Canon has released new firmware for the EOS 5DS and EOS 5DS R.</p>
<p><strong>Firmware Version 1.1.2 incorporates the following improvements and fix:</strong></p>

<ol>
<li>Support has been added for chromatic aberration correction, peripheral illumination correction, distortion correction, and Digital Lens Optimizer when using Digital Photo Professional to process RAW images captured with the following TS-E lenses: TS-E 17mm f/4L, TS-E 24mm f/3.5L II, TS-E 50mm f/2.8L MACRO, TS-E 90mm f/2.8L MACRO, or TS-E 135mm f/4L MACRO.</li>
<li>Fixes a phenomenon in which standard exposure may not be obtained, or an irregular exposure may result, when Silent LV (Live View) shooting with the following TS-E lenses: TS-E 50mm f/2.8L MACRO, TS-E 90mm f/2.8L MACRO, or TS-E 135mm f/4L MACRO.</li>
<li>Support for Exif 2.31 has been added.</li>
</ol>
<p><strong>Download Firmware 1.1.2: <a href="https://www.usa.canon.com/internet/portal/us/home/support/details/cameras/dslr/eos-5ds?subtab=downloads-firmware#Z7_MQH8HIC0L88RB0AMD0F1Q42K25">Canon EOS 5DS</a> | <a href="https://www.usa.canon.com/internet/portal/us/home/support/details/cameras/dslr/eos-5ds-r?subtab=downloads-firmware#Z7_MQH8HIC0L88RB0AMD0F1Q42K25">Canon EOS 5DS R</a></strong></p>
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<i>True to the Noctilux legacy, the new lens boasts impeccable speed and exceptional imaging performance</i></p>
<p><b>November 29, 2017</b> – For more than 50 years, the name ‘Noctilux’ has been synonymous with exceptional speed and outstanding optical design. Today, Leica Camera announces the newest addition to their lens portfolio – the Leica Noctilux-M 75 mm f/1.25 ASPH. Coupled with exceptional imaging performance and unique bokeh, its hair-thin depth of focus isolates subjects with extreme precision, ideal for portraits with an unmistakable “Leica look”.</p>
<p><b>A legacy of excellence</b>

The first lens of the Noctilux family, the Leica Noctilux 50 mm f/1.2, was announced at photokina in 1966. While the original lens innovated with revolutionary optical properties, ongoing developments led to the launch of two additional generations of the Noctilux in 1975 and 2008. The additional lenses were developed under the premise of further pushing the envelope for imaging performance, each with a faster aperture than its predecessor. All Noctilux-M lenses to this day are special for their rendering and aesthetic when shot wide-open, yielding a three-dimensional “pop” that separates its subjects from the background like no other lenses. The out-of-focus areas behind the subject is smooth and pleasing to the eye, giving a lovely soft background even in the darkest of lighting scenarios.</p>
<p>Together with the Leica Noctilux-M 50 mm f/0.95 ASPH., the Leica Noctilux-M 75 mm f/1.25 ASPH. is the co-founder of a new family of lenses. The two current members of this family are both distinguished by their extreme maximum aperture and exceptionally high performance at all apertures, even wide open, and lend themselves to the creation of timeless images marked by a distinctive and revered Leica aesthetic.</p>
<p><b>Superior imaging performance</b>

The upgraded features of the Noctilux-M 75 mm f/1.25 ASPH. open up entirely new opportunities in portrait and close-up photography, including a shallower depth of focus than that of the Noctilux-M 50 mm f/0.95 APSH. and a close focusing distance of 0.85m, making for a reproduction ratio of 1:8.8 for even more precise isolation of subjects. Additionally, the eleven blades of its iris ensure a soft and harmonious bokeh in out-of-focus areas.</p>
<p>To guarantee this extraordinary imaging performance, the nine elements in six groups that make up its optical design are manufactured from glasses with high anomalous partial dispersion and low chromatic dispersion. Two of the elements are aspherical, and reduce other potential aberrations to a hardly detectable minimum. The use of a floating element within the complex focusing mechanism guarantees a constantly high level of imaging performance throughout the entire focusing range of the lens – from its minimum focus distance to infinity.</p>
<p>When shooting at maximum aperture, the exceptionally shallow depth of field of the Noctilux-M 75 mm f/1.25 APSH. can be easily focused in when an electronic viewfinder such as the Leica Visoflex. Additionally, the Leica M-Adapter L transforms the Noctilux-M into an excellent lens to use in conjunction with the Leica SL. When the lens is mounted on the Leica SL, the 4.4 megapixel resolution of the camera’s EyeRes® electronic viewfinder enables particularly comfortable and extremely precise focusing.</p>
<p>The Noctilux-M 75mm f/1.25 ASPH. features the convenience of an integrated lens hood, which can be extended or retracted in one simple twist. The lens is complemented by a tripod adapter for safe and secure mounting of the lens on a tripod.</p>
<p>The Leica Noctilux-M 75 mm f/1.25 ASPH will be available at Leica Stores, Boutiques and Dealers at the beginning of 2018 with a price tag of $12,795USD.</p>
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Photography Blog has completed their extensive review of Canon’s brand new flagship compact camera, the PowerShot G1 X Mark III.</p>
<p><strong>From Photography Blog:</strong></p>
<blockquote><p>The Canon PowerShot G1 X Mark III is the smallest G-series camera to date, yet remarkably it has the largest image sensor of any G-series camera ever released, featuring the same APS-C sensor with Dual Pixel CMOS AF system as the EOS 80D and M5 cameras and therefore offering DSLR-like levels of image quality from what is after all a pocketable compact camera. There are a few notable drawbacks, though, with the increase in sensor size necessitating a shorter, slower lens, the puzzling continued lack of 4K video shooting, and also a significant increase in price compared to the previous model – £1149 / €1399 / $1299 is an awful lot to ask for a compact camera with a slow-ish 3x lens. Still, if you want a relatively tiny camera with a fixed lens that can deliver DSLR-like image quality, the new Canon PowerShot G1 X Mark III should certainly be on your short-list. <a href="http://www.photographyblog.com/reviews/canon_powershot_g1_x_mark_iii_review/conclusion/">Read the full review</a></p>

</blockquote>
<p>This is another review that praises this new PowerShot in a lot of ways, but seems to come back to the same caveats, the price tag and lack of 4K video.</p>
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<p><em>Ultra-fast G Series CFast memory cards with up to 510MB/s write speed for photographers and videographers</em></p>
<p><strong>(ASIA PACIFIC, 28 November 2017)</strong> – Sony today announced the launch of a range of high performance CFast memory cards designed to meet the needs of professional photographers and videographers. The new G Series CFast responds to the ever increasing capabilities of high-end DSLR and 4K cinema-grade broadcast cameras, offering lightning-fast write speeds of up to 510MB/s and read speeds of up to 530MB/s1 . Joining an established range that includes Professional internal SSDs, XQD and SxS cards, as well as the world’s fastest SD card2 , the new CFast models strengthen Sony’s position as a leader in professional memory solutions.</p>
<p><!--more--></p>
<p><strong>Step up to industry-leading write speeds

</strong>Professional photographers demand faster speed for continuous burst shooting of higher resolution images like RAW. With up to 510MB/s write speed, far outperforming the capabilities 1 Based on Sony internal testing. Transfer speeds may vary dependent on testing conditions. 2 As of September 2017 of existing CFast cards, G Series supports high-speed burst shooting of high resolution RAW, maximizing the capability of high-end DSLR cameras like the Canon 1DX Mark 2.</p>

<p><strong>Reliable 4K video recording with VPG130 support</strong>

As well as ultra-fast write speed, the new CFast cards support VPG1303 for reliable recording of Cinema-grade or high-bitrate 4K video. A minimum sustained write speed of 130MB/s is guaranteed, making the new media ideal for stable recording of professional grade 4K video such as Cinema RAW light mode with Canon C200 video cameras.</p>
<p><strong>Super-fast read speed for ultra-effective workflow</strong>

Efficient workflow is essential for professional photographers and videographers working in challenging environments to tight deadlines. With a blazing fast read speed of 530MB/s, G Series CFast dramatically reduces the time it takes to transfer RAW files, long 4K video footage and high-resolution images to a PC. Designed for strength and reliability The new CFast cards have passed a variety of stringent drop, vibration, shock and rigidity tests, making them perfect for shooting in many different locations. They work reliably across a wide range of temperatures and are highly resistant to static. With a hard case and Sony File Rescue software4 included for recovering accidentally deleted photos such as RAW images and videos, professionals can shoot with confidence in the toughest conditions.</p>
<p>The new G Series CFast 2.0 memory cards will be available in 32GB (CAT-G32), 64GB (CATG64) and 128GB (CAT-G128) capacities in selected Asia Pacific countries in the 1 st quarter of 2018. Please check with the authorized dealers for pricing and availability.</p>
<p>For more information on Sony’s CFast card, please visit <a href="http://www.sony-asia.com/b2b">www.sony-asia.com/b2b</a></p>
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<p>Bryan over at The-Digital-Picture has completed his review of the brand new Canon EF 85mm f/1.4L IS USM.</p>
<p><strong>From The-Digital-Picture:</strong></p>

<blockquote><p>While it will find use for many purposes (we will go looking for opportunities to use this lens), the Canon EF 85mm f/1.4L IS USM Lens is one of the best portrait lenses ever built. The 85mm short telephoto focal length is ideal for this use and the ultra-wide aperture combined with image stabilization permits those portraits to be captured handheld even in extreme low light situations. The fast Ring USM AF implementation ensures that the shallow plane of sharp focus lands where you direct it and the shallow depth of field diffusely blurs an even highly distracting background, making the subject stand out. The red ring indicating L-Series membership assures us that professional-grade build quality is included and that the image quality from this lens will be stellar. <a href="https://www.the-digital-picture.com/Reviews/Canon-EF-85mm-f-1.4L-IS-USM-Lens.aspx">Read the full review</a></p></blockquote>
<p>For $1599, I think you’re getting one heck of a lens from Canon.</p>
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<p>We’re told by a couple of retailers that Canon’s new TS-E 50mm f/2.8L Macro, TS-E 90mm f/2.8L Macro & TS-E 135mm f/4L Macro are still scheduled to begin shipping in small quantities during the first week of December.</p>
<p>We have yet to see any in-depth hands-on previews or reviews for Canon’s latest tilt-shift lenses.</p>
<p>Anyone that has gotten their hands on any of the three lenses, please let us know what you think.</p>

<ul>
<li>Preorder: Canon TS-E 50mm f/2.8L Macro $2199: <a href="https://www.bhphotovideo.com/c/product/1354804-REG/canon_ts_e_50mm_f_2_8l_tilt_shift.html/bi/2466/kbid/3296">B&H Photo</a> | <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qi85jzNe3jKs-zVQhFp8P_YAAAFf_bFXZwEAAAFKAQ5HMu4/https://assoc-redirect.amazon.com/g/r/http://www.amazon.com/Canon-2-8-2-8-Fixed-Digital-Camera/dp/B074VQ6SGK/ref=as_at/?imprToken=n0vg-r52UCBi2zMZbU2knA&slotNum=0&s=electronics&ie=UTF8&qid=1503979433&sr=1-1&keywords=2273C002&linkCode=sl1&tag=canorumo-20&linkId=cb8ec7b44c7330db08be9b92ec483ef1">Amazon</a> | <a href="https://mpex.com/canon-ts-e-50mm-f2-8l-macro-lens.html?acc=3">Midwest Photo</a></li>
<li>Preorder: Canon TS-E 90mm f/2.8L Macro $2199: <a href="https://www.bhphotovideo.com/c/product/1354805-REG/canon_ts_e_90mm_f_2_8l_tilt_shift.html/bi/2466/kbid/3296">B&H Photo</a> | <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qi85jzNe3jKs-zVQhFp8P_YAAAFf_bFXZwEAAAFKAQ5HMu4/https://assoc-redirect.amazon.com/g/r/http://www.amazon.com/Canon-2-8-2-8-Fixed-Digital-Camera/dp/B074VPX4VD/ref=as_at/?imprToken=n0vg-r52UCBi2zMZbU2knA&slotNum=1&s=electronics&ie=UTF8&qid=1503979444&sr=1-1&keywords=2274C002&linkCode=sl1&tag=canorumo-20&linkId=52e439f0d8cb0184e88df0939f3732fa">Amazon</a> | <a href="https://mpex.com/canon-ts-e-90mm-f2-8l-macro-lens.html?acc=3">Midwest Photo</a></li>
<li>Preorder: Canon TS-E 135mm f/4L Macro $2199: <a href="https://www.bhphotovideo.com/c/product/1354806-REG/canon_ts_e_135mm_f_4l_tilt_shift.html/bi/2466/kbid/3296">B&H Photo</a> | <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qi85jzNe3jKs-zVQhFp8P_YAAAFf_bFXZwEAAAFKAQ5HMu4/https://assoc-redirect.amazon.com/g/r/http://www.amazon.com/Canon-135mm-Fixed-Digital-Camera/dp/B074VGT17P/ref=as_at/?imprToken=n0vg-r52UCBi2zMZbU2knA&slotNum=2&s=electronics&ie=UTF8&qid=1503979419&sr=1-1&keywords=2275C002&linkCode=sl1&tag=canorumo-20&linkId=4a897711f9c7448aab3e576ec3dbb296">Amazon</a> | <a href="https://mpex.com/canon-ts-e-135mm-f4l-macro-lens.html?acc=3">Midwest Photo</a></li>
</ul>
<p> </p>
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<p>We’ve had two people write in telling us that the EOS 7D Mark III is currently scheduled to be announced in March of 2018.</p>
<p>Specifications are scarce, but both sources did claim it will definitely shoot 4K and will come with C-Log. We’ve known (or assumed) that 4K was coming in the EOS 7D Mark III, but this is the first time we’ve heard C-Log mentioned as well.</p>

<p>One of the sources also mentioned “first time sensor technology in a Canon DSLR”. We’re not sure what that is, but it sounds like some marketing speak for the moment.</p>
<p>With the NAB show in April, a March announcement for a DSLR with some higher end video features does make some sense.</p>
<p>Take this with a grain of salt, as it comes from unknown places. As always, we hope to confirm some of these details soon.</p>
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