Zeiss Announces Budget Friendly CP.3 XD Cine Lenses

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<strong>The ten compact prime lenses provide metadata and enable the correction of distortion and shading. For the first time, even low-budget productions can employ visual effects.</strong></p>
<p>OBERKOCHEN/Germany, 24/04/2017.</p>
<p>No matter if it is Star Wars, Harry Potter or Avatar: these days, just about every film features special effects. For many small film productions, having visual effects in their movie would be a dream come true. Unfortunately, making the image fit the look of the footage has required expensive tools – until now. At the NAB Show in Las Vegas, ZEISS presented new metadata technology that makes this possible: the company has equipped its new ZEISS CP.3 XD compact lens family with ZEISS eXtended Data.</p>
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<p><strong>ZEISS eXtended Data supports and enhances /i-Technology</strong></p>
<p>What exactly is this? “ZEISS eXtended Data is the first metadata technology which stores the lens distortion and shading – for every single frame,” explains Christophe Casenave, Product Manager at ZEISS. “Moreover, all /i-Technology metadata are recorded, including the focus distance, aperture value and depth of field, which is supported by most cameras.” This makes the technology ideal for working with visual effects: by using the metadata, it just takes a few clicks to modify the image generated on the computer to fit the lens characteristics, and to then splice it together with the footage to create a realistic image. Distortion and shading can be corrected or even amplified in post-production.</p>
<p>“It used to be that only big blockbusters could take this approach,” says Casenave. “Cine lenses that provide metadata are relatively expensive and, up until now, distortion and shading had to be manually measured – a time-consuming and expensive process.” However, since ZEISS has incorporated the technology into its compact CP.3 XD cine lens family, low-budget productions can now take the same approach to creating their own special effects. “With ZEISS eXtended Data, we are offering Hollywood technology for everyone, providing small film teams with new creative opportunities.”</p>
<p><strong>An end-to-end solution: cooperation with Ambient and Pomfort</strong></p>
<p>With the ZEISS CP.3 XD, ZEISS not only offers the lenses with metadata, but has also given thought to storage and processing. It has teamed up with partners in the industry: the company Ambient has developed the MasterLockit Plus system together with ZEISS. It records all metadata along with a time code in case the technology is not supported by the camera. “This way truly everyone can work with ZEISS eXtended Data, no matter what equipment they use,” says Casenave.</p>
<p>Thanks to the cooperation with the software developer Pomfort, distortion and shading can be modified on the set in real-time using the Pomfort tool LiveGrade Pro. The film crew already gets a sense of what the final look will be during the shoot. The film clips and lens data can be consolidated and organized with Silverstack, Pomfort’s file manager.</p>
<p>ZEISS plans to further expand the new metadata technology in the future. “Our customers will then be able to upgrade to the new version, making the CP.3 XD a long-term investment,” says Casenave.</p>
<p><strong>Compact and light-weight</strong></p>
<p>In addition to the metadata, filmmakers have even more reasons to get excited about the new lens family: the ten prime lenses between 15 and 135 millimeters cover full-frame. As is typical for ZEISS, the image has a clean, crisp look, and ZEISS says the image quality is excellent. “These lenses deliver outstanding results, even in light situations with a large dynamic range, i.e. highlights and shadows within the same scene,” says Casenave. The maximum speed of the seven focal lengths between 25 and 135 millimeters is T2.1, the 15, 18 and 21 millimeter lenses have a speed of T2.9. With a front diameter of 95 millimeters, the lenses are light-weight and compact. They are particularly well-suited for hand-held filming or shooting with gimbals, Steadicam or drones. ZEISS has also improved focusing: the manual focus is now noticeably smoother. According to ZEISS, it is comparable with the ZEISS Master Primes and can also be operated with a small motor. The focus rotation angle is 300°. The lenses are equipped with an interchangeable mount so that they can be used on almost any camera. In addition to the ZEISS CP.3 XD, there is also a version available without metadata: the ZEISS CP.3.</p>
<p><strong>Price and availability</strong></p>
<p>Initially, a limited number of ZEISS CP.3 XD and CP.3 lenses will be available at dealers.</p>
<p><strong>ZEISS CP.3 XD</strong></p>
<div class="contentTable">
<table class="contentTable" border="0" cellspacing="0" cellpadding="0">
<tbody>
<tr>
<td width="33.333333333333336%">Focal length</td>
<td width="33.333333333333336%">Recommended retail price (EUR/USD)</td>
<td width="33.333333333333336%">Available from</td>
</tr>
<tr>
<td width="33.333333333333336%">15mm/T2.9 XD</td>
<td width="33.333333333333336%">6,400 Euro / 7,490 USD</td>
<td width="33.333333333333336%">September</td>
</tr>
<tr>
<td width="33.333333333333336%">18mm/T2.9 XD</td>
<td width="33.333333333333336%">5,800 Euro / 6,690 USD</td>
<td width="33.333333333333336%">September</td>
</tr>
<tr>
<td width="33.333333333333336%">21mm/T2.9 XD</td>
<td width="33.333333333333336%">5,000 Euro / 5,790 USD</td>
<td width="33.333333333333336%">September</td>
</tr>
<tr>
<td width="33.333333333333336%">25mm/T2.1 XD</td>
<td width="33.333333333333336%">5,000 Euro / 5,790 USD</td>
<td width="33.333333333333336%">September</td>
</tr>
<tr>
<td width="33.333333333333336%">28mm/T2.1 XD</td>
<td width="33.333333333333336%">5,000 Euro / 5,790 USD</td>
<td width="33.333333333333336%">October</td>
</tr>
<tr>
<td width="33.333333333333336%">35mm/T2.1 XD</td>
<td width="33.333333333333336%">5,000 Euro / 5,790 USD</td>
<td width="33.333333333333336%">September</td>
</tr>
<tr>
<td width="33.333333333333336%">50mm/T2.1 XD</td>
<td width="33.333333333333336%">5,000 Euro / 5,790 USD</td>
<td width="33.333333333333336%">September</td>
</tr>
<tr>
<td width="33.333333333333336%">85mm/T2.1 XD</td>
<td width="33.333333333333336%">5,000 Euro / 5,790 USD</td>
<td width="33.333333333333336%">September</td>
</tr>
<tr>
<td width="33.333333333333336%">100mm/T2.1 XD</td>
<td width="33.333333333333336%">5,800 Euro / 6,690 USD</td>
<td width="33.333333333333336%">September</td>
</tr>
<tr>
<td width="33.333333333333336%">135mm/T2.1 XD</td>
<td width="33.333333333333336%">6,400 Euro / 7,490 USD</td>
<td width="33.333333333333336%">September</td>
</tr>
</tbody>
</table>
</div>
<p><strong>ZEISS CP.3</strong></p>
<div class="contentTable">
<table class="contentTable" border="0" cellspacing="0" cellpadding="0">
<tbody>
<tr>
<td width="33.333333333333336%">Focal length</td>
<td width="33.333333333333336%">Recommended retail price (EUR/USD)</td>
<td width="33.333333333333336%">Available from</td>
</tr>
<tr>
<td width="33.333333333333336%">15mm/T2.9</td>
<td width="33.333333333333336%">4,900 Euro / 6,090 USD</td>
<td width="33.333333333333336%">September</td>
</tr>
<tr>
<td width="33.333333333333336%">18mm/T2.9</td>
<td width="33.333333333333336%">4,300 Euro / 5,290 USD</td>
<td width="33.333333333333336%">July</td>
</tr>
<tr>
<td width="33.333333333333336%">21mm/T2.9</td>
<td width="33.333333333333336%">3,500 Euro / 4,390 USD</td>
<td width="33.333333333333336%">June</td>
</tr>
<tr>
<td width="33.333333333333336%">25mm/T2,1</td>
<td width="33.333333333333336%">3,500 Euro / 4,390 USD</td>
<td width="33.333333333333336%">June</td>
</tr>
<tr>
<td width="33.333333333333336%">28mm/T2.1</td>
<td width="33.333333333333336%">3,500 Euro / 4,390 USD</td>
<td width="33.333333333333336%">October</td>
</tr>
<tr>
<td width="33.333333333333336%">35mm/T2.1</td>
<td width="33.333333333333336%">3,500 Euro / 4,390 USD</td>
<td width="33.333333333333336%">June</td>
</tr>
<tr>
<td width="33.333333333333336%">50mm/T2.1</td>
<td width="33.333333333333336%">3,500 Euro / 4,390 USD</td>
<td width="33.333333333333336%">June</td>
</tr>
<tr>
<td width="33.333333333333336%">85mm/T2.1</td>
<td width="33.333333333333336%">3.500 Euro / 4.390 USD</td>
<td width="33.333333333333336%">June</td>
</tr>
<tr>
<td width="33.333333333333336%">100mm/T2.1</td>
<td width="33.333333333333336%">4,300 Euro / 5,290 USD</td>
<td width="33.333333333333336%">September</td>
</tr>
<tr>
<td width="33.333333333333336%">135mm/T2.1</td>
<td width="33.333333333333336%">4,900 Euro / 6,090 USD</td>
<td width="33.333333333333336%">September</td>
</tr>
</tbody>
</table>
</div>
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Canon Explains Canon Log on the EOS 5D Mark IV

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Newsshooter has done a short piece at NAB 2017 about the C-Log update for the Canon EOS 5D Mark IV. Canon says they have added C-Log to the camera so you can have a smaller tool on set that will match up well with the other Canon cameras you may be using for your project.</p>
<p>Canon claims 12 stops of dynamic range at ISO 400.</p>
<p>This update should be available some time in July for $99 USD.</p>
<p><strong>Canon EOS 5D Mark IV</strong><strong>:</strong> <a href="https://www.bhphotovideo.com/c/product/1274705-REG/canon_eos_5d_mark_iv.html/bi/2466/kbid/3296">B&H Photo</a> | <a href="http://amzn.to/2bk6MtW">Amazon</a> | <a href="http://bit.ly/2bkM0ze">Canon Store</a> | <a href="http://mpex.com/canon-5d-mark-iv-dslr-camera-body-only.html?acc=3">Midwest Photo</a></p>
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5D MklV or 1DX

I currently use a 5D MklV and have found a very good price on a low mileage 1DX. The benefits of a 1DX would be the AF system. I use the 5D MklV for fast action for probably 30% of the time (15% bif and 15% my daughter running around/on her bike). I don't use super telephotos, just the 100-400 mkll and occasionally the 70-200 mkll.
The 5D MklV, being a much newer camera has presumably got a more recent version of AF than the 1DX. Would I get any benefit from the AF in the 1DX....would it lock on and hold better than the MklV?
or put another way, is the AF in the 1DX better/more reliable than the MklV? (not suggesting that the MklV is unreliable)

Zeiss Announce CP.3 and CP.3 XD lenses for FF Cinematography

Zeiss add to announcements from Cooke and Leica about new Full Frame / Vistavision lenses for large format cinematography. The Zeiss Compact Primes CP.3 and CP.3 XD are aimed at cinematographers even on limited budgets with the XD versions able to provide real time information on distortion and shading using the open format i technology developed by Cooke Optics (adopted and used by Panavision, Zeiss, Cookes, Leica etc.)

New 5DSR Vs. refurbished.

I am in the market for a 5DSR. Canon has refurbished for around $2800. I sent an email asking about if they had a shutter count policy concerning refurbished bodies and was told I could not get a shutter count on those products and they have no published policy on at what count do they do a replacement before sale. They reinforced the 1 year warranty and that they are proud of their refurbished products.

I can easily shoot over 1000 pics in a single day and I'm worried that in a year or two, I might need a new shutter on a refurb body. I have bought Canon refurb lenses in the past and been very satisfied but this is a little different with respect to wear and tear. Would folks buy it anyway and take a chance? How much does a new shutter run? I am a CPA member.

Canon Q1 2017 Results: Canon Raises Annual Profit Outlook

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<strong>From Reuters:</strong></p>
<p>Japan’s Canon Inc on Wednesday lifted its full-year operating profit forecast after reporting strong first-quarter results on the back of earnings from a medical equipment unit it bought from Toshiba Corp last year.</p>
<p>The camera and printer maker forecast profit of 270 billion yen ($2.43 billion), up from 255 billion yen estimated in January. It reported profit of 228.9 billion in the previous twelve months.</p>
<p>The upbeat outlook suggests Canon’s strategy to diversify has begun to reward the company after the $5.8 billion acquisition of the Toshiba unit and the $2.8 billion takeover of Swedish video-surveillance firm Axis AB.</p>
<p><em><strong>Canon also said the two existing businesses that have long dragged its earnings – laser printers and cameras – are also showing signs of bottoming out</strong></em>.</p>
<p>A recovery in the Chinese and other emerging economies is pushing up demand for laser printers, while continued popularity of so-called mirrorless cameras is driving camera sales, Executive Vice President and Chief Financial Officer Toshizo Tanaka said at an earnings briefing.</p>
<p>For the January-March quarter, Canon said operating profit jumped 88.8 percent to 75.67 billion yen from 40.09 billion yen a year earlier. <a href="http://www.reuters.com/article/us-canon-results-idUSKBN17S0II?type=companyNews">Read the full story</a></p>
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Miyazaki Daishin Canon Inc. to be Made a Wholly Owned Subsidiary of Canon Inc.

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<strong>TOKYO, April 26, 2017</strong>—Canon Inc. (“Canon”) announced today that Canon and Miyazaki Daishin Canon Inc. (“Miyazaki Daishin Canon”) at their respective Board of Directors’ meetings held on April 26, 2017, adopted resolutions to conduct a share exchange under which Miyazaki Daishin Canon will be made a wholly-owned subsidiary resulting from a share exchange of Canon, which will become the wholly-owning parent company resulting from a share exchange (the “Share Exchange”), and concluded a share exchange agreement, as described below.</p>
<p>Canon, to be able to swiftly respond to changes in demand due to market fluctuations, is bringing manufacturing capabilities back to Japan as a way to strengthen mutual cooperation between development and manufacturing. At the same time, by vigorously driving forward automation Canon is also furthering its capabilities in camera production engineering.</p>
<p>To accelerate this effort, we decided to take this opportunity to make Miyazaki Daishin Canon, an affiliated company accounted for by the equity-method since 1980 that has contributed to the development of the Group as a manufacturer of mainly interchangeable-lens digital cameras, a wholly-owned subsidiary. In doing so, we will promote a synergistic combination of Canon Group business and management resources and construct a system that allows agile decision-making and prompt execution of important strategies. Going forward, the Group will work in a concerted effort to further speed up the management process and enhance its position in the camera market.</p>
<p>The Share Exchange will become effective on June 1, 2017, after approval is granted at the extraordinary general meeting of shareholders of Miyazaki Daishin Canon to be held on May 11, 2017. By contrast, Canon will adopt a simplified share exchange without approval at the general meeting of shareholders pursuant to Article 796, Paragraph 2 of the Companies Act. <a href="http://global.canon/en/news/2017/20170426.html">Read the full release</a>.</p>
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Review: Canon EOS 77D By TDP

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Bryan at The-Digital-Picture has completed his review of the Canon EOS 77D. In true Canon fashion, it’s not a segment leader on the spec sheet, but it’s definitely a DSLR you should consider if your budget for a body is around $900.</p>
<p><strong>From The-Digital-Picture</strong></p>
<blockquote><p>The 77D is positioned mid-level, as step up from the Rebel series cameras, yet remaining decidedly below the 80D in Canon’s lineup, targeting moderately serious non-professional photographers. While I’m sure that Canon is trying to better differentiate this model from the Rebels, it is still primarily a Rebel in my mind. It has the same size and shape along with nearly identical features as the announced-at-the-same-time Rebel T7i. However, the few feature differentiators are valuable, making it a better choice for most photographers – as long as the higher price tag does not trip up this decision.</p>
<p>From an upgrade perspective, the pair of new AF systems (45 pt traditional phase detection system and Dual Pixel AF system) alone make the 77D a great upgrade from the Rebel T6s. A faster frame rate and greatly increased RAW image buffer depth are also very-welcomed improvements. <a href="http://www.the-digital-picture.com/Reviews/Canon-EOS-77D.aspx">Read the full review</a></p></blockquote>
<p><strong>Buy the Canon EOS 77D:</strong> <a href="https://bhpho.to/2q3tPos">B&H Photo</a> | <a href="http://amzn.to/2pi5xGj">Amazon</a> // <strong>Rent the Canon EOS 77D:</strong> <a href="https://click.linksynergy.com/fs-bin/click?id=nQhWgvN5bco&subid=&offerid=493986.1&type=10&tmpid=24415&RD_PARM1=https%3A%2F%2Fwww.lensrentals.com%2Frent%2Fcanon-77d">Lensrentals.com</a></p>
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580EX-II strange failure

Anyone seen fail like this:

ETTL -mode: It flashes seemingly, but screen is basically black (as it would be with same settings without flash)
M-mode: it illuminates decent amount, but any power 1/128 to 1/1 look same brightness

Tried on 2 bodies, same behavior. Tried my 430EX backup, it worked just fine on ETTL mode too. So something with the 580.

Also when flashing (the 580), it doesn't make the normal high pitch charging sound. I'm wondering if the capacitor died or something.

Anyone had similar failure? Know what part might be broken? I know how to open and fix stuff, so I'm planning to open before buying a new one, but it'd help if someone had tips on where to look. I'm guessing the flash during ETTL is the pre-flash, but actual flash is out. The the M-mode might be illuminating at pre-flash brightness maybe?

Canon Photo Papers

Just curious as to what your favorite Canon photo paper might be, if any?

I have tested many papers from many manufacturers on my Epsons (3800 and P-6000) and have pretty much settled in on Moab Juniper Baryta (Luster) and Moab Entrada Natural (Matte).

But I also have a Canon Pro-100 that I tinker around with. So far the only Canon paper I have used is the Premium Luster. It's okay but I'm looking for something better. I could always go with the Moab papers in the PRO-100 but thought I'd ask about Canon papers.

Again, I'm just curious as to what your favorite Canon photo paper might be?

Zeiss Batis 135mm f/2.8 Review | Dustin

Hello all.

I’ve published the written and video reviews today of the Batis 135mm.

Text Review: http://bit.ly/batis28135DA
Video Review: http://bit.ly/Batis28135YT
Image Gallery: http://bit.ly/batis28135IG

I had to borrow a Sony a7R II to do this review, but it was enough to make me very jealous of getting autofocusing, image stabilized Zeiss glass. Now if only that Sony body were more fun to actually use!

Here's a few shots I've taken with the lens:

April Showers by Dustin Abbott, on Flickr

K.I.S.S. by Dustin Abbott, on Flickr

Slowly Vanishing Snow (Zeiss Batis 135mm f/2.8) by Dustin Abbott, on Flickr

The 30 Year Evolution of Canon EOS Cameras Visualised

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<p>The Canon EOS system was introduced in March of 1987, and <a href="https://www.youtube.com/watch?v=BTECduYfWnI">Digital Camera Warehouse</a> and compiled a visual history of all EOS SLR/DSLRs since the first EOS 650 35mm SLR all the way to the latest EOS 77D from Canon.</p>
<p>Over 70 EOS cameras have been released, how many have you owned?</p>
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Canon 5Dmk4 compared to the 5Dmk3 for Wildlife photography

Just completed a short video discussing some key differences that I have found whilst shooting wildlife with the 5Dm4 and the 5Dmk3, both of which I own.
https://www.youtube.com/watch?v=_eWocvAo2EA

Whilst I have not found that there is any one aspect of performance that is radically upgraded between the two cameras, (aside from Live View shooting of course which is so much better on the new one), there are so many small advances and improvements that, the 5Dmk4 just does the job better. Of the improvements, I find the better image quality and improved low light capability perhaps the most useful, for my own wildlife shooting needs.
I am finding that it I can comfortably use iso 3200 anytime I need faster shutter speeds in low light, and even iso 6400 for print, with some noise reduction.

Canon EF-S 18-135mm f/3.5-5.6 IS USM

Really, I get to be the one to start this thread? I bought this lens a while back but only really took it out and tested it for the second time today. I like the results. My skill level has room for improvement in using AI Servo but where I had good technique (keeping the focus points on the same point on the subject) I had good results (see sample 2 below). I was also impressed with the closeness of focus at 18mm. All shots taken with a 7D Mark II at ISO 400.

https://www.flickr.com/photos/142011376@N03/albums/72157681140534210

Example at 135mm:

Untitled
on Flickr

Example of AI Servo (subject running straight at camera) and high speed shutter mode:

Untitled
on Flickr

Example at 18mm (subject approx. 18 inches from lens):

Untitled
on Flickr

Example of creamy f/5.6 bokeh:

Untitled
on Flickr

Dropped 600mm f/4 => send for checkup or not?

My father's Canon 600mm f/4L IS II USM was mounted on a 7D II on a Gitzo tripod. Suddenly, the tripod tipped over from a wind blow. The 7D II hit stones and the left mounting point for the camera strap is now bent against the side of the body. He doesn't care, as he only uses a Spider handstrap mounted to the tripod mount and the right strap mounting point of the camera.

The lens didn't fell on the rocks, but landed onto (soft) grass. The mount may have had an impact if the body hit ground first before the lens did, I don't know about that. There's no visual damage to the lens and it seems to function fine. No loss of sharpness can be detected in the photos and the autofocus still seems to function the same.

The question is: should he send it in for a checkup or not? Is there a chance of hidden damage from the drop that may give extra damage if not taken care of now?

Attached is a pic of the damage to the body. The lens has no visual damage on the outside.

Thanks!
Niels

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Family Children Playing

Hi Folks.
Not sure this is the right place for sharing this subject, but I didnt know where else to put it.
If anyone else has a better idea for location or knows where there is already a thread please speak up.

Nieces playing with bubbles and skipping (or Jumping rope? Is that the correct usage?)

Angela (my Partner) playing with bubbles!
4X3Z5595_DxO by Graham Stretch, on Flickr

Rosie with bubbles.
4X3Z5613_DxO by Graham Stretch, on Flickr

Emily Skipping
4X3Z5622_DxO by Graham Stretch, on Flickr

Emily
4X3Z5624_DxO by Graham Stretch, on Flickr

Rosie
4X3Z5631_DxO by Graham Stretch, on Flickr

Rosie
4X3Z5638_DxO by Graham Stretch, on Flickr

Angela and Rosie swinging the rope Emily skipping
4X3Z5642_DxO by Graham Stretch, on Flickr

If anyone has pictures of their family children (young or older ;) ) in action shots please feel free to join in. :)

Cheers, Graham.
Edit.
I removed the original posting and reposted as I realised I had the wrong sized (huge) images linked, sorry. :-[

5d3 Vs 5d4

This is a genuine question, am not wasting your time. If I am not interested in 4k video on this camera or the extra 1fps, what advantages does Mark 4 offer over Mark 3?

I currently have 1dc and 1dx2 but am looking to buy a travel camera which is lighter. I thought long and hard about Fuji Xt2 but am thinking not mainly because my travel photography involves low light situations and crop sensor is not ideal then. Also I will have to invest in new lenses etc.

So thinking 5d4 or 5d3 (Not 6D as I want good focus points). So what advantages of 5d4 over 5d3 in my situation please? Appreciate. Since I have the 2 1D series, I want to save few bucks on a camera which will not be used so much.

Canon Profit set to Double

Preliminary information about Canon's upcoming financial announcement indicate that profits will double for the first quarter of this year.

As I've noted before, Canon has invested heavily in Surveillance and Medical imaging, and its paying off. Camera sales in Asia are also strong. The surveillance and medical imaging fields are growth industries with much larger profits than the camera business. Canon's Image helps them to make sales in those areas, and they have bought into the best companies in the business.

Even though the big profit is not from camera sales, canon is not abandoning cameras, they remain a imaging company. Having the financial resources to invest in imaging R&D will benefit new cameras in the future.


"TOKYO -- Canon probably saw its group operating profit roughly double on the year in the January-March quarter to about 80 billion yen ($733 million), thanks to successful acquisitions and strong overseas sales of cameras and printers."Sales apparently grew 20% to just over 950 billion yen. Official quarterly results are due out Wednesday.
http://asia.nikkei.com/Markets/Tokyo-Market/Canon-s-profit-likely-doubled-on-Toshiba-unit-purchase

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