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Canon 5dsR review by Jared Polin

Hello guys, I hope you all are doing great! I watched the review of Canon 5dsR by Jared Polin, and I wanted to share it with you.

I think Jared did a great job trying to avoid comparison with Nikon D810 and focus on advantages that can be interesting for current Canon users. I personally liked this camera even more, and will buy it as soon as I have more funds available.

https://www.youtube.com/watch?v=mMRj5N3qL54

DxO tests Canon 100-400L Mark II

DxO tests Canon 100-400 Mark II, results shown for test on 5D Mark III. 15 P-Mpix on their sharpness measure makes it a bit sharper than the original 100-400L with 13 P-Mpix, but no where close to the 70-200 2.8 IS Mark II which gets 21 P-Mpix. The new version of the 100-400 is a bit better on all the other measures especially CA.

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DxO test results for 750D/760D

DxO test results for Canon 750D and 760D. Slight differences in subscores, 0,1-bits of color depth and 4 ISO units. A 1-point difference in the scores, I thought they used the same sensor? They score better than the 70D which got a 68 and the 750D even beats the 7D Mark II which scored a 70.

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35L II and New EF-M zoom coming on 8/14?

CW/PR/Digicame believe that we have our two new lenses for next month:

http://digicame-info.com/2015/07/ef35mm-f14l-ii-usmef-m15-45mm.html

EF-M gets a 24-72 equivalent zoom... and they put STM on it. Classic. Probably should have expected it for a non-constant aperture lens like this, but the 24-70-ish equivalent had me hoping it might be USM.

And the 35L II looks like it's finally happening. If the 100-400 II was the White Unicorn, what do we call this long overdue follow-up? The Black Badger, perhaps?

- A

Patent: Lubricating Canon Body Cap

HTML:
A patent for a Canon DSLR body cap that lubricates and protects the lens mount has appeared. I’ve never personally experienced a dried out or wind burned camera body lens mount, but maybe you have?</p>
<p>As pointed out in the forum though, this sort of concept could be to help protect the rubber seals on lenses. They can crack over time and need replacement. Or perhaps it’s to keep the contacts on the camera body and lens clean, maybe both.</p>
<p>Patent Publication No. 2015-121747 (Google Translated)</p>
<ul>
<li>Published 2015.7.2</li>
<li>Filing date 2013.12.25</li>
</ul>
<p>Canon patents</p>
<ul>
<li>Mount Cap</li>
<li>The mount and abutting surface, and oil-impregnated possible member, such as a porous plastic</li>
</ul>

Cokin Introduces NUANCES Filters

HTML:
<em>Redefining Neutral Density filters.</em></p>
<p><strong>PARIS—July 9, 2015</strong>—Cokin. is very excited to introduce NUANCES, a new range of mineral glass ND filters. NUANCES filters redefine what neutrality means when talking about Neutral Density (ND) filters.</p>
<p>Cokin has developed a new coating process to ensure an uniform coloration. A nano metallic alloy is applied on both side of a highly resistant tempered Schott Glass B270, renown for its high transmittance and low reflection. The result is a stunning neutrality, completely free of infrared pollution. Multiple NUANCES filters can be stacked without color cast.</p>
<p><!--more--></p>
<p>NUANCES filters are dedicated to long exposure outdoor photography or depth of field reduction, especially in filmmaking. The strongest density ND1024 filter allows a 10 f-stops reduction. It literally catches the light to create surreal images without color cast. NUANCES filters are available in six different densities : ND2, ND4, ND8, ND32, ND 256 and ND1024.</p>
<p>NUANCES filters have been designed to fit Cokin’s range of CREATIVE filter-holders, from M to XL sizes. The L size is compatible with standard matte boxes using 4”x4” (100x100mm) filters. NUANCES filters can be combined with other filters from the CREATIVE Filter System range for unlimited creativity.</p>
<p>ND32 or above filters in L and XL sizes come with a foam mask to be inserted between the filter and the filter-holder hence preventing light leaks.</p>
<p>Named after its founder Jean Coquin, a famous french photographer of the 70’s, Cokin is the inventor of the innovative Creative Filters System (adaptor ring + filter-holder + filters), the most popular filter system in the world.</p>
<p><a href="http://www.cokin-filters.com/nuances/" target="_blank">More information</a></p>

SanDisk Corporation Reinvents Consumer Mobile Storage With New Wireless Flash Drive

HTML:
SanDisk Corporation (NASDAQ:SNDK), a global leader in flash storage solutions, today expanded its mobile storage portfolio with a new wireless mobile flash drive, the SanDisk Connect™ Wireless Stick. This new drive enables easy sharing, transferring and accessing of photos and videos between mobile devices and computers. Building on its award-winning SanDisk Connect Wireless family, the SanDisk Connect Wireless Stick features a higher capacity, up to 128GB*, a new app and cool, compact design – all at a great price.</p>
<p>The SanDisk Connect Wireless Stick now gives consumers even more freedom to save and access photos, videos and other files from their favorite Wi-Fi-enabled devices1. As consumers continue to embrace premium mobile features such as high-quality photo capture and Full HD video, SanDisk’s new wireless storage device is designed to meet their quickly growing storage needs, at an affordable price. The availability of up to 128GB of capacity allows users to effectively double their mobile storage for greater flexibility on the go.</p>
<p>“We live in an era where we are truly living a mobile lifestyle. We use our devices to capture life’s moments, and work in a way that was never before possible – all of which has created the need for a new generation of mobile storage,” said Dinesh Bahal, vice president, product marketing, SanDisk. “The SanDisk Connect Wireless Stick is designed to give people a simple, intuitive way to save and access all of the great content they create and consume across multiple devices, without breaking the bank.”</p>
<p><!--more--></p>
<p><strong>Share Wirelessly With Multiple Devices

</strong>The SanDisk Connect Wireless Stick works with smartphones, tablets and computers1. Whether in a briefcase or in a pocket, the new drive allows users to wirelessly access media or transfer large files; save and share photos and videos; or stream HD videos and music2 to and from mobile devices – up to three at a time. The SanDisk Connect Wireless Stick is capable of supporting a single stream for up to 4.5 hours on a single charge3. With its USB connector, users can also connect directly to a computer to save and transfer files instantly. The SanDisk Connect Wireless Stick delivers access that empowers users to take control of their content anytime, anywhere.</p>
<p><strong>Seamless App Experience

</strong>The SanDisk Connect Wireless Stick features an intuitive app, the SanDisk Connect app, which enables nearly effortless management of content between people’s favorite devices4 including, iOS and Android™ devices; Fire tablets; and Macs and PCs – all via password-protected Wi-Fi connectivity. Available for download through the App Store, Google Play™ Store and Amazon Appstore for Android, the new app also enables other cool features like auto-back up of photos and videos from the camera roll to the drive.</p>
<p><strong>Pricing and Availability

</strong>The SanDisk Connect Wireless Stick features a one year warranty is now available at Amazon, BestBuy.com and SanDisk.com in capacities of 16GB, 32GB, 64GB and 128GB at U.S. MSRPs ranging from $29.99-$99.99.</p>

First Impressions: Canon XC10 by LensRentals

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LensRentals.com has posted their first impressions of Canon’s polarizing fixed lens XC10 camcorder. They’ve also posted some test video they shot during the July 4 long weekend.</p>
<p>From LensRentals.com:</p>
<blockquote><p>One last note regarding the focus abilities.  I don’t feel like the focusing speed matches the shooting style that this camera would work best for.  With its small form factor, fixed lens, decent dynamic range, and ISO performance, it would work really well as a “run ’n gun” style camera.    Some people need to travel light, get in, get the shot, and get out.  Everything about the focusing system in the XC10 seemed slow. Not inaccurate, just slow. <a href="http://www.lensrentals.com/blog/2015/07/first-impressions-of-the-canon-xc10" target="_blank">Read the full review…</a></p></blockquote>
<p><strong>Canon XC10 Camcorder $2499: <a href="http://www.bhphotovideo.com/c/product/1134581-REG/canon_0565c013_xc10.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x622194" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/caxc10.html?kbid=64393" target="_blank">Adorama</a></strong></p>

Review: Sigma 24-35mm f/2 DG HSM Art

HTML:
SLRGear has completed their review of the recently announced Sigma 24-35mm f/2 DG HSM Art series lens, the first f/2 zoom for full frame DSLRs. As we’ve seen from previous ART lens reviews, the optical performance appears to be terrific.</p>
<p>From SLRGear:</p>
<blockquote><p>We think Sigma has done it again! Sigma once again dares to be different and builds a unique lens not offered by the major manufacturers. In what is essentially a range of fast prime lenses built into a single zoom lens, the new Sigma 24-35mm is stunning with super-sharp images, even when shot wide open. <a href="http://slrgear.com/reviews/showproduct.php?product=1804" target="_blank">Read the full review</a></p></blockquote>
<p>This lens is not yet available for preorder from the major retailers.</p>

May 2015 CIPA Data

CIPA shipment data for May 2015 looks pretty much like a repeat of last year's cycle... only lower.

Here is the graph: http://www.cipa.jp/stats/documents/e/dw-201505_e.pdf

For those who want the data: http://www.cipa.jp/stats/documents/e/d-201505_e.pdf

Mirrorless is very strong in Japan representing 42% of all interchangeable lens camera shipments. Meanwhile, mirrorless is only 16% of ILC shipments to the Americas.

Thieves Targeting Camera Gear at Pan Am Games Venues

HTML:
It appears camera gear continues to be a target for thieves. The Pan Am games opened this past weekend in Toronto, Ontario, Canada and there have already been 4 reports of stolen gear.</p>
<p>If you’re out shooting any of the events around Ontario, take extra care with your gear.</p>
<p>From CP24:</p>
<blockquote><p>Police services from across the GTA are investigating a spate of thefts of expensive camera equipment from professional photographers here to document the 2015 Pan Am Games.</p>
<p>Since the Games began on July 10, photographers have had cameras or lenses go missing in four separate instances, according to a memo sent out to media outlets on Monday.</p>
<p>Towards the end of the Games’ opening ceremony on Friday, photographer Gary Hershorn was sitting in an aisle seat in section 117 of the Rogers Centre, a designated photo position, packing up his things.</p>
<p><a href="http://www.cp24.com/news/thieves-targeting-camera-gear-at-pan-am-games-venues-1.2467332" target="_blank">Read the complete story</a></p></blockquote>
<p>image credit // <a href="http://www.dpreview.com/forums/post/54588707" target="_blank">DPReview</a> / <a class="profileLink" href="http://www.dpreview.com/members/8209386103">Joe Ogiba</a></p>

5dsr Dual Card Slot Potential Issue

I have a question to those that own a 5ds or 5dsr. I took the early plunge and purchased a 5dsr and have a question to other lucky-? owners.

I recently took it on a photography trip around Colorado. During that time I attempted to utilize the dual card slots with simultaneous writing. In the past with my 7DII I always did a sequential setup that always worked well. However, I found that during this trip the cards would lock up and sometimes become unreadable. The first time it happened with a brand new SanDisk CF card and SD pair. The camera wouldn’t do anything until I ejected the CF Card, even though the camera initially reported Card 2 as having the problem.

This particular behavior didn’t occur again and I thought I might have just received a lemon of a CF card. However, when I got back to the hotel to download my images I found several cards had reading issues and many images were not able to be downloaded.

About 3 days into my trip I decided to turn to SD cards only and go with that. After that everything was fine.

Anyone having a similar experience?

Thank you.

5Dsr MP-E 65 z-stacking experiments.

I've been playing around with the new 5D sr to see how it behaves in the macro area. I shot some small orchid flowers, total height 2 mm each, with MPE 65 mm at 1:1, 2:1, 3:1, 4:1, 5:1 and with TC 1.4xIII at 7:1. Each set at f/2.8 and f/4: all open for maximum resolution (here meant as the traditional separating two points in object), and 1 stop down for possible aberration correction and overall improved IQ. Between 60 and 175 frames were shot per set-up. Flashed manually with MT-24Ex at around 1/64-1/32 power, so very short exposure times. Flash heads mounted off lens to ensure consistent illumination angles. Stacking done on Cogynsis Stackshot with steps down to 19 µm. Stacking steps calculated as 70% of DoF with c = 0.03 mm in 8 x 10" print.

Processing on 6 core MacPro soup can with 32 GB RAM. Mac OS Yosemite does not reliably display thumbnails of CR2 file icons in finder. No idea why. RAW files were run through DxO (latest download). In previous DxO you could double click one image in directory, and all images in that directory would load, but this leads to many errors and hang-ups with 5Ds files and latest DxO version. Drag-drop images into the DxO interface is 100% reliable. It takes time to process >100 files, but can be done on MacPro. Activity monitor had all processors going full throttle for several minutes, with quite a bit of heat coming out of the vent. I would not advise doing that on a laptop.

In previous tests with 5D2 files, RAW file processing was quicker in DxO than in PS CS5.5 extended with batch processing.

Stacking in Zerene with 300 MB 16 bit .tif files was flawless. For me the P-max algorithm works best.

With the huge file sizes and small pixels, the question arises at what magnification is nothing gained anymore in terms of better information? This point is reached at 4:1, where f/2.8 becomes effective f-stop f/14. This is a bit higher than what diffraction limited calculations arrive at (f/6.7–11, in most discussions). f/4 resulted in slightly softer images.
Comparing 5D2 images of same plant to the 5D sr, 5D2 still gains information at 5:1 (did not try 7:1), but still on fewer pixels. With 5D sr you can take a larger field of view at 4:1, print larger, and crop heavier, and get same information, mostly as expected.

Attached is a 4:1 f/2.8 image, 111 image stack: full image height down sampled to 1000 pixels, cropped some of the black side areas out. Again, flowers are 2 mm high, the bubbles are individual cells, about 20–40 µm in diameter, resolution limit seems to be at around 10 µm, which is about right for anything short of epi objective lenses on compound microscope. On dedicated stereomicroscope you can get down to around 4–6 µm (1.22 lamda/NA).

Enjoy!

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Are the 7D2 and 6D selling well?

Just looking at the sales price trend of the 5D3, 7D2 and 6D, I have to wonder if the 6D or 7D2 should be considered relative disappointments to the 5D3.

For a host of reasons, Canon was pretty ruthless with the price of the 5D3 -- holding a very hard line with authorized resellers for nearly 3 years. But the 6D has seen a steady price drop since it's release, and the 7D2 just took a 15-20% price cut within it's first year.

Should we interpret that as Canon was too unreasonable with their initial pricing, or is there a competitive product that is outperforming it (sales-wise)? Or perhaps the market as a whole is down and Canon is chasing it by discounting those products?

Just curious.

- A

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Review: Canon EF 50mm f/1.8 STM via TDP

HTML:
Bryan at The-Digital-Picture has completed his review of the inexpensive and overachieving EF 50mm f/1.8 STM.</p>
<p>From The-Digital-Picture:</p>
<blockquote><p>It is easy to love a lens with perfect optical quality, best-available AF and first-class build quality. Start dropping any of those attributes and size, weight and price concessions are expected with the amount of the price concession being the all-important factor for many. In this case, the price concession is very substantial, easily making the 50 STM Canon’s lowest priced lens. This ultra-low price, combined with an extremely light weight (only Canon’s pancake lenses and the 50mm f/1.8 II are lighter), very small size (only Canon’s pancake lenses are shorter) and impressive stopped down image sharpness, immediately (and unsurprisingly) launched the Canon EF 50mm f/1.8 STM Lens to the pinnacle of Canon’s best seller list. <a href="http://www.the-digital-picture.com/Reviews/Canon-EF-50mm-f-1.8-STM-Lens.aspx" target="_blank">Read the full review</a></p></blockquote>
<p><strong>Canon EF 50mm f/1.8 STM $125: <a href="http://www.bhphotovideo.com/c/product/1143786-REG/canon_0570c002_ef_50mm_f_1_8_stm.html/BI/2466/KBID/3296/kwid/dustin" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/CA5018STM.html?kbid=64393" target="_blank">Adorama</a> | <a href="http://amzn.to/1G4pXQv" target="_blank">Amazon</a></strong></p>

Patent: Canon Hexa Pixel CMOS AF

HTML:
A patent showing advancements in CMOS based autofocus from Canon has appeared. This patent seems to address an advanced pixel based contrast and phase AF, and even using the two together for focus adjustment. This could also be an advancement to Dual Pixel AF that Canon currently uses in various cameras across their lineup.</p>
<p>Patent Publication No. 2015-121778 (Google Translated)</p>
<ul>
<li>Published 2015.7.2</li>
<li>Filing date 2013.11.21</li>
</ul>
<p>Canon patents</p>
<ul>
<li>Image plane phase difference AF using 16 sub-pixels</li>
<li>Light field contrast AF that uses a</li>
<li>It does focus adjustment (Microadjustment) from the difference between the image plane phase difference AF and contrast AF</li>
</ul>

Canon Demonstrates Industry-Leading 4K ‘Glass-to-Glass’ Workflow at IBC2015

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<strong>LONDON, 13 July 2015</strong> – Canon Europe will be demonstrating its end-to-end professional 4K workflow at IBC2015, the leading global tradeshow for media and broadcast professionals in Amsterdam, Netherlands. Canon, having exhibited at IBC for more than three decades, will showcase its first-class 4K range in its entirety for the first time in Europe – with 4K lenses, sensors and reference displays, all on show to demonstrate the company’s advanced glass-to-glass 4K workflow.</p>
<p>The Canon stand will include dedicated areas for live capture, providing visitors with the opportunity to get hands on with Canon’s 4K and Full HD product range through a series of shooting scenarios, review and editing processes. A variety of live demonstrations including cinema shooting and documentary shooting will also be available to visitors,</p>
<p>Canon’s Cinema EOS range has transformed the professional video industry since its introduction in 2011, with leading sensor technology, lens heritage and innovative product updates. In April 2015, the range expanded with the introduction of the next generation of 4K imaging devices, including the EOS C300 Mark II, a 4K video camera, and the DP-V2410, a lightweight and robust 24” 4K reference display. Both will be on display in Europe for the first time at IBC.</p>
<p><!--more--></p>
<p>“As the industry realises the benefits of 4K within a professional workflow, Canon has been developing our product range to meet the needs of our professional imaging customers,” said Kieran Magee, Marketing Director, Canon Europe. “Canon recognises that demand for higher quality production is going to grow. This year at IBC Canon will be displaying the full set of tools needed for this next step forward in versatile 4K content production.”</p>
<p>At the show, broadcast and cinematography professionals will be able to get hands-on with Canon’s full range of 4K and Full HD products including the recently launched XC10 and the EOS C300 Mark II cameras, as well as having the opportunity to experience the full power of its optics portfolio. Industry professionals will also be able to experience the full power of the company’s optics portfolio with the opportunity to touch and try Canon’s extensive range of lenses, from broadcast to cinema and EF lenses.</p>
<p>Canon’s IBC stand can be found at Hall 11, stand E50.</p>
<p>For more information regarding Canon’s professional products and services please visit, <a href="http://cpn.canon-europe.com" target="_blank">http://cpn.canon-europe.com</a></p>

550EX vs Yongnuo YN600EX-RT

Hi All,
Used Canon 550ex is selling ~$125 on ebay which is roughly same for Yongnuo YN600EX-RT?

Can you please suggest which one should be better?

As 550ex is used the bulb life is reduced I think.

I use 600D with popup flash diffuser. Which is
1: Harsh for close range [better than no diffuser]
2: Very insufficient on outdoor
3: And 18-135 with hood casts shadow on ground at wider focal lengths.

My budget is ~$125.

LensTip review of the 50 f/1.8 STM

FYI on LensTip's review of the 5- f/1.8, which dropped yesterday:
http://www.lenstip.com/index.php?test=obiektywu&test_ob=444

For the sharpness nuts, here you go:

Old: http://www.lenstip.com/424.4-Lens_review-Canon_EF_50_mm_f_1.8_II_Image_resolution.html

New: http://www.lenstip.com/444.4-Lens_review-Canon_EF_50_mm_f_1.8_STM_Image_resolution.html

I toyed with making an animated gif of the two charts for a quick reference, but just toggling back and forth between two browser tabs should do you.

Looks like center sharpness is unchanged through the aperture range, but corner sharpness gets a nice bump through most of the business end (f/1.8 - f/8) of this lens. Nice work, Canon.

- A

Some EOS 5D Mark IV Information [CR1]

HTML:
A report over at Northlight mentions testing of the EOS 5D Mark IV.</p>
<blockquote><p>There is still a mix between 18 and 24MP. 24MP is the likely final outcome, with the lower MP sensor testing AF speed and buffer management issues (less than 8FPS is the likely shooting speed).</p></blockquote>
<p>We’ve heard recently that the camera is coming in 2016, with shipping of the C300 Mark II and EOS-1D X Mark II to happen before the EOS 5D Mark IV. There’s a lot of R&D dollars going into the 5D4 project, with the hopes of launching a product that is perceived to be a big jump in features and performance over the more-than-capable EOS 5D Mark III.</p>

Some 5DIV talk over at NL

"A report (thanks) of 5D4 testing, where there is still a mix between 18 and 24MP. 24MP is the likely final outcome, with the lower MP sensor testing AF speed and buffer management issues (less than 8FPS is the likely shooting speed)"
Keith's point to that: If this is so, then it suggest that the 5D4 launch is still some way off?


http://www.northlight-images.co.uk/cameras/Canon_5d4.html

Some Talk About the Canon EOS-1D X Mark II [CR2]

HTML:
There hasn’t been a lot of chatter about the EOS-1D X Mark II, which tells us the camera probably isn’t what’s coming on the <a href="http://www.canonrumors.com/2015/07/canon-announcements-coming-august-14-2015/">rumored DSLR announcement on August 14, 2015</a>. If it is, I definitely expect to see some teasers from Canon in the coming week or so. For now, we’re betting on some kind of an SL1 replacement if the announcement date rumor is true.</p>
<p>We’re told that the all new autofocus system in the EOS-1D X Mark II will have considerably more AF points than the 61 in the current camera. Most of the points will be crosstype, though the exact AF point number wasn’t known. The viewfinder will also feature some new technology to “handle all the additional points”. It’s also likely we’ll see the return of the solid red AF point when in AI Servo mode.</p>
<p>We’re also told that there are test cameras with OLED displays, but whether or not that makes it to a production camera is unknown. We also don’t know if the OLED test screens are for the top display, or main LCD, or both.</p>
<p>Ergonomics aren’t going to change all that much, but there will be “further button customization options”.</p>

Go big, go REALLY BIG. LARGE FORMAT DIGITAL CAMERA - LargeSense

Move over, medium-format, there's a new back comin' to town!
Packin' 12 million big, fat, 75-micron pixels on a 9 x 11 INCH sensor and a base ISO of 2100.

I wasn't super-thrilled with my P1 test experience, altho very good gear, better bang/buck from the pentax kit, IMO. I've been thinking about REAL large format digital for a while, apparently someone else has been thinking about it hard enough to make it happen.

MF is not all that much bigger than typical 35mm format, kinda like comparing FF vs APSC crop body. There's a noticeable difference sometimes, but it's not huge.

These large sensor backs from http://largesense.com/ are in a completely different league.
The camera's still in the prototype stage, nearing production from what I've learned and a 5x5 inch version is also planned in various versions.

http://largesense.com/products/4x5-large-format-digital-back-ls55/

here's a direct link to the info page for the 9x11:

http://largesense.com/products/8x10-large-format-digital-back-ls911/

I won't disclose other technical info at this time as parameters are subject to change. Suffice it to say, this could be an extremely capable and impressive camera in many respects, providing a type of image you just can't do with present digital imaging systems.
It looks like it's going to be a lot of fun to work with.

Canon EF 16-35mm f/4.0 IS L vs f/2.8 Mkiii?

Hi everyone :)

I'm definitely picking up a full frame body soon but I am struggling to work out which wide angle zoom to buy.

I was having a hard look at the 11-24mm but felt that the price, the f/4.0 aperture and my ability to use the 11mm range effectively puts it out of the running for me.

I am very interested in the 16-35mm mkii though as I am very impressed with the sharpness across the frame, as well as the punchy contrast.

I will be using this 99.9% of the time for landscapes and star trails on tripod but I do have a concern about the largest aperture of f/4.0. All my experience with star trails says 'go to f/2.8' and I'm unsure if f/4.0 will be unsuitable for star trails.

Canon Rumors made mention of a possible 16-35mm f/2.8 L mkiii and if this lens offers the same IQ as the f/4.0, I'll jump on it in a flash.

As you guys can see, I'm aiming for a lens that doesn't exist, worried about the aperture of the f/4.0 version and dismissive of the 11-24. Anybody willing to offer me some good advise or experiences of their own that may help me make up my mind please?

T.I.A.

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