<strong>Press release:

</strong>Traditionally, neutral-density graduated filters have been available exclusively in hard and soft versions. However, because all neutral-density grads in the LEE Filters range are made by hand, it is possible to be extremely precise with the depth of the transition between the coated and clear sections of the filter. As a result, LEE Filters has the capabilities to manufacture ND grads in medium and very hard versions. In the past, these were available exclusively as custom-made filters for professional photographers. Now, however, they have been made available to all those who use the Seven5, 100mm and SW150 systems.</p>
<p>The medium and very hard grads not only expand a photographer’s creative options, they also allow for even more exact control when balancing lighter and darker areas of the frame. The very hard grad (available for the 100mm & SW150 systems) is perfect for seascapes that feature a completely flat horizon line, while the medium grad (available for the Seven5, 100mm and SW150 systems) is that perfect ‘in-between’ strength that is ideal for any scene in which an element of the composition – a mountain or a building, for example – protrudes into the sky.</p>
<p>Both ND grads are available in 0.3ND (1 stop), 0.45ND (1½ stops), 0.6ND (2 stops), 0.75ND (2½ stops), 0.9ND (3 stops) and 1.2ND (4 stops) strengths.</p>
<p>For further information, contact LEE Filters on 01264 366245; <a href="mailto:[email protected]" target="_blank">[email protected]</a>; <a href="http://www.leefilters.com" target="_blank">www.leefilters.com</a></p>
<span id="pty_trigger"></span>

A patent showing how Canon could improve image stabilization in the future has appeared. It looks like Canon is trying to add a second image stabilization group to lens construction to improve its performance.</p>
<p>Patent Publication No. 2015-203862 (Google Translated)</p>
<ul>
<li>Published 2015.11.16</li>
<li>Filing date 2014.4.16</li>
<li>Equipped with two vibration proof group</li>
<li>Shake detection, determine the amount of correction from the shooting information</li>
<li>Obtaining correction amounts of the two vibration proof group from the magnification ratio and the distance information of the lens</li>
</ul>
<p>Going by the translation, it looks like the second image stabilization group would activate depending on magnification ratio and distance information read by the camera. I would assume this would be of great benefit to longer zoom lenses and super telephoto lenses.</p>
<span id="pty_trigger"></span>

The Canon Cinema EOS C100 Mark II body and kits now have an instant savings of $1000 from B&H Photo.</p>
<p class="fs16 OpenSans-600-normal upper product-highlights-header">PRODUCT HIGHLIGHTS</p>
<ul class="top-section-list" data-selenium="highlightList">
<li class="top-section-list-item">Super 35mm 8.3MP CMOS Sensor + EF Mount</li>
<li class="top-section-list-item">1920x1080p 59.94/50/29.97/25/23.98</li>
<li class="top-section-list-item">Built-In Dual Pixel CMOS AF Hardware</li>
<li class="top-section-list-item">AVCHD + MP4 Recording</li>
<li class="top-section-list-item">Dual SDHC/SDXC Media Card Slots</li>
<li class="top-section-list-item">HDMI Output with Timecode & Canon Log</li>
<li class="top-section-list-item">ISO 320 to 102,400</li>
<li class="top-section-list-item">Canon Log and Wide DR Gamma</li>
<li class="top-section-list-item">Two XLR Audio Connectors</li>
<li class="top-section-list-item">Built-In 2.4 GHz & 5 GHz WiFi Capability</li>
</ul>
<p><strong><a href="http://www.bhphotovideo.com/c/search/atclk/Ntt/canon+eos+c100+mark+ii/N/0/InitialSearch/yes/sts/ma/Top+Nav-Search/BI/2466/KBID/3296/DFF/d10-v1-t14" target="_blank">Canon EOS C100 Mark II Starting at $4499</a> </strong>(Reg $5499)</p>
<span id="pty_trigger"></span>

We’ve been trying to get more information on lenses coming in 2016 and things are been relatively hard to come by. We’re now being told that the non-L 200-600 super zoom <a href="http://www.canonrumors.com/canon-to-release-super-telephoto-zoom-in-2016-cr2/" target="_blank">we’ve been talking about</a> is likely an early 2017 lens and will not be announced for Photokina in September as originally planned.</p>
<p>The only new L lens that we can confirm is coming is a replacement to the EF 16-35mm f/2.8L II, which is a lens we’ve been told is “done” and will be announced some time this year. We were also told that the EF-S lineup would get some attention this year, and that the 10-22 f/3.5-4.5 and 17-55 f/2.8 will see updates and a lower price tag, though we can’t confirm this from good sources.</p>
<p>We’re also told there are multiple Canon lenses that will get “direct replacements”, and a few would “surprise you”. Though we haven’t been able to publish what those lenses would be.</p>
<p>More to come…</p>
<span id="pty_trigger"></span>

<strong>75 years at the forefront of imagery, Hasselblad continues to innovate</strong></p>
<div class="page" title="Page 1">
<div class="layoutArea">
<div class="column">
<p>Hasselblad began its journey when founder, Victor Hasselblad, refused to simply copy an aerial surveillance camera at the request of the Swedish government who asked him if he had the skills to produce a camera identical to one that had been captured. He famously said: ‘No, but I can make a better one’. The camera maker has once again, followed Victor’s philosophy and applied it to the award winning H medium format camera – launching the all new H6D.</p>
<p>Rather than an improvement on the existing medium format H Cameras, the H6D range has been completely rebuilt with new technical components and an all new electronic platform. The pioneering range retains the modularity appreciated by medium format enthusiasts along with iconic design elements and Swedish handmade quality for which Hasselblad is renowned.</p>
<p><strong>The H6D range introduces the H6D-100c with CMOS sensor, a 100MP option and the H6D-50c with a 50MP CMOS sensor.</strong> A wider range of shutter speeds from 60 minutes to 1/2000th of a second, increased ISO range and a faster shooting rate along with USB 3.0 Type-C connector that delivers exceptionally fast file transfer. The H lens range is fully compatible and, with the choice of a faster shutter speed, can be further leveraged than with previous ranges.</p>
<p>The H6D-100c brings 4K video capability to medium format. The high-definition rear touchscreen LCD delivers a pin sharp live view experience and Wi-Fi as standard, a HDMI connector, for external monitor connectivity, completes the tool set.</p>
<p>Built-in dual card slots allow enhanced media capability; a CFast slot allows for high-speed capture and an SD card slot enables maximum compatibility. The all new platform is capable of handling the largest file throughput with speed and ease using optimised algorithms for matchless quality les.</p>
<p>Hasselblad’s image processing software, Phocus, has been enhanced with the new 3.0 version delivering additional features that allow you to apply local adjustments in the image and a new graphical interface that improves work flow and user experience.</p>
<p><strong>Commenting on the launch Perry Oosting, Hasselblad CEO noted:</strong><em> “The launch of the H6D range is the beginning of a year of celebration for Hasselblad. It’s fitting that we have returned to our pinnacle medium format camera to showcase the innovation and passion that have been present in every one of our first 75 years. Our obsessive approach to optical quality and precision hand building in Sweden is at the heart of this camera.</em></p>
<p><em>We have retained the best and introduced the most relevant – delivering a medium format camera which we believe the Hasselblad user will fall in love with all over again.”</em></p>
<div class="page" title="Page 2">
<div class="layoutArea">
<div class="column">
<p><strong>Notes to Editors:</strong></p>
<p>For additional information, please see the Data Sheets.</p>
</div>
<div class="column">
<p>For a list of dealers/distributors visit <a href="http://www.hasselblad.com/h6d">www.hasselblad.com/h6d</a></p>
</div>
</div>
<div class="layoutArea">
<div class="column">
<p>The Hasselblad H6D-50c is priced at EUR 22900 (ex VAT). The H6D-100c is priced at EUR 28900 (ex VAT).</p>
</div>
</div>
</div>
</div>
</div>
</div>
<span id="pty_trigger"></span>

<em>Live Speaker Sessions, Extensive Lens Exhibits and 8K Imaging Display are Just Some of the Highlights in the Canon Booth</em></p>
<p><strong>MELVILLE, N.Y., April 6, 2016 </strong>– At the 2016 NAB Show in Las Vegas, Canon U.S.A., Inc., a leader in digital imaging solutions, will showcase its full line of professional 4K and high-definition imaging equipment for motion picture, television production, video content creation, and still photography at booth C4325. Additionally, there will be presentations and panel discussions throughout the show featuring Canon Explorers of Light, ASC members, and other emerging voices in imaging culture. A unique, immersive event, 8K Ride Experience showcases Canon’s innovation in current, emerging, and future technology by providing a simulated journey through a realistic, panoramic landscape powered by Canon 8K imaging technology. Visitors will also have hands-on opportunities with the full range of Canon Cinema cameras, 4K reference displays, HD Video and DSLR cameras, including the recently announced EOS-1D X Mark II and EOS 80D DSLR Cameras. On the lens side, users can see the latest in Canon Cinema, Broadcast, and EF lenses. In addition, on display will be Canon’s line of high- resolution Projectors, including a 4K HDR Projector and its first laser model, the LX-MU800Z.</p>
<p>“The NAB show is Canon’s opportunity to show our valued customers and the industry our latest technology as well as the multitude of ways that Canon digital imaging solutions can help them achieve their vision,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “NAB is an amazing show for us to connect with professionals in all aspects of video creation, editing, and distribution.”</p>
<p><!--more--></p>
<p><b>A Beautiful Planet</b>

Cinematographer James Neihouse, ASC will be presenting alongside Marsha Ivins, a former American astronaut and veteran of five space shuttle missions, about the making of the IMAX® movie <i>A Beautiful Planet</i>. The film, premiering in April, was largely shot aboard the International Space Station using Canon EOS C500 and EOS-1D C Cinema Cameras in 4K. Neihouse has worked on more than 30 IMAX® films including <i>Space Station 3-D</i> and <i>Hubble 3-D.</i> He has also trained more than 25 shuttle and space-station crews on the intricacies of large-format filmmaking.  Ivins consulted on <i>A Beautiful Planet </i>drawing on her many years of experience with filming in space during her tenure with NASA.</p>
<p><b>8K Technology </b>

Canon will be bringing its 8K Ride Experience to NAB as well. First introduced at the Canon Expo this past September in New York, The 8K Ride Experience projects video on large screens surrounding viewers to give them a unique sense of movement while sitting or standing still. By experiencing such high resolution imagery from all angles, the technology can simulate a physical journey often sparking a physical and emotional reaction. Additionally, Canon will be showcasing working prototype 8K cameras and lenses, with the stunning imagery shown on Canon 8K displays. Also on display will be a prototype 4K Projector capable of covering up to 100 percent of the DCI color space.</p>
<p><b>Canon Professional Services</b>

Canon’s Professional Services (CPS) will again be hosting the Canon Hospitality Suite, in Room C201. The Canon Hospitality Suite is open to all NAB tradeshow attendees with priority support for CPS Gold, Platinum, Cinema, and Enterprise members.  Visitors to the suite, located just off of the tradeshow floor, can experience Canon’s commitment to service and support for the professional imaging community.</p>
<p>Visit Canon at the 2016 NAB show at Booth C4325 in the Central Hall to see first-hand the latest products, hear from the Explorers of Light and the enjoy the 8K Ride Experience. For more information on the booth and an up-to-date schedule of the speaker schedule, please visit<a href="http://www.usa.canon.com/NAB2016" target="_self"> www.usa.canon.com/NAB2016</a>. Follow Canon throughout the show on Instagram at <a href="https://www.instagram.com/canonusa/" target="_blank">@CanonUSA</a> and Twitter at <a href="https://twitter.com/CanonUSApro" target="_blank">@CanonUSApro</a>.</p>
<span id="pty_trigger"></span>

We’re getting new information about the EOS 5D Mark IV quite slowly, but a lot of it I believe to be reliable.</p>
<p>The latest is about how the camera is going to launch. We’ve confirmed that the EOS 5D Mark IV will be announced in late August/early September in time for Photokina, which begins on September 20, 2016 and runs through to September 25, 2016. The ship date for the camera should quickly follow if everything goes to plan. This sort of launch would mimic the way the EOS 5D Mark III was launched and released. We think there’s a good chance you’re going to have the EOS 5D Mark IV in your hands some time in October, 2016, if not sooner.</p>
<p>If you’re interested in the camera, start saving your pennies. We expect a launch price of about $3500 USD, which is identical to the EOS 5D Mark III at launch.</p>
<p>The only reliable specifications we’ve been told is that camera will shoot 4K, have built-in wifi and GPS and have some touchscreen functionality. A less reliable source has told us the camera will shoot to CFast, just like the EOS-1D X Mark II. We’re sure the camera will have dual slots, but we don’t know how the media will be configured.</p>
<p>We expect a lot of chatter around NAB this month in Las Vegas.</p>
<span id="pty_trigger"></span>