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Canon 120mp DSLR Information

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Canon’s development announcement of a 120mp DSLR took the photography world by surprise, as we expected some incremental increases in resolution, but more than doubling the 50.6mp resolution of the Canon EOS 5DS and EOS 5DS R is quite the jump.</p>
<p>A lot is being made about the APS-H sensor in the prototype currently on display at the Canon EXPO. We wouldn’t read too much into it, as Canon always uses APS-H for their high resolution prototype sensors. The likelihood that Canon would bring back the APS-H sensor size in a consumer EOS product is between nil and none.</p>
<p>More information on the 120mp DSLR:</p>
<ul>
<li>RAW files are 210mb</li>
<li>Camera ID in the EXIF is: EOS Y038</li>
<li>Camera prototype is only working at ISO 100</li>
</ul>

More Images of the Canon EF 600mm f/4 DO BR Lens

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<a href="http://www.photographybay.com" target="_blank">Photography Bay</a> has been doing some great coverage at the Canon EXPO in New York City. Eric has posted a ton of images of the Canon EF 600mm f/4 DO BR prototype on display.</p>
<p>I hope for an 800mm f/5.6 version of this lens, which would probably end up smaller than a 600mm f/4.</p>

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Sony A7SII announced !

Well,...

https://presscentre.sony.eu/pressreleases/sony-expands-range-of-compact-full-frame-mirrorless-cameras-with-the-launch-of-the-ultra-sensitive-a7s-ii-1216386/

http://www.canonwatch.com/off-brand-sony-alpha-a7sii-announced-out-of-darkness-cometh-light/?utm_source=rss&utm_medium=rss&utm_campaign=off-brand-sony-alpha-a7sii-announced-out-of-darkness-cometh-light

http://www.sonyalpharumors.com/sony-a7sii-announced/

For what it's worth, if they do not address this issue, I am better off with a Canon for astro... 8)

A Raw file is a Raw file, right? Well, not exactly. Lately, there's been a lot of talk (and a lot of anger) about the compression Sony uses in its Raw files. Compressed Raw files aren't uncommon, but they're usually compressed in a way that retains all the original 'raw' data from the sensor.

http://www.dpreview.com/articles/2834066212/the-raw-and-the-cooked-pulling-apart-sony-raw-compression?utm_campaign=internal-link&utm_source=features-default&utm_medium=homepage-block&ref=features-default

Rumors, Rumors Everywhere. [CR0]

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This week of innovation and new prototypes from Canon have brought a flurry of rumors into our inbox. All of it comes from unknown sources and some of it is quite fun.</p>
<p>It’s Friday, I figure I’d share some of things we’ve received during this very busy week.</p>
<p><strong>The Return of APS-H</strong></p>
<p><em>We’re told that Canon will reintroduce APS-H and slot it between the EOS XXD line and the EOS 6D. It won’t appear in a flagship body like the EOS-1D Mark IV.</em></p>
<p>CR’s Take: Never gonna happen. The APS-H announcement this week is likely for security technologies, as Canon stated themselves in the press release for the 250mp APS-H sensor.</p>
<p><strong>EOS 7D Mark II Firmware Update for Touchscreen</strong></p>
<p><em>We’re told that the next EOS 7D Mark II firmware will add touchscreen support in the next firmware release, version 2.0. In this communication, we were told that the Dual DIGIC processors caused issues with the touchscreen working.</em></p>
<p>CR’s Take: The omission of touchscreen on the EOS 7D Mark II had nothing to do with the DIGIC processors, and everything to do with durability according to Canon.</p>
<p><strong>Canon PowerShot SX70</strong></p>
<p class="p1"><em><span class="s1">We were told a PowerShot SX70 was on the way, it would have a focal length equivalent of 24-4800mm, that’s a 200x zoom.</span></em></p>
<p class="p1">This is the image we received for the camera, can you see anything wrong with it? (Click for larger)</p>
<p class="p1"><a href="http://www.canonrumors.com/wp-content/uploads/2015/09/powershotsx70big.jpg"><img class="aligncenter size-medium wp-image-22368" src="http://www.canonrumors.com/wp-content/uploads/2015/09/powershotsx70big-575x380.jpg" alt="powershotsx70big" width="575" height="380" /></a></p>
<p class="p1">CR’s Take: No doubt that this camera is coming one day, but this isn’t it.</p>
<p class="p1"><strong>EF 14-24mm f/2.8L on the way</strong></p>
<p class="p1"><em>We’re told that Canon will introduce a 14-24 f/2.8L lens in Q1 of 2016, it would be lighter than the Nikon equivalent.</em></p>
<p class="p1">CR’s Take: The introduction of the EF 11-24 f/4L killed any chance of a 14-24 f/2.8L. Canon will instead update the EF 16-35 f/2.8L II, which is a much more manageable and usable lens than the 14-24 or even the 11-24.</p>
<p class="p1">Happy Friday and enjoy your weekend, and please remember, everything above is very likely to be untrue and this post was for entertainment purposes only.</p>
<p class="p1">

Announcement: Sony A7S II Camera Body

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<em>Out of darkness cometh light</em></p>
<ul>
<li>Ultra-high sensitivity up to 409600i with low noise across the whole range</li>
<li>Wide dynamic range across entire ISO range delivering smooth tonal gradation from dark to bright conditions</li>
<li>In-camera 5-axis optical image stabilisation for expanded shooting possibilities</li>
<li>Internal 4K movie recording featuring full pixel readout without pixel binning in full-frame format</li>
<li>Wide range of professional movie functionality including S-Gamut3.Cine/S-Log3, new Gamma Assist Display, enhanced Zebra Function, Full HD 120fps recording and 4x/5x slow motion recording and full pixel readout without pixel binning in full-frame format</li>
<li>High-speed AF with enhanced accuracy in wide ranging scenes and advanced shooting functions</li>
</ul>
<p>Sony today announced the latest addition to its award winning series of compact, full-frame α7 cameras with the introduction of the α7S II. Offering ultra-high sensitivity and wide dynamic range across the entire ISO range and 5-axis image stabilisation for greater shooting control, the α7S II delivers stunning image quality for photographers who shoot in the most challenging light conditions. Be it the brightest of mornings or darkest of nights, the α7S II enables new levels of photographic expression at whatever shutter speed you wish to deploy. The α7SII also incorporates a host of pro-style movie functions including the ability to shoot 4K video with full pixel readout and no pixel binning in full-frame format, making it an extremely appealing proposition for photographers and videographers alike.The α7S II delivers an awe-inspiring sensitivity range of ISO 50-409600[i], thanks to the combination of its 35mm full-frame 12.2 megapixel[ii] image sensor and BIONZ X image processing engine. The sensor optimises the dynamic range across the entire ISO range and broadens the range of tonal gradation in bright environments and minimises noise in dark scenes meaning that it delivers impressive results even in the most extreme conditions. The upgraded image processing algorithm of BIONZ X maximises the sensor’s capabilities and improves depiction throughout the full sensitivity range with particular emphasis on the mid-to-high range. This means that the resulting stills and movies demonstrate extra-fine detail with minimal noise.</p>
<p><strong>Preorder the Sony A7S II: <a href="http://www.bhphotovideo.com/c/product/1186034-REG/sony_ilce7sm2_b_alpha_a7sii_mirrorless_digital.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | Adorama | Amazon</strong></p>
<p><!--more--></p>
<p><strong>Video Master

</strong>The α7S II can record 4K[iii] movies internally in the XAVC S format[iv] meaning that content is wonderfully detailed. Because information from all pixels is utilised without line skipping or pixel binning, the camera can maximise the expanded power of the full-frame image sensor and produce 4K movies with higher image clarity and negligible moiré. Full pixel readout without pixel binning is also employed when shooting Full HD[v] movies which means that it collects information from approximately five times as many pixels that are required to generate Full HD[vi] and condenses the information to produce extremely high quality movies.</p>
<p>In a first for the α7 series, the α7S IIcan record 120fps at 100Mbps[vii] with full pixel readout without pixel binning in full frame format which can be edited into wonderful 4x/5x slow motion footage[viii] in Full HD. The α7S II also has the ability to shoot 4x/5x slow motion footage internally which can be immediately reviewed on the camera screen.</p>
<p>Video functionality has been further enhanced with new profiles; S-Gamut3.Cine/S-Log3 and S-Gamut3/S-Log3. These new profiles deliver wide dynamic range and colour correction is easier to perform. The α7S ll even offers impressive 14-stop latitude in the S-Log3 gamma setting. The camera also supports S-Gamut/S-Log2 which is very popular among cinematographers and videographers. Gamma Display Assist is a new function that allows users to monitor images or check focus when recording S-Log movies and the Zebra function has been improved for even greater control.</p>
<p><strong>5-Axis Image Stabilisation

</strong>The new α7S II is equipped with the innovative 5-axis image stabilisation system that is proving extremely popular in the α7 II and α7R II cameras. The system corrects camera shake along five axes during shooting, including angular shake (pitch and yaw) which has the greatest impact on image quality and tends to occur with a telephoto lens, shift shake (X and Y axes) which becomes noticeable as magnification increases, and rotational shake (roll) that often affects night shooting or video recording.</p>
<p><strong>Autofocus accuracy

</strong>The autofocus system on the α7S II has been upgraded and now offers 169 AF points for fast, precise focusing with greater accuracy.[ix] The power of the image sensor means that the absence of noise in images generated, enables the Fast Intelligent AF to detect contrast more easily and react speedily even in low-light situations (as low as EV-4), when it’s even tough to check with the naked eye. When shooting video, the AF performance is twice as fast as the predecessor model.[x]</p>
<p><strong>Electronic Viewfinder

</strong>The XGA OLED Tru-Finder in the α7S II has been upgraded and offers the world’s highest viewfinder magnification[xi] of 0.78x (roughly 38.5 degrees in diagonal field of view) and shows clear images across the entire display area. The use of ZEISS T* Coating ensures sharp reduction of reflections on the viewfinder and unlike an optical viewfinder, the OLED Tru-Finder can be used to instantly show how exposure compensation, white balance and other selected settings are affecting the displayed image.</p>
<p><strong>User upgrades

</strong>A number of enhancements have been made to the look and feel of the α7S II to make it more user friendly, reliable and intuitive. Its magnesium-alloy body is both light and highly robust and the grip and shutter buttons have been re-designed so that the camera feels more natural in the hand. For situations when you just want to blend into the background, silent shooting mode can be activated for 5fps continuous shooting[xii] and reliability has been enhanced with reduced-vibration shutter movement.[xiii] The lens mount has been further reinforced to ensure greater resilience, particularly when attaching third party lenses and users can now charge the camera via a USB power supply whilst the camera is in operation, thus extending battery life. For greater comfort and safety, Sony is also launching the LCS-EBF; a new premium leather body case for the α7S II which is also compatible with the α7R II and α7 II.</p>
<p>The α7S II is also Wi-Fi® and NFC compatible and fully functional with Sony’s PlayMemories Mobile application available for Android™ and iOS™ platforms, as well as Sony’s growing range of PlayMemories Camera Apps, which add a range of fun creative capabilities to the camera. Learn more atwww.sony.net/pmca.</p>
<p>The new α7S II full-frame interchangeable lens digital camera from Sony will be available in Europe in November 2015, priced at approximately €3,400.</p>
<p>[i]Standard ISO 100 – 102400, Expandable to ISO 50-409600</p>
<p>[ii] Approximate effective megapixels</p>
<p>[iii] QFHD: 3840 x 2160. Internal recording and HDMI output, both at 4K resolution, are available in full-frame</p>
<p>[iv]SDXC memory card higher than Class 10 is required for movie recording in XAVC S format</p>
<p>[v]In 24p/30p</p>
<p>[vi] 1920 x 1080</p>
<p>[vii] UHS Class 3 memory card is required for recording at 100Mbps</p>
<p>[viii] 30p (25p) or 24p</p>
<p>[ix] Compared to α7S</p>
<p>[x]Compared to the α7S, when shooting Full HD movies.</p>
<p>[xi]Amongst digital cameras. The viewfinder magnification is approx. 0.78x (with 50mm lens at infinity, -1m-1). As of date of press release, based on Sony research.</p>
<p>[xii]Speed Priority Continuous mode. Focus and exposure settings fixed at first shot.</p>
<p>[xiii] 500,000-cycle durability. According to Sony internal testing, with the electronic front curtain shutter activated.</p>
<p> </p>

Sony's RAW compression

Hi everyone,
There are no intensions for label bashing by posting this.
But it might be a good reason for staying away from A7 series (e.g. A7s for astro as a second body) until this issue gets resolved.
"A Raw file is a Raw file, right? Well, not exactly. Lately, there's been a lot of talk (and a lot of anger) about the compression Sony uses in its Raw files. Compressed Raw files aren't uncommon, but they're usually compressed in a way that retains all the original 'raw' data from the sensor." More here...
http://www.dpreview.com/articles/2834066212/the-raw-and-the-cooked-pulling-apart-sony-raw-compression?utm_campaign=internal-link&utm_source=features-default&utm_medium=homepage-block&ref=features-default

ST-E3-RT master + autofocus assist from a slave 600EX-RT?

If you have a camera mounted ST-E3-RT running as master plus any number of radio connected 600EX-RTs is it possible to utilize the AF assist on one of the 600s since the ST-E3-RT doesn't have the capability or is AF assist only possible from the master unit? I like the size of the ST-E3-RT but I also like the AF assist on the 600s and since the ST doesn't have the AF assist built in I have been wondering if there is a way around it. I've been reading around the Internet as well as checking out the product manuals but unable to find an answer to the question (or maybe I missed it?). Thanks in advance!

New ZEISS SLR Lens Family for ZE and ZF.2 Mounts

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In a very well kept secret, ZEISS has announced a new DSLR lens lineup series called Milvus</p>
<p><em>Six new focal lengths: manual focus lenses optimized for high-resolution cameras</em></p>
<p><strong>OBERKOCHEN/Germany, 10/09/2015.

</strong>The new ZEISS Milvus SLR lens family contains six focal lengths with ZE or ZF.2 mounts for DSLR cameras from Canon and Nikon1. The ZEISS Milvus lens family with precise manual focus offers high and consistent image performance across all focal lengths. The new lenses are the ZEISS answer to the current trend toward sensors with increasingly high resolution which, in turn, require higher and higher image quality. They are therefore ideal for current DSLR cameras and also for mirrorless system cameras of the Sony α7 series via an adapter solution and offer the customer excellent value for the money for professional applications. An equally important benefit: their high contrast rendition and low level of stray light ensure that the lenses meet the latest video standards such as HDR (High Dynamic Range) and resolutions of 6K and more. For the user, they open up the field of professional video and cine applications. The ZEISS Milvus lenses will be delivered to dealers in October 2015.</p>
<p><!--more--></p>
<p><strong>Diversity of focal lengths for wide spectrum of applications

</strong>With its diversity of focal lengths, the ZEISS Milvus lens family covers many of the photographer’s important fields of application where the benefits of manual focus lenses can be optimally utilized. “We want to provide users with the freedom to use the focus position as an artistic tool because it is one of the most important creative possibilities available to photographers,” Christophe Casenave, Product Manager for ZEISS Camera Lenses, emphasizes. The ZEISS Milvus lenses are therefore targeted at all owners of a high-resolution DSLR camera, offering them considerable added value. They are also suitable for photographers who have specialized in applications which the six focal lengths optimally support, e.g. portrait, landscape and macro photography.</p>
<p>The ZEISS Milvus lens family will initially consist of the following six focal lengths: ZEISS Milvus 2.8/21, ZEISS Milvus 2/35, ZEISS Milvus 1.4/50, ZEISS Milvus 1.4/85 as well as the two macro lenses ZEISS Milvus 2/50M and ZEISS Milvus 2/100M. Further focal lengths will be added to the ZEISS Milvus lens family over the next few years. “With this diversity of extremely high-quality SLR lenses, we are underscoring that, with our Milvus lenses, we can supply the right focal length for almost any application or personal preference,” Casenave says.</p>
<p><strong>Modern product design

</strong>The ZEISS Milvus lenses continue the award-winning ZEISS product design already featured in the ZEISS Otus lenses. The advanced design ensures excellent image performance and outstanding ergonomic convenience. The easy-grip focus ring enables precise manual focusing for highly precise photography. The robust all-metal barrel of the ZEISS Milvus lenses guarantees many years of reliable use. They are protected against dust and spray water. The robust metal lens shade is an integral part of the overall product design and is a standard feature of all ZEISS Milvus lenses on delivery.</p>
<p><strong>Fully compatible with DSLR cameras

</strong>The ZEISS Milvus lenses support all important operating modes of DSLR cameras (e.g. aperture priority, shutter priority and program modes, as well as manual time and exposure settings) The ZEISS Milvus lenses feature an interface that transmits the lens data to the camera (e.g. focal length, set aperture etc.). This information is saved to the photo’s EXIF data.</p>
<p><strong>Features for demanding users

</strong>“The excellent image performance of the ZEISS Milvus lenses, also in difficult light conditions, is sharply focused on the requirements of current and future high-performance digital cameras,” says Casenave. The lenses offer a harmonious bokeh and excellent reflection reduction thanks to T*® anti-reflective coating from ZEISS. The further optimization of the lens coating reduces ghosting, flare and shading effects in critical light situations. All ZEISS Milvus lenses have a Floating Elements Design which compensates for aberrations at different distance settings. This is achieved by varying the axial distance between individual lens elements or groups. The adjustment of the distance between elements is coupled to the distance setting so that this always results in the right correction.</p>
<p><iframe src="https://www.youtube.com/embed/LlVcXAYIM28" width="728" height="409" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p><strong>ZEISS Milvus lenses for video

</strong>The new ZEISS Milvus lenses enable high-quality film recordings with soft and cinematic bokeh. “With their extremely high contrast rendition, the lenses meet the latest 6K video standards and display uniform color characteristics,” Casenave continues. All six ZEISS Milvus lenses have an exceptionally long rotation angles of the focus ring for precise focusing. The practical, rubber-covered focus ring features outstanding grip properties for optimal focusing. The ‘de-click’ function in the ZF.2 mount lenses allows filmmakers to adjust the aperture freely and smoothly, enabling professional results even in changing light conditions.</p>
<p><strong>ZEISS Milvus 1.4/50

</strong>The newly designed ZEISS Milvus 1.4/50 lens has ten elements in eight groups. The new 50 mm lens features one aspherical optical surface and four elements made of special glass materials, and uses the ZEISS Distagon optical design. This makes it the second standard lens after the ZEISS Otus 1.4/55 to incorporate this high-performance optical design. The advanced ZEISS Distagon optical design enables very good image performance across the entire image field, even at full aperture, despite the high speed. The ZEISS Milvus 1.4/50 on a full-frame camera corresponds to the perspective of the human eye and can therefore be used for many different purposes.</p>
<p><strong>ZEISS Milvus 1.4/85

</strong>The newly designed ZEISS Milvus 1.4/85 short tele lens has eleven elements in nine groups and features the ZEISS Planar optical design. The ZEISS Milvus 1.4/85 is suitable, above all, for portrait photography. This lens is an absolute must for compositions where the main subject is to be isolated and emphasized against a beautiful bokeh background. The purely spherical optical design generates a harmonious bokeh, and the use of special glass materials ensures extremely low chromatic aberration.</p>
<p><strong>Availability

</strong>Advance orders can now be placed for the ZEISS Milvus lenses. Global delivery to dealers will commence in October 2015.</p>
<p>All of the new lenses are available for preorder at B&H Photo & Adorama.</p>
<ul>
<li>Zeiss Milvus 21mm f/2.8 ZE: <a href="http://www.bhphotovideo.com/c/product/1185201-REG/zeiss_2096_549_milvus_2_8_21_ze_lens.html/BI/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/ZI2128MZE.html?kbid=64393" target="_blank">Adorama</a></li>
<li>Zeiss Milvus 35mm f/2 ZE: <a href="http://www.bhphotovideo.com/c/product/1185202-REG/zeiss_2096_555_milvus_2_35_ze_lens.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/ZI352MZE.html?kbid=64393" target="_blank">Adorama</a></li>
<li>Zeiss Milvus 50mm f/1.4 ZE: <a href="http://www.bhphotovideo.com/c/product/1185204-REG/zeiss_2096_557_milvus_1_4_50_ze_lens.html/BI/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/ZI5014MZE.html?kbid=64393" target="_blank">Adorama</a></li>
<li>Zeiss Milvus 50mm f/2 ZE: <a href="http://www.bhphotovideo.com/c/product/1185206-REG/zeiss_2096_559_milvus_2_50m_ze_lens.html/BI/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/ZI5014MZE.html?kbid=64393" target="_blank">Adorama</a></li>
<li>Zeiss Milvus 85mm f/1.4 ZE: <a href="http://www.bhphotovideo.com/c/product/1185205-REG/zeiss_2096_561_milvus_1_4_85_ze_lens.html/BI/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/ZI8514MZE.html?kbid=64393" target="_blank">Adorama</a></li>
<li>Zeiss Milvus 100mm f/2 ZE: <a href="http://www.bhphotovideo.com/c/product/1185207-REG/zeiss_2096_563_milvus_2_100m_ze_lens.html/BI/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/ZI1002MZE.html?kbid=64393" target="_blank">Adorama</a></li>
</ul>

Canon to Support 2015 Rugby World Cup

HTML:
<p><strong>TOKYO, Japan, September 10</strong>—Canon, as an Official Sponsor1 of Rugby World Cup 2015 in England, will provide support for the event through a range of activities.</p>
<p><strong>A Canon camera service center

</strong>At the 2015 Tournament, which will take place from September 18 to October 31, 2015, at 13 stadiums in 11 cities across the U.K., Canon will provide support through its products, technologies and services, as outlined below.</p>
<p><!--more-->

<strong>On-site camera service centers for photographers

</strong>At numerous sporting competitions both in Japan and overseas, Canon provides behind-the-scenes support to members of the press covering these events through its Canon Professional Services program. This on-site support includes expert advice, camera and lens maintenance services, minor repairs and product loans. To further improve media support at Rugby World Cup 2015, Canon will establish on-site camera service centers at 10 of the 13 venues to help ensure that professional photographers can capture the exhilarating action as world-class teams face off for the top spot.</p>
<p><strong>Canon and Rugby World Cup 2015 special website and Digital Image Gallery

</strong>Canon will incorporate within the Company’s homepage a dedicated Rugby World Cup 2015 website that provides a range of information, including competition highlights and details regarding Canon initiatives.</p>
<p>Canon has worked closely with Rugby World Cup Ltd. to create a Canon branded digital image gallery. The gallery is hosted on the official Rugby World Cup 2015 website and will also be available via the official Rugby World Cup 2015 app.</p>
<p>Official images, supplied by Getty Images, will be displayed alongside images fans have captured and shared on social networks. Fans will be able to filter images by matches and by teams so that they can quickly access those of most interest to them.</p>
<p>The Digital Image Gallery will showcase 360 degree images from all 48 matches, and gigapixel images from the most important matches, as captured on Canon cameras from within the stadiums. Fans will be able to zoom in and tag themselves in the gigapixel images and can share them with friends via social networks.</p>
<p><strong>Commemorative photo booths at two major Tournament venues

</strong>Canon will set up commemorative photo booths at key matches held at the Millennium Stadium in Cardiff and the Twickenham Stadium in London, including the Final.2 Booth visitors will be able to take part in simulated rugby scenarios and the moment will be captured on Canon cameras. Fans can then remember the experience with free souvenir photos printed out on Canon printers.</p>
<p>Behind the scenes at Rugby World Cup 2015, Canon will provide multifunction devices, printers and other products to be used by the Tournament Organising Committee and at each of the Tournament venues, supporting the management of the event by facilitating the printout of handout materials and the streamlining of document workflows. Furthermore, professional photographers at the Tournament will be provided with branded Canon bibs and pitch-side advertising will be visible at all matches.</p>
<p>Canon will continue contributing to the advancement of sports through the use of Canon products and technologies.</p>
<p>Canon will continue contributing to the advancement of sports through the use of Canon products and technologies.</p>
<ol>
<li>Canon announced its sponsorship of Rugby World Cup 2015 in a press release on December 4, 2014. As an Official Sponsor, various Canon input and output products will be designated as Official Products of Rugby World Cup 2015, including cameras, lenses, video camcorders, copiers, multifunction devices, printers, facsimile machines and projectors.</li>
<li>Commemorative photo booths will be established for five of the ten matches to be held at the Twickenham Stadium, and four of the eight matches to be held at the Millennium Stadium.</li>
</ol>

Media Types in Germany For Announcement of New Zeiss Otus Lens Today

HTML:
<strong>*UPDATE*

</strong>No new OTUS lens, instead <a href="http://www.canonrumors.com/zeiss-announce-milvus-lens-lineup/" target="_blank">ZEISS announce the Milvus lens lineup</a>.</p>
<p>Zeiss will announce a new Otus lens, as <a href="http://diglloyd.com/blog/2015/20150907_1458-Germany-ZeissPressEvent.html" target="_blank">various media types</a> are in Germany today for the unveiling. It will be a fast wide angle prime, the last we heard it was going to be a 25mm f/1.4, but nothing has been confirmed. I think it’s safe to say it’ll be somewhere between 24mm and 35mm.</p>
<p>More to come…</p>

Using (old) DSLR or point and shoot as a webcam?

Hi,
I have, as I suspect many of you have as well, a number of older DSLR or point and shoot cameras which get little use. I wondered if there was a way to use some of this older but working hardware for new purposes. What I had in mind was to connect a DSLR with a wide angle lens and use that as a webcam. So I checked Magic Lantern and there seemed to be no mention of their software enabling that type of usage. A similar broader web search came up with little as well. I recall some early point and shoot digital cameras could be used in this way, but none recently.

Has anyone done this or knows of a DSLR or point and shoot being used in this way? If so how?

Canon Unveils The Future Of Imaging at EXPO 2015

HTML:
<em>Once-Every-Five-Year Exhibition Brings Together Powerful Products, Cutting-Edge Technology and Inspirational Ideas </em></p>
<p><strong>NEW YORK, September 9, 2015</strong> – Canon U.S.A., Inc., a leader in digital imaging solutions, today commences its Canon EXPO 2015 New York, an imaging showcase galvanized by the visionary experience of New York and inspiring visitors to see impossible by providing a peek into the Company’s vision for the future. This once-every-five-year event offers attendees the rare chance to see and experience the incredible breadth of Canon’s imaging technology, as well as a glimpse into future products, solutions and services that will transform the way customers live, work and share experiences.</p>
<p>“Throughout history, from roll film to digital cameras, wooden printing presses to inkjet technology, creators have relied on technology to discover new worlds and further the progress of mankind. When we embark on new adventures, we explore uncharted territories, choosing to see what’s never been seen, and doing what has never been done,” said Joe Adachi, chairman and CEO, Canon U.S.A., Inc. “As today’s creators explore their world, continuing to dream and discover, Canon will be there for the journey, ready at the helm to provide the right technology to see impossible.”</p>
<p><!--more--></p>
<p>Capturing the vibrant energy of New York City, Canon EXPO 2015 is an invitation-only event featuring more than 100,000 square feet of exhibition space at the Jacob K. Javits Center in Manhattan with stops in Paris and Tokyo in 2015 and Shanghai in 2016. Leading industry experts, award-winning photographers and film directors and business trailblazers will provide insight on the ways technology is changing the landscape and what innovations they see on the horizon.</p>
<p>New for 2015, <a class="bold_text underlink" href="https://expo.usa.canon.com/" target="_blank">Canon EXPO website</a> will offer remote and ongoing access to those not attending the event in-person. Additionally, news, updates and video content will continue to be added after the exhibition, delivering an expanded inside look at Canon EXPO 2015 New York for people across the globe.</p>
<p>The exhibition will be divided into zones demonstrating the theme of Canon See Impossible and modeled after notable New York City landmarks and scenery, each highlighting a different portion of the Canon experience, beginning with a central hub: Modeled after a National Historic Landmark, this area will provide guests with a better understanding of the Company’s corporate philosophy,<i>Kyosei</i>, a pledge to work towards harmonizing environmental commitment and economic interests in all business activities. Encapsulating the picturesque landscape of a famous New York City park, visitors will see how this mission drives Canon’s active sustainability programs, incorporating recyclable materials into products and promoting cleaner processes throughout the Company.</p>
<p>Continuing this innovation journey, visitors can enter EXPO Zones including:</p>
<div><strong>Imaging Journey – See Progressive Technology</strong></div>
<p>New York is a top tourist destination, and this area offers a captivating museum of New York scenery, beginning with an airport gate overlooking a jet on a tarmac. Guests will climb a ramp that puts them at the top of a skyscraper before going to a room that offers a 360-degree display that thrusts them into a pulsating experience with a unique sense of movement while standing still. From immersive experiences to security solutions and surveillance technologies, this zone will impress even the most seasoned tourists.</p>
<div><strong>Stadium – See Winning Imagery</strong></div>
<p>Upon stepping into Canon’s own baseball stadium, visitors become professional sports broadcasters. Entering through the stadium tunnel and onto the field, attendees will have the opportunity to capture in-action photos from the dugout and up on the mezzanine through a variety of camera bodies and lenses. Guests will have the opportunity to jump in a production truck, get behind the broadcast cameras and capture the game live for fans at home.</p>
<div><strong>University – See Canon’s Future</strong></div>
<p>Canon helps drive innovation through powerful university, hospital and industry partnerships. In the center of the space, Canon will demonstrate medical innovations that help healthcare professionals diagnose patients. In another section, visitors will experience new sensor technologies in addition to a pioneering telescope project* that will allow astronomers to see further into the galaxy than ever before.</p>
<div><strong>Film Production – See Creative Storytelling</strong></div>
<p>In this zone, visitors will step into a replica of a soundstage in Red Hook, Brooklyn, where filmmakers and producers use Canon products to bring their visions to life as motion picture masterpieces. Entering through the soundstage doors, visitors will be immersed in a true film production experience, featuring numerous cameras and lenses in action, including the new 8K camera system* – the definition of high-image quality. As visitors walk through the zone, they will witness the advancement of picture quality over the last few decades and experience the powerful storytelling tools used by professional cinematographers, videographers, photographers, broadcasters and networks.</p>
<div><strong>Advanced Industry Solutions – See Innovative Manufacturing</strong></div>
<p>Modeled in the shape of a 20th Century Brooklyn factory, this innovation center brings visitors into an integrated workspace for hands-on experiences with Canon’s MREAL System for mixed reality, advanced printing and other tools that inspire creative and expand workflow capabilities. Designed to showcase workflow advancements for the production and technical industries, visitors will get a glimpse into how Canon is helping to make business more efficient through intelligent automation, collaborative endeavors and universal precision.</p>
<div><strong>Enterprise – See Empowered Business</strong></div>
<p>Showcasing universal technologies and services to empower businesses large and small, this EXPO zone will highlight innovations to help optimize business processes and drive business growth. Visitors will begin their journey at the Brooklyn Bridge, leading them from Manhattan’s bustling Wall Street into the dynamic neighborhood of smaller business across the way in Brooklyn. As they walk the landscape from one end to the other, guests will experience a wide variety of never-before-seen Canon enterprise technology, including Canon’s new Rich Collaboration System, an innovative communication platform under development, to empower tomorrow’s businesses to work more effectively by connecting offices together virtually to enhance communication. Also, visitors will witness Canon innovations that can provide enhanced document security, business intelligence and workflow solutions.</p>
<div><strong>Home – See Immersive Home Interaction</strong></div>
<p>Demonstrating the future of sharing family moments, this zone will allow visitors to experience modern home solutions for the always-connected generation. This inviting neighborhood apartment will present photos and videos projected via platform technologies and include an activity room with an interactive platform to bring projects to life for both home and office. A can’t miss highlight is the new Intelligent Imaging for Life System*, designed to provide an engaging visual experience that lets customers display, interact, organize, and print images directly from cameras and the Connect Station CS100 device.</p>
<div><strong>Professional Printing – See Inspired Printing</strong></div>
<p>Exposing visitors to a bookcase of hard- and soft-cover picture books, this gallery of stunning, detailed prints and lifelike textures will showcase a wide range of innovative printing solutions. From large and small, high-speed to high-quality, production printing to large format and all other variables in between, visitors will experience live printing processes for a variety of uses including commercial printers and book publishers. An anticipated highlight of this zone is the first public debut of the Océ VarioPrint i300, one of the first-of-its-kind digital high-speed, sheetfed inkjet press designed to help accelerate the printing industry’s transition from offset to high-volume digital output.</p>
<div><strong>Medical and Wellness Center – See Innovative Healthcare</strong></div>
<p>Demonstrating advanced imaging systems, document management and diagnostic tools, this zone will provide hands-on access to the technology and services Canon provides to a broad range of medical professionals. Following check-in at reception, visitors can view demonstrations of select eye care products. Continuing through the exhibit, visitors will also see a range of medical imaging systems, including radiology and mammography products.</p>
<div><strong>Customer Experience – See Service Excellence</strong></div>
<p>Reflecting the iconography and systematic prowess of a famous New York City train station this zone allows visitors to experience the full breadth of Canon’s comprehensive service and support capabilities. Agents will answer real-time customer support questions, including guiding customers through live video calls. This zone will also include a Live Learning stage where training sessions will take place throughout EXPO, offering valuable tutorials and insightful speakers. By walking through the archway of this zone, visitors can also see innovative service from Canon Professional Imaging Services, Healthcare Support Services and Professional Business Services.</p>
<p>For more information please visit: <a class="bold_text underlink" href="http://www.expo.usa.canon.com/" target="_blank">www.expo.usa.canon.com</a>.</p>
<p> </p>

Any thoughts on 'Live Photos'?

So I just had the Apple announcements on in the background and heard the new 'Live Photo' spiel, to be honest I was pretty impressed and thought that is a dynamic way of presenting images, that kind of tech would work perfectly for wedding albums on disc, it might even be the death of the darn Ken Burns Effect!

Anybody else impressed with the idea, underwhelmed, or other thoughts?

Canon should release cameras like the auto industry

There are lots of topics and posts in this forums that are great but am getting so tired of the complainers when a new body is released that is not ideal for their type of photography. too many pixels, not enough DR... GAWD....

Imagine if the auto industry only launched one vehicle at a time, introducing the Dodge Ram truck. all the city commuters would be cursing Dodge that they are breaking their bank and polluting the world, would have to listen to those whiners until the next eco-friendly is introduced, then all the people wanting trucks would be firing off how these tree huggers are ruining the industry and the fact dodge released an eco-friendly car is now ruining their life. So silly.

Maybe if canon released all the new models at once, everyone could be happy and pick what body works for them and their needs. Just stop complaining... so over it.

btw - I am a commercial studio photographer and love both my 5Dmkiii and my 5DS R. both awesome for their own strengths and choose to use each one accordingly. Are they perfect, maybe not, but I use my skills and kit to achieve my desired result and don't blame my gear for the reason my photo sucks. (that's on me)

German fotoMAGAZIN Review of New Tamron Prime Lenses

The German fotoMAGAZIN already had the two new Tamron prime lenses SP 1.8/35 and 45 mm DiVC USD for da detailed review in the 10/2015 issue.

Both get a 5 star "super" test result (best label).

They say that in their tests
- both have only litte vignetting at F1.8 (APS-C: about 0,8 aperture steps, FF: -1,1).
- both have only little barrel distortion (up to max -0.8% at FF)
- both deliver a really high resolution at both APS-C and FF
- both have excellent mechanical built
- both have outstanding MFD in their class

Conclusion:
"The restart of the SP line is a real success."
"Both prime lenses deliver optically and mechanically superb results."

Sounds very promissing to me.

Canon EOS 6D Mark II Talk [CR1]

HTML:
Specification lists this detailed about a camera a few months away are rarely accurate, but we’re posting it for the purpose of discussion. These specifications come from an unknown source.</p>
<p>What’s most interesting is the mention of the camera coming with a version of Android which will replace the <a href="https://en.wikipedia.org/wiki/DRYOS" target="_blank">DRYOS</a> system developed by Canon that is on the current EOS 6D. What advantages that could have, I’ll let the software techs out there comment in the forum.</p>
<p>I will note that this source said they’d be replacing VXWorks with Android, but Canon switched to DRYOS from VXWorks quite a while ago.</p>
<p>Canon EOS 6D Mark II Rumored Specifications:</p>
<ul>
<li class="p1"><span class="s1">24mp Full Frame CMOS</span></li>
<li class="p1"><span class="s1">1.5 stops better at higher ISO</span></li>
<li class="p1"><span class="s1">Low-light autofocus (centre point) at -5 EV</span></li>
<li class="p1"><span class="s1">Two AF systems are currently being tested or the EOS 6D Mark II and which was chosen is unknown at this time. There will be more AF points than the current camera.</span></li>
<li class="p1">WiFi with NFC and GPS</li>
<li class="p1"><span class="s1">Wireless battery charging with the Qi standard</span></li>
<li class="p1"><span class="s1">Internally Canon switches from VxWorks (Could have meant DRYOS) to an Android-based embedded OS, 6D Mark II will be the first Android-based camera from Canon.</span></li>
<li class="p1"><span class="s1">Dual-pixel autofocus technology</span></li>
<li class="p1"><span class="s1">Touchscreen</span></li>
<li class="p1"><span class="s1">Swivel LCD</span></li>
<li class="p1"><span class="s1">Will ship in a new box design in gold colour.</span></li>
</ul>
<p>Again, this is a CR1 rumor and we’re posting it more for the interesting discussion that could come from the potential software changes that are reported here. This comes from a completely unknown source, but it’s plausible enough to not be CR0.</p>
<p><b>*UPDATE*</b></p>
<p>It looks like the source of these specifications is from a <a href="http://www.dpreview.com/forums/post/56451436">thread on DPReview</a>.</p>

Firmware: Canon EOS 7D Mark II v1.05

HTML:
Canon has released firmware version 1.05 for the Canon EOS 7D Mark II.</p>
<p>The following fixed are in the new firmware.</p>
<ul>
<li>Improves AF accuracy when used in combination with the EF 16-35mm f/2.8L USM lens or EF-S 17-55mm f/2.8 IS USM lens.</li>
<li>Fixes a phenomenon in which, in very rare cases, the “Peripheral illumination correction” is applied inconsistently.</li>
<li>Fixes a phenomenon in which, while performing an EF lens firmware update, the progress bar displayed on the LCD monitor may freeze at 100% even though the update has been completed.</li>
<li>Fixes a processing error in relation to the leap second for the “Geotag information appended to image” and “Log data” GPS functions.</li>
<li>Fixes a phenomenon, where at the time of shooting in very rare cases “Err 70” occurs, or the shutter does not release.</li>
</ul>
<p><strong><a href="http://cweb.canon.jp/drv-upd/dc/eos7d2-v105-win.html" target="_blank">Download firmware v1.05 Win</a> | <a href="http://cweb.canon.jp/drv-upd/dc/eos7d2-v105-mac.html" target="_blank">Download firmware v1.05 Mac</a> (Canon Japan)</strong></p>
<p><a href="http://www.usa.canon.com/cusa/support/professional/professional_cameras/eos_digital_slr_cameras/eos_7d_mark_ii?WT.mc_id=C126149#DriversAndSoftware" target="_blank">Download firmware v1.05</a> (Canon USA is still showing 1.04)</p>

Canon Develops Material Appearance Image-Processing Technology

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<strong>TOKYO, September 8, 2015</strong>—Canon Inc. announced today that it has developed material appearance image-processing technology that, through the acquisition of material appearance information using digital cameras, enables printing that faithfully recreates such material appearance characteristics as gloss, plasticity and transparency, qualities that change in appearance depending on the orientation of lighting or the angle from which an object is viewed.</p>
<p>Material appearance characteristics are those qualities that determine an object’s look and feel, such as gloss, plasticity, surface contours and transparency. The acquisition of this information, such as surface contours and reflectance, in addition to color data, is essential for reproducing an object’s texture in photographs and other forms of printout.</p>
<p><!--more--></p>
<p>Canon’s newly developed material appearance image-processing technology makes use of multiple Canon digital cameras, which are used to capture images of the target object, facilitating the digitization of such material appearance information as subtle surface contours and gloss. The digitized material appearance information is then used to faithfully reproduce the material appearance properties of the original object using a (UV-curable*) printing technology that is optimally controlled in accordance with its print characteristics.</p>
<p>Capitalizing on Canon’s expertise in image input and output devices, material appearance image-processing technology makes possible not only the high-definition representation of color characteristics, but also the printing of various material appearance qualities, such as those of metal, cloth and other materials. Additionally, as the technology is capable of faithfully recreating the material appearance characteristics of the original target object, it can be used to reproduce historically significant oil paintings and other valuable cultural properties. The creation of such reproductions could allow viewers to experience new ways of art appreciation by feeling the reproduced artwork, while enabling the original artwork to be preserved under optimal storage conditions.</p>
<p>In addition to the high-resolution photo printing technologies the Company has cultivated to date, Canon will further strengthen the development of this technology with the aim of expanding its application in such areas as wallpaper and other interior-use materials, advertising signage and product packaging.</p>
<ul>
<li>An inkjet printing technology that uses UV-curable inks, which instantly dry and adhere to surfaces when exposed to ultraviolet light. UV-curable inks have a hard finish and are highly resistant to water and direct sunlight.</li>
</ul>

APS-H & 120 MP announcements: revealed too soon?

(CR admin please keep this thread separate from the main 120 MP discussion, thx.)

It's been a wow sort of Labor Day weekend. In adjacent 24 hour news cycles, we hear that:

  • An SLR with "approximately 120 effective megapixels" is coming our way.
  • APS-H may not be dead after all, as it's apparently involved with a 250 MP sensor.
  • Chasing the highest end 8K video on Cinema rigs is apparently more important to Canon than allowing widespread 4K use on SLRs. ::)

I appreciate that Canon must generate buzz about new tech that may not be in final form. I also appreciate there is a ton more to a camera than its MP count and we are missing a ton of answers right now.

...but am I the only one thinking that these announcements smack of desperation?


  • Why tip your hand on something so clearly far down the road like this?

  • Why drop all three announcements together and not periodically dole out the news to keep the Canon faithful excited over a longer period of time?

  • Why commit to something that may steal the energy from products that they are trying to sell today or in the near future? Without a date listed, anyone who was sitting on the fence over upgrading to a 5DS (or any other future high MP body under 120 MP) would clearly climb off of it knowing that the 120 MP rig is eventually coming.

Every imaging company has broad ambitions in their 5-10 year pipeline, but few are foolish enough to share those ambitions as they will become market expectations -- the consumers, the analysts, etc. Every investor call Canon will now have to fend off questions of when this new hotness is coming. So all this feels like Cortes has burned his ships upon reaching the new world and making it clear that there is no turning back. That's not the Canon I know at all.

- A

Advice on 300mm F2.8 L

I'm considering purchasing a 300mm f2.8 lens to add to my kit for sports. I'd like to know if there are any users out there using the mk I version. If so, what do you think of it compared to the mk II version. This lens will be used on both crop and ff cameras.

I'm not opposed to used or a previous generation so long as it is still servicable.

Thanks for your feedback.

Canon Developing 8K Cinema EOS Camera, 120mp DSLR & 8K Display

Featuring a resolution of approximately 120 effective megapixels, the SLR camera now being developed will incorporate a Canon-developed high-pixel-density CMOS sensor within the current EOS-series platform, which will realize compatibility with the Company’s diverse interchangeable EF lens lineup.3 The high-resolution images that the camera will be capable of producing will recreate the three-dimensional texture, feel and presence of subjects, making them appear as if they are really before one’s eyes. The camera will facilitate a level of resolution that is more than sufficient for enlarged poster-sized printout while also enabling images to be cropped and trimmed without sacrificing image resolution and clarity.

source: http://www.canon.com/news/2015/sep08e2.html

A New 85L is on the Way [CR2]

HTML:
We’re told that Canon is actively working on a new 85L, and we should see a replacement some time before 2016 is over, and possibly for Photokina in September of 2016.</p>
<p>The new 85L will incorporate the blue spectrum refractive element of the recently announced <a href="http://www.canonrumors.com/preorder-the-new-canon-ef-35mm-f1-4l-ii/">EF 35mm f/1.4L II</a>.</p>
<p>The new lens will be weather sealed, have a new manual focus system, a faster autofocus system as well as being lighter.</p>
<p>Could the new 85L be f/1.4 instead of f/1.2? It’s possible, they went slower moving from the EF 50 f/1.0L to the 50 f/1.2L. Although, having the lens at f/1.2 does give Canon some bragging rights for DSLR lenses.</p>

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