLR or mirrorless camera. DJI is daring us to move, and the Ronin-S makes that dare easy to accomplish with its clean and high performance, for camera systems weighing up to 7.9 lb. It also offers one-handed design, enabling simple, intuitive operation, and a slimmer profile for working in confined spaces with ease.</p>
<p>Among the major advantages provided by the Ronin-S is a design that moves the roll axis to a 45-degree angle, ensuring there is a clean line of sight to the camera’s rear screen for monitoring purposes. Also, it is a part of DJI’s constantly growing ecosystem, and will offer immediate support for plenty of their accessories, including the Master Wheels and Master Force. It has a dual handle system, multiple types of wireless receivers, a focus control setup, and more. Also included are standard mounting points for attaching useful tools like microphones and lights.</p>
<p>Three operational modes are available for added versatility—underslung, upright, and flashlight. Each of these is determined by the desired grip and angle of the shot, and make it more comfortable to operate for longer periods of time. The gimbal can even be removed from the handle and mounted on other supports, such as a jib or RC car, for which there is a dedicated mode to ensure silky smooth motion. A Sport Mode can be enabled for moments of fast-paced action.</p>
<p><strong>Product Highlights</strong></p>
<ul>
<li>Three-Axis Motorized Gimbal Stabilizer</li>
<li>Holds DSLR or Mirrorless Cameras</li>
<li>Offset Roll Motor for Screen Visibility</li>
<li>One-Handed Operation</li>
<li>Interchangeable Parts Ecosystem</li>
<li>Accessory Dock</li>
<li>Customizable Parameter Groups</li>
</ul>
<p>To provide an excellent operating experience, the Ronin-S offers multiple control options, including a precise joystick located on the handle, with multiple customizable parameters. Users will enjoy support for camera control as well, with the ability to connect to select Canon, Sony, Nikon, and other systems where they can adjust focus settings, initiate recording and more without taking their hands off the Ronin-S. Other settings include a Virtual Joystick option, Time-Lapse, Track, and Panorama modes.</p>
<p>A wide range of movement is possible with this gimbal, including continuous 360 degrees of rotation, tilt from -95 to 185 degrees, and a complete 360 degrees of roll in a Roll 360 mode that will come in handy for rapid movement and repositioning of your camera. Additionally, it is powered by a rechargeable 18650 2400mAh Li-ion polymer battery pack that will operate for hours on a single charge, while Bluetooth 4.0 and USB Type-C connections permit the stabilizer to be connected directly to mobile devices and computers.</p>
<p>The DJI Ronin-S will be exclusive to <a href="https://bhpho.to/2kwEnYN" target="_blank" rel="nofollow noopener">B&H Photo</a> for a limited time. It is already open for pre-order, and will soon be available.</p>
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Sony Releases 0.5-type OLED Microdisplay with Top-of-Class UXGA Resolution

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<p><strong>Tokyo, Japan</strong>—Sony Corporation today announced the upcoming release of the ECX339A OLED Microdisplay featuring UXGA (1600 x 1200 resolution), the highest in class for a 0.5-type. This product achieves the world’s smallest pixel pitch of 6.3μm by leveraging Sony’s OLED display technology and miniaturization technology, enabling a resolution 1.6x higher than the previous model<sup>*¹</sup>. By employing a new drive circuit design that operates on half the voltage of the previous model<sup>*¹</sup>, the new product achieves the same level of low-power operation as its predecessor but with much higher resolution. When paired with Sony’s original driving system<sup>*²</sup>, a frame rate up to 240 fps is supported—double that of previous product<sup>*¹</sup>.

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<table class="mod_table">
<tbody>
<tr>
<th class="center">Model name</th>
<th class="center">Sample shipment date</th>
<th class="center">Mass-production shipment date (planned)</th>
<th class="center">Sample price (excluding tax)</th>
</tr>
<tr>
<td class="center">ECX339A 0.5-type OLED Microdisplay</td>
<td class="center">January 2018</td>
<td class="center">November 2018</td>
<td class="center">50,000 JPY</td>
</tr>
</tbody>
</table>
<p>Enhancing the resolution on microdisplays has traditionally presented problems such as deteriorating image quality due to decreased pixel pitch and inferior viewing angle properties. The new product features optimized transistors layout and process to address uneven characteristics and loss of withstand voltage, the issues associated with transistor miniaturization. The Sony original variation compensation circuit also enhances picture quality. Additionally, the color filter is deposited directly on the silicon substrate, reducing its distance from the light emitting layer, and the filter’s color array has been modified. This helps to secure the viewing angle properties while achieving high resolution.</p>
<p class="mod_text">OLED Microdisplays are widely used in digital camera electronic viewfinders (EVF) for their superior high contrast, high color gamut, and high-speed responsiveness. Sony, having achieved this high resolution and high frame rate, now offers even more realistic image display and accurate capture of subjects for use in high-end cameras that demand extremely high image quality.</p>
<p id="anchor1-5" class="mod_text">Going forward, Sony expects this high-definition OLED Microdisplay to be employed in a diverse range of fields and applications such as AR (augmented reality) and VR (virtual reality) head-mounted displays.

*1<span class="mod_listNotes-data">Compared with the Sony OLED Microdisplay ECX337A (0.5-type QVGA (1280×960)).

*2</span><span class="mod_listNotes-data">Driving method of dual vertical line simultaneously (“Dual-line progressive” driving technique)</span></p>
<div id="attachment_5324" class="wp-caption alignnone">
<p class="wp-caption-text"><a href="http://www.canonrumors.com/wp-content/uploads/2018/05/sony001.jpg"><img class="aligncenter size-large wp-image-35157" src="http://www.canonrumors.com/wp-content/uploads/2018/05/sony001-728x233.jpg" alt="" width="728" height="233" srcset="http://www.canonrumors.com/wp-content/uploads/2018/05/sony001-728x233.jpg 728w, http://www.canonrumors.com/wp-content/uploads/2018/05/sony001-768x246.jpg 768w, http://www.canonrumors.com/wp-content/uploads/2018/05/sony001-225x72.jpg 225w, http://www.canonrumors.com/wp-content/uploads/2018/05/sony001.jpg 1028w" sizes="(max-width: 728px) 100vw, 728px" /></a></p>
</div>
<p><strong>Main Features</strong></p>
<p><strong>1.High-resolution UXGA in a 0.5-type</strong>

The new product has achieved the world’s smallest pixel pitch of 6.3μm by leveraging Sony’s proprietary OLED display technology and miniaturization technology, and has superior resolution 1.6x higher than the previous model<sup>*1</sup>. Generally, transistor miniaturization results in characteristic variation and reduced withstand voltage. This product uses a Sony original compensation circuit and optimized layouts and process for each individual transistor to address these adverse effects. Furthermore, the color filter is deposited directly on the silicon substrate, reducing its distance from the light emitting layer, and the filter’s color array has been modified to secure the viewing angle properties while achieving high resolution.</p>
<div id="attachment_5325" class="wp-caption alignnone">
<p class="wp-caption-text"><a href="http://www.canonrumors.com/wp-content/uploads/2018/05/sony002.jpg"><img class="aligncenter size-large wp-image-35158" src="http://www.canonrumors.com/wp-content/uploads/2018/05/sony002-728x233.jpg" alt="" width="728" height="233" srcset="http://www.canonrumors.com/wp-content/uploads/2018/05/sony002-728x233.jpg 728w, http://www.canonrumors.com/wp-content/uploads/2018/05/sony002-768x246.jpg 768w, http://www.canonrumors.com/wp-content/uploads/2018/05/sony002-225x72.jpg 225w, http://www.canonrumors.com/wp-content/uploads/2018/05/sony002.jpg 1028w" sizes="(max-width: 728px) 100vw, 728px" /></a></p>
</div>
<p><strong>2.High-speed frame rate</strong>

A new drive circuit design supports a high frame rate of up to 240 fps<sup>*2</sup>, nearly double that of its predecessor<sup>*1</sup>. This has made it possible to capture fast-moving subjects in the viewfinder with higher accuracy, so users will not miss a photo opportunity, delivering a more comfortable shooting experience. In head-mounted display devices, this will help to improve image delay issue for items superimposed on real-world vision of AR and to avoid motion sickness during usage of these kinds of devices.</p>
<p><strong>3.Low power consumption</strong>

By employing newly-designed peripheral circuits that operate on half the voltage of previous model<sup>*1</sup>, the new product delivers the same low-power operation as its predecessor when operating at the same frame rate, despite the nearly 1.6x increase in the number of pixels.</p>
<p id="anchor1-12" class="mod_title-h2-news"><strong>Key Specifications</strong></p>
<table>
<colgroup>
<col width="25%" /></colgroup>
<tbody>
<tr>
<th class="left">Name</th>
<td>ECX339A</td>
</tr>
<tr>
<th class="left">Display Size</th>
<td>0.5 type (12.6 mm Diagonal length)</td>
</tr>
<tr>
<th class="left">Resolution</th>
<td>UXGA(1600×RGB×1200)</td>
</tr>
<tr>
<th class="left">Pixel pitch</th>
<td>6.3μm</td>
</tr>
<tr>
<th class="left">Max. frame rate</th>
<td>120 fps (progressive) / 240 fps (dual-line progressive)</td>
</tr>
<tr>
<th class="left">Power consumption (200cd/m2)</th>
<td>310 mW @ 60 fps (progressive) / 120 fps (dual-line progressive)</td>
</tr>
<tr>
<th class="left">Video interface</th>
<td>LVDS/Sub-LVDS</td>
</tr>
<tr>
<th class="left">Max. luminance</th>
<td>1,000cd/m2</td>
</tr>
<tr>
<th class="left">Contrast</th>
<td>100,000:1 or higher</td>
</tr>
<tr>
<th class="left">Color gamut (u’v’)</th>
<td>sRGB ratio: 110%</td>
</tr>
</tbody>
</table>
<p> </p>
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Is The Canon Cinema EOS C300 Mark III The Next Cinema EOS Body? [CR1]

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<p>We’re told that the next Cinema EOS camera body will be the EOS C300 Mark III, and that we will not be seeing a direct replacement to the C100 Mark II.</p>
<p>The new camera body will apparently see a bump in resolution, but specs beyond that are hard to come by as always.</p>
<p>This source suggests that the new cinema camera won’t be announced until after Photokina.</p>
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A Little Bit More About the New 70-200mm Lenses That Are Coming [CR1]

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We’re told by a unknown source that the two new 70-200mm L lenses are due to be announced next week. We previously reported that they’d be <a href="http://www.canonrumors.com/new-canon-70-200mm-lenses-coming-in-early-june-cr3/">coming in early June</a>.</p>
<p>We’re also told from the same person that select journalists now have copies of both lenses in their hands. I’d expect the usual suspects to be testing these lenses for early hands-on reviews.</p>
<p>All that said, we do not have an exact announcement date for these two new L lenses, but we seem to now have a few people agreeing that they’re coming soon.</p>
<p><em>More to come…</em></p>
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Anyone else delaying lens purchases until we know more about mirrorless plans?

Is it just me or does anyone else find themselves delaying lens purchases until we know more about Canon's prosumer mirrorless plans and timeframes? I'm a serious amateur/hobbyist without the luxury of unlimited funds and will be very interested in moving to mirrorless if Canon offers a superb quality full frame mirrorless in the near future.

More Full Frame Mirrorless Talk, Maybe Some Surprises? [CR1]

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We seem to be getting information from new places every week now, so please <a href="http://www.canonrumors.com/the-canon-rumors-rating-system-explained/">mind the ratings</a> you’re seeing on our most recent posts. However, there are times [CR1] rumors turn out to have some truth to them.</p>
<p><strong>About a new Canon mirrorless:</strong></p>
<ol>
<li>We’re told that a full frame mirrorless will be coming in September.</li>
<li>Canon’s new mirrorless will <strong>NOT</strong> be part of the EOS system, the focus will be on video.</li>
<li>Think EOS 5D Mark IV, but mirrorless.</li>
<li>4K @ 30/25/24 FPS</li>
<li>Codename begins with Z</li>
</ol>
<p><strong>Other Information:</strong></p>
<ol>
<li>New mirrorless lens at Photokina (EF-M 32mm f/1.4?)</li>
<li>New Cinema EOS body coming before Photokina</li>
</ol>
<p>There’s always the possibility that there are multiple cameras are being developed concurrently, and that the above information only covers one of them.</p>
<p>Take this stuff with a grain of salt, but I find some intriguing ideas above that may fit with more cryptic information we’ve received over the last month or so.</p>
<p><em>More to come…</em></p>
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Sigma Announces Pricing and Availability for Its 105mm F1.4 DG HSM Art Lens

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<em>The “Bokeh Master” will begin shipping in Canon, Nikon and Sigma mounts in late June for a retail price of $1,599.00 USD</em></p>
<p><strong>Ronkonkoma, NY – <span class="aBn" tabindex="0" data-term="goog_518005988"><span class="aQJ">May 25, 2018</span></span> – </strong><a href="https://sigma.cmail19.com/t/r-l-jyhuihhk-kutlpzq-n/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?hl=en&q=https://sigma.cmail19.com/t/r-l-jyhuihhk-kutlpzq-n/&source=gmail&ust=1527339662636000&usg=AFQjCNH0ehNkyn0XQoQr7ZOZ6PbGWWl7mQ">Sigma Corporation of America</a>, a leading still photo and cinema lens, camera, flash and accessory manufacturer, today announced that its <a href="https://bhpho.to/2x8s4LE">105mm F1.4 DG HSM Art</a> lens will be available in Canon, Nikon and Sigma camera mounts in late June for $1,599.00 USD through authorized US dealers. The Sony E-mount availability will be announced later.</p>
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<p><strong>The “Bokeh Master” with Longest Focal Length Among Sigma Wide-Aperture F1.4 Art Lenses</strong>

The Sigma 105mm F1.4 DG HSM Art is the ninth lens in the Sigma F1.4 line-up designed for full-frame cameras. To combine outstanding wide-aperture, mid-telephoto performance with F1.4 brightness at maximum aperture, this lens incorporates 17 optical elements in 12 groups, including three FLD glass elements, two SLD glass elements and one aspherical lens element. This optical setup minimizes axial chromatic aberration to deliver ultra high resolution along with ample peripheral light volume, which minimizes vignetting. As a result, the area in focus is extremely sharp, while the out-of-focus area features a beautiful bokeh effect with highly natural colors, making this a desired lens for portrait photography. The optical design also minimizes sagittal coma flare, making it an excellent choice for capturing starry skies.</p>
<p>Featuring the Sports line level dust- and splash-proof design, this lens can be used in varying weather conditions. The high-speed, high-accuracy autofocus helps photographers react in an instant to capture those special moments.</p>
<p>Other lens highlights include carbon fiber reinforced plastic hood for durability and compatibility of the Canon mount lens with the Canon Lens Aberration Correction function.</p>
<p><strong><a href="https://bhpho.to/2x8s4LE">Sigma 105mm f/1.4 DG HSM Art at B&H Photo</a></strong></p>
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Review: Canon 85mm f/1.4L IS. Is it a Better Option Over the EF 85mm f/1.2L II?

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<iframe width="728" height="409" src="https://www.youtube.com/embed/YDlzuiTMGeQ" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe><p>Jared Polin has completed his review of the Canon EF 85mm f/1.4L IS, and finds out if this is a better option over the Canon classic, the EF 85mm f/1.2L II.</p>
<p>Personally, I sold my EF 85mm f/1.2L II after using the EF 85mm f/1.4L IS for a few weeks. The advantages of the new 85mm lens such as IS, faster AF, better built quality, and lighter weight were just too much for me to overlook.</p>
<p><strong><a href="https://www.youtube.com/watch?v=YDlzuiTMGeQ">Canon EF 85mm f/1.4L IS  at B&H Photo</a></strong></p>
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Patent: More Work Being Done on Organic Sensors

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Are organic sensors the next big thing in sensor technology? They could be. Canon along with other companies continue to put resources into their development</p>
<p><strong>US Patent <a href="http://pdfaiw.uspto.gov/.aiw?PageNum=0&docid=20180138432">20180138432</a> from <a href="https://www.canonnews.com/canon-patent-application-more-details-on-a-organic-sensor">Canon News</a>:</strong></p>
<blockquote><p>Canon continues to research organic photo electric elements, this one goes into a little more details, and discusses an actual sensor more so than prior patent applications. <a href="https://www.canonnews.com/canon-patent-application-more-details-on-a-organic-sensor">Read more…</a></p></blockquote>
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Patent: Diffractive Optics Element Improvements

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We continue to see new patent applications for diffractive optics technology. We’re all still waiting to see if the EF 600mm f/4 DO IS will become an actual consumer product, or if Canon is going to take things in a different direction.</p>
<p><strong>From <a href="https://www.canonnews.com/canon-patent-application-diffractive-optical-element-improvements">Canon News</a>:</strong></p>
<blockquote><p>Canon describes how to manufacturer a diffractive optical element with a refractive resin component attached to it to further reduce chromatic aberrations.</p></blockquote>
<p><strong>From US Patent Application <a href="http://pdfaiw.uspto.gov/.aiw?PageNum=0&docid=20180143350">20180143350</a>:</strong></p>
<blockquote><p>in a refractive optical system using the refraction of light, lenses formed from glass materials having different dispersion characteristics are used together in combination to reduce the chromatic aberration. For example, in the case of an object lens of a telescope or the like, a glass material having low dispersion and a glass material having high dispersion are used in combination as a positive lens and a negative lens, respectively, to correct the chromatic aberration which appears on the axis.</p></blockquote>
<p>The goal of diffractive optics lenses is to reduce the physical size of the lenses. This could help in a couple of areas such as smaller and lighter supertelephoto lenses and to reduce the size of longer fast lenses for full frame mirrorless applications.</p>
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ZEISS Announces New High-End Cinema Lens Family, ZEISS Supreme Primes

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<em>With its 13 high-speed, full-frame, prime lenses for high-quality film productions, ZEISS is focusing on maximum quality, low weight, and significant versatility when it comes to creating superb visual imagery.</em></p>
<p><strong>ZEISS</strong> has introduced a new family of high-speed lenses for high-end film production: The ZEISS Supreme Prime family consists of 13 lenses with fixed focal lengths between 15 and 200 millimeters, the majority with a maximum aperture of T1.5. “The lenses are designed for film productions of an extremely high quality,” says Christophe Casenave from ZEISS. “They are perfect for high-budget advertising or feature films, for example.” ZEISS Supreme Primes are designed to cover cinematic large format camera sensors and are compatible with all of the latest camera models, such as the Sony Venice, ARRI Alexa LF, and RED Monstro. According to Casenave, the versatility of the Supreme Prime lenses to create different visual looks is due to the gentle sharpness, the aesthetic focus fall-off and elegant bokeh. The lenses are extremely flexible and can be used equally well for science fiction thrillers as well as for dramas.</p>
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<p><strong>Compact and Lightweight

</strong>“Weighing an average of 1600 grams (3.5 pounds), ZEISS Supreme Primes are significantly lighter and smaller than comparable lenses on the market,” says Casenave. With these compact and lightweight lenses, ZEISS is responding to many camera operators’ desire for compact equipment that stills meets the highest standards of quality. “ZEISS Supreme Primes are unbelievably rugged and reliable. Regardless of whether filming in the desert or in the Arctic, the lenses perform flawlessly. And in the event that something should ever break, our worldwide service network provides fast and professional help.”</p>
<p><strong>ZEISS eXtended Data Metadata Technology

</strong>The ZEISS Supreme Primes are equipped with the ZEISS eXtended Data metadata technology. Introduced in 2017, ZEISS eXtended Data provides frame by frame data on lens vignetting and distortion in addition to the standard lens metadata provided using Cooke’s /i technology<sup>1</sup> protocol. This greatly speeds up the entire film production’s workflow. When using visual effects for example, with only a few clicks, the lens properties can be removed so that computer-generated effects imagery can be accurately applied to the captured imagery. The lens properties can then be reapplied with the same click of a button and combined with the film material to create a realistic image. Previously, all of the data had to be measured manually so that it could be corrected in post-production. But ZEISS eXtended Data eliminates this time-consuming job.</p>
<p><strong>Price and Availability

</strong>The first ZEISS Supreme Primes lenses with focal lengths of 25, 29, 35, 50, and 85 millimeters will be available starting on August 1, 2018. The ZEISS Supreme Prime 100 millimeter will be available in December 2018. The set of six lenses, consisting of the focal lengths mentioned above, is available from ZEISS Cinema lens dealers for 108,000 USD. The remaining focal lengths will be released successively until 2020.</p>
<a href="http://www.canonrumors.com/wp-content/uploads/2018/05/brochure-zeiss-supreme-prime-lenses.pdf" class="pdfemb-viewer" style="" data-width="max" data-height="max"  data-toolbar="bottom" data-toolbar-fixed="off">brochure-zeiss-supreme-prime-lenses
</a>
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Three Sensors Being Tested for Canon Full Frame Mirrorless? [CR1]

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It’s no secret that Canon is hard at work on prosumer mirrorless cameras, including at least one full frame mirrorless camera.</p>
<p>We’re told that three sensors are being tested in various camera body configurations, each with a different pixel count. The source claims that 24mp, 28mp and 36mp sensors are being used.  There is no mention if these are all new sensors or if they are modified versions of current image sensors.</p>
<p>We do find it interesting that these sorts of things are being talked about, but we still don’t have not confirmed what sort of mount solution Canon is going to come up with. As we saw this past week, Canon has <a href="http://www.canonrumors.com/patent-canon-wide-angle-zoom-for-full-frame-mirrorless-camera/">patented a dedicated full frame mirrorless optical formula</a>, which tells us we’re getting a new EOS M mount for full frame sensors.</p>
<p><em>More to come….</em></p>
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Industry News: Fujifilm Announces the X-T100, A Budget Conscience New Mirrorless Camera

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<p><em>A stylish interchangeable lens camera featuring automatic scene recognition, a three-way tilting touchscreen and Bluetooth® technology</em></p>
<p><strong>Valhalla, N.Y., May 24, 2018</strong> – <strong><a href="http://www.fujifilmusa.com/products/digital_cameras/index.html">FUJIFILM North America Corporation</a></strong> today announced the debut of its new <strong>FUJIFILM X-T100</strong>, a compact interchangeable lens camera with a sleek design. Available in Black, Dark Silver, and Champagne Gold, the new X-T100 offers a host of features including a high magnification electronic viewfinder, horizontal tilting rear LCD screen, built-in Bluetooth® technology for quick and easy image sharing and an extended battery life allowing up to 430 frames per charge. In addition, the X-T100 weighs just 448g with anodized coating on aluminum top cover, delivering a simultaneously retro and luxury feel.</p>
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<p>“We are excited to announce the X-T100 as the latest addition to the X Series lineup,” said Yuji Igarashi, General Manager of the Electronic Imaging Division & Optical Devices Division at FUJIFILM North America Corporation. “This mirrorless camera is a perfect fit for photographers looking for an easy to use, compact and versatile camera, offering excellent image quality with a variety of enhanced features with the familiar design of previous FUJIFILM X-T series cameras.”</p>
<p>Equipped with a powerful 24.2 megapixel APS-C sensor and high-speed image processing engine, the X-T100 is compatible with the full X Mount lens lineup of 26 FUJINON high quality lenses which cover focal lengths from 15mm to 1200mm (35mm equivalent). Combining Fujifilm’s renowned outstanding image quality with the company’s proprietary color reproduction technology, the X-T100 is stylish, portable, and highly versatile – making it the ideal companion for everyday photography.</p>

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<p><strong>Fast Autofocus, Automatic Functions, and Sleek Design Offer Ease of Use</strong></p>
<p>The X-T100 uses a Phase Detection Autofocus system and algorithm originally designed for flagship X Series models, to ensure quick and precise capture of images even when photographing fast-moving subjects. Adding to its ease of use, the camera also features an advanced SR+ Auto shooting mode that is capable of detecting the subject and scene simultaneously, and selecting the optimum settings accordingly to provide intelligent, fully-automatic shooting. This mode is perfect for situations where it is difficult to select the right settings, or when a series of quick shots is what the photographer is after.</p>
<p>The X-T100 features a three-inch touch panel display to make composition easy. Featuring</p>
<p>1.04-million dots for a crystal clear view of the action, this screen swings out horizontally to almost 180 degrees. Not only does this help to compose shots at awkward angles, it also makes it possible to take selfies or shoot video blogs with a clear view of what’s in the frame.</p>
<p>Although the X-T100 has the look of a timeless classic, the camera body weighs just 448g with battery and memory card, so it’s small and light enough to accompany photographers wherever they go. It also comes with a shoulder strap and a detachable grip for added security and comfort.</p>
<p><strong>Artistic Expressions for Everyday Creativity</strong></p>
<p>The X-T100 offers 11 variations of unique FUJIFILM Film Simulation modes and 17 variations of Advanced Filters—all of which provide photographers with the ability to add greater artistic expression to images. Setting adjustments on the X-T100 is quick and easy with one-step operation that is made possible via the function and exposure compensation dials on top of the body, and the touch-and-flick function available on the rear LCD monitor.</p>
<p>Not only can the X-T100 produce breathtaking stills, but with 4K and the option to shoot in slow motion, it’s great for video too. Full HD movies can be shot at speeds of up to 59.94fps for super-smooth footage. To help maximize sound quality, the X-T100 is equipped with a microphone port so videographers can record audio from a compatible external microphone (sold separately).</p>
<p><strong>Bluetooth® Technology for Quick and Seamless Image Transfer</strong></p>
<p>The X-T100 features the latest Bluetooth® low energy technology, allowing users to quickly and seamlessly transfer images using the free “FUJIFILM Camera Remote” app. This function enables constant image transfer, even while in shooting mode, so images can be uploaded and shared within moments.</p>
<p><strong>FUJIFILM X-T100 Key Features:</strong></p>
<ul>
<li>24.2MP APS-C CMOS sensor and high-speed imaging processor equipped with Phase Detection AF system</li>
</ul>
<ul>
<li>3” (approx. 1,040K-dot) high resolution LCD touchscreen can be tilted 3 ways</li>
</ul>
<ul>
<li>Standard output sensitivity of ISO200 – ISO12800
<ul>
<li>Extended output sensitivity: ISO100 – ISO51200</li>
</ul>
</li>
</ul>
<ul>
<li>4K video recording up to approx. 30 mins
<ul>
<li>Full HD 1920 x 1080 59.94p / 50p / 24p / 23.98p, Continuous recording up to approx. 30 min.</li>
<li>HD 1280 x 720 59.94p / 50p / 24p / 23.98p, Continuous recording up to approx. 30 min.</li>
<li>High Speed Movie 1280×720 / 1.6x / 2x / 3.3x / 4x, Continuous recording up to approx. 7 min.</li>
</ul>
</li>
</ul>
<ul>
<li>Bluetooth® version 4.1 low energy technology</li>
<li>Wi-Fi® image transfer and remote camera operation</li>
<li>Improved battery life for still images – approx. 430 frames</li>
</ul>
<ul>
<li>Start-up period:
<ul>
<li>0.4 sec., when High Performance mode set to ON</li>
<li>0.8 sec., when High Performance mode set to OFF</li>
</ul>
</li>
</ul>
<ul>
<li>Photos can be sent to instax SHARE printers using the free “instax SHARE” app</li>
</ul>
<ul>
<li>Accessories include:
<ul>
<li>Li-ion battery NP-W126S</li>
<li>AC power adapter</li>
<li>Plug Adapter</li>
<li>USB cable</li>
<li>Shoulder strap</li>
<li>Body cap</li>
<li>Owner’s manual</li>
<li>Detachable Grip</li>
</ul>
</li>
</ul>
<p><strong>Availability and Pricing</strong></p>
<p>Kits and cameras will be available in Black, Dark Silver, and Champagne Gold. Dark Silver and Champagne Gold are two exciting colors new to the X Series lineup, seen for the first time in the X-T100.</p>
<p>The new <strong>FUJIFILM X-T100 </strong>will be available as a kit with the<strong> <a href="https://www.fujifilmusa.com/products/digital_cameras/x/fujinon_lens_xc15-45mmf35_56_ois_pz/index.html">FUJINON XC15-45mmF3.5-5.6 OIS PZ</a></strong> lens on <strong>June 18, 2018 </strong>in the U.S. and Canada for <strong>USD $699.95 </strong>and <strong>CAD $899.99</strong>.</p>
<p>The new <strong>FUJIFILM X-T100 </strong>body will be available on <strong>June 18, 2018 </strong>in the U.S. and Canada for <strong>USD $599.95 </strong>and <strong>CAD $749.99</strong>.</p>
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LensTip review: Nikon AF-S 180-400 mm f/4E TC1.4 FL ED VR

https://www.lenstip.com/531.4-Lens_review-Nikon_Nikkor_AF-S_180-400_mm_f_4E_TC1.4_FL_ED_VR_Image_resolution.html

TL/DR version -- it's brilliant ...provided you don't use that 1.4x (bold below is my emphasis):

"If you decide to use the teleconverter, though, the situation is quite different and MTFs - distinctly lower. Resolution decrease is noticeably sharper than in the case of other contemporary, expensive, high quality telephoto lenses cooperating with a teleconverter. I admit the performance fell short of our expectations; we thought that such an optically complex teleconverter, designed to cooperate with just one model of lens, would perform much better than traditional, external devices which, after all, are supposed to fit many professional telephoto lenses of a given system.

As a result, even if the performance at 550 mm cannot exactly be called weak, as the results allow you to enjoy fully useful, good images, it is not something we expected from such an expensive lens."


Ouch. They don't typically report T/C results and we have no Canon 200-400 1.4x review at LT to compare to, but they went so far as to say above that traditional modular T/C use on a good telephoto lens does better, not worse, than this dialed-in and fixed T/C does. That's somewhat shocking.

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