Patent: Sigma 30-300mm f/2.8-3.5 for Super 35 Sensors

HTML:
Is Sigma looking to get into cinema lenses? A <a href="http://egami.blog.so-net.ne.jp/2016-01-20" target="_blank">patent showing an optical formula for a 30-300mm f/2.8-3.5</a> has appeared. The lens is for Super 35 sized sensors, the kind that are found in Canon Cinema EOS cameras. NAB is coming up in April and that would likely be the show that Sigma would announce such a lens for.</p>
<p>Patent Publication No. 2016-9122 (Google Translated)</p>
<ul>
<li>Published 2016.1.18</li>
<li>Filing date 2014.6.25</li>
<li>Zoom ratio 10.00</li>
<li>Wide-angle intermediate telephoto</li>
<li>Focal length 30.00 90.13 300.13</li>
<li>F-number 2.83 2.83 3.53</li>
<li>Total angle of view 2ω 56.98 18.72 5.71</li>
<li>The image height Y 15.55</li>
<li>Overall length of the lens 409.00</li>
</ul>
<p>Sigma has been aggressive to get into the prosumer space over the last few years, and adding cinema lenses to their portfolio is probably the next logical step.</p>
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Leica Announces the Leica X-U Rugged Camera

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<strong>Wetzlar, 20 January 2016.</strong> Leica Camera AG expands its range of cameras with the first ruggedised model conceived especially for outdoor use – the Leica X-U. With a fast Leica Summilux 23 mm f/1.7 ASPH. lens (equivalent to 35 millimetres in 35-mm format) with an underwater protection filter and large APS-C format CMOS sensor, the latest, fully-waterproofed member of the Leica X family guarantees pictures with exceptional brightness and clarity under even the harshest conditions. It even enables breathtaking underwater moments to be captured in perfect detail at depths of up to 15 metres. Extreme ruggedness and easy handling make the shock-resistant, winterised, dust-sealed, and shatter proof Leica X-U the ideal companion for every outdoor tour or expedition – for action and underwater adventures, for travel, architecture and landscape photography or videos in full HD quality.</p>

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<p>Optimum picture quality with the Leica X-U is guaranteed by the familiar, cutting-edge technology of the cameras of the Leica X family. In combination with the professional APS-C format CMOS sensor with over 16.5 megapixels (effective 16.2 MP), its Leica Summilux 23 mm f/1.7 ASPH. premium lens ensures natural colour reproduction and maximum detail resolution, even at its closest focusing distance of 20 centimetres. Its fast maximum aperture of f/1.7 also offers the freedom to explore the particularly fascinating creative possibilities of selective focusing. Thanks to its reliable resistance to stray light and flare, the Leica X-U is also the first choice for all indoor and outdoor lighting conditions – at any time of day or night and in any situation.</p>
<p><!--more--></p>
<p>The stylish and minimized design of the Leica X-U – made in Germany – is the work of Audi Design. The camera is not only an absolute eye-catcher, it also ensures concentration only on things that really count: easy and intuitive handling and ultimate precision. With a top plate made from premium aluminium and high-grip TPE armouring, the body guarantees not only an exceptional haptic experience and impressive durability, but also water resistance to a depth of up to 15 metres. With control dials in anodised aluminium and an integrated flash above the lens, the Leica X-U is a perfect example of exceptional quality and attention to details. Its non-slip body, an especially hardened protective cover for the monitor screen, and a failsafe double locking system for the battery compartment and memory card slot ensure that photographers can concentrate fully on their subject with no worries at all.</p>
<p>The minimized and intuitive handling concept of the Leica X-U provides the most important tools for the essence of creative freedom – intensely focused and without superfluous extras. Thanks to its easy-to-use, Leica-typical dial controls, aperture and shutter speed can be set individually in seconds for every picture. The practical underwater snapshot button makes it ready for capturing the wonders of the underwater world at the press of a button – without having to search through a menu. Thanks to a wide range of practical automatic functions and a high-resolution, 3-inch monitor screen, it takes only seconds to find precisely the settings needed to avoid missing the decisive moment.</p>
<p>As a single photo is sometimes not enough to capture the dynamic character of a scene in the most moving moments of life, the full HD video function of the Leica X-U makes it easy to capture moving pictures in cinema quality and preserve the moving moments of journeys and adventures for eternity. The camera records video in a choice of 1920 x 1080 or 1280 x 720 pixel resolution at 30 full frames per second in MP4 video format. No matter whether recordings are intended for professional movie productions or as home movies to share with friends, the Leica X-U always delivers high-quality results that perfectly capture the mood.</p>
<p><strong>The Leica X-U (Typ 113) is on sale now: <a href="http://www.bhphotovideo.com/c/product/1219331-REG/leica_18435_x_u_typ_113_digital.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/ILCXU.html?KBID=64393" target="_blank">Adorama</a></strong></p>
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Canon Ranks Among Top Three U.S. Patent Holders For 2015

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<em>Company Reaches New Annual Record With More Than 4,100 Patents Granted</em></p>
<p><b>MELVILLE, N.Y.</b> — Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to announce that its parent company, Canon Inc., has yet again, ranked third for U.S. patent holders in 2015. According to patent results issued by <a href="http://www.ificlaims.com/index.php?page=misc_top_50_2014" target="_blank">IFI CLAIMS Patent Services</a>, Canon was granted a total of 4,134 patents in 2015, a new record annual high for the Company. This is the 30<sup>th</sup> consecutive year that Canon Inc., has been ranked among the top five U.S. patent holders and for the 11<sup>th</sup> consecutive year, ranked first among Japanese companies for the number of U.S. patents granted.</p>
<p><!--more--></p>
<p>“Research and development play a vital role to the innovation and growth of our company. As a top leader in patents year after year, we continue to provide advanced technologies and solutions to our customers and are able to strengthen our position in new markets,” said Seymour Liebman, executive vice president, chief administrative officer and general counsel, Canon U.S.A., Inc.</p>
<p>Canon puts great emphasis on providing technology that is ever-changing. Through close cooperation between Canon’s technology and intellectual property divisions, the Company aims to improve its technological capabilities while further enhancing its intellectual property rights.</p>
<p>For more information on Canon and its products, please visit <a href="http://www.usa.canon.com/" target="_self"><strong>www.usa.canon.com</strong></a>.</p>
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Amalfi, Italy B&W 'Street' Photographs

Last year I stayed for three days in the town of Amalfi near Naples. Here are some of my B&W street photos.

Cameras used was a EosM3 ( 22mm & 18-55mm ) - for most of the photos - plus a Eos6D (s 40mm & 70-300L )

The rest of my portfolio of 35x B&W street photographs can be seen here:

http://thelazytravelphotographer.blogspot.co.za/2016/01/amalfi-b-street-photography.html

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600 EX-RT Evaluative vs Average E-TTL

I rarely get what I'd call good exposures with my 600 EX-RT speedlights. It's generally underexposure. Maybe it's a settings thing. Evaluative vs Average E-TTL? Who uses which, and why?

At indoor events my default EC +2/3 stop, high iso 800-1600 and largish aperture f/3.5-f/5, 5D MkIII & 7D MkII, bounce if there are low white ceilings or on-flash mods like Joe Demb, or less often Gary Fong or Stofen

It's annoying.

Thanks!

-pw

300mm f2.8 IS USM - first version

Canon discontinued 200mm f1.8 IS USM when it was 14 or 15 years of age - which means you can "no longer fix it" (or even without the quotes?).

I have a great opportunity of purchasing a mint condition 300mm f2.8 IS USM for a ridiculous low price from a guy 100km away from me, but since this lens is 17 years old now, I have doubts - that Canon will announce in the near future they discontinued the Mark I 300mm L f2.8 IS USM.

I don't have the money to step up to the Mark II - I would if I could, but my question is: is it smart to invest in a such old lens? I'm also a bit concerned about the 2-stop IS, but the age is a bit more concerning.

Any thoughts on that?

Canon 6D video "hiccups"

I've noticed when taking longer videos with my 6D (greater than 5 minutes) that the recorded video stutters occasionally (audio stays fine) as if the write buffer is full or the bandwidth at that particular point in the video went too high.

I'm using a class 10 San Disk Pro 128gb memory card (although I've seen this on all the memory cards I've used) and I format it before each use and the card wasn't even 1/4 full.

Does anyone else see this? I usually see it with night videos (fireworks, shows) with lots of activity at the time so I'm leaning towards a buffer overflow issue but I'm wondering if it's not a problem specific to my camera.

"How to Get Her Number" Comedy - shot with the Tamron 45mm 1.8 VC

First off,
The Tamron 45 1.8 VC takes absolutely gorgeous shots - from color to the focus ring to the stabilisation, it is probably one of the best lenses for DSLR Cinematography! Much better than most of the lenses I've previously owned :)

That being said, the VC is decent but from time to time I still notice the jittery footage you would get from a lens without a stabilizer. Perhaps I had too much coffee that day!

Gear used: 5D Mark II, Tamron 45mm F1.8 VC (90% of the shots), Canon 24-105mm F4 IS, Firmcam, and a generic video monopod.
All the footage has been graded slightly, along with post-stabilization in some shots.

https://www.youtube.com/watch?v=ThKut-5D8PI

Enjoy!

swap 35 art for 35 f/1.4L II?

I have the 35ART from Sigma en I love the focal length and imge quality. However, there is two things which I don't like about this lens:

1) Focus at greater distance gives (much) softer images compared to close focus. I also have the Zeiss Otus 55 and 85 and in this aspect there is a substantial difference between the Zeiss lenses and the 35 art.

How much better is the Canon 35L II at greater focus distance compared to the 35 art?

2) With high contrast backgrounds, backfocus is a serious problem and I see it in a lot of my photos with light/colorful backgrounds. I use the lens on a 5D III and 7D II and I did the focal calibration with both camera's.

I know that the art lenses are known for there focussing issues. How consistent is the autofocus with the 35L II form Canon?

Input is appreciated ;D

Canon EOS M2 lots of chrominance noise, even at low ISO (100)

I recently picked up a Canon EOS M2 kit with 22mm and 18-55mm.
I had my first real play with it yesterday which was a playground with my kids. Shooting conditions were a mixture of harsh sun and dappled shade.

Upon importing the images into Aperture 3, I found that the 100% crops showed a lot of chrominance noise (shadows were obviously the worst, but I can still see if on the skin tones of my kids (pale white skin) which were in sun and hence fairly well exposed. I was shooting in RAW at 1/250 (f3.5 to 7.1) and ISO at auto.

ISO ranged from 100 to 1600. Even at ISO100 on a pretty well exposed image, I can see what I would think was a lot of chrominance noise. I am comparing the RAW images to that of my primary camera which is a Canon 40D.

Is what I am seeing typical of the 18 MP sensor? I recall a lot of people complaining about the 7D having a lot of low ISO noise. Does the EOS M2 have the same problem, and is it something I just have to repair in post if I want to?

Thank-you

Zeiss Milvus or Zeiss Classic Lens?

I am being offered new with 12 month warranty Zeiss 'Classic' EF lenses for a discounted price varying between 11-34% discount (post-tax price) vs US SRP (pre-tax price).

Are they worth getting in light of the Zeiss Milvus lenses being announced 6 months ago?

For the Otus lenses, I only get 3-12% discount (post-tax price).

The Zeiss lenses I am being offered converted to USD with tax.

Zeiss Classic

$2,174 - 15mm f/2.8
$1,062 - 18mm f/3.5
$1,451 - 21mm f/2.8
$1,115 - 25mm f/2.0
$0,954 - 28mm f/2.0
$1,451 - 35mm f/1.4
$0,828 - 35mm f/2.0
$0,582 - 50mm f/1.4
$0,972 - 85mm f/1.4
$1,518 - 135mm f/2.0
$0,954 - 50mm Makro
$1,455 - 100mm Makro

Zeiss Otus

$3,512 - 55mm f/1.4
$4,369 - 85mm f/1.4

Canon EOS-1D X Mark II Known Specifications

HTML:
<p>Below is what we think are some of the confirmed specifications for the upcoming Canon EOS-1D X Mark II.</p>
<p>Specifications:</p>
<ul>
<li><em>Resolution:</em> 22mp (we think something was lost in translation, we reported 22mp, effective is 20.2mp)</li>
<li><em>Media:</em> 1 CFast / 1 CompactFlash</li>
<li><em>LCD:</em> Some touchscreen functionality</li>
<li><em>Video:</em> 4K at 60fps (other video specifications unknown)</li>
<li><em>Feature:</em> GPS</li>
<li><em>Price:</em> $5999 USD (could fluctuate slightly)</li>
<li><em>Announcement:</em> First week of February 2016</li>
<li><em>Shipping:</em> April 2016</li>
</ul>
<p>Unconfirmed Specifications:</p>
<ul>
<li><em>Feature:</em> 4K RAW video mode for frame capture for stills.</li>
</ul>
<p>We have no solid confirmation of stills frame rate, processor type, battery type or LCD screen size. We do know that the Canon EOS-1D X Mark II will not feature built-in wifi.</p>
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Any chance of an 80D surprise?

Nikon released two bodies and that was unexpected. Any chance Canon does the same?

A few months back, there were some killer sales on 70D bodies with printer combos for like $650 from authorized dealers. That to me looks like inventory reduction. The 70D has been out a while, and being a consumer level camera, is most likely to see update than a pro camera. The Nikon D500 came out of the blue. I don't recall there being any rumors about it.

The 70D is still a very capable and relevant camera by today's standards, and being that Canon is kinda slow on updates and conservative in their view of new features, maybe it won't happen. Then again, with the Rebel being what it is, it could be squeezing the 70D....

The Rebel currently has a newer sensor, more MP and better IQ than the 70D. While it has very good live view AF, it isn't as good as the dual-pixel, but it's pretty good. It still lacks several enthusiast features, but those alone don't make up for being weaker on IQ than the entry-level DSLR.

Unless you need a specific feature that only the 70D has, for the money ...there's no reason to go with it.

Invites for February Canon Press Event Going Out [CR3]

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<p>We’ve been told by various people around the planet, that they’ve been invited to a Canon event the first week of February. Everyone is reporting the invite is vague in nature, but the only time Canon does these kind of invites is when they’re about to make a major announcement.</p>
<p>We can’t publish the exact dates or locations of the events, but they all fall in the first week of February.</p>
<p><em>More to come…</em></p>
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  • Poll Poll
1DX II Poll: Dual CF vs Dual CFast vs Mix

What do you ideally want to see in the 1DX II?

  • Dual CF

    Votes: 8 6.9%
  • Dual CFast

    Votes: 51 44.0%
  • One CFast and One CF

    Votes: 24 20.7%
  • Two different versions of 1DX II so buyers can choose between Dual CF and Dual CFast cameras

    Votes: 33 28.4%

With the CR3 rumour about Canon possibly putting one CFast slot together with one CF card slot in the new 1D X, I thought I would ask you, the potential buyers, what you would like to see in the new Canon flagship DSLR?

Personally, I would prefer two slots with the same card type CF or CFast, but not a mix.

We have to presume that if Canon puts CFast into the camera then there will be technological reasons for it, and the camera will be built to use those higher speeds in some way.

You have to vote to see the results.

Cheers.

Vacation, Gear, or both?

Howdy all. Looking for a nudge in the right direction on a gameplan for this year.

After a few years of doing contracting, I secured a full time job with good pay and vacation time. Immediate thought was to treat myself to new gear, but I have a great gear collection already so nothing is "needed"

Narrowed it down I think to a few ideas.
1. Get the 16-35 f/4 IS and a second radio flash. I have a wedding to shoot in a month so the flash might be bought regardless.
2. Never been on a vacation by myself, and have always wanted to see the national parks. Want to take a week exploring Yellowstone and whatever is in between. Don't buy anything and carry less gear.
3. Rent the 16-35, buy a light carbon fiber tripod, and do the vacation anyway.
4. Say screw it to all forms of budgeting, buy the tripod and lens, go on vacation and get great landscapes.

If someone has an even better idea i am also open.

Which TC for 500mm lens?

Hi!

I decided yesterday to buy the Canon 500mm 4 L IS II lens and placed my order.
I will like to buy an teleconverter too.
Should I buy the Original Canon 1.4x III, or the Sigma APO Telekonverter 1,4x EX DG? I got the information, the Sigma will be as good as the Canon.
I found an test (http://www.idealo.de/preisvergleich/CompareTestProducts/187545K26570.html), where this info seems to be right. Do you use the Sigma teleconverter?

Best wishes to all
Daniela

New Gear Resolutions 2016

Continuing the theem from last year's http://www.canonrumors.com/forum/index.php?topic=24541.0 from Mackguyver.

What are your new Gear Resolutions for 2016?


From the who is getting what list last year
tcmatthews said:
  • Get out to take pictures more often.
  • 16-35 f4L ? Sony FE16-35f4
  • New Mac Book Pro
  • New printer
  • FE 55f1.8
  • FE 90f2.8 macro
  • FE 35f1.4
  • Canon 5dIV or 6D II?
  • Used Canon 5dr/5ds?
  • 100-400L II
  • 2x TC III
  • 1.4x TC III

As you can see this was a multi year list. This years resolutions.

  • Get out and use my current gear more.
  • Travel more.
  • Figure out what I really want for a travel camera.
  • Decide on new full frame DSLR.
  • Decide on a new high MP camera
  • Get rid of anything of value that is currently not serving a purpose.
  • Sony FE 35f1.4
  • Canon 100-400L II
  • Replacement for M/Sony Nex6
  • Get EF-s 15-85 repaired.
  • Get 100L Macro cleaned.

Biggest surprises last year was getting a 7DII. It was a ridiculous price in the Canon refurb store and I could not resist. My A7II received a huge autofocus firmware update making my Canon lens actual autofocus on the camera. And after buying a 16-35 f4 L I came to the curious decision to just sell my 6D while I can get something for it. I now have a 7DII to use for wildlife. I finally upgraded my metabones III adapter to the metabones IV adapter. I was pleasantly surprised that my Tamron 28-75f2.8 now focuses on my Sony A7II.

The 6D, EOS M, and Nex6 are in a box being sent into Amazon for trade in.

Unless the Canon 5DIV knocks it out of the park I am waiting for the 6DII announcement before deciding on a new DSLR. I will compare it to the 5Dr and 5DIV before making up my mind. (I hope my early prediction that the 6DII will be released fall 2017 is wrong.)

I am really considering going m4/3 for a light travel camera. But that would mean three camera systems so the A6100 is more likely. This is especially true if it supports autofocus with DSLR lenses like the A7II and A7rII.

Edit: fixed URL

Fujifilm Considers Entering Medium Format Market

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In an interview with the <a href="http://www.bjp-online.com/2016/01/fuji-x-pro2-interview-takashi-ueno/" target="_blank">British Journal of Photography</a>, Fujifilm product manager Takashi Ueno admits the company is researching the viability of entering the medium format market.</p>
<blockquote><p>At the moment Fuji is not planning to launch a medium format camera, but we are conducting research and testing sensors in this area. We have a good history in the medium format market, and I think we would be successful again. We have the technology to make a very modern and high quality camera, but right now we are only investigating.</p></blockquote>
<p>The “affordable” medium format space is currently only represented by Pentax, but there has been rumors over the years that both Sony and Fujifilm could become players in the market. Sony already is by providing image sensors to the likes of Pentax.</p>
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GoPro to Layoff 7% of Workforce After Poor Holiday Sales

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<em>16% Annual Revenue Growth to $1.6 Billion for 2015</em></p>
<p><strong>SAN MATEO, Calif., Jan. 13, 2016</strong> /PRNewswire/ — GoPro, Inc. (NASDAQ: GPRO) today reported certain preliminary financial results for the fourth quarter and year ended December 31, 2015.</p>
<p>GoPro expects revenue to be approximately $435 million for the fourth quarter of 2015 and $1.6 billion for the calendar year. Fourth quarter revenue reflects lower than anticipated sales of its capture devices due to slower than expected sell through at retailers, particularly in the first half of the quarter. Fourth quarter revenue includes a $21 million reduction for price protection related charges resulting from the HERO4 Session repricing in December. Non-GAAP gross margin for the fourth quarter of 2015, excluding the impact of price protection and a charge of between $30 million and $35 million to cost of revenue for excess purchase order commitments, excess inventory, and obsolete tooling is anticipated to be between 44.5% and 45.5%. Non-GAAP gross margin for the fourth quarter of 2015 is anticipated to be between 34.5% and 35.5%. Non-GAAP operating expenses for the fourth quarter of 2015 are estimated to be between $150.0 million and $152.5 million.  Cash, cash equivalents and marketable securities at December 31, 2015 totaled approximately $475 million.</p>
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<p>These preliminary, unaudited results are based on management’s initial review of operations for the quarter and year ended December 31, 2015 and remain subject to the completion of the Company’s customary annual closing and review procedures. Final adjustments and other material developments may arise between the date of this press release and the dates GoPro announces fourth quarter 2015 results and the filing of the Company’s Annual Report on Form 10-K with the SEC.</p>
<p><strong>Zander Lurie Appointed to GoPro Board</strong>

Zander has resigned from his role as Senior Vice President of GoPro Entertainment and has been appointed to serve on GoPro’s board of directors. Mr. Lurie has deep experience working with Internet-based business models across digital and traditional media. At GoPro Entertainment, he built a team dedicated to pursuing new formats and revenue streams from user-generated content and the Company’s large cache of digital entertainment. Prior to GoPro, he served as an executive at CBS Corp. which he joined with the acquisition of CNET Networks where he served as CFO and head of Corporate Development. Mr. Lurie began his career in the technology investment banking group at J. P. Morgan where he led equity transactions and mergers and acquisitions in the Internet sector.</p>
<p><strong>Reallocation of Resources</strong>

Over the past two years, GoPro’s headcount has grown by more than 50% annually, to more than 1,500 employees at the end of 2015. To better align resources to key growth initiatives, GoPro has implemented a reduction in its workforce of approximately 7 percent. The Company estimates it will incur approximately $5 million to $10 million of restructuring expenses in the first quarter of 2016, substantially all of which will be severance costs.</p>
<p><strong>Fourth Quarter and Full Year 2015 Earnings Conference Call</strong>

GoPro will release its financial results for the fourth quarter and full year 2015 after the market closes on February 3, 2016.</p>
<p>GoPro management will host a conference call and live webcast for analysts and investors on February 3, 2016 at 2 p.m. Pacific Time (5 p.m. Eastern Time) to discuss the Company’s financial results.</p>
<p>To listen to the live conference call, please dial toll free (888) 806-6221 or (913) 981-5588, access code 4243159, approximately 15 minutes prior to the start of the call. A live webcast of the conference call will be accessible on the “Events & Presentations” section of the Company’s website at http://investor.gopro.com. To access the live webcast, please log in 15 minutes prior to the start of the call to download and install any necessary audio software. The webcast will be recorded and the recording will be available on GoPro’s website, <a href="http://investor.gopro.com/">http://investor.gopro.com</a>, approximately two hours after the call and for six months thereafter.</p>
<p>GoPro reports gross margin and operating expenses, in accordance with U.S. generally accepted accounting principles (GAAP) and on a non-GAAP basis. Non-GAAP gross margin and non-GAAP operating expenses exclude, where applicable, the effects of stock-based compensation and acquisition-related costs. A reconciliation to the comparable GAAP guidance has not been provided because certain factors that are materially significant to the Company’s ability to estimate the excluded items are not accessible or practically estimable at this time.</p>
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