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EOS-1D X Mark II Announcement Next Week [CR2]

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<p>We were told a little while ago that there were <a href="http://www.canonrumors.com/invites-for-february-canon-press-event-going-out-cr3/">media invites sent out</a> for the first week of February, and all assumptions were that it was for the EOS-1D X Mark II.</p>
<p>We now have a few more people confirming an announcement on Monday or Tuesday of next week, it’ll all depend where you are on the planet.</p>
<p>We do find it strange that Canon has opted not to tease the new camera, that always made things a little more interesting.</p>
<p>More to come…</p>
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Canon Working on Full Frame Fixed Lens Camera? [CR1]

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<p>We’re told that Canon is readying a fixed lens full frame camera. It sounds like a camera to compete with the Leica Q and Sony RX1R II. We’re told the camera will have a 35mm f/2L IS lens. Such a camera would likely cost at least $3000USD. Remember, CP+ is coming at the end of February and that is sometimes a show Canon makes a splash at.</p>
<p>This is the first time we’ve heard of such a camera coming, so treat the information accordingly.</p>
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1DsIII rear display

i got used to having the rear display showing all the settings on my previous cameras. i can bring up the same display on the 1DsIII but if i review an image it defaults back to a blank screen. is there a way to have the settings screen as default or is that just the way it is?
this is the screen i want to have as default

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Questions about original 5D flying mirrors.

Hi Folks.
I'm buying a 5D (original) as a first foray in to FF, I know support has finished, and it seems very few of the cameras here have had the mirror repair.
I can't seem to find answers to a couple of queries.
First question.
Are all the original 5D's affected by the flying mirror issue or was it up to a serial number?
Second.
Is it only possible to determine if the fix has been done by looking at the mirror, or did they put a mark in the battery compartment like some other fixes?
If the camera I'm looking at has not been fixed, should I walk away or is the mirror fault rare enough to be of little concern. I'd sooner not walk away as this camera looks very clean from the pictures and is not on auction, so I can get it, all the auction cameras have gone past the price of this one.
Third.
If the camera hasn't been fixed is it worth carefully running a bead of adhesive down the edge to replicate the fix? Not you understand with any intention to deceive, but to safe guard the rear elements of my lenses!
Lastly.
If the answer to q3 is yes, what adhesive would be safe to use inside the camera, I'm guessing things like superglue would be in the no pile, too much vapour and too brittle for repeated shock loadings.

Thanks for any input on this.

Cheers, Graham.

Patent: Tamron 85mm f/1.4 VC USD

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The photography world is (im)patiently waiting for Sigma to release the 85mm f/1.4 Art series, but it looks like Tamron could beat them to it with an 85mm f/1.4 of their own, along with the added bonus of vibration control. <a href="http://egami.blog.so-net.ne.jp/2016-01-25" target="_blank">A patent for such an optical formula</a> from Tamron has appeared.</p>
<p>Patent Publication No. 2016-12082 (Google Translated)</p>
<ul>
<li>Published 2016.1.21</li>
<li>Filing date 2014.6.30</li>
<li>f = 87.5187</li>
<li>Fno = 1.4578</li>
<li>ω = 13.8585 °</li>
</ul>
<p>We haven’t heard anything about a 85mm f/1.4 Art series lens being announced by Sigma any time soon. We think such a lens would be perfect for introduction at Photokina in September 2016.</p>
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Cracked lens housing

My 5D with a 24-70 F2.8 II fell off a bed last week. The housing on the lens is cracked and the body seems to be okay.

If I push the housing back to close the crack, the lens will focus. Image, at least of the back screen (including 100% mag) seems okay. I have not had a change to review this on my computer.

Any idea how much a CPS repair will cost (even rough estimate is okay),

Lens Selection Help

Hey all, new guy here! I'm looking for advise on selecting a new lens or 2 for an upcoming trip to Disney and to use as general purpose walkaround lenses. I will mostly be photographing my wife and 6 month old daughter. I have thought about getting a fast wide prime to try and take photos on some of the dark rides like the Haunted Mansion. I have a Canon t4i (I am very aware of the crop factor already thanks) with the kit 18-55, 55-250 IS II, 100mm macro, and 40mm pancake. I would like to keep my walkaround kit to 2 lenses. I've been looking at soo many different options, watching youtube reviews, and reading other threads on here that my eyes are starting to bleed.

For zoom lenses I've been looking at:

Canon 16-35mm f/4L

Sigma 18-35mm f/1.8 (nervous about the reported focus issues)

Canon 24-70 f/4L

For primes I've been looking at:

Sigma 30mm f/1.4 DC HSM

Canon 35 f/2 IS

Canon 50 f/1.8 STM (it is cheap and get great reviews, so why not!)

Any help is much appreciated! Thanks

Canon EOS-1D X Mark II Autofocus Talk

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We got this from <a href="http://www.fredmiranda.com/forum/topic/1406985/4#13379076" target="_blank">Fred Miranda</a>, which is a forum I frequently read.</p>
<blockquote><p>For me, the obvious feature of the 1DX Mk2 is its AF and tracking capabilities over the 1DX. Not only is the AF faster, when using a 2X TC on a 500/600mm f4 lens, the new camera will allow all focusing points to be active even when the effective aperture is f8. On the 1DX, only the centre AF point and 4 surrounding points (with AF area expansion) are effective. I understand there will also be a multi-frame silent shooting mode instead of the single shooting silent mode on the 1DX.</p></blockquote>
<p>If we go by other things we’ve been told about the EOS-1D X Mark II, there are some similarities, though the exact information may not match up perfectly.</p>
<p><em>More to come…</em></p>
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Canon to Surprise With New Mirrorless Camera

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We weren’t told much, but we were told that Canon will “surprise a lot of people” with one of their next mirrorless cameras. We weren’t told if it was an APS-C or full frame mirrorless camera, but I don’t think there’s much that would surprise people if it was a crop camera.</p>
<p>The same source said there has been internal talk at Canon about no longer playing catch-up in emerging segments, this including cinema and mirrorless. It may sound arrogant, but there’s those that feel if Canon gets fully behind mirrorless, they’re the one brand that could help the segment finally reach the masses.</p>
<p>There have been rumors that the EOS M line could get an announcement for CP+ next month, alongside the EOS-1D X Mark II.</p>
<p><em>More to come…</em></p>
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6D autofocus anomaly

I was out today shooting birds in the front yard using a 6D and a 100-400MkII. I had the camera set to the center autofocus point. When aiming the center AF point at a branch I set up for the birds to perch on, I couldn't get a consistent lock when the AF point was directly on the branch. Now this branch isn't very wide - say about 1/2 - 3/4" but if I moved the camera to where the branch was centered between the center AF point in the view finder and the circle that surrounds that AF point, at about 11 o'clock, I could focus every time. I'm about 5 feet from the branch.

I'm pretty sure this requires Canon to investigate, but I wanted to ask the group if there could be something I'm doing wrong, or other things to try. I'm shooting song birds (cardinals, blue jays, titmouse), so they aren't big to begin with and I depend on that center AF point. I also feel that the camera hunts more with the 100-400, where as my 60D doesn't appear to have a problem with it. I can't say I've noticed this behavior before, but then again, I just now have a lens capable of 400mm.

Any ideas?

FF - 6D, or wait of 6DII?

Hi.

I am an amateur shooter, I've been saving for a little while with the view of getting the 6D.. some cash has unexpetidly appeared and I now have enough to get even a 5DIII... however rumors seem to suggest a new generation of sensors starting with the 1DXII is just around the corner.. I don't think it's unreasonable to assume a 5DIV then a 6DII will appear later this year with similarly upgraded sensors.

I've made a list of what I want from a new camera body, roughly in order, although the first few items are all, for me, essential, I'm currently shooting with a 30D.

I want :

Much better low light ability, more the merrier.
Shallower DoF (I already use wide primes)
AutoISO
AFMA
improved AF system (primarily I want it to work in low light I don't particulalry use my camera for sports)
liveview focussing
better resolution (which means anything made in the last 5 years)
better DR at base ISO (30D is 10.8bit according to DxO, I'd like at least 2 more stops)
ability to slip in a fine grain focus screen for use with wide primes.
bigger brighter viewfinder
a level would be handy but not essential

I want to keep:
The general toughness I've got in my 30D.. it's been dropped a few times.. not too far and not onto concrete, but it's survived every time with AF being where it was when I bought it.
AF point selection by the multi-controller button. (I know the 6D doesn't have it)

so do I wait and see what a 6DII looks like or do I go for the current 6D now?

Patent: Sigma 30-300mm f/2.8-3.5 for Super 35 Sensors

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Is Sigma looking to get into cinema lenses? A <a href="http://egami.blog.so-net.ne.jp/2016-01-20" target="_blank">patent showing an optical formula for a 30-300mm f/2.8-3.5</a> has appeared. The lens is for Super 35 sized sensors, the kind that are found in Canon Cinema EOS cameras. NAB is coming up in April and that would likely be the show that Sigma would announce such a lens for.</p>
<p>Patent Publication No. 2016-9122 (Google Translated)</p>
<ul>
<li>Published 2016.1.18</li>
<li>Filing date 2014.6.25</li>
<li>Zoom ratio 10.00</li>
<li>Wide-angle intermediate telephoto</li>
<li>Focal length 30.00 90.13 300.13</li>
<li>F-number 2.83 2.83 3.53</li>
<li>Total angle of view 2ω 56.98 18.72 5.71</li>
<li>The image height Y 15.55</li>
<li>Overall length of the lens 409.00</li>
</ul>
<p>Sigma has been aggressive to get into the prosumer space over the last few years, and adding cinema lenses to their portfolio is probably the next logical step.</p>
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Leica Announces the Leica X-U Rugged Camera

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<strong>Wetzlar, 20 January 2016.</strong> Leica Camera AG expands its range of cameras with the first ruggedised model conceived especially for outdoor use – the Leica X-U. With a fast Leica Summilux 23 mm f/1.7 ASPH. lens (equivalent to 35 millimetres in 35-mm format) with an underwater protection filter and large APS-C format CMOS sensor, the latest, fully-waterproofed member of the Leica X family guarantees pictures with exceptional brightness and clarity under even the harshest conditions. It even enables breathtaking underwater moments to be captured in perfect detail at depths of up to 15 metres. Extreme ruggedness and easy handling make the shock-resistant, winterised, dust-sealed, and shatter proof Leica X-U the ideal companion for every outdoor tour or expedition – for action and underwater adventures, for travel, architecture and landscape photography or videos in full HD quality.</p>

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<p>Optimum picture quality with the Leica X-U is guaranteed by the familiar, cutting-edge technology of the cameras of the Leica X family. In combination with the professional APS-C format CMOS sensor with over 16.5 megapixels (effective 16.2 MP), its Leica Summilux 23 mm f/1.7 ASPH. premium lens ensures natural colour reproduction and maximum detail resolution, even at its closest focusing distance of 20 centimetres. Its fast maximum aperture of f/1.7 also offers the freedom to explore the particularly fascinating creative possibilities of selective focusing. Thanks to its reliable resistance to stray light and flare, the Leica X-U is also the first choice for all indoor and outdoor lighting conditions – at any time of day or night and in any situation.</p>
<p><!--more--></p>
<p>The stylish and minimized design of the Leica X-U – made in Germany – is the work of Audi Design. The camera is not only an absolute eye-catcher, it also ensures concentration only on things that really count: easy and intuitive handling and ultimate precision. With a top plate made from premium aluminium and high-grip TPE armouring, the body guarantees not only an exceptional haptic experience and impressive durability, but also water resistance to a depth of up to 15 metres. With control dials in anodised aluminium and an integrated flash above the lens, the Leica X-U is a perfect example of exceptional quality and attention to details. Its non-slip body, an especially hardened protective cover for the monitor screen, and a failsafe double locking system for the battery compartment and memory card slot ensure that photographers can concentrate fully on their subject with no worries at all.</p>
<p>The minimized and intuitive handling concept of the Leica X-U provides the most important tools for the essence of creative freedom – intensely focused and without superfluous extras. Thanks to its easy-to-use, Leica-typical dial controls, aperture and shutter speed can be set individually in seconds for every picture. The practical underwater snapshot button makes it ready for capturing the wonders of the underwater world at the press of a button – without having to search through a menu. Thanks to a wide range of practical automatic functions and a high-resolution, 3-inch monitor screen, it takes only seconds to find precisely the settings needed to avoid missing the decisive moment.</p>
<p>As a single photo is sometimes not enough to capture the dynamic character of a scene in the most moving moments of life, the full HD video function of the Leica X-U makes it easy to capture moving pictures in cinema quality and preserve the moving moments of journeys and adventures for eternity. The camera records video in a choice of 1920 x 1080 or 1280 x 720 pixel resolution at 30 full frames per second in MP4 video format. No matter whether recordings are intended for professional movie productions or as home movies to share with friends, the Leica X-U always delivers high-quality results that perfectly capture the mood.</p>
<p><strong>The Leica X-U (Typ 113) is on sale now: <a href="http://www.bhphotovideo.com/c/product/1219331-REG/leica_18435_x_u_typ_113_digital.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/ILCXU.html?KBID=64393" target="_blank">Adorama</a></strong></p>
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Canon Ranks Among Top Three U.S. Patent Holders For 2015

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<em>Company Reaches New Annual Record With More Than 4,100 Patents Granted</em></p>
<p><b>MELVILLE, N.Y.</b> — Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to announce that its parent company, Canon Inc., has yet again, ranked third for U.S. patent holders in 2015. According to patent results issued by <a href="http://www.ificlaims.com/index.php?page=misc_top_50_2014" target="_blank">IFI CLAIMS Patent Services</a>, Canon was granted a total of 4,134 patents in 2015, a new record annual high for the Company. This is the 30<sup>th</sup> consecutive year that Canon Inc., has been ranked among the top five U.S. patent holders and for the 11<sup>th</sup> consecutive year, ranked first among Japanese companies for the number of U.S. patents granted.</p>
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<p>“Research and development play a vital role to the innovation and growth of our company. As a top leader in patents year after year, we continue to provide advanced technologies and solutions to our customers and are able to strengthen our position in new markets,” said Seymour Liebman, executive vice president, chief administrative officer and general counsel, Canon U.S.A., Inc.</p>
<p>Canon puts great emphasis on providing technology that is ever-changing. Through close cooperation between Canon’s technology and intellectual property divisions, the Company aims to improve its technological capabilities while further enhancing its intellectual property rights.</p>
<p>For more information on Canon and its products, please visit <a href="http://www.usa.canon.com/" target="_self"><strong>www.usa.canon.com</strong></a>.</p>
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600 EX-RT Evaluative vs Average E-TTL

I rarely get what I'd call good exposures with my 600 EX-RT speedlights. It's generally underexposure. Maybe it's a settings thing. Evaluative vs Average E-TTL? Who uses which, and why?

At indoor events my default EC +2/3 stop, high iso 800-1600 and largish aperture f/3.5-f/5, 5D MkIII & 7D MkII, bounce if there are low white ceilings or on-flash mods like Joe Demb, or less often Gary Fong or Stofen

It's annoying.

Thanks!

-pw

300mm f2.8 IS USM - first version

Canon discontinued 200mm f1.8 IS USM when it was 14 or 15 years of age - which means you can "no longer fix it" (or even without the quotes?).

I have a great opportunity of purchasing a mint condition 300mm f2.8 IS USM for a ridiculous low price from a guy 100km away from me, but since this lens is 17 years old now, I have doubts - that Canon will announce in the near future they discontinued the Mark I 300mm L f2.8 IS USM.

I don't have the money to step up to the Mark II - I would if I could, but my question is: is it smart to invest in a such old lens? I'm also a bit concerned about the 2-stop IS, but the age is a bit more concerning.

Any thoughts on that?

Canon 6D video "hiccups"

I've noticed when taking longer videos with my 6D (greater than 5 minutes) that the recorded video stutters occasionally (audio stays fine) as if the write buffer is full or the bandwidth at that particular point in the video went too high.

I'm using a class 10 San Disk Pro 128gb memory card (although I've seen this on all the memory cards I've used) and I format it before each use and the card wasn't even 1/4 full.

Does anyone else see this? I usually see it with night videos (fireworks, shows) with lots of activity at the time so I'm leaning towards a buffer overflow issue but I'm wondering if it's not a problem specific to my camera.

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