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Tony Northrup Photokina Canon, Nikon, Sony camera predictions

Anyone can make predictions and Tony's are interesting, if not controversial. He thinks 5D4 will be delayed until 2017 and have a 75M sensor. That's certainly different from the take here at CR. See his video:

http://www.photographybay.com/2016/06/14/canon-5d-mark-iv-6d-mark-ii-nikon-d820-sony-a9-more-predictions/?utm_campaign=shareaholic&utm_medium=email_this&utm_source=email

Fujifilm Unveils the New X-T2, the Ultimate Mirrorless Camera with New Autofocus System and 4K Video

HTML:
<em>X-T2 gives users cutting-edge performance that delivers premium imaging quality in a classic design that is a joy to use; New FUJIFILM EF-X500 flash arrives</em></p>
<p><strong>Valhalla, N.Y., July 7, 2016</strong> – As a leader in advanced digital camera technology and outstanding image quality, FUJIFILM North America Corporation today announced the new FUJIFILM X-T2, a splash-resistant premium interchangeable lens camera with a large OLED electronic viewfinder (EVF). The X-T2 houses the latest generation 24.3MP X-Trans CMOS III with an APS-C sensor with no low-pass filter, boasting the highest performance in the history of X Series. The new X-T2 produces crisp image resolution comparable to that of cameras equipped with larger sensors and higher pixel counts, all in a more compact and classically-designed body.</p>
<p>And for the first time, the new FUJIFILM X-T2 now supports 4K video recording that can use each available Film Simulation mode, including ACROS, to easily produce premium-quality footage that is as unique as the photographer behind the viewfinder.</p>
<p>Dramatic improvement to auto focus system The FUJIFILM X-T2 receives a dramatically improved auto focus system (AF) that increases the overall single AF points to 325, and the number of Zone focusing points to 91 (expanded from 49 in previous models). Approximately 40% of the imaging area (center area containing 49 focusing points) is covered with phase detection auto focus pixels to form a fast and precise phase detection auto focus area that can be used in a variety of scenes.</p>
<p>With the high-speed X-Processor Pro and the use of improved algorithms, the X-T2 now refocuses more frequently, enabling predictive AF of advanced accuracy.</p>
<p>The X-T2 also has an enhanced ability to autofocus on small points of light, low-contrast objects and subjects with fine and delicate textures such as bird feathers and animal fur.</p>
<p>The X-T2’s performance of contrast detection AF, enabled for approximately 65% of the imaging area, has also been improved. The data read speed has been doubled compared to previous models to achieve AF performance of higher speed and precision. Photographers will enjoy accurate focusing is all shooting situations, even in low light with a -3EV.</p>
<p>Another area of improvement is the AF-C algorithm that has been significantly enhanced for even higher accuracy when focus-tracking moving subjects in the AF-C mode. According to the type of movement, users can choose individual settings for Subject Retention Characteristic, Acceleration / Deceleration Tracking Characteristic and Focus Zone Characteristic, or select one of five presets or customize specific settings for these three elements.</p>
<p><!--more--></p>
<p><strong>Image Quality</strong>

Fujifilm’s commitment to superior image quality remains a guiding principle, and the FUJIFILM X-T2 is the latest effort to deliver outstanding picture resolution, all from a compact and sophisticated body that is both weather-sealed and easy to travel with in any location. With Fujifilm’s proprietary image design technology, produced through the development of photographic films, the X-T2 reproduces warm skin tones, bright blue skies and rich green foliage in beautiful colors, just as you remember seeing in real life. The X-T2 includes the ACROS Film Simulation for smooth gradation, deep blacks and beautiful textures to create monochrome images that far outperform even the most demanding expectations.</p>
<p>The X-T2 also has the Grain Effect function for reproducing distinctive graininess seen in photographs taken with film cameras. The function is available in Strong and Weak options, and can be combined with any of the Film Simulation modes. You can easily obtain the effect of film-based photos, notable especially when the image is printed out.</p>
<p><strong>Speedy throughout</strong>

Basic response specifications, such as startup time, shooting interval and shutter release time lag, have all been improved to the extreme in pursuit of a camera that operates exactly as the photographer demands. The high-speed processing power and the use of improved algorithms have significantly improved the basic autofocus performance, and X-T2 now gives users AF-C Custom Settings for even higher accuracy in focus-tracking moving subjects.</p>
<p>The X-T2’s electronic viewfinder, which is used to continuously track a moving subject, is capable of displaying up to 100 frames per second, while also maintaining the magnification ratio of 0.77x and the display time lag of 0.005 seconds. The duration of the viewfinder blackout, in which the evf blacks out temporarily while the camera reads picture data, has been reduced by more than half, enabling continuous shooting to ensure tracking subject movements.</p>
<p><strong>Body and grip offer ultimate stability</strong>

The X-T2’s body is fully made of magnesium alloy making it not only compact and lightweight, but also solid and highly durable. The X-T2 body has weather-proofing at 63 points to achieve a high level of resistance to dust and moisture, and coupled with its ability to operate in temperatures down to 14°F, is ready for full-fledged field photography. Similar ruggedness is applied to the new Vertical Power Booster Grip.</p>
<p>The Vertical Power Booster Grip (optional VPB-XT2) is a dust-resistant grip, rugged and capable of operating at temperatures as low as 14°F that maximizes the performance of the X-T2 beyond expectations. It fits two batteries, bringing the total number of batteries the X-T2 can use to three, including the one in-camera, to increase the maximum number of frames that can be taken per charge to approximately 1,000 (Normal mode). In the Boost mode, multiple batteries can operate at the same time to give a boost to camera performance in continuous shooting, shooting interval, shutter release time lag and blackout time, while also extending the duration of 4K video recording to approximately 30 minutes.</p>
<p>The Vertical Power Booster Grip also features a shutter release button, focus thumbstick, AE-L button, AF-L button, command dials, Q button and Fn button and headphone jack to enable audio monitoring during video recording to provide the same level of excellent operability in vertical shooting as you get in horizontal operation. The grip itself has battery-charging functionality where by using the AC adapter supplied (AC-9VS), users can fully charge two batteries at the same time in about two hours.</p>
<p><strong>FUJIFILM EF-X500 Flash</strong>

The new high-end multi-function external FUJIFILM EF-X500 Flash is now official for the lineup of accessories for the X Series of digital cameras. The EF-X500 is a hot-shoe mount flash with a maximum guide number of approximately 50, and includes support for the FP mode (high-speed flash sync) so that the flash can be fired at any shutter speed. Photographers can now concentrate on shooting when a faster shutter speed is required, for example, in order to use a near-maximum aperture to produce beautiful bokeh.</p>
<p>The EF-X500 also supports multi-flash lighting. Users can set up multiple flashes to freely control light on a subject and background for a creative result. Through-the-lens (TTL) lighting control is available with single flash and also in the multi-flash setup, so that users can start shooting without having to make cumbersome adjustments to light output.</p>
<p><strong>EF-X500 Flash key features:</strong></p>
<ul>
<li>Maximum guide number of approximately 50 (ISO100・m) / 164 (ISO100·ft) • Zooming the illumination angle for the focal lengths of 24mm – 105mm, and covering the illumination angle of approximately 20mm when the wide panel is used</li>
<li>Flash head that can be tilted up by 90° degrees, down by 10° degrees, to the left by 135° degrees and to the right by 180° degrees for bouncing light</li>
<li>Equipped with LED video light that can also be used as AF assist light and catch light</li>
<li>Registers up to ten combinations of various setting to suit specific shooting conditions in advance for quick activation when needed</li>
</ul>
<p>FUJIFILM X-T2 key features:</p>
<ul>
<li>24.3MP X-Trans CMOS III Sensor</li>
<li>Dust and moisture-resistant body with approximately 63 points of weather sealing; Freeze resistance to 14°F</li>
<li>X-Processor Pro

– Fast AF of 0.06 seconds

– Startup time of 0.3 seconds

– Shutter time lag of 0.045 seconds

– Shooting interval of 0.17 seconds

– Phase detection AF and motion predictive AF for continuous shooting up to 8 frames per second (fps)

– Up to 11fps using Booster Grip</li>
<li>High-precision 0.48-inch, 2.36 million dot OLED viewfinder

– Viewfinder magnification for digital cameras of 0.77x

– Wide viewing angle (diagonal 38° and horizontal 31°)

– Ultra-fast Real Time Viewfinder with a lag-time of 0.005sec (less than 1/10 of existing models)

– Automatic Brightness Adjustment function

– EVF refreshes at a rate of 60fps, or as high as 100fps in the Boost mode

– Continuous shooting of 5fps in Live View</li>
<li>Full 4K 3840×2160 30P/25P/24P shooting (Using a card with the UHS Speed Class 3 or higher)

– Continuous recording: up to approximately 10 minutes

– Full HD 1920×1080 60P/50P/30P/25P/24P, Continuous recording: up to approximately 15 minutes

– HD 1280×720 60P/50P/30P/25P/24P, Continuous recording: up to approximately 29 minutes</li>
<li>Four different display modes: Full, Normal, Dual and Vertical

– Full mode: Displays shooting information at the top and bottom of the screen to avoid obstruction of the view

– Dual mode: Adds a small second screen for checking focus point with Focus Peak Highlight or Digital Split Image

– Normal mode: Lets you concentrate on framing the shot in Auto Focus mode while keeping you aware of how the shooting conditions are changing, making it the perfect setting for sports and action photography

– Portrait mode: When in Full or Normal modes, it rotates the shooting information interface when the camera is turned vertically</li>
<li>Tempered glass 1.04 million dot high-precision 3” tilting LCD monitor</li>
<li>Digital Split Image and Focus Highlight Peaking</li>
<li>Wi-Fi and remote camera operation</li>
<li>ISO200 – 6400, extended ISO 100, 12800, 25600, Auto(maximum ISO setting from ISO 400 – ISO6400 available) with High ISO 51200 setting</li>
<li>Lens Modulation Optimizer technology maximizes each lens’ performance</li>
<li>In-camera RAW converter</li>
<li>Die-cast magnesium body provides a sturdy and durable, while compact and lightweight design</li>
<li>Two command dials and six Function buttons for instant control and customization</li>
<li>Interval timer shooting for Time Lapse photography is available with intervals of 1 second to 24 hours and up to “∞” frames</li>
<li>Advanced filters and Film Simulations, including ACROS</li>
</ul>
<p>FUJIFILM X-T2 Accessories:</p>
<ul>
<li>Vertical Power Booster Grip (optional VPB-XT2) New</li>
<li>X-T2 Metal Hand Grip (MHG-XT2) New</li>
<li>X-T2 Bottom Leather Case (BLC-XT2) New</li>
<li>X-T2 Cover Kit (CVR-XT2) New</li>
<li>NP-W126S Rechargeable Battery New</li>
<li>Five dedicated flash models to choose from depending on requirements (EF-X500 New, EF-X8, EF-X20, EF-20, EF-42)</li>
<li>Battery Pack EF-BP1, compatible with EF-X500 New</li>
<li>Protective Filters (PRF-39, PRF-52, PRF-58, PRF-62 and PRF-72)</li>
<li>M Mount Adapter for additional lens compatibility</li>
<li>Remote Release (RR-90)</li>
<li>Stereo Microphone (MIC-ST1)</li>
</ul>
<p><strong>Availability and Pricing</strong>

The new FUJIFILM X-T2 (body only) will be available in September 2016 in the U.S. for USD $1,599.95. The X-T2 and XF18-55mm (27-84mm) kit will be available in September 2016 in the U.S. for USD $1,899.95.</p>
<p>The FUJIFILM EF-X500 Flash will be available in September 2016 in the U.S. for USD $449.99.</p>
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Protection filter

As most lenses are quite expensive I was wondering wether protection filter are worth to use.....

Actually I am more interested if the orginal Canon protection filters do decrease the picture quality
or will they have no influence ?
As mentioned lenses are quite expensive, but the Canon protection filters are quite cheap...

Patent: EF-M 16-50mm f/3.5-5.6

HTML:
A patent showing an optical formula for a new EF-M 16-50mm f/3.5-5.6 lens has appeared, therefore this is for an APS-C sensor.</p>
<p>Patent Publication No. 2016-118658 (Google Translated)</p>
<ul>
<li>Published 2016.6.30</li>
<li>Filing date 2014.12.22</li>
<li>Zoom ratio 2.88</li>
<li>Focal length 16.51 21.00 47.49</li>
<li>F-number 3.49 3.77 5.80</li>
<li>Half angle of view (degrees) 39.61 33.04 16.05</li>
<li>Image height 13.66 13.66 13.66</li>
<li>Overall length of the lens 82.00 77.35 84.14</li>
<li>BF 10.70 10.70 13.31</li>
</ul>
<p>We expect to see some EOS M related announcements before the end of the year.</p>
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Canon EOS 5D Mark IV to Feature CFast & SD Card Slots [CR2]

HTML:
We’re told by a pretty reliable source that the upcoming Canon EOS 5D Mark IV will feature both a CFast 2.0 slot and a SDXC UHS-II slot.</p>
<p>If the camera is going to shoot internal 4K like the Canon EOS-1D X Mark II, the CFast slot makes a lot of sense. The faster SD card slot will be a very welcome addition as well, as the the 5D Mark III used a standard SD card slot which was quite slow.</p>
<p>We’re still waiting for more reliable specifications about the EOS 5D Mark IV, a camera we expect to see announced later next month.</p>
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AI Servo for BIF - Best Performing Canon Cameras?

In regards to AI Servo mode for birds in flight, is there a generally agreed consensus on the ranking of Canon cameras. How would you list the top 5 of all time? Am I right in thinking: -

1. 1DX2
2. 1DX
3. 5D3
4. 7D2
5. 80D

I'm just curious about which cameras are going to acquire accurate focus the fastest and continue to keep tracking accurately. Are the newer cameras a class above the older cameras such as the 7D, 1D3?

no autofocus 1dx2

no autofocus 1dx2... no lenses will autofocus..


set normally for main button focus and exposure.. ... but tried the focus-back focus button..
nothing...
is there a setting that turns off autofocus.. that I missed?

feel silly here..
I have used it for a month...not one issue except the Sandisk CFast card bit...

any hints are welcomed

///////////////

update//////
it autofocuses in video mode and ..touch screen too.. this works.. so autofocus drive is there in video

but NOT live view single shot...

feels like a setting I 'bumped'?

......
les all lenses have switch on for focus.. on-off....
battery out... wait.. no help
also 2nd battery same thing... both batteries 90%+ no help

2nd update/////
saved camera settings... then cleared all camera settings (yellow menu)
nothing.. reloaded settings back from card

I need help choosing a 70-200.

Hello everyone!
I want a new lens. A 70-200 but i cant decide on a specific one.
I want to choose between:
The canon 70-200 f2.8 is usm mkI I can't afford a mkII
The canon 70-200 f4 is usm.(is there a new one coming?)
The tamron 70-200 f2.8 is usm.(whatever thats called in the tamron world)i know this is a canon forum:)
The sigma 70-200 f2.8 is usm.

I like shooting wildlife and some stuff in the evening.(i might buy a teleconverter)

i don't have a big budget and i am concerned on the sharpness and the autofocus on the canon f2.8 mkI
and the weight on all the f2.8 lenses.
Is there someone who can help me with this decision?? or someone who has had the same considerations?

Novoflex lens adapter needed

Hi all,

I'm looking for a specific adapter: M42 for Castbal T/S. In the past I bought one, but I don't remember where I bought it and cannot find the invoice. I contacted Novoflex, but they don't know the adapter at all :o

Does anyone has information on how/where to obtain this adapter?

Here are some images. For comparison, I included the UNILEI (which has M39 thread).

5_D3_6141.jpg

5_D3_6144.jpg

5_D3_6145.jpg

5_D3_6147.jpg


Thanks!
Niels

Bowens Gemini GM500R HSS capability?

Hi All,
I picked up a couple of used Bowens Gemini GM500R monolights.

Based on the specs on the web HSS is not a supported feature. But it works for me.

I'm using them with Yongnuo YN-E3-RT and YNE3-RX connected to the sync port on the monolight.
The lights are so far 100% reliable up to 1/4000 (have not tried 1/8000 yet).

So my question: is the YNE3-RX doing some magic to keep the light on, or is it the duration of the flash just long enough to cover the length of time that the shutter is open?

All is still not well

CIPA released the latest data for Interchangeable Lens Cameras and the picture is still not good with a significant drop in shipments in May 2016. As to mirrorless vs. dSLR, mirrorless shipments are slipping to the Americas, now down to 1 out of 10 in the latest period. Globally mirrorless is closer to 1 of 5.

Full data here: http://www.cipa.jp/stats/dc_e.html

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  • Poll Poll
How soon should Canon update the 7D Mark II

How soon should Canon update the 7D Mark II (to keep up with the Nikon D500 and 80D)

  • By the end of the year or they will lose sales

    Votes: 9 11.5%
  • By the end of next year

    Votes: 38 48.7%
  • Don't alternative plan, some time in 2018/19

    Votes: 31 39.7%

The Nikon D500 is a great camera topping the 7D M2 in many ways.
The Canon 80D is also a great camera, again topping the 7D M2 in many ways.

Are these competitors sufficient to justify Canon accelerating the development cycle of the next 7D model (7D Mark III?)

Should Canon have its top of the line crop camera launched about the same time as the top of line full frame camera (i.e., 1Dx M2)

Love to share thoughts on this.

My observation (from afar) is that Nikon does a much better job taking the goodies from their FF top of the line camera and making it available in their APS top of the line camera. Canon does not do this well.

Wish Canon did this better.

Lack of 5D4 Info

With this camera supposedly being announced next month, and also supposedly being in the hands of dozens of testers in the field - there is a surprisingly low amount of leakage and information. What is going on? I don't think I've seen such a tight lipped release for such a highly anticipated camera before.

We only have regurgitation of some of the earliest rumors and specs, all of which could plausibly be logical predictions. One would think that the sensor MP count would be determined.

Which adapter for C/Y lenses on 5DsR? using Zeiss C/Y 16 mm F-Distagon

i have a Zeiss F-Distagon 16 mm with a Haoda CTX-EOS adapter that works well with my 5D2. However, on my 5DsR, the camera gives me a lens communication error (error 20), but only if I fully engage the lens with adapter (clicking sound when mounting the lens). When I unmount the lens by just a bit away from the click stop, the camera takes pictures with that lens; took a while to figure that one out. The error even occurs in Manual mode.

Is there a C/Y to EOS adapter that works well on 5DsR?

UPDATE:

it is a compound problem. At infinity focus the rear lens baffle interferes with the mirror on the 5DsR. Solution. Mount lens set to close focus, engage live view, re-set focus to infinity (or wherever needed), shoot in live view. When turning live view/camera off, first put lens to close focus again.

Safari lens dilemma

Hello everyone,

I am going to South Africa this summer for a safari.

This is what I plan to take from what I already own:

7DII + 100-400II
70D + 15-85
Fuji X100S
10-18

I am debating whether or not to add a 70-200 2.8 IS II to my bag. I am thinking about it because of the difference in aperture with my 100-400 which could be useful for early mornings and late evenings.

If decide on it, I will keep the 100-400 on my 7d, and put the 70-200 on my 70D. I will borrow a T5i from a family member for the wider lenses.

Do you think this is overkill or will I benefit significantly from the faster lens during the drives?

Thanks :)

A.

DxO comparison: Sony 24-70/2.8GM vs. Canon 24-70/2.8LII

All hail the mighty G Master! All hail the mighty G Master!

http://www.dxomark.com/Lenses/Sony/Sony-FE-24-70mm-F28-GM-WEB

Oh wait ... on the 36mp A7R the G Master is almost as sharp as the Canon 24-70/2.8 on a 22mp 5DIII? Hmmm. And with the Canon lens on a 50mp 5DSR, it's not even close: 17 P-Mpix for sharpness vs. 32 P-Mpix for sharpness.

And the Canon zoom is cheaper, and smaller, and 80 grams lighter, and is not focus by wire.

Stock Notice: Canon Speedlite 600EX II-RT at B&H Photo

HTML:
<p>B&H Photo has stock of the brand new Canon Speedlite 600EX II-RT.</p>
<p class="fs16 OpenSans-600-normal upper product-highlights-header">PRODUCT HIGHLIGHTS</p>
<ul class="top-section-list" data-selenium="highlightList">
<li class="top-section-list-item">2.4 GHz Wireless Radio Transmission</li>
<li class="top-section-list-item">Compatible with Canon E-TTL / E-TTL II</li>
<li class="top-section-list-item">Guide Number: 197′ at ISO 100 and 200mm</li>
<li class="top-section-list-item">Zoom Range: 20-200mm (14mm with Panel)</li>
<li class="top-section-list-item">Tilts from -7 to +90°</li>
<li class="top-section-list-item">Rotates Left & Right 180°</li>
<li class="top-section-list-item">1.1-1.5x Improved Continuous Shooting</li>
<li class="top-section-list-item">High-Speed, 1st & 2nd Curtain Sync</li>
<li class="top-section-list-item">Bounce Adapter & Hard Color Filters</li>
<li class="top-section-list-item">Runs on 4 AA Batteries</li>
</ul>
<p><strong><a href="http://www.bhphotovideo.com/c/product/1250646-REG/canon_speedlite_600ex_ii_rt.html/bi/2466/kbid/3296" target="_blank">Canon Speedlite 600EX II-RT $579</a></strong></p>
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Question re: 17-40L Flare

Hello CanonRumors folks,

I recently picked up a 17-40L from the Canon Refurbished store. So far I'm enjoying it, though I have noticed that it seems to flare more than I expected, particularly red and green blotches/reflections. Admittedly, this has generally been in situations where the sun is directly in the scene, but it is still more than I expected and more than I had seen with other lenses I have had when trying to get similar shots.

So, I was curious to hear from current and former owners of the 17-40L if this kind of flare is par for the course or if there might be reason for me to contact the Canon refurb store for an exchange. I've attached a photo as an example (the flare in question being in the right side of the image).

Thanks for any advice!

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