WiFi question for Canon 5D Mk IV

hello,

Some questions please:

1. I found out that no matter what the settings I cannot transfer full size jpeg from my 5DMkIV using Canon's Camera Connect on Android. A Canon 200D could very well transfer a full size jpeg to the same application/phone.
**EDIT** This mystery has been somehow explained. I shot only raw images on 5DIV so unfortunately it was sending the embedded jpeg which seemed to be small. I cannot explain it otherwise. When I switched it to raw+jpeg it sent the full size. Still not likeable though.

2. Is there any application to facilitate transfer of a raw file?

3. It seems that Camera Connect works only on the internal storage with no option to use SD card :(
Can this be bypassed?

4. A sranger question: Is there an application that will work as an ftp server to enable ftp continuous file transfer to a portable android device instead of a PC?

Many Thans...

  • Poll Poll
How do you focus at off-center targets when shooting at f/1.2?

Just curious, for those shooting with the various f/1.2 lenses out there, what do you do when you wa

  • Frame the shot first, use off-center AF point(s) to nail the subject wherever they are, confirm AF,

    Votes: 18 69.2%
  • AF on the center point, confirm AF, re-frame, and shoot.

    Votes: 1 3.8%
  • AF on the center point, confirm AF and shoot. Frame to taste by cropping off-center in post.

    Votes: 1 3.8%
  • Shoot with manual focus through the OVF -- use AF dot illumination confirmation

    Votes: 0 0.0%
  • Shoot with manual focus through the OVF -- use a manual focusing screen

    Votes: 1 3.8%
  • Shoot with manual focus with handheld liveview (5x, 10x focus preview)

    Votes: 1 3.8%
  • Other [please explain below]

    Votes: 4 15.4%

Just curious how people shoot f/1.2 handheld when the subject is not centered in the frame.

Let's presume you are not:

  • On a tripod
  • Shooting something at (near/actual) infinite focus
  • Using a camera that has focus peaking abilities

And let's presume AF is an option on this lens. Answer as if (say) it was a 50 f/1.2L or 85 f1.2L II.

Just curious what your gameplan is there, thx.

- A

New Canon Cameras Up For Certification

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More Canon cameras have appeared for certification as uncovered by Nokishita. We <a href="http://www.canonrumors.com/the-powershot-g1-x-mark-iii-will-be-the-lone-announcement-next-month/">reported earlier today</a> that the only remaining camera coming from Canon in 2017 will be the PowerShot G1 X Mark III. We do expect more PowerShot cameras to come ahead of CES in January and DSLRs to come ahead of CP+ in February.</p>
<p><strong>Canon cameras up for certification:</strong></p>

<ul>
<li><strong>DS 126701 (Kiss X90?)</strong>
<ul>
<li>Single-lens reflex camera</li>
<li>Made in Taiwan</li>
<li>Wi-Fi installed (Bluetooth not installed)</li>
<li>Size: W129.0 mm × H 101.6 mm × D 77.1 mm</li>
</ul>
</li>
<li><strong>DS 126741 (Unknown)</strong>
<ul>
<li>Single-lens reflex camera</li>
<li>Wi-Fi installed (Bluetooth not installed)</li>
</ul>
</li>
<li><strong>PC 2328 (Unknown)</strong>
<ul>
<li>Digital camera</li>
<li>Wi-Fi · Bluetooth installed</li>
<li>New wireless module installed (WM 600)</li>
</ul>
</li>
<li><strong>PC 2335 (PowerShot G1 X Mark III)</strong>
<ul>
<li>Digital camera</li>
<li>Made in Japan</li>
<li>SKU: 2208C001AA</li>
<li>Wi-Fi · Bluetooth installed</li>
</ul>
</li>
<li><strong>PC 2336 (MM100-WS)</strong>
<ul>
<li>Multipurpose module camera</li>
<li>made in Japan</li>
<li>SKU: 2540C002AA</li>
<li>Wi-Fi installed</li>
</ul>
</li>
</ul>
<p><em>More to come…</em></p>
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Review: Tamron SP 24-70mm F/2.8 Di VC USD G2

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Photography Blog has completed their review of the brand new Tamron SP 24-70mm F/2.8 Di VC USD G2, which just began shipping in the last week or so.</p>
<p>It looks like they’ve come away quite impressed with this new Tamron.</p>
<p><strong>Conclusion:</strong></p>

<blockquote><p>The new Tamron SP 24-70mm F/2.8 Di VC USD G2 is a versatile walk-around lens with a fast maximum aperture that consistently delivers great images. It’s very sharp throughout most of the zoom and aperture range, even at the edges of the frame, with sharpness only falling off a little shooting wide open at f/2.8. The new SP 24-70mm G2 also produces very nice bokeh effects thanks to the 9-blade iris diaphragm, although there’s some very obvious vignetting and some barrel distortion at 24mm, plus slight pincushioning at 70mm. Overall, though, there’s little to complain about in the image quality department. <a href="http://www.photographyblog.com/reviews/tamron_sp_24_70mm_f2_8_di_vc_usd_g2_review">Read the full review</a></p></blockquote>
<p><strong><a href="https://bhpho.to/2eXrFQ9">Tamron SP 24-70mm f/2.8 Di VC USD G2 at B&H Photo</a></strong></p>
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The PowerShot G1 X Mark III Will be the Lone Announcement Next Month

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The PowerShot G1 X Mark III is scheduled to be <a href="http://www.canonrumors.com/canon-powershot-g1-x-mark-iii-coming-mid-october-cr3/">announced in mid October</a>. There has been some speculation that we might see the PowerShot G3 X Mark II announced as well, which we now know isn’t happening in 2017.</p>

<p>It appears is the PowerShot G1 X Mark III will be the last substantial camera announcement from Canon for the remainder of the year. We expect to see more PowerShot G series cameras announced ahead of CES 2018 which begins on January 9, 2018.</p>
<p>DSLR announcements generally come in February ahead of CP+.</p>
<p>Here’s hoping the PowerShot G1 X Mark III is a big step forward for the “G” series.</p>
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Canon Announces Development of the Free Viewpoint Video System Virtual Camera System

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<iframe width="728" height="409" src="https://www.youtube.com/embed/lqYNgzEqDsM" frameborder="0" allowfullscreen></iframe>
<strong>MELVILLE, N.Y., September 21, 2017</strong> – Canon Inc. announced today the development of the Free Viewpoint Video System, a new visual solution that incorporates the optical and sensor technologies cultivated by the Company over many years. Using this technology, Canon aims to provide a high-value-added imaging solution for a wide range of applications including sporting events.</p>
<p>Various types of video production are employed at sporting events to convey a passion for sports and the thrill of competition. With the development of its Free Viewpoint Video System—which creates a realistic, immersive experience that gives the user a sense that they are really there—Canon has achieved a video experience that can be viewed from various angles and viewpoints, expanding the boundaries of visual expression and contributing to the development of video culture.</p>
<p><!--more--></p>

<p>The system comprises several high-resolution cameras set up around the stadium, which are connected to a network and controlled via software to simultaneously capture the game from multiple viewpoints. Afterward, image processing technology renders the videos as high-resolution 3-D spatial data where users can freely move a virtual camera around the 3-D space, resulting in video that can be viewed from various different angles and viewpoints.</p>
<p>The Free Viewpoint Video System offers a completely new, totally immersive visual experience that enables viewers to operate a virtual camera in 3-D space to move freely around the stadium and even experience the simulated physical sensation of being among players on the field during a game. Along with providing a new way to enjoy sporting events, Canon plans to explore such potential applications for this system as training teams and athletes.</p>
<p><strong>Sample video</strong></p>
<ul>
<li>J League Match: November 3, 2016</li>
<li>Kawasaki Frontale vs. Gamba Osaka at Kawasaki Todoroki Stadium, Kanagawa Prefecture</li>
<li>Video: <a href="https://youtu.be/lqYNgzEqDsM">https://youtu.be/lqYNgzEqDsM</a></li>
</ul>
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Help needed with Sigma 14mm F1.8

Was very excited to get the Sigma 14mm F1.8 Art for Astro landscapes. I am positive that I will get this aspect going and with the right post processing might even get proficient at it. BUT. daytime landscapes etc. I found this lens very difficult to use. I went to the Richtersveld national park here in South Africa and tried my hand at it. Unfortunately the light was very harsh this time of year but I tried anyway. Please comment and critique to your hearts content as I am an absolute amateur and need to learn how to use this lens. All help will be appreciated.

Flare is a huge problem for me. The lens is so wide and bulbous that if you try and shield it the shield almost always ends up in the shot.

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TAMRON SP 24-70mm F/2.8 Di VC USD G2

Decided to pull the trigger and got one today. So far so good. Requires some AFMA (roughly +10) on the tele end, but the AF seems to be consistent and very fast. Need to run through FoCal and probably adjust via the Tamron console. The VC feature is truly awesome. While it's irrelevant for portraits, for still life / landscape / nature shots in dim light it's very helpful. 1/10 @ 70mm no issues whatsoever.

Wondering if anyone else got this lens? Please share your experience.

Canon U.S.A. Renews Sponsorship of the Albuquerque International Balloon Fiesta

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<em>Canon Will Continue to Engage and Educate Visitors at One of the World’s Most Photographed Events Through 2020</em></p>
<p><strong>MELVILLE, N.Y., September 21, 2017</strong> – Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to announce a renewal of its partnership with world-renowned event, the Albuquerque International Balloon Fiesta, taking its role as presenting sponsor of the event through 2020. This renewed sponsorship marks Canon’s commitment to the Albuquerque community, an area where Canon calls home to one of the two U.S. support centers that service the Company’s customers. To mark this momentous three-year sponsorship renewal, Canon has and will continue to sponsor the opening Mass Ascension and closing Night Magic™ Glow events.</p>
<p><!--more--></p>
<p>“It’s been a true honor to serve as the presenting sponsor of the Albuquerque International Balloon Fiesta since 2015,” said Eliott Peck, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A., Inc. “It is a place to let your imagination run wild and is truly awe-inspiring as colorful balloons fill the sky – making it the ideal setting for photographers and videographers to capture spectacular images.”</p>
<p>As one of the most photographed events in the world, the balloon fiesta offers many photo opportunities to create memories of a lifetime. This year’s 46<sup>th</sup> annual event will take place Oct. 7-15, 2017 in Albuquerque, New Mexico, featuring over 500 hot air and gas balloons, of which the Fiesta anticipates almost 100 of those to be special shaped balloons.</p>

<p>“We are thrilled to continue our partnership with Canon as the Fiesta’s Presenting Sponsor for the next three years,” said Balloon Fiesta board president, Mike Rice. “This event is a crux of the Albuquerque community and Canon’s support over the years has helped our guests create lasting memories.”</p>
<p>With this renewal, Canon will continue to host hands-on activities, allowing attendees to try its wide array of products to bring their experience to life. Attendees will have the opportunity to borrow the latest Canon equipment<sup>*</sup> from the Main Street booth where they can also sign up for photo walks and use Canon’s interactive photo booth. Canon imaging experts will also be on site to provide educational experiences to help attendees capture once-in-a- lifetime photos and videos.</p>
<p><b>About Albuquerque International Balloon Fiesta</b></p>
<p>The Albuquerque International Balloon Fiesta is an annual festival of hot air balloons that takes place every October in Albuquerque, New Mexico, USA. It is the largest gathering of balloons and balloonists in the world. For details on events, schedule, entertainment and photographs visit our website <a href="http://www.balloonfiesta.com/" target="blank">www.balloonfiesta.com</a> and follow us on Twitter @BalloonFiesta and Facebook.</p>
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Throwback Thursday: Returning to the Canon EOS-1D

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Kieran Elson has written what we think is a fun piece about returning to the EOS-1D. Canon’s 4.2mp CCD equipped professional DSLR from 2001.</p>
<p>The EOS-1D is one camera I am actively looking to add to my collection, as it was quite a revolutionary leap for digital photography.</p>
<p>Throwback Thursday won’t become a weekly thing here, the timing just worked out this week.</p>
<p class="font_8"><strong><span class="color_11">Canon EOS-1D Specifications:</span></strong></p>
<ul>
<li class="font_8"><span class="color_11">4.2 million pixel Panasonic CCD sensor</span></li>
<li class="font_8"><span class="color_11">8 fps</span></li>
<li class="font_8"><span class="color_11">45 autofocus points</span></li>
<li class="font_8"><span class="color_11">Large bright viewfinder</span></li>
<li class="font_8"><span class="color_11">Built for punishment</span></li>
<li class="font_8"><span class="color_11">Vertical Grip</span></li>
</ul>
<p><strong>Kieran writes:</strong></p>
<p>The Canon EOS 1D was released in 2001 as Canon’s new flagship digital camera, similar in many ways from the EOS-1V professional film camera, it was an obvious step into the digital era.</p>
<p>Fast forward to 2017 and photography has entered a whole new world, with 50 million pixel sensors available and 24mp as an expected standard.</p>
<p><!--more--></p>
<p>So why even talk about a camera that has 6 times less resolving power than the cheapest DSLR available? Simple. Image Output.</p>
<p>For eight months I have been photographing wildlife with a Canon EOS 7D, I have become very familiar with its strengths and weaknesses and know how to stretch its limits. And this is my problem, the 7D has its limits. Not its resolution, speed, accuracy or anything you’ll read in a review, I have found the image output restricting my creativity.</p>
<p>I hate having to work on images after the fact, I prefer to MAKE the image in the moment and forget about it. The idea of coming home and sitting at a computer desk doing custom white balance adjustments, or tweaking colour profiles makes me want to put my head through the wall. There are valid artist/photographers who can push reality with software and create masterpieces, they know who they are and I’m not one of them.</p>

<div id="attachment_31492" style="width: 738px" class="wp-caption aligncenter"><a href="http://www.canonrumors.com/wp-content/uploads/2017/09/kingfisher.jpg"><img class="size-large wp-image-31492" src="http://www.canonrumors.com/wp-content/uploads/2017/09/kingfisher-728x487.jpg" alt="" width="728" height="487" srcset="http://www.canonrumors.com/wp-content/uploads/2017/09/kingfisher-728x487.jpg 728w, http://www.canonrumors.com/wp-content/uploads/2017/09/kingfisher-768x514.jpg 768w, http://www.canonrumors.com/wp-content/uploads/2017/09/kingfisher-225x151.jpg 225w, http://www.canonrumors.com/wp-content/uploads/2017/09/kingfisher-338x225.jpg 338w, http://www.canonrumors.com/wp-content/uploads/2017/09/kingfisher-610x408.jpg 610w" sizes="(max-width: 728px) 100vw, 728px" /></a><p class="wp-caption-text">Canon EOS-1D: Although the resolution is only 2464 x 1648 the rendition is excellent, almost no editing required for this image. // Photo Copyright; Kieran Elson</p></div>
<p>With the 7D I had to use software to bend the images to my liking, I was wasting my evenings at a computer desk.</p>
<p>I experimented with Canon’s first full frame camera the EOS 5D, the output was more saturated and contrasty compared to the 7D. This halved the time I spent at the computer desk, but eventually I was hitting the limits of the AF capabilities. To no fault of the camera, it was designed for landscape and portraiture not for powering huge prime lenses in low light.</p>
<p>I then discovered an old relic, the Canon EOS 1D.</p>
<p>The idea of heading into the field with a camera with less pixels than my £50 phone was daunting, what if the photograph of a lifetime happened? I’d be stuck with a barley usable file.</p>
<p>But to my amazement the image output was everything I was looking for, rich, defined and brilliantly rendered. So what’s going on?</p>
<p>Ken aka the Angry Photographer says it best, its all about gain and the 1D has buckets of it.</p>
<p>Compare below the difference in pixel pitch each camera has</p>
<ul>
<li>Canon EOS 7D – 4.29 µm</li>
<li>Canon EOS 5D – 8.2 µm</li>
<li>Canon EOS 1D – 11.57 µm</li>
</ul>
<p>I have zero experience with signal to noise ratios or anything even remotely related, but its not hard to see that the EOS 1D has a significant advantage. Even digital medium format cameras have a smaller pixel pitch, for example the Pentax 645D sensor’s pixel pitch is 6.03 µm.</p>
<p>But what about that 4.2 million pixels? Surely that cant be usable? Well I viewed the files on a Panasonic 4K 58” display, and all I can say is WOW! Everybody I show has no idea its only 4 mega pixels, I can’t even believe it. Sure side by side a 5D file with my nose on the screen you can tell, but who does that to a print on the wall?</p>
<p><strong><a href="https://www.kieranelson.com/canon-eos-1d">Read the full article on Kieran’s blog</a></strong></p>
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Review: Architectural Photography with the Sigma 12-24mm f/4 Art

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Keith over at Northlight Images has completed an extensive review of the <a href="https://bhpho.to/2ysNdwk">Sigma 12-24mm f/4 Art series lens</a>. There are more than 60 high resolution samples available to look at in the review.</p>
<p>Keith came away impressed, and may even prefer to invest in the Sigma 12-24mm f/4 Art over  the much more expensive Canon EF 11-24mm f/4L.</p>

<p>Shooting this wide can be a challenge, but the payoffs can be well worth the learning curve.</p>
<p><strong><a href="http://www.northlight-images.co.uk/architecture-sigma-12-24mm/">Read the full review at Northlight</a></strong></p>
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Do You Use Third Party Batteries in Your Canon Cameras?

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Out of personal curiosity, I asked on last night on Twitter if you folks used third party batteries in your Canon cameras. The results so far actually shock me, it’s quite close to a 50/50 split.</p>
<div align="center">
<blockquote class="twitter-tweet" data-lang="en">
<p dir="ltr" lang="en">Do you use third party batteries in your Canon cameras?</p>

<p>— Canon Rumors (@canonrumorsguy) <a href="https://twitter.com/canonrumorsguy/status/910303513053470720">September 20, 2017</a></p></blockquote>
<p><script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script></div>
<p>If you do use third party batteries, please let us and others know what brands have worked for you on the forum or via Twitter.</p>
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Here We Go Again, New 50mm L Coming in 2018 [CR2]

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<p>We’re told by a very good source that Canon will finally address the 50mm focal length in 2018. There are apparently two prototypes currently being tested by select photographers.</p>
<p>We’re told one of the lenses is an EF 50mm f/1.4 IS USM, which was likely developed alongside the brand new EF 85mm f/1.4L IS USM. We were not told what the other 50mm prototype lens was.</p>
<p>The announcement is slated for some time in the first half of 2018. As always though, lenses come where they’re done and ready for production, not when the marketing people want them to be announced. Therefore, delays are always possible.</p>
<p><!--more--></p>

<p>To be perfectly honest, we don’t like reporting about 50mm lenses, as we’ve been burned a few times in the past.</p>
<p>The same source did mention that a previous design for a fast 50mm lens was scrapped due to do some new technologies in design and manufacturing that Canon utilizes now.</p>
<p>We’re wondering if Canon will do the same thing with the 50mm that they’ve done with the 85mm and that’s keeping the f/1.2L version current while adding the f/1.4L IS to the lineup. It wouldn’t shock us to see the nearly 25 year old EF 50mm f/1.4 remain current as a value option. We think a 50mm f/1.4L IS would fit nicely in the lineup at around $999 USD.</p>
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Dynamic range of the human eye

There are ongoing discussions about the dynamic range of the human eye versus that of sensors so I asked a professor in the area of human vision for the latest ideas on the DR of light receptors in the eye.

We can see (something) at illuminance levels from about 10^-4 lux (dark night) up to 10^5 lux (full sunlight) so one might say the range is 10^9 (= 30 stops). But, it doesn’t use that range all at once. The key difference between the eye’s light receptors and a camera sensor is that the sensor has a linear response to light intensity whereas the light receptors in the eye do not. Individual receptors can alter their sensitivity by events surrounding them and the levels of light around the areas they are seeing. Sets of receptors can adapt to seeing light areas or dark areas simultaneously with different sensitivities, effectively like HDR in a camera or pushing shadows in post-processing. The bright light range is increased because in very bright light many or most, but not necessarily all, of the receptors become bleached so we can still see highlights from the ones that are not bleached.

The physiology is very interesting and it does give justification for lifting shadows by post-processing because it does mimic what we do in natural vision with our own eyes.

6d2 Focus Selection

Okay,

The 6D series camera does not have a joystick for focus point selection. However, the combo of the top dial and back dial can be used to quickly move the point around. Top dial does left and right, back dial does up and down.

However, the direction for the back dial seems backwards/unintuitive to me. Clockwise moves the point down and counterclockwise moves it up. It feels naturally wrong to me. Is there a way to switch this in the camera? I dug around briefly and didn't see anything.

Much thanks!

Tamron 45mm 1.8 Canon 5d Mark IV

I just purchased the Tamron 45mm f/1.8 and I am a bit confused. When shot between f/1.8 and f2.5 there is a black ring around the photo--and I am not referring to vignetting. It is literally a black circle. Can someone please help me trouble-shoot this? The phenomenon does not occur on my 7d mark II.

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DXO: Canon EOS 6D Mark II Sensor Review: Great Color and ISO Performance

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DXOMark has completed their sensor review of the Canon EOS  6D Mark II and came away impressed in some areas, most notably color and ISO performance.</p>
<p>The EOS  6D Mark  II ended up with a score of 85, which is well behind the 91 scored by the EOS  5D Mark IV and 5th place overall for Canon sensors.</p>
<p><strong>From DXOMark</strong></p>
<blockquote><p>Canon’s 6D proved a popular and affordable DSLR for serious-enthusiasts looking to step up to full frame, or pros after an affordable second body.</p>
<p>Five years on, it was crying out for an upgrade however, and the 6D Mark II’s resolution boost, improved autofocus system, faster frame rate and touch-screen LCD make it a more viable option in the modern market.</p>

<p>Its sensor performance continues the upward trend for Canon chips too, although it doesn’t quite hit the dizzy heights of Canon’s best sensor to date in the 5D Mark IV. This is a result of notably lower dynamic range recorded by the 6D Mark II at base ISO, which is a concern for photographers after the best image quality in good light. From ISO 800, dynamic range is much closer to the performance of semi pro rivals such as the Nikon D750 and Sony A7 II however, and with good color sensitivity at all settings and well-controlled noise the 6D Mark II lends itself better to low light photography. <a href="https://www.dxomark.com/canon-eos-6d-mark-ii-sensor-review-great-color-iso-performance/">Read the full review</a></p></blockquote>
<p>I must say it’s nice to read something positive about this camera, as some of its perceived shortcomings have been the source of a lot of negative discussion. However, it is DXOMark and that can create heated discussion on its own.</p>
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Review: Canon EOS Rebel SL2 by DPReview

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DPReview has completed their review of  Canon’s smallest DSLR, the EOS Rebel SL2. DPRewview referred to the SL2 as the Toyota Camry of DSLRs, which after having a Camry as a rental recently, I’m not sure that’s a good thing.</p>
<p><strong>From DPReview:</strong></p>
<blockquote><p>For those who want a small camera with the traditional controls and viewfinder of a DSLR, the Canon EOS Rebel SL2 is easy to recommend. It’s not spectacular in any one area, but it’s easy to use and performs well in most situations. The SL2 isn’t for those taking a lot of photos of moving subjects, nor is it wondrous at video, but for everyday life, it’ll do the job.</p>

<p>Canon-lovers who want better performance – especially autofocus – should strongly consider spending the extra $200 for the Rebel T7i (EOS 800D). <a href="https://www.dpreview.com/reviews/canon-eos-sl2-eos-200d-review">Read the full review</a></p></blockquote>
<p>The first iteration of this line had a lot of fans once the price started to drop on the camera. I recall a lot people buying the SL1 once they started to appear in the $350-$400 range on the grey market or refurbished at the Canon Store. I’m thinking the same is going to happen again.</p>
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Profoto Announces the World's Smallest Studio Light, The Profoto A1

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<strong>Press Release – September 19, 2017</strong></p>
<p><em>The Profoto A1 might be the smallest flash we’ve ever made, but it’s still built to the same impossibly high standards we’ve set ourselves over the last fifty years.</em></p>
<p>Our focus with the A1 was to create a flash that delivers a truly high quality of light, which is why it features a round head which delivers light that’s both natural and beautiful with a pleasing soft-smooth fall-off, that blends seamlessly with the ambient light.</p>
<p><a href="https://bhpho.to/2wtL3zj">Preorder the Profoto A1 at B&H Photo</a></p>
<p>Thanks to a smart magnetic mount built into the head, light shaping tools and modifiers can be clicked on and off quickly and easily. Within seconds you’re being creative with light, shaping it. It also has a zoom function that allows you to make fine adjustments to the spread of light by simply twisting the zoom ring on the head, and for accuracy it has a modeling light built-in to the head – so you can see what you’re going to get before you press the shutter.</p>
<p><!--more--></p>
<p>We made it our mission to make A1 the first on-camera flash that’s easy to use from the box. The user interface is simple and intuitive with a large high-contrast display at its center. The less time you spend learning and fiddling, the more time you’ll spend shooting. And that’s ultimately what counts. Despite its size, or lack of it, the A1 punches above its weight in a good number of key areas.</p>

<p>Battery life is key when a photographer is right in the thick of the action, because the last thing they need to have to stop mid flow to change the batteries. The A1 has its own Li-ion high capacity battery built-in which lasts up to four times longer than AA batteries with no performance fade. So, you can shoot for longer with confidence.</p>
<p>And this is a flash that can keep up with you because it recycles four times faster than other on-camera solutions – that’s every 1.2 seconds at full power. Put simply, you’ll never miss a shot.</p>
<p>And while it’s true to say the Profoto A1 is our very first on-camera solution it’s also just as effective off-camera as a standalone unit, and integrated into a larger system of lights. That level of versatility is possible because Air Remote is built-in, which means the A1 offers seamless connectivity with freestanding lights like another A1 or bigger Profoto lights like the B1X.</p>
<p>And with AirTTL you’ll get a perfect exposure super-fast. Better still, you can lock the exposure with a single ‘click’ while still being free to fine tune that exposure in manual, giving you even greater control.</p>
<p>So, this is so much more than our smallest flash yet. This is shooting on the move, shooting with confidence and shooting with light shaping excellence. This is shooting off-camera and for the first time with Profoto, on-camera. This is the Profoto A1 – the world’s smallest studio light.</p>
<p><a href="https://bhpho.to/2wtL3zj">Preorder the Profoto A1 at B&H Photo</a></p>
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B&H Photo Rosh Hashanah Holiday Closing Schedule

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Just a friendly reminder about the upcoming holiday schedule at <a href="https://bhpho.to/2mrnL4l">B&H Photo</a>.</p>
<p><strong>SuperStore & Offices</strong></p>
<ul>
<li>B&H will be closed starting at 1pm ET on Wed Sep 20 through Sat Sep 23.</li>
<li>We will reopen at 9:30am on Sun Sep 24</li>
</ul>
<p><strong>Online Orders</strong></p>
<ul>
<li>Online checkout will be available until 6:45pm Wed Sep 20.</li>
<li>Regular checkout will resume at 8:15pm Sat Sep 23.</li>
</ul>
<p><strong>Shipping</strong></p>

<ul>
<li>Orders placed before 11am Wed Sep 20 will be processed prior to the holiday closing.</li>
<li>Orders placed after this time will be processed when we reopen on Sun Sep 24.</li>
</ul>
<p><strong>Store Pickup</strong></p>
<ul>
<li>Store Pickup orders placed up to 1 hour before store closing time will be available for same-day pickup until store closing time.</li>
<li>Store Pickup orders placed within 1 hour of store closing, or while the store is closed, will be available for pickup 45 minutes after the store reopens.</li>
</ul>
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Canon PowerShot G1 X Mark III Coming Mid October [CR3]

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We’ve finally have an approximate announcement date for the upcoming Canon PowerShot G1 X Mark III, we’re told that it will be announced in mid October. Looking at the calendar, Tuesday, October 17, 2017 looks like a good “mid October” guess. Give or take a week on either side of this date. Canon generally announces on a Tuesday, but sometimes does so on a Friday as well.</p>
<p>While we’ve nailed down when we can expect to see it announced, specifications are still not [CR3].</p>

<p><strong><a href="http://www.canonrumors.com/canon-powershot-g1-x-mark-ii-specifications-cr1/">Rumored Canon PowerShot G1 X Mark III Specifications</a>: [CR1]</strong></p>
<ul>
<li>24mp APS-C Sensor (The PowerShot G1 X Mark II was 1.5″ sensor)</li>
<li>Dual Pixel AF</li>
<li>DIGIC 7</li>
<li>24-120mm lens (35mm equivalent)</li>
</ul>
<p>We do not know for sure if another G series PowerShot will be announced alongside the PowerShot G1 X Mark III.</p>
<p><em>More to come…</em></p>
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