DigitalRev has posted product pages for the upcoming Canon EOS 5D Mark IV, EF 24-105mm f/4L IS II and EF 16-35mm f/2.8L III.</p>
<p>I don’t think this is anything more than trying to build some preorder hype for the announcements at the end of August, as here are no specifications on any of the product pages. I do not believe DigitalRev is an authorized Canon retailer (correct me if I’m wrong), therefore wouldn’t be part of any official advanced retailer notice which can happen.</p>
<p>For what you can expect to see from Canon, you can check out our updated <a href="http://www.canonrumors.com/updated-canon-2016-roadmap/">Canon roadmap here.</a></p>
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The optical  formula patents keep on coming from Tamron ahead of multiple Photokina announcements next month. This time it’s a 10-24mm f/3.5-4.5 for APS-C sized sensors.</p>
<p>Patent Publication No. 2016-126280</p>
<ul>
<li>Published 2016.7.11</li>
<li>Filing date 2015.1.8</li>
<li>f 10.303 15.199 23.483</li>
<li>FNO = 3.6 -. 4.1 – 4.6</li>
<li>2ω = 111.70 – 86.59 – 62.07</li>
<li>Negative positive and negative positive</li>
<li>Anti-vibration (third group)</li>
<li>Inner focus (rear group of the first group)</li>
</ul>
<p>It’s looking like a busy fall for Tamron, and we’re hoping for the same from Sigma.</p>
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Canon has released new firmware for the Cinema EOS C300 Mark II.</p>
<p><strong>Firmware Version 1.0.4.1.00 incorporates the following update:</strong></p>
<ol>
<li>Adds Canon Log 3.</li>
<li>Reduces Canon Log 2 noise in dark areas.</li>
<li>Enables magnification to be used even during recording.</li>
<li>The following features are enabled when these lenses are attached: CN7x17 KAS S/E1*3, CN-E18-80mm T4.4 L IS KAS S or CN20x50 IAS H/E1:
<ul>
<li>Enables autofocus using the Dual Pixel CMOS AF function. (Not applicable to the CN20x50 IAS H/E1 lens)</li>
<li>Enables the joystick on the camera’s grip unit to be set to operate the zoom.</li>
<li>Enables control of iris to be set to manual operation, and control of focus, zoom and iris using the separately-sold Remote Controller RC-V100.</li>
<li>Enables automatic aperture and push auto iris functions.</li>
<li>Enables retrieval of metadata, such as the model name and the focal distance of the lens attached, and display of metadata on the camera.</li>
</ul>
</li>
<li>Enables Dual Pixel Function when these lenses are attached: CN7x17 KAS S/E1 lens, CN-E18-80mm T4.4 L IS KAS S lens or any of the EF cinema prime lenses.</li>
<li>Adds peripheral illumination/chromatic aberration correction for the following lenses:
<ul>
<li>COMPACT-SERVO lenses: CN-E18-80mm T4.4 L IS KAS S</li>
<li>CINE-SERVO lenses: CN20x50 IAS H/E1</li>
<li>EF lenses: EF 35mm f/1.4L II USM, EF 50mm f/1.8 STM and EF-S 18-135mm f/3.5-5.6 IS USM.</li>
</ul>
</li>
<li>Enhances menu operations so that settings related to resolution/color sampling, etc. are retained to the extent possible when changing recording settings such as the frame rate.</li>
<li>Supports ACESproxy (ACES 1.0).</li>
<li>Alleviates the black-dot phenomenon that appears in the periphery of high-brightness light sources.</li>
</ol>
<p><strong><a href="https://www.usa.canon.com/internet/portal/us/home/support/details/cameras/cinema-eos/eos-c300-mark-ii?tab=drivers#Z7_MQH8HIC0L88RB0AMD0F1Q42K25">Download the firmware update at Canon USA</a></strong></p>
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<p>We’re told that the Canon EOS 5D Mark IV will come out with a 30mp sensor. This is the first time we’ve heard of such a resolution, but it does come from a “retail source”. We’re cautious that it could be a number that was rounded up or rounded down, because the most popular megapixel counts have been 24 and 28.</p>
<p>30mp would be a nice number for a lot of people and put some breathing room between the EOS-1D X Mark II and 5D Mark IV. The 6D Mark II would fit nicely around 24mp.</p>
<p>We hope to hear more soon, and please take this one with a heavy pinch of salt.</p>
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Dustin has completed the Canon Rumors review of the Canon EOS 5DS R, a camera that a lot of Canon photographers asked for and is probably the most polarizing DSLR in terms of need that I’ve ever come across.</p>
<p><strong>Do you need 50mp?</strong></p>
<blockquote><p>…. that is the conundrum of the 5DsR. It is a great camera, but it is also a niche one. If you need 50MP, it’s not only the best 35mm option; it’s currently the only one. But if you don’t really need 50MP, look elsewhere, as that amount of resolution comes with a cost. I suspect the biggest market for the Canon EOS 5Ds/5DsR twins will be in the bags of photographers who don’t use them as their sole cameras and are able to use them in the way they intended: special tools for specific jobs. <a href="http://www.canonrumors.com/reviews/review-canon-eos-5ds-r/">Read the full review</a></p></blockquote>
<p>I do want a high megapixel body and I like the 5DS and 5DS R, but I’m more interested in a camera with a larger than 35mm sensor. Hey Leica, howabout a 50-80mp S?</p>
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<p><strong>Enter to Win 1 of 2 Cineo Matchbox kits valued at $495 each</strong></p>
<p><em>2 winners will receive a Basic Matchbox Kit, which includes: (1) Matchbox fixture, (2) interchangeable Remote Phosphor panels (3200K/5600K), and (1) power supply and extension cable. </em></p>
<p><strong>About the Cineo Matchbox:</strong>

The Cineo Matchbox™ is a versatile, portable Remote Phosphor Lighting fixture for image capture, the perfect compact lighting tool for professional photographers and videographers. At 3.25” x 5.25” x 1.5” and 15 oz, the Matchbox outputs a stunning amount of high-quality light at a variety of interchangeable color temperatures. Matchbox features a 0-100% on-board flicker-free dimmer and a 1/4×20″ tap for limitless mounting options. Learn more at <a href="http://www.cineolighting.com/matchbox" target="_blank">cineolighting.com/matchbox</a>.</p>
<p><em>We’re giving away one (1) Cineo Matchbox Kit to two (2) lucky winners.</em></p>
<p>Giveaway ends August 1st, 2016, 9pm CT and is open to residents worldwide.</p>
<p><strong><a href="http://giveawayrocket.com/CRcineoblogpost">Enter the giveaway now</a></strong></p>
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MELVILLE, NY – Today, Nikon Inc. is celebrating a momentous NIKKOR production milestone as well as the announcement of the AF-S NIKKOR 105mm f/1.4E ED, a premium lens for the most discerning photographers. This luxurious new medium-telephoto lens is engineered to help create flattering images with gorgeous bokeh, while delivering impressive sharpness and beautiful color rendition. As a testament to a lasting legacy of high-caliber lenses, Nikon has also announced that NIKKOR lens production has reached the landmark achievement of 100 million units produced worldwide.“Surpassing the 100 million lenses produced milestone is a great honor and a testament to the photographers who both love and rely on NIKKOR glass to get the job done,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc. “The AF-S NIKKOR 105mm f/1.4E ED represents the embodiment of the NIKKOR line of high-quality lenses, giving photographers a robust, well-balanced lens that provides intense sharpness, astounding image quality and background bokeh that is sure to be a favorite among portrait photographers.”</p>
<p><!--more--></p>
<p><strong>Captivating Image Quality</strong></p>
<p>The AF-S NIKKOR 105mm f/1.4E ED is a fast, full-frame (FX-format), medium-telephoto prime lens and is the world’s first<sup>1</sup> to strike the impeccable balance of 105mm focal length and large f/1.4 aperture for a truly outstanding optic. This new NIKKOR lens is ideal for professional and advanced enthusiast photographers, especially those capturing portraiture, from in-studio fashion to a golden hour engagement session on the beach. These users will love the precise sharpness from this fantastic glass, which provides a flattering compression to subjects with a sensational, sultry bokeh. Beyond the gorgeous image quality lies stellar resolving power, especially when used with Nikon DSLRs such as D5, D810 or D750.</p>
<p>The 105mm f/1.4E is a fast lens with endearing character, providing stellar optical performance, even in the peripherals. Sharp rendering is attained for shooting distant subjects throughout the aperture range – from maximum aperture to being stopped down by several stops. Gradual alteration from the focal plane helps render subjects in high-fidelity with a natural depth, giving colorful portraits and landscapes that little bit of extra “pop” to help create a truly distinct image. The AF-S NIKKOR 105mm f/1.4 is also an excellent choice for low-light photography, as its large maximum aperture allows photographers to shoot at the fastest possible shutter speeds. Additionally, this lens can reproduce point light sources faithfully without sagittal coma flare, even on the edges of the frame.</p>
<p><strong>Masterful Lens Construction

</strong>Decades of precision, knowledge and experience are put forth into every NIKKOR lens, and the AF-S NIKKOR 105mm f/1.4E ED is an exceptional example of brilliant craftsmanship and Nikon technologies merging. Packed with the latest advanced optical innovations, the 105mm f/1.4 features Nikon’s electromagnetic aperture control technology for consistent exposures, even during high speed continuous shooting.<sup>2</sup></p>
<p>On the outside, solid build quality is well-balanced for all-day shooting, while the lens is sealed and gasketed to resist dust and moisture. Additional Fluorine coatings are used on the front and rear elements, so that smudges, dirt or moisture are easily removed. Inside the lens, the optical formula consists of 14 elements in nine groups, which include three ED glass elements. A 9-blade diaphragm further helps to create a circular, pleasing out of focus area. The lens also features Nikon’s Nano Crystal Coat technology to significantly reduce instances of ghosting and flare.</p>
<p>The new AF-S NIKKOR 105mm f/1.4E ED joins other NIKKOR f/1.4 lenses in the Gold Ring Series, which include only premium primes with Nano Crystal Coat and pro-grade build quality. These other lenses include the AF-S NIKKOR 24mm f/1.4G, AF-S NIKKOR 35mm f/1.4G, AF-S NIKKOR 58mm f/1.4G, AF-S NIKKOR 85mm f/1.4G.</p>
<p><strong>A Landmark in the NIKKOR Legacy</strong></p>
<p>Nikon is also pleased to announce that the total production of NIKKOR lenses for Nikon interchangeable lens cameras reached the landmark 100 million milestone in mid-July 2016.</p>
<p>With a robust line-up of high-quality lenses for all types of photographers, the NIKKOR name has become synonymous with a rich history of superior lenses. Nikon continues to introduce new NIKKOR lenses that further optical technology, utilizing cutting-edge techniques and knowledge from experience cultivated over its long history. Such revolutionary advancements include Nano Crystal Coat, which acts as a powerful anti-reflection coating, and significantly reduces instances of ghosting and flare.</p>
<p>More recently, NIKKOR lens technologies such as the use of Phase Fresnel (PF) and Fluorite elements have helped to create smaller and lighter lenses with superb balance and handling. Many NIKKOR lenses now also feature a Fluorine coat that helps repel a variety of contaminants such as dust, dirt, water, oils and grease. The introduction of an electromagnetic diaphragm has also helped to create lenses that provide consistently crisp exposures, even during high-speed shooting.</p>
<p><strong>Pricing and Availability</strong></p>
<p>The AF-S NIKKOR 105mm f/1.4E ED will be available in late August for a suggested retail price (SRP) of $2,199.95<sup>3</sup>. For more information on Nikon’s latest products including their newest NIKKOR lenses, please visit <a href="http://www.nikonusa.com/">www.nikonusa.com</a>.</p>
<p><em>1: Among AF lenses for digital SLRs compatible with FX-format image sensor; as of July 27, 2016; statement based on Nikon research</em></p>
<p><em>2: The lens incorporates an electromagnetic diaphragm mechanism. The following cameras are compatible with this lens: D5, D4 series, D3 series, Df, D810, D810A, D800 series, D750, D700, D610, D600, D500, D300 series, D7200, D7100, D7000, D5500, D5300, D5200, D5100, D5000, D3300, D3200, D3100, Nikon 1 J1, J2, J3, J4 with FT-1, Nikon 1 V1, V2, V3 with FT-1, Nikon 1 S1, S2 with FT-1</em></p>
<p><em>3: SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.</em>

<em> </em>

<em>Specifications, equipment and release dates are subject to change without any notice or obligation on the part of the manufacturer.</em></p>
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Tamron continues with the barrage of patents, this time a patent for a 20mm f/2 VC optical formula has been found.</p>
<p>Patent Publication No. 2016-126279 (Google Translated)</p>
<ul>
<li>Published 2016.7.11</li>
<li>Filing date 2015.1.8</li>
<li>f = 20.60</li>
<li>FNo. = 2.05</li>
<li>ω = 46.81</li>
<li>Ym = 21.633</li>
<li>BF 38.2971 – 38.3188</li>
<li>Negative ShiboTadashi</li>
<li>Rear focus</li>
<li>Bofu (part of the first group)</li>
</ul>
<p>This lens would make a lot of sense when you consider Tamron’s recent prime lens releases such as the VC, the 35 f/1.8 VC, 45 f/1.8 VC and the superb 85 f/1.8 VC.</p>
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