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Nijkon FF mirrorless - goodbye F-mount!

https://petapixel.com/2017/09/07/nikon-patents-2-full-frame-mirrorless-lenses-52mm-f0-9-36mm-f1-2/

yes, yes, yes - bring it on Nikon - so we will finally also see FF mirrorless system by Canon! :)

And yes, yes, yes - a new short-flange distance native mount for FF image circle unlike Canon with APS-C only EF-M mount and Sony with small E-mount causing major issues in FF lens design.

Nikon will be able to smoothly transition to only 1 totally UNCOMPROMISED mount for both FF and APS-C mirrorless cameras/systems ... rather than needing 2 different mounts. They are very late, but maybe they are smarter ...

Canon Japan Announces Flat Rate Repair Pricing for Rebels as Well as EOS M Cameras and Lenses

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Canon Japan is starting <a href="http://cweb.canon.jp/e-support/repair/info170907.html">flat rate repair program</a> for consumer DSLRs and EOS M cameras and lenses on September 20, 2017.</p>
<p>This isn’t new for Canon, as various other regions around the globe offer flat rate repairs on products such as PowerShot. However, this is the first time we’ve heard of flat rate repairs for EOS M products and hopefully this comes to other areas of the planet in the coming months.</p>
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<p><strong>From Canon Japan</strong> (Google Translated):</p>
<p>From September 20, 2017 (Wednesday), we will introduce a uniform repair fee for some products of single lens reflex camera, mirrorless camera and interchangeable lens.</p>
<p>The uniform repair fee includes technical fees for repair and parts costs (excluding expendables and accessories) necessary for repairing the defective part, and repair is carried out at a fixed fee provided for each model regardless of the content of the failure I will.</p>

<p><strong>Products</strong></p>
<ul>
<li>Digital single lens reflex camera entry model EOS Kiss series / EOS xxxxD series</li>
<li>Mirror-less camera EOS M series</li>
<li>Interchangeable lens for single lens reflex camera EF-S series</li>
<li>Interchangeable lens for mirrorless camera EF-M series</li>
</ul>
<p><strong>Application start date</strong></p>
<ul>
<li>From Wednesday 20th September 2017 (Wed)</li>
</ul>
<p><span class="marker">※</span>Only when we apply for repair directly to our company.</p>
<p><span class="marker">* For</span>uniform repair fee, please refer to ” <a href="http://cweb.canon.jp/e-support/repair/before.html">Repair service agreement on aircraft subject to carry-in repair</a> “.</p>
<p><span class="marker">※ In</span>case of breakdown due to severe drop · shock · flood · sand entering, the uniform repair fee will not be applied and will be received separately at the estimated price.</p>
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CDLC: A Look Back on Totality

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Canon Explorer of Light Ken Sklute has put together an article about shooting the recent total solar eclipse for the Canon Digital Learning Center.</p>
<p><strong>From Ken Sklute:</strong></p>
<blockquote><p>I finished setting up my arsenal of Canon goodies for the morning. I was using the Canon EOS-1D X Mark II along with the EF 200-400mm f/4L IS Extender 1.4x lens atop my ReallyRightStuff tripod. I chose the 200-400 just in case we were visited by overcast skies. If those pesky clouds did come to visit, I could zoom out to potentially make use of the clouds in my composition. We were lucky as only a few high cirrus clouds came by for about 30 minutes during the partial phases. They soon moved on, as the star of the show got ready to make an appearance.</p>
<div id="attachment_31264" style="width: 610px" class="wp-caption aligncenter"><a href="http://learn.usa.canon.com/resources/articles/2017/solar-eclipse/solar-eclipse-recap.shtml"><img class="wp-image-31264 size-full" src="http://www.canonrumors.com/wp-content/uploads/2017/09/kensklute.jpg" alt="" width="600" height="332" srcset="http://www.canonrumors.com/wp-content/uploads/2017/09/kensklute.jpg 600w, http://www.canonrumors.com/wp-content/uploads/2017/09/kensklute-225x125.jpg 225w" sizes="(max-width: 600px) 100vw, 600px" /></a><p class="wp-caption-text">Canon Digital Learning Center // All images are copyright Ken Sklute, Marv Heston, Colin Smith</p>

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<p> </p>
<p>I also had an AZ-EQ5 German Equatorial/Alt-Azimuth mount from Sky-Watcher, keeping my two EOS 5D Mark IVs tracking the sun as it moved, one with an EF 600mm f/4L IS lens and the other with the EF 400mm f/5.6L with a 1.4 converter on it, giving me a focal length of 560mm. I was firing the two 5D Mark IVs simultaneously from a hub that allows one cable release to fire multiple cameras. <a href="http://learn.usa.canon.com/resources/articles/2017/solar-eclipse/solar-eclipse-recap.shtml">Read the full article</a></p></blockquote>
<p>The next total eclipse is on July 2, 2019 and will be seen by a small part of South America, and the next total eclipse in North America will occur on April 8, 2024.</p>
<p><em>Canon Digital Learning Center // All images are copyright <a href="http://serendipityvisuals.com/">Ken Sklute</a>, <a href="http://www.hestonweddings.com/">Marv Heston</a>, <a href="https://colinsmith.ca/">Colin Smith</a></em></p>
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Multiple APS-C Sensor PowerShot Cameras Coming? [CR2]

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We know that the Canon PowerShot G1 X Mark III will be coming soon, though an exact date is unknown. One of the big changes rumoured in the new G1 X is the <a href="http://www.canonrumors.com/canon-powershot-g1-x-mark-ii-specifications-cr1/">use of a 24mp APS-C sized sensor instead of the 1.5″</a> in the current G1 X.</p>
<p>We’re being told that there will be more APS-C sized sensor PowerShot cameras coming and that the G1 X Mark III is first, and then we’ll get a G3 X Mark II and a G5 X Mark II. The source is not sure if the smaller G series PowerShot cameras like the G9 X and G7 X will move to APS-C.</p>

<p>There was no mention as to whether or not the new PowerShot cameras would get 4K recording, which is something we obviously get asked a lot. Our hunch on the topic? I think Canon has to add 4K to at least a few of the models.</p>
<p>As <a href="http://www.canonrumors.com/buyers-guide-category/powershot/">you can see on our buyer’s guide</a>, the upper end of the PowerShot G series lineup is starting to look quite long-in-the-tooth.</p>
<p><em>More to come…</em></p>
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Off Brand: Fujifilm Announces X-E3 and XF80mmF2.8 R LM OIS WR Macro Lens

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<em>Latest development of the X Mount Lens Roadmap unveiled; new Firmware Updates for FUJIFILM X-Pro2, X-T2, X100F and X-T20 coming soon</em></p>
<p><strong>Valhalla, N.Y., September 7, 2017 –</strong> As a leader in advanced digital camera technology, FUJIFILM North America Corporation today announced the new FUJIFILM X-E3 rangefinder style mirrorless digital camera with outstanding image quality and enhanced handling. The X-E3 features the latest 24.3MP X-Trans CMOS III image sensor and the X-Processor Pro high-speed image processing engine, along with a new image recognition algorithm in an ultra-compact body.</p>

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<p>Also announced today is the new XF80mmF2.8 R LM OIS WR Macro Lens, the first 1.0x magnification mid-telephoto macro lens in the X Series lineup of interchangeable lenses. The lens features a focal length equivalent to 122mm (in the 35mm format) and a maximum aperture of F2.8 for beautiful bokeh.</p>
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<p><strong>Exceptional Autofocus Tracking and High-Speed Response</strong>

The FUJIFILM X-E3 features a large phase detection autofocus (AF) area and provides photographers with enhanced tracking performance for moving subjects. Equipped with a newly developed image recognition algorithm, the X-E3 is able to track moving subjects half the size, or moving twice as fast as previous models.</p>
<p>The X-E3 supports both Full HD and 4K video recording. Videos can be shot with Film Simulations in-camera to easily produce creative high-resolution footage.</p>
<p>The compact and lightweight X-E3 is perfect for quick snapshots, boasting high-speed response times including a start-up time of just 0.4 seconds, shooting interval of 0.25 seconds, shutter time lag of 0.05 seconds and autofocus speed as fast as 0.06 seconds.</p>
<p><strong>Enhanced Connectivity and Intuitive Touchscreen Control</strong>

The X-E3 is the first X Series model to feature Bluetooth® low energy wireless communication. Providing photographers with enhanced connectivity, this feature offers the ability to pair the camera with a smartphone or tablet for easy transfer of pictures via the free FUJIFILM Camera Remote application.</p>
<p>The X-E3 features a high-resolution 3.0 inch 1.04M-dot static touchscreen LCD monitor to provide users with easy, intuitive operations in a variety of shooting and playback modes. When shooting with the X-E3, the touchscreen can be used to select the focus area, or focus on a specific point before taking a picture. For playback, users can enjoy the ability to swipe or scroll through images, double-tap to enlarge, drag an image once enlarged, along with pinch-out and pinch-in sizing. A new Touch Function feature will also be available on the X-E3, enabling users to create customized camera functions by swiping left, right, up and down on the touchscreen panel.</p>
<p><strong>Ultra-Compact and Lightweight Body for Portability and Practicality</strong>

Making it the perfect companion for everyday shooting and travel photography, the new FUJIFILM X-E3 is the most compact and lightweight model with a viewfinder within the X Series interchangeable lens camera range. The X-E3 also features a Focus Lever positioned on the rear side of the camera that allows photographers to use joystick-type operations in eight directions to easily select a focus area.</p>
<p>The top plate features two precision-milled aluminum dials, giving the camera a premium feel and allowing users to easily adjust the shutter speed and exposure compensation while maintaining focus on taking a picture. The Exposure Compensation Dial now has the C position for exposure compensation up to ±5 stops. The new X-E3 is also equipped with an Auto mode selector lever for selecting the fully-automatic Advanced SR Auto mode where the camera can automatically select the optimum settings for a given scene.</p>
<p><strong>FUJIFILM X-E3 Key Features:</strong></p>

<ul>
<li>24.3MP APS-C X-Trans CMOS III sensor

o X-Processor Pro

o Start-up time of 0.4sec

o Ultra-fast AF speed of 0.06sec

o Offers 5.0fps live-view shooting

o Shutter time lag of 0.050sec

o Shooting interval of 0.25sec</li>
<li>3.0 inch 1.04M-dot static TFT color LCD touchscreen monitor</li>
<li>Upgraded AF tracking performance

o Newly developed image recognition algorithm to track moving subjects up to half the size, or moving twice as fast as previous models.</li>
<li>4K video can be recorded at [3840 x 2160] 29.97p, 25p, 24p, 23.98P, 100Mbps</li>
<li>Continuous recording: up to approximately 10min</li>
<li>Full HD video can be recorded at 59.94 fps, 50 fps, 29.97 fps, 25 fps, 24 fps and 23.98 fps, and with Film Simulation effects

o Video can be outputted to external monitor via the HDMI port and input audio from an external microphone

o Easily connect to external HDMI monitor and turn on HDMI Rec Control to automatically enable a clean HDMI output when the camera’s shutter release button is pressed

o Touch AF to change the focus area and refocusing according to subject movement functions in video recording</li>
<li>25 high-performance FUJINON X Mount lenses for ultimate versatility</li>
<li>Bluetooth® low energy wireless communication to pair the camera with a smartphone or tablet device for easy transfer of pictures</li>
<li>Free FUJIFILM Camera Remote app for Remote Control function</li>
</ul>
<p><strong>FUJIFILM X-E3 Accessories:</strong></p>
<ul>
<li>X-E3 Metal Hand Grip (MHG-XE3)</li>
<li>X-E3 Bottom Leather Case (BLC-XE3)</li>
</ul>
<p><strong>FUJINON XF80mmF2.8 R LM OIS WR Macro Lens</strong>

The new XF80mmF2.8 R LM OIS WR is a lightweight, mid-telephoto macro lens designed to deliver the very best results from Fujifilm’s unique X-Trans CMOS sensor. Capable of achieving high quality macro shots, the XF80mmF2.8 R LM OIS WR features an optical construction of 16 elements in 12 groups, including one aspherical lens, one Super ED lens and three ED lenses. As the first in the X Series interchangeable lens series to have a 1.0x magnification factor, the XF80mmF2.8 achieves high resolving power and beautiful bokeh, making it a perfect lens for capturing stunning macro images.</p>
<p>The XF80mmF2.8 R LM OIS WR has enhanced AF capabilities utilizing a Floating Focus System that suppresses aberration. The lens also supports handheld shooting with Optical Image Stabilization. A fluorine coating has been applied to the front lens element, making it less susceptible to smudges, water and dirt, further improving its durability. The lens is also designed to be weather and dust resistant, and operates in temperatures as low as 14°F/-10°C.</p>
<p><strong>FUJINON XF80mmF2.8 R LM OIS WR Lens Key Features:</strong></p>
<ul>
<li>FUJIFILM X Mount is compatible with all FUJIFILM X Series interchangeable system cameras</li>
<li>Weather-sealed at eleven points around the barrel for weather and dust resistance; operates as low as 14 degrees Fahrenheit / -10 degrees Celsius</li>
<li>16 lens elements in 12 groups including one aspherical ED lens, one Super ED lens and three ED lenses</li>
<li>Uses Floating Focus System for improved AF</li>
<li>Optical Image Stabilization system achieves 5-stop image stabilization</li>
<li>Focus lens driven by a linear motor for fast and near-silent autofocus performance</li>
<li>Fluorine coating applied to front lens elements for improved durability</li>
<li>Compatible with XF1.4x and XF2.0x teleconverters</li>
</ul>
<p><strong>Updated X Mount Lens Roadmap Unveiled</strong>

Also announced is the latest development of the X Mount Lens Roadmap for developing interchangeable lenses for the X Series line of mirrorless digital cameras. The latest roadmap adds two new lenses: the ultra-wide angle zoom lens XF8-16mmF2.8 R LM WR and the telephoto prime lens XF200mmF2 R LM OIS WR. With the expansion of the high performance X Mount lens lineup, Fujifilm covers more focal lengths from ultra-wide to telephoto to support a wide range of photography styles and shooting scenarios.</p>
<p><strong>New Firmware Updates Coming Soon</strong>

Fujifilm will release new firmware updates for the FUJIFILM X-Pro2, X-T2, X100F and X-T20 X Series cameras in November and December 2017 to add new functionality and improve operability. These updates will include new support for FUJIFILM X RAW STUDIO, dramatic improvements to the AF-C tracking algorithm in zone and tracking AF mode, addition of 4K video support and computer tethering functions and enhancements to touch panel operations.</p>
<p><strong>FUJIFILM X-Pro2: V.4.0 Key Features</strong></p>
<ol>
<li>Addition of 4K video mode using Film Simulation modes (excluding HDMI output for recording).</li>
<li>Supports tether shooting via USB or Wi-Fi using compatible software<span class="green">*</span> to enable transfer of images to a computer, or to control camera from the computer.

<span class="green">*Requires FUJIFILM X Acquire and Tether Shooting Plug-in PRO/ Tether Shooting Plug-in (Adobe® Photoshop® Lightroom® 6 or CC is required).</span></li>
<li>New AF tracking algorithm enhances AF-C to track moving subjects half the size, or moving twice as fast as previous models.</li>
<li>Supports FUJIFILM X RAW STUDIO which enables users to convert RAW files with X Processor Pro.</li>
<li>Improves radio flash controller usability allowing users to shoot with compatible third party studio flash in high speed sync or TTL mode via their radio controllers.</li>
<li>Supports backup and restore of camera settings from one camera to another via FUJIFILM X Acquire.</li>
</ol>
<p><strong>FUJIFILM X-T2: V.3.0 Key Features</strong></p>
<ol>
<li>New AF tracking algorithm enhances AF-C to track moving subjects half the size, or moving twice as fast as previous models.</li>
<li>Supports FUJIFILM X RAW STUDIO which enables users to convert RAW files with X Processor Pro.</li>
<li>Improves radio flash controller usability allowing users to shoot with compatible third party studio flash in high speed sync or TTL mode via their radio controllers.</li>
<li>Supports backup and restore of camera settings from one camera to another via FUJIFILM X Acquire.</li>
</ol>
<p><strong>FUJIFILM X100F: V.2.0 Key Features</strong></p>
<ol>
<li>Supports backup and restore of camera settings from one camera to another via FUJIFILM X Acquire.</li>
<li>Supports FUJIFILM X RAW STUDIO which enables users to convert RAW files with X Processor Pro.</li>
<li>Improves radio flash controller usability allowing users to shoot with compatible third party studio flash in high speed sync or TTL mode via their radio controllers.</li>
</ol>
<p><strong>FUJIFILM X-T20: V.1.1 Key Features</strong></p>
<ol>
<li>Touch panel operation while looking into the electronic viewfinder.</li>
</ol>
<p><strong>Availability and Pricing</strong></p>
<ul>
<li>The new FUJIFILM X-E3 will be available in three versions in late September 2017.</li>
<li>The <a href="https://bhpho.to/2wJwyG9">X-E3 Body, Black or Silver will be available for USD $899.95</a>.</li>
<li>The <a href="https://bhpho.to/2wJwyG9">X-E3 Body with XF18-55mm Lens Kit, Black or Silver will be available for USD $1,299.95</a>.</li>
<li>The <a href="https://bhpho.to/2wJwyG9">X-E3 Body with XF23mmF2 R WR Lens Kit, Black or Silver will be available for USD $1,149.95</a>.</li>
<li>The new <a href="https://bhpho.to/2wK5TJs">FUJINON XF80mmF2.8 R LM OIS WR lens will be available in November 2017 for USD $1,199.95</a>.</li>
</ul>
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Canon CPS

I've been a Canon CPS member now for the last four years, with the two most recent years being a Platinum member. I am very pleased with the service and help I have received from the support staff and those who do the work on my cameras and lenses at the Newport News facility.

I had a bit of an accident last week with my 1Dx which would make almost anyone cringe as it fell from a strap and rolled down about 15 concrete stairs. Surprisingly, the outer body only had scuff marks in various spots. I shot about 150 pictures with it at the soccer game and it was shooting like nothing was wrong at all and then all of a sudden everything went dark. Every image, no matter what the settings were turned out dark. Off to CPS it went on Friday morning. I checked on it today and it was still not quite ready so I asked if they could send me out a loaner as I had high school football to shoot on Friday night and a college game on Saturday. I just wanted to make sure I had a camera in case mine never made it in time. No problem, it was shipped out this afternoon and I'll have it tomorrow morning. Very grateful for their support to say the least.

Off Brand: Sony Unveils VENICE, Its First 36x24mm Full-Frame Digital Motion Picture Camera System

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<em>Anamorphic Capabilities, Interchangeable Sensor, 8-stage ND Filter System, New Color Management & Established Workflow Combine into Unique Creative Filmmaking Tool</em></p>
<p><strong>LOS ANGELES, Sept. 6, 2017 </strong>— Sony Electronics is unveiling VENICE – its first Full-Frame digital motion picture camera system. VENICE is the next generation of Sony’s CineAlta camera systems, designed to expand the filmmaker’s creative freedom through immersive, large-format, Full Frame capture of filmic imagery producing natural skin tones, elegant highlight handling and wide dynamic range. VENICE was designed through close collaboration with the creative community, fulfilling the requirements from filmmakers and production professionals.</p>
<p>VENICE will be officially unveiled on Sept. 6, in front of a select audience of American Society of Cinematographers (ASC) members and a range of other industry professionals. Sony will also screen a short film, “The Dig”, the first footage shot with VENICE, produced in Anamorphic, written and directed by Joseph Kosinski and shot by Academy Award winning Cinematographer Claudio Miranda, ASC.</p>

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<p>“We really went back to the drawing board for this one,” said Peter Crithary, marketing manager, Sony Electronics. “It is our next-generation camera system, a ground-up development initiative encompassing a completely new image sensor. We carefully considered key aspects such as form factor, ergonomics, build quality, ease of use, a refined picture and painterly look—with a simple, established workflow. We worked in close collaboration with film industry professionals. We also considered the longer-term strategy by designing a user interchangeable sensor that is as quick and simple to swap as removing four screws, and can accommodate different shooting scenarios as the need arises.”</p>

<p><!--more--></p>
<p><strong>Full frame sensor and wide range of lens </strong><strong>compatibility</strong></p>
<p>VENICE combines a newly developed 36x24mm Full Frame sensor to meet the high-quality demands of feature filmmaking. Full Frame offers the advantages of compatibility with a wide range of lenses, including Anamorphic, Super 35mm, Spherical and Full Frame PL mount lenses for a greater range of expressive freedom with shallow depth of field. The lens mount can also be changed to support E-mount lenses for shooting situations that require smaller, lighter, and wider lenses. User-selectable areas of the image sensor allow shooting in Super 35 mm 4 – perf. Future firmware upgrades are planned to allow the camera to handle 36mm wide 6K resolution. Fast image scan technology minimizes “Jello” effects.</p>
<p><strong>New color management system and established workflow for flexible post-production</strong></p>
<p>A new color management system with an ultra wide color gamut gives users more control and greater flexibility to work with images during grading and post-production. VENICE also has more than 15 stops of latitude to handle challenging lighting situations from low-light to harsh sunlight with a gentle roll-off handling of highlights.</p>
<p>VENICE achieves high quality and efficient file-based production through Sony’s established 16-bit RAW/X-OCN via the AXS-R7 recorder, and 10 bit XAVC workflows. VENICE is also compatible with current and upcoming hardware accessories for CineAlta cameras (DVF-EL200 Full HD OLED Viewfinder, AXS-R7 recorder, AXS-CR1 and high-speed Thunderbolt-enabled AXS-AR1 card reader, using established AXS and SxS memory card formats.</p>
<p><strong>I</strong><strong>ntuitive design & refined functionality support simple and efficient on-location operation</strong></p>
<p class="alignnone">VENICE has a fully modular and intuitive design with refined functionality to support simple and efficient on-location operation. It is the film industry’s first camera with a built-in 8-stage glass ND filter system, making the shooting process efficient and streamlining camera setup. The camera is designed for easy operation with an intuitive control panel placed on the Assistant and Operator sides of the camera. A 24 V power supply input/output and LEMO connector allow use of many standard camera accessories, designed for use in harsh environments.</p>
<p><strong>License options for individual production requirements</strong></p>
<p>With VENICE, Sony is giving users the option to customize their camera by enabling the features needed, matched to their individual production requirements. Optional licenses will be available in permanent, monthly and weekly durations to expand the camera’s capabilities with new features including 4K anamorphic and Full Frame, each sold separately.</p>
<p>The VENICE CineAlta digital motion picture camera system is scheduled to be available in February 2018. For more information, please visit: <a href="http://www.sony.com/venice">www.sony.com/venice</a>.</p>
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Canon U.S.A. Makes Donation to Americares for the Relief Efforts From Hurricane Harvey

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<strong>MELVILLE, N.Y., September 5, 2017</strong> – With massive flooding, thousands left homeless and communities in need of medical supplies, Canon U.S.A. Inc., a leader in digital imaging solutions, today announced it will be making a donation of $100,000 to Americares to be used toward the relief efforts from Hurricane Harvey.</p>
<p>“On behalf of all employees at Canon U.S.A., we extend our heartfelt thoughts and prayers to our customers, partners and all the people in the communities affected by Hurricane Harvey,” said Joe Adachi, chairman and CEO, Canon U.S.A. Inc. “May you have strength, peace and hope during this difficult time.”</p>

<p>Americares is a health-focused relief and development organization that responds to people affected by poverty or disaster with life-changing health programs, medicine and medical supplies. The organization responds to an average of 30 natural disasters and humanitarian crises worldwide each year, establishes long-term recovery projects and brings disaster preparedness programs to vulnerable communities. Americares has a long history of responding to severe storms in the United States including Hurricane Ike in 2008 and Hurricane Katrina in 2005.</p>
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Geared Tripod Head

I purchased a used Manfrotto 410 Tripod head from Chris Hejinar on ebay and used it for the eclipse. I've came to like it for still photography ... But

The springs in the control knobs of my geared head are not holding securely or springing back into place. Even when I manually twist them to the locked position, there is a lot of play, and the head can drop while I'm trying to adjust it.

I only paid $250 for it, and that included the $100 AS clamp modification, but I'm unhappy with the amount of play and weak springs.

I'm pretty good mechanically, but did not want to tear it down completely after reading that it was not repairable but new spring - knob assemblies were required. There is lots of bogus advice as well. I just sent a second request to Manfrotto for parts availability or repair availability, but am wondering if I should get a new one or even a 405 and sell the old one as-is. It works, but with my 100-400l + 2X TC + 5D MK IV, it is at or slightly beyond its capability to adjust smoothly.

Any recommendations for this combo? I'm not going to get the 700, that's overkill for me.

Logitech Announces the CRAFT Advanced Keyboard with Creative Input Dial Sets New Standard for Deskto

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<strong>Flagship Keyboard Improves Creativity and Productivity</strong></p>
<p><em>“The creative input dial gives you instant access to the functions you need, the moment you need them, allowing you to increase your productivity by simply touching the dial. CRAFT puts you in your creative element – every time you sit at the desk.”</em></p>
<p><strong>Today Logitech (SIX: LOGN) (NASDAQ: LOGI)</strong> announced CRAFT, an advanced keyboard with a creative input dial, setting a new standard for computer keyboards. CRAFT looks and feels better than anything you have typed on and offers a whole new way to immediately access context-specific computing tools with a smart aluminum dial. For example, with a touch, tap or turn you can adjust image brightness, contrast and saturation in Adobe Photoshop, or create and adjust charts in Microsoft Excel®. The creative input dial gives you the ultimate control and input at your desk for precision, efficiency and uninterrupted creative flow.</p>
<p>“Our new flagship Logitech CRAFT keyboard is for all creators who spend a lot of time designing and creating – who want to work with greater precision and feel connected to their work,” said Art O’Gnimh, global head of keyboards at Logitech. “The creative input dial gives you instant access to the functions you need, the moment you need them, allowing you to increase your productivity by simply touching the dial. CRAFT puts you in your creative element – every time you sit at the desk.”</p>
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<p>The touch-sensitive aluminum creative input dial, called the Crown, recognizes the apps you are using and gives instant access to the tools you need. With a slight touch of the Crown you can instantly access context-specific functions — like brush size, brightness, chart type, font size — tap to change the function and turn to change the selected function’s value. Installing custom profiles in Logitech Options™ Software maximizes the creative process when working with Adobe Photoshop CC, Adobe Illustrator CC, Adobe Premiere Pro CC, Adobe InDesign CC and Microsoft PowerPoint®, Excel® and Word® (Microsoft functionalities work on PC only at this time). The Crown brings comfort, immediacy and convenience to your creative process and allows for increased two-handed interactions. You can also have access to global controls – giving you the ability to change desktops, navigate between apps, or adjust volume – and assign one additional Crown function in each of your favorite apps.</p>
<p>CRAFT also features smart illumination with backlighting that detects your hands and adjusts lighting automatically depending on the room conditions. The keys are crafted for comfort, in a full-size familiar layout, with each individual key engineered for stability and precision. CRAFT looks great alongside other premium desktop accessories by Logitech, such as the Logitech MX Sound, Logitech Spotlight Presentation Remote and Logitech MX Master 2S.</p>
<p>Additionally with the touch of an Easy-Switch™ button, you can easily switch between – and type on – any three connected devices, whether you are using a Windows® PC or Mac®. Select from either a Logitech Unifying™ USB or Bluetooth® Low Energy technology to connect to your computer.</p>
<p><strong>Pricing and Availability</strong></p>
<p>The Logitech CRAFT Advanced Keyboard is expected to be available in October 2017 at Logitech.com and select retail stores for a suggested retail price of $199.99. For more information, please visit Logitech.com, our blog or connect with us on Facebook, Instagram and Twitter.</p>
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Canon EOS 5DS R Mark II Talk [CR2]

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I’ll lead by saying that a replacement for the Canon EOS 5DS R will not be coming in 2017, this is potentially a Q3/Q4 2018 camera.</p>
<p>Anything this far out is generally considered unlikely to come to fruition, but there have been exceptions and specifications always evolve and change for camera bodies.</p>
<p><strong>This is what we’re told about the EOS 5DS / EOS 5DS R Replacement:</strong></p>

<ul>
<li>Working prototypes are currently being tested.</li>
<li>The “5DS” series will be amalgamated into a single camera.</li>
<li>No low pass filter.</li>
<li>All new 60.1mp image sensor.</li>
<li>A new type of low megapixel mode.</li>
<li>4K video (video features will be basic)</li>
<li>Identical body to the EOS 5D Mark IV.</li>
<li>Focus peaking present, may appear first on another DSLR.</li>
<li>Expect all the other features such as DPAF, Wifi, Touchscreen and GPS.</li>
</ul>
<p>We’ve heard other rumblings about a high megapixel replacement, and that these cameras won’t be on 5 year product cycles. I too expect to see this new camera some time in 2018.</p>
<p>*<strong>Update 09/04/2017 @ 16:56 EST: </strong>Keep in mind that Canon uses APS-H sensors in some test bodies and this can affect pixel count.</p>
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86mm diameter macro flash

I'd like to start shooting macro again and purchase an EF version of the Sigma 180mm APO macro. Last time I used an A-mount version on my Sony A99 (both are sold a while ago :) ). I remember I couldn't find a macro flash for the Sigma due to the large filter thread diameter (86mm), and I'm wondering if things have changed since 2013?

GH5: Codec update and HLG

https://www.dpreview.com/news/9799125170/panasonic-issues-promised-gh5-firmware-update-with-a-host-of-unexpected-extras

Too many feature, don't understand all.

Panasonic GH5 now have HLG raw for UHD.

What HLG?

https://en.wikipedia.org/wiki/Hybrid_Log-Gamma

HLG more like eye, less like computer. Not needed for raw, can change curve after. Can't change curve for 4:2:0/4:2:2 like raw.

First Look Video: Canon EF 85mm f/1.4L IS USM

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<iframe width="728" height="409" src="https://www.youtube.com/embed/2cz5eTULLCM" frameborder="0" allowfullscreen></iframe><p>
In case you missed it as I did. B&H Photo has posted a nice first look video for the highly anticipated EF 85mm f/1.4L IS USM.</p>
<p>I have this lens preordered and cannot wait to use it.</p>
<p><strong>From B&H Photo</strong></p>
<blockquote><p>Announcing the new Canon 85mm f/1.4L IS USM lens. David Flores takes it out on a shoot working with some models to see what it can do.</p></blockquote>
<p><strong>Preorder the Canon EF 85mm f/1.4L IS USM:</strong></p>

<p>Canon EF 85mm f/1.4L IS $1599: <a href="https://www.bhphotovideo.com/c/product/1354803-REG/canon_ef_85mm_f_1_4l_is.html/bi/2466/kbid/3296">B&H Photo</a> | <a href="http://amzn.to/2vmIjTH">Amazon</a> | <a href="https://mpex.com/canon-ef-85mm-f1-4l-is-usm-lens.html?acc=3">Midwest Photo</a> | UK: <a href="http://tidd.ly/3daf76c3">Park Cameras</a> | Canada: <a href="http://www.gopjn.com/t/TUJGRU1GTEJGRk5HSklCRkhMRklH?url=https%3A%2F%2Fwww.henrys.com%2F98798-CANON-EF-85MM-F1-4-L-IS-USM.aspx">Henry’s</a></p>
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AFMA on the 6D2

I finally got around to AFMA my 6D2, and the first thing that I noticed was that I could not find AFMA in the menu system. After a few seconds of "OMG! They can't have left this out", I found it! You have to go into the custom menu, scroll down through the various possibilities, and add AFMA into your custom menu.

Also, Riemann Focal does not support the 6D2 YET.... (they say that they are working on it) so you have to shoot in manual mode and use jogs....

With that figured out, all went well, and the job is now done forlorn but my longest lens, a 150-600, that requires me to do it outside....

Lensrentals.com Now Rents DJI Drones

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Don’t feel like purchasing a drone, or would just like to try one out before purchase? Now you can with Lensrentals.com.</p>
<p>There are some extra rules when renting a drone, compared to renting a camera or a lens. <a href="http://www.pntrac.com/t/TUJGRktHSkJGRk5HSklCRkpOSkVN?url=https%3A%2F%2Fwww.lensrentals.com%2Fblog%2F2017%2F08%2Fwere-now-renting-drones-and-here-is-your-guide%2F">Lensrentals.com breaks this down in an important blog post</a>.</p>
<p><strong>How to Be Eligible for a Drone Rental</strong></p>
<p>No registration with the Federal Aviation Administration (FAA) is required, though is certainly encouraged to ensure safe and responsible flying. <a href="http://knowbeforeyoufly.org/register-your-drone/">Registration is only $5</a>, and is good for 3 years after the registration date. While not required for personal flying, it is certainly encouraged by both the FAA and Lensrentals.com.</p>

<p><em><strong>If flying your drone for commercial purposes, you’re required to hold a remote pilot airman certificate, and your drone must be registered with the FAA.</strong></em></p>
<p><strong>Rental Rules</strong></p>
<ul>
<li>Lensrentals does not assume, and the customer indemnifies Lensrentals against any liability or claims resulting from use or malfunction of the equipment.</li>
<li>Renter assumes all liability that may arise from use or failure of the equipment.</li>
<li>Renter assumes and shall bear the entire risk of damage to the equipment from any cause, except damage in the possession of the Shipper.</li>
<li>All drone rentals are subject to the full Lensrentals Rental Agreement.</li>
</ul>
<p><strong><a href="http://www.pjtra.com/t/TUJGRktHSkJGRk5HSklCRkpOSkVN?url=https%3A%2F%2Fwww.lensrentals.com%2Frent%2Fother-video%2Fsupport%2Fdrones">Check out the drones for rent at Lensrentals.com</a></strong></p>
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85mm f/1.2L II vs 85mm f/1.4L IS

Well, the EF 85mm f/1.4L IS is no longer a rumor.

I'm wondering: For those of you thinking about an 85mm portrait lens; will you choose the f/1.4L IS? Will you choose the old 85 f/1.2L II? Or will you wait and see whether or not an 85mm f/1.2L III is coming?

I know it has been said that the new f/1.4L is not a replacement for the f/1.2L, but I'm not sure I believe that. It may not be a direct replacement (because of the vastly differing specs), but that doesn't mean Canon won't quit making an 85mm in f/1.2.

Wondering how many of us might be torn about all this.

I've got a feeling that if a new 85mm f/1.2 does come out that the price is going to be really up there.

I'd like an 85mm portrait lens, but the new lens has certainly muddied the water for me.

Rental Camera Gear Destroyed by the Solar Eclipse of 2017

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Lensrentals.com has posted a great article about the damage done to rented camera gear that occurred during the 2017 solar eclipse in North America. They did figure they’d get some damaged gear back, and they did, but the type of damage may surprise some.</p>
<p>First up, wrecked sensors. This is something you’d expect, as lots of people didn’t heed the bevy of warnings about using eclipse filters. The second type of damage that surprised us was melted aperture blades in lenses. Also showing damage, was built-in ND filters on some video cameras. So if you’re paying attention, ND filters aren’t protection from the sun, that’s why they <a href="http://www.leefilters.com/index.php/camera-directory/camera-dir-list/category/solar-eclipse-filter">make special filters for that</a>.</p>

<p>Be sure to <a href="http://www.pjtra.com/t/TUJGRktHSkJGRk5HSklCRkpOSkVN?url=https%3A%2F%2Fwww.lensrentals.com%2Fblog%2F2017%2F09%2Frental-camera-gear-destroyed-by-the-solar-eclipse-of-2017%2F">head over to Lensrentals.com to read the full article</a> and check out the images of dead gear.</p>
<p>For anyone that is going to rent some gear for the eclipses in the future, please pay attention to the safety warnings, as it will save you a lot of money in the end.</p>
<p><em>**Yes, we realize that the eclipse doesn’t do the damage, it’s the sun. However, people don’t tend to point their cameras directly at the regular old sun without the moon in front of it.</em></p>
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Sigma 24-70mm f/2.8 DG OS | ART Review | Dustin

Good afternoon, my friends. I’ve just launched my review of the new Sigma 24-70mm f/2.8 ART lens, and wanted to share linkage with you:

Written Review: http://bit.ly/2470ART
Video Review: http://bit.ly/2470ARTyt
Image Gallery: http://bit.ly/2470ARTig

Quick summary - as most of you now know, it isn't a razor sharp lens. It does have nice mechanical construction, however, and I actually really like the "look" of images out it. Don't write it off just because it isn't class leading in resolution.

645 or Rokinon?

I use a xxD for macro and best focus, an M2 for travel and compactness, but I occasionally stick a roll of film into an old 620 to get shallower depth of field and interesting grains. I shot a few rolls on a Fuji GA645 which was fun, but a little wide angle. I'm trying to decide between a couple of options for mostly portraits, and maybe to blow up the occasional print to 16*20. For about the same price, I could get an old Pentax 645 and 150 3.5 manual focus lens, or a Rokinon 50 1.2 lens for the M. It would cost over 2ce the Rokinon lens to have autofocus on the medium format. I'm wondering if anyone has played with both, I can see differences as well as similarities. Both are manual focus, but with digital I can take 5 shots to nail focus on one, each shot is precious, well, about 1.40 to develop and scan per shot. Medium format should enlarge much better, but the resolution of scans at the larger developers is the same as current APS-C sensors, though maybe those are better pixels. I could develop myself, but I don't want to. Sometimes I like film grain. the Rokinon will be much smaller, so it will probably get used more. The depth of field and field of view should be similar, 150 3.5 is similar to 57mm 1.3 on APS-C. What do experience have you had in medium format vs finding very fast lenses for smaller sensors?

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