Review - Sigma 24-35mm f/2 DG Art
- By Canon Rumors
- Reviews
- 27 Replies
Discuss our review of the Sigma 24-35mm f/2 DG Art series lens here.
<p>A couple of commercials from Canon USA showing the importance of buying Canon branded accessories and not getting third party knockoffs. I tend to agree, except for the <a href="http://www.bhphotovideo.com/c/product/164271-REG/Canon_2477A002_Timer_Remote_Controller_TC_80N3.html/bi/2466/kbid/3296" target="_blank">TC-80N3</a>, just get a <a href="http://rover.ebay.com/rover/1/711-53200-19255-0/1?ff3=4&pub=5574981434&toolid=10001&campid=5337742695&customid=&mpre=http%3A%2F%2Fwww.ebay.com%2Fsch%2Fi.html%3F_from%3DR40%26_trksid%3Dp2050601.m570.l1313.TR0.TRC0.H0.XYongnuo%2BMC-36%2BC3.TRS0%26_nkw%3DYongnuo%2BMC-36%2BC3%26_sacat%3D0" target="_blank">cheaper version</a>.</p>
<p><iframe src="https://www.youtube.com/embed/4qxoJ1thVDQ" width="728" height="409" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p><iframe src="https://www.youtube.com/embed/u2Qy6YYCdAg" width="728" height="409" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
Lee Filters has announced support for Canon’s EF 11-24 mm f/4L with the <a href="http://www.leefilters.com/index.php/camera/system-sw150" target="_blank">SW150 Mark II filter system</a> adaptor ring.</p>
<p>From Lee Filters</p>
<blockquote><p>You’ve asked, we listened! Announcing the newest addition to our SW150 Filter System… The Canon 11-24mm Adaptor Ring for the Mark II!</p>
<p>*Please note that due to the physical size of this lens, and the extremely wide angle of view, the SW150 filter holder will vignette at the widest angles. To avoid this we recommend using a minimum focal length of 13.5mm when using the filter holder with two filter slots and 12.5mm when using the holder with one filter slot.</p></blockquote>
<p><strong>Canon EF 11-24mm f/4L USM $2999: <a href="http://adorama.evyy.net/c/60085/51926/1036?u=http://www.adorama.com/CA11244.html" target="_blank">Adorama</a> | <a href="http://www.bhphotovideo.com/c/product/1119028-REG/canon_9520b002_ef_11_24mm_f_4l_usm.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.amazon.com/gp/product/B00T3ERXKE/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00T3ERXKE&linkCode=as2&tag=canorumo-20&linkId=SKIW33AKPAGADHBN" target="_blank">Amazon</a></strong></p>
<strong>TOKYO, September 2, 2015</strong>—Canon Inc. announced today that the Company is developing a high-sensitivity network camera equipped with a fast high-magnification lens capable of long-range color image capture even at night, making possible the viewing of subjects that the naked eye would have trouble discerning.</p>
<p>Amid ever-increasing safety and security concerns, a growing need for advances in surveillance systems has fueled demand for high-performance network cameras capable of clearly recording visual data night and day for such applications as urban surveillance and the monitoring of important infrastructure facilities.</p>
<p>Canon is developing a compact high-sensitivity network camera that will make possible the clear viewing in color of distant subjects even under conditions that would prove challenging to the naked eye, such as at night with few ambient light sources. The camera’s imaging capabilities will make it ideally suited for such surveillance applications as crime prevention and the monitoring of natural disaster sites, enabling the viewing of scenes during either night or day.</p>
<p><!--more--></p>
<p>Drawing on a range of optical technologies Canon has cultivated over many years, the network camera being developed will feature a large-aperture ultra-telephoto zoom lens with a focal length of more than 600 mm (35 mm film equivalent) that achieves a bright F-value of 2.4 to allow large amounts of light to enter. The lens will incorporate aspherical and UD (Ultra Low Dispersion) lens elements that suppress the incidence of chromatic aberrations, which become more prevalent as a lens’s aperture size increases, while making possible a compact lens unit. The combination of the large-aperture lens with a high-sensitivity sensor and high-performance image processor will enable the color recognition of a subject’s face at a distance of 100 meters even in dark environments with a mere 0.08 lux of illumination, roughly equivalent to the illuminance of moonlight. By comparison, conventional nighttime surveillance to date has only been possible within a limited range with the aid of infrared illumination, or by using a night mode that only captures images in black and white.</p>
<p>Through the combination of an electric-drive pan/tilt function that control’s the camera’s orientation with the ultra-telephoto zoom lens, the network camera will be able to fulfill a wide range of surveillance requirements. In addition to the monitoring of natural disasters involving rivers or bays, for example, the camera will be well-suited for such applications as urban surveillance from the rooftops of buildings and for identifying automobile license plate numbers on roads, not only during the day, but also in settings in which nighttime surveillance is required.</p>
<p>Canon aims to commercialize the new network camera in 2016. Through the enhancement of the Company’s network camera lineup, Canon will respond to society’s ever-expanding monitoring and surveillance needs.</p>
<em>First to debut: two fast, fixed focal standard lenses packed with exceptional features that deliver ultimate performance</em></p>
<p>Both lenses are set to begin shipping at the end of September 2015.</p>
<ul>
<li>Tamron SP 35mm f/1.8 Di VC USD <a href="http://www.adorama.com/TM3518EOS.html&KBID=64393" target="_blank" rel="nofollow">Adorama </a>| <a href="http://www.bhphotovideo.com/c/product/1183045-REG/tamron_aff012c700_sp_35mm_f_1_8_di.html/bi/2466/kbid/3296" target="_blank" rel="nofollow">B&H Photo</a> | <a href="http://amzn.to/1PMU59p" target="_blank">Amazon</a> | <a href="http://tamron-new-sp.eu/#/35mm-F18" target="_blank">Sample Images</a></li>
<li>Tamron SP 45mm f/1.8 Di VC USD <a href="http://www.adorama.com/TM4518EOS.html&KBID=64393" target="_blank" rel="nofollow">Adorama </a>| <a href="http://www.bhphotovideo.com/c/product/1183050-REG/tamron_aff013c700_sp_45mm_f_1_8_di.html/bi/2466/kbid/3296/" target="_blank" rel="nofollow">B&H Photo</a> | <a href="http://amzn.to/1LWvXmY" target="_blank">Amazon</a> | <a href="http://tamron-new-sp.eu/#/45mm-F18" target="_blank">Sample Images
</a></li>
</ul>
<p><strong>September 2nd 2015, Saitama, Japan</strong> – Tamron Co., Ltd. (President & CEO: Morio Ono), a leading manufacturer of optics for diverse applications, announces launch of a new series of SP lenses that are optimized to make the most of the superior imaging performance delivered by the latest advancements in digital photography. Sporting a totally revamped external appearance, the new lenses provide the ultimate in functionality and operation. The first two lenses in the series are compatible with full-frame DSLR cameras and offer fast apertures and versatile, fixed focal lengths. The pair consists of the SP 35mm F1.8 Di VC USD (Model F012) and SP 45mm F1.8 Di VC USD (Model F013), and both can be used with APS-C format cameras as well.</p>
<p><!--more--></p>
<p><strong>Background of the SP Series Renovation</strong>
In 1979, Tamron unveiled the first SP Series lens, the 90mm F2.5 Macro, a legendary product that was designed to achieve the highest level of performance possible. Since then, a significant number of lenses designated SP have been introduced. During the ensuing 35 years, cameras and imaging devices have made dramatic advancements and diversification centered mostly around innovations in image sensor technology and sophisticated signal processors.</p>
<p>Constantly innovating, Tamron developed new lenses to stay abreast of the exciting technological evolution. Lenses launched after 2012, including SP 24-70mm F2.8 VC USD, SP 70-200mm F2.8 VC USD, SP 90mm F2.8 MACRO 1:1 VC USD, SP 15-30mm F2.8 VC USD and SP 150-600mm F5-6.3 VC USD, received rave reviews for their high performance and richly refined functionality to sustain sophisticated requirements of the latest DSLRs with high pixel counts.</p>
<p>To leap forward, Tamron has gone back to the root of optics to redefine all of the core attributes of lenses to be selected as photographers’ “ultimate partners.” The new series of SP lenses are developed seeking the highest level of performance, functionality and maneuverability, and a prestigious external appearance that reconfirms the high quality of the properties that are inside.</p>
<p><strong>Features of fast-aperture fixed focal lenses: 35mm and 45mm, the first of new SP Series</strong>
To develop these two standard fixed focal lenses, goals were established to provide exquisite characteristics certain to set them distinctively apart from ordinary, conventional models. This required a new approach.
All of the key performance criteria were redefined to achieve the ultimate in optical performance. VC (Vibration Compensation) was incorporated as an integral part of the opto-electronics design to expand shooting freedom. Priority was set to allow dramatically closer focusing capability to remove what would otherwise be a barrier to the subject. Yet with all this innovation, the overall mechanical package had to be kept within practical size limits with an elegantly sophisticated external design as a human interface.</p>
<p>Having optimized every prerequisite, remarkably versatile lenses have been developed that boast amazing performance from F1.8 wide open aperture. These lenses can be enjoyed by users of APS-C cameras as well as full-frame.</p>
<p><strong>1. F1.8 fast-aperture, fixed focal lenses aimed at ultimate performance</strong>
Optimal use of the latest glass materials, coupled with Tamron’s world renowned optical design technology, thoroughly compensated for aberrations of all types to achieve higher resolving power, while fine textures of materials and details are reproduced with subtle tonal gradations. The F1.8 aperture delivers more light to the viewfinder—making it brighter for easier focusing – and more light to the sensor, allowing use even in very dim lighting conditions. In addition, the bokeh (background blur) effect obtained using the F1.8 fast aperture delivers impressively smooth and soft transition from the main subject to the background.</p>
<p><strong>2. Dynamic close-focusing capability, unprecedented among standard lenses</strong>
Both models deliver astonishingly short MOD (Minimum Object Distance) not available from other 35mm or 45mm standard lenses. Photographers can get closer to the subject with ease, unleashing new photo opportunities with an expanded scope of freedom. Superb image capture is ensured throughout the entire range from the closest to normal shooting distances, thanks to Tamron’s proprietary Floating System built into both lenses.</p>
<p><strong>3. VC (Vibration Compensation) system, a feature crucial for high-pixel-density cameras</strong>
Beneficial under all lighting conditions and especially useful in low light levels, the VC function provides noticeable advantages for handheld shooting by minimizing the adverse effects of camera shake. Cameras with high pixel densities, in particular, are sensitive to minute vibrations which cause unsharpness and degradation of image quality. VC works to ensure the maximum imaging performance even in dim lighting to allow photographers to enjoy the fast F1.8 maximum aperture to the fullest extent.</p>
<p><strong>4. User-friendly product design with close attention to all details</strong>
Opening a new chapter in the SP legend, product design, opto-mechanical construction and engineering processes are totally integrated. Every single detail and operating function has been thoroughly reexamined, explored and matured to a form that has a friendly, human touch.</p>
<p><strong>External Design</strong></p>
<p><strong>(1) Product design with maximum emphasis on the human interface in order to achieve the ultimate in functional beauty</strong>
While the lens is constructed with the absolutely most modern technologies inside, the exterior is articulated to offer the best possible comfort and confidence under a product design philosophy of “Human Touch.” Organically composed lines and patterns on the barrel produce subtle changes in its appearance by reflecting ambient light on the surface. Metal-based barrel materials provide a pleasant feeling of comfort, high quality and durability, fitting firmly in the hands of the photographer. Design of the front face of the lens is also taken into consideration so that it is not intimidating.</p>
<p><strong>(2) Brand ring and SP emblem</strong>
A brand ring that’s tinted “Luminous Gold” adorns the lens just above the lens mount. On one side of the lens barrel there is an SP emblem in the same luxurious color.</p>
<p><strong>(3) Design of distance and aperture scales</strong>
The window over the distance scale has been enlarged by 20% to maximize visibility and legibility. Font style of the characters and numbers has been newly developed to enhance the legibility as a critical element of the overall product design.</p>
<p><strong>(4) Switches with optimized geometric shape and tactile feedback</strong>
The geometric shape and sliding torque of the AFMF change-over and VC On/Off switches have been configured and engineered to deliver the utmost comfort with secured operational feedback.</p>
<p><strong>(5) Lens hood and caps</strong>
To complete the lens product design, accessories such as the lens hood and caps for front and rear have been totally redesigned as well. Attaching and removing the lens hood has been fine-tuned by optimizing the connection interface to render both secure seating and durability.</p>
<p><strong>Product Highlights</strong></p>
<p><strong>SP 35mm F1.8 Di VC USD (Model F012)</strong></p>
<p>35mm Standard Wide-Angle Lens with VC and World’s First 0.2m (7.9”)
Minimum Object Distance for Full-Frame DSLR Cameras</p>
<p><strong>Overview</strong></p>
<ul>
<li>Natural perspective and field-of-view for instinctive image capture.</li>
<li>Provides the ideal balance of performance and functionality to deliver unexpected opportunities for creative imaging.</li>
<li>A fast, primary standard lens for those who prefer wide-angle shooting.</li>
<li>Provides an equivalent focal length of 54mm on APS-C cameras.</li>
</ul>
<p><strong>Key Features</strong></p>
<p><strong>1. Even when used wide open at F1.8 aperture, provides outstanding image quality with maximum aberration compensation, thanks to optimal use of sophisticated glass materials and highly advanced optical design</strong>
SP 35mm F1.8 Di VC USD (Model F012) is a 10-element, 9-group construction, utilizing two molded glass aspherical elements, one LD (Low Dispersion) and one XLD (eXtra Low Dispersion) element.</p>
<p>Two of the aspherical elements effectively correct the field curvature to ensure planarity of the image plane, while efficiently compensating for spherical and comatic aberrations to achieve superb uniformity across the field with high-fidelity point spread reproducibility. Outstanding resolution is rendered from corner to corner and the sagittal comatic flare (a type of aberration that a point image at corners induces a comet tail-like blur), which tends to become prominently noticeable in night scenes, is corrected.</p>
<p>The LD and the higher grade XLD glass elements optimally compensate for chromatic aberrations, which tend to become particularly prominent in fast-aperture lenses in general, and deliver crystal clear images without any residual color fringe.</p>
<p><strong>2. 35mm focal length with fast F1.8 maximum aperture and integral VC (Vibration Compensation) for full-frame DSLR cameras</strong>
The desirable maximum aperture of F1.8 was chosen as part of the very challenging design goals which included achieving superb optical performance, minimizing the closest shooting distance and integrating VC functionality while packaging those key attributes in a reasonably-sized barrel construction for better practical handling. Repeated performance simulations were conducted throughout the entire design phase to assure achieving the essential, fundamental property of a fast-aperture lens in full-frame format, namely the harmony between excellent resolving power and beautifully-tuned background blur (bokeh).</p>
<p>The VC feature has become virtually indispensable in the era of high-pixel-density cameras. Freedom in handheld shooting at dusk or in a dimly lit room is dramatically expanded by cancelling the camera shake that often occurs under such low light conditions due to slower shutter speeds. Minute vibrations that plague cameras with high pixel count can be well muted to make the most of the performance of the camera and lens outfit.</p>
<p><strong>3. MOD (Minimum Object Distance) of 0.2m (7.9”), the best-in-class close-focusing capability<span class="green">*</span></strong>
MOD measures just 0.2m (7.9”), yielding a magnification ratio of 1:2.5, the shortest close focusing capability among fast-aperture fixed focal lenses in full-frame format<span class="green">*</span>. Since the lens allows for shooting at distances extremely close to the subject (similar to a macro), close-up pictures with spectacular background blur effect (bokeh) can be obtained with the aperture wide open, thereby expanding the scope of photo opportunities. Tamron’s proprietary Floating System, which places a group of elements at the optimal location as the focusing group travels relative to shooting distances, ensures the best imaging performance at any range. From the closest to a normal shooting distance range, image quality is excellent.</p>
<p><span class="green">* Rated top among current 35mm fixed focal length interchangeable AF lenses for full-frame DSLR cameras excluding macro lenses (as of July 2015; Tamron).</span></p>
<p><strong>4. Optimal relative illumination means no dark corners</strong>
Some fast-aperture lenses “vignette” or have darkened corners due to uneven light distribution. However, even at the full open aperture, the overall illumination level across the entire field is well balanced and optimized. Because there is a sufficient amount of corner illumination, photographers can enjoy making full use of the wide open aperture.</p>
<p><strong>5. eBAND Coating deployed to thoroughly suppress ghosting and flare</strong>
eBAND (Extended Bandwidth & Angular-Dependency) and BBAR (Broad-Band Anti-Reflection) coatings, both providing outstanding anti-reflection effect, are applied to critical element surfaces for maximum light transmission. Internal reflections from element surfaces which cause ghosting and flare are reduced to an absolute minimum. Flawless, crystal clear images can be obtained. eBAND Coating, a hybrid nano-structured layer with extremely low refractive index coupled with multi-layered anti-reflection coating technology, efficiently minimizes reflection of extremely angulated incident light—something that cannot be achieved by conventional anti-reflection coatings alone.</p>
<p><strong>6. High-speed AF with USD (Ultrasonic Silent Drive)</strong>
Fast, quiet AF is achieved by employing a USD ring-type ultrasonic motor which enables remarkably precise focusing drive with high torque and responsiveness. Because the rotational torque of the USD is generated by waves of ultrasonic vibrations, inherent operating noise is extremely low and practically imperceptible. In addition, Full-time Manual Focus override is available at any point during the autofocus operation for deliberately shifting focus without switching the AF-MF mode back and forth.</p>
<p><strong>7. Fluorine coating on the front element repels water and fingerprints</strong>
Fluorine coating technology, developed for use in industrial optics applications, has been adapted to photographic lenses. The water and oil repellant coating applied to the front element surface allows instant removal of dirt or smudges with ease. The coating also provides a reasonable level of durability, and will sustain its effectiveness for years.</p>
<p><strong>8. Moisture-resistant construction for shooting outdoors under adverse weather conditions</strong>
Seals are located at the lens mount area and other critical locations to prevent infiltration of moisture and/or rain drops and provide moisture-resistant construction. This feature provides an additional layer of protection when shooting outdoors under adverse weather conditions.</p>
<p><strong>9. Circular aperture for enhanced bokeh</strong>
The 9-blade diaphragm retains a nearly circular opening even when stopped down by two stops. Marvelously tuned blur in the subject background can be obtained without generating undesirable shapes of aperture patterns.</p>
<p><strong>10. Compatibility with Adobe and Silkypix software</strong>
Supplied with SILKYPIX Developer Studio 4.0, advanced editing software that features correction menus for various aberrations (lateral color, distortion, relative illumination) based on the optical design data of this specific lens. Shooting RAW image files enables creation of more stringent and high-fidelity image quality.</p>
<p><strong>SPECIFICATIONS</strong></p>
<p>Model: F012
Focal Length: 35mm
Maximum Aperture: F1.8
Angle of View (diagonal): 63°26′ (for full-frame format): 43°29′ (for APS-C format)
Optical Construction : 10 elements in 9 groups
Minimum Object Distance: 0.2m (7.9 in)
Maximum Magnification Ratio: 1:2.5
Filter Size : 67mm
Maximum Diameter : 80.4mm
Length<span class="green">*</span>: for Canon 80.8mm (3.2 in): for Nikon 78.3mm (3.1 in)
Weight: for Canon 480g (16.9 oz): for Nikon 450g (15.9 oz)
Aperture Blades: 9 (circular diaphragm<span class="green">**</span>)
Minimum Aperture: F16
Standard Accessories: Flower-shaped lens hood, Lens caps
Compatible Mounts: Canon, Nikon, Sony<span class="green">***</span></p>
<p><span class="green">Specifications, appearance, functionality, etc. are subject to change without prior notice.</span>
<span class="green">* Length is the distance from the front tip of the lens to the lens mount face.</span>
<span class="green">** The circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.</span>
<span class="green">*** The Sony mount model does not include VC, since the bodies of Sony DSLR cameras include built-in image stabilization functionality.</span></p>
<h3>SP 45mm F1.8 Di VC USD (Model F013)</h3>
<p>First High-Speed 45mm Fixed Focal Standard Lens in Full-Frame Format with VC, Offers Unique Perspective with Significantly Shorter Minimum Focusing Distance</p>
<p><strong><Overview></strong>
* A New Standard among all standard lenses.
* Slight wide-angle delivers a new photographic perspective.
* Responsive to your intuitive and inspirational motives.
* Provides an equivalent focal length of 70mm on APS-C cameras.</p>
<p><strong><Key Features></strong>
<strong>1. Even when used wide open at F1.8 aperture, provides outstanding image quality with maximum aberration compensation, thanks to optimal use of sophisticated glass materials and highly advanced optical design</strong>
SP 45mm F1.8 Di VC USD (Model F013) is a 10-element, 8-group construction, utilizing two molded glass aspherical elements and one LD (Low Dispersion) element.</p>
<p>Two of the aspherical elements effectively correct the field curvature to ensure planarity of the image plane, while efficiently compensating for spherical and comatic aberrations to achieve superb uniformity across the field with high-fidelity point spread reproducibility. Outstanding resolution is rendered from corner to corner and the sagittal comatic flare (a type of aberration that a point image at corners induces a comet tail-like blur), which tends to become prominently noticeable in night scenes, is thoroughly corrected.</p>
<p>The LD glass element optimally compensates for chromatic aberrations, which tend to become particularly prominent in fast-aperture lenses in general, and delivers crystal clear images without any residual color fringe.</p>
<p><strong>2. World’s first<span class="green">*</span> full-frame 45mm focal length with fast F1.8 maximum aperture and integral VC (Vibration Compensation)</strong>
The aperture is optimized to F1.8 to create the most practical lens offering superior imaging performance, a shorter minimum focus distance and image stabilization mechanism. Countless simulations during the design phase ensured the high resolution expected of a full-frame, high-speed lens coupled with spectacular background blur.</p>
<p>It is also the world’s first<span class="green">*</span> full-frame, fixed focal length standard lens to be equipped with VC. Freedom in handheld shooting has been dramatically improved by reducing camera shake that tends to occur when using shooting in low light such as at dusk and in dark rooms. Also, the full potential of the high performance of the lens is realized by reducing minute vibrations that lower image quality conspicuous in high resolution cameras.</p>
<p><span class="green">* As of July 2015; Tamron.</span></p>
<p><strong>3. MOD (Minimum Object Distance) of 0.29m (11.4”), the best-in-class close focusing capability<span class="green">**</span></strong>
MOD measures 0.29m (11.4”), yielding a magnification ratio of 1:3.4, the best-in-the-class close focusing capability among fast-aperture fixed focal lenses in full-frame format<span class="green">**</span>. The freedom of shooting at a closer distance to the subject expands photographic possibilities. Tamron’s proprietary Floating System, which places a group of elements at the optimal location as the focusing group travels relative to shooting distances, ensures the best imaging performance at any range. From the closest to a normal shooting distance range, excellent image quality is obtained.</p>
<p><span class="green">** Rated top among current 45mm and 50mm fixed focal length interchangeable AF lenses for full-frame DSLR cameras excluding macro lenses (as of July 2015; Tamron).</span></p>
<p><strong>4. Optimal relative illumination means no dark corners</strong>
Some fast-aperture lenses “vignette” or have darkened corners due to uneven light distribution.
However, even at the full open aperture, the overall illumination level across the entire field is well balanced and optimized. Because there is a sufficient amount of corner illumination, photographers can enjoy making full use of the wide open aperture.</p>
<p><strong>5. eBAND Coating deployed to thoroughly suppress ghosting and flare</strong>
eBAND (Extended Bandwidth & Angular-Dependency) and BBAR (Broad-Band Anti-Reflection) coatings, both providing outstanding anti-reflection effect, are applied to critical element surfaces for maximum light transmission. Internal reflections from element surfaces which cause ghosting and flare are reduced to an absolute minimum. Flawless, crystal clear images can be obtained. eBAND Coating, a hybrid nano-structured layer with extremely low refractive index coupled with multi-layered anti-reflection coating technology, efficiently minimizes reflection of extremely angulated incident light—something that cannot be achieved by conventional anti-reflection coatings alone.</p>
<p><strong>6. High-speed AF with USD (Ultrasonic Silent Drive)</strong>
Fast, quiet AF is achieved by employing a USD ring-type ultrasonic motor which enables remarkably precise focusing drive with high torque and responsiveness. Because the rotational torque of the USD is generated by waves of ultrasonic vibrations, inherent operating noise is extremely low and practically imperceptible. In addition, Full-time Manual Focus override is available at any point during the autofocus operation for deliberately shifting focus without switching the AF-MF mode back and forth.</p>
<p><strong>7. Fluorine coating on the front element repels water and fingerprints</strong>
Fluorine coating technology, developed for use in industrial optics applications, has been adapted to photographic lenses. The water and oil repellant coating applied to the front element surface allows instant removal of dirt or smudges with ease. The coating also provides a reasonable level of durability, and will sustain its effectiveness for years.</p>
<p><strong>8. Moisture-resistant construction for shooting outdoors under adverse weather conditions</strong>
Seals are located at the lens mount area and other critical locations to prevent infiltration of moisture and/or rain drops and provide moisture-resistant construction. This feature provides an additional layer of protection when shooting outdoors under adverse weather conditions.</p>
<p><strong>9. Circular aperture for enhanced bokeh</strong>
The 9-blade diaphragm retains a nearly circular opening even when stopped down by two stops. Marvelously tuned blur in the subject background can be obtained without generating undesirable shapes of aperture patterns.</p>
<p><strong>10. Compatibility with Adobe and Silkypix software</strong>
Supplied with SILKYPIX Developer Studio 4.0, advanced editing software that features correction menus for various aberrations (lateral color, distortion, relative illumination) based on the optical design data of this specific lens. Shooting RAW image files enables creation of more stringent and high-fidelity image quality</p>
<p><strong>SPECIFICATIONS</strong></p>
<p>Model: F013
Focal Length: 45mm
Maximum Aperture: F1.8
Angle of View (diagonal): 51°21′ (for full-frame format) : 34°28′ (for APS-C format)
Optical Construction : 10 elements in 8 groups
Minimum Object Distance: 0.29m (11.4 in)
Maximum Magnification Ratio: 1:3.4
Filter Size: 67mm
Maximum Diameter: 80.4mm
Length<span class="green">*</span>: for Canon 91.7mm (3.6 in): for Nikon 89.2mm (3.5 in)
Weight: for Canon 540g (19 oz): for Nikon 520g (18.3 oz)
Aperture Blades: 9 (circular diaphragm<span class="green">**</span>)
Minimum Aperture: F16
Standard Accessories: Flower-shaped lens hood, Lens caps
Compatible Mounts: Canon, Nikon, Sony<span class="green">***</span></p>
<style type='text/css'>
#gallery-1 {
margin: auto;
}
#gallery-1 .gallery-item {
float: left;
margin-top: 10px;
text-align: center;
width: 33%;
}
#gallery-1 img {
border: 2px solid #cfcfcf;
}
#gallery-1 .gallery-caption {
margin-left: 0;
}
/* see gallery_shortcode() in wp-includes/media.php */
</style>
<div id='gallery-1' class='gallery galleryid-22162 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>
<dt class='gallery-icon landscape'>
<a href='http://www.canonrumors.com/wp-content/uploads/2015/09/9967792796.jpg'><img width="168" height="168" src="http://www.canonrumors.com/wp-content/uploads/2015/09/9967792796-168x168.jpg" class="attachment-thumbnail" alt="9967792796" /></a>
</dt></dl><dl class='gallery-item'>
<dt class='gallery-icon landscape'>
<a href='http://www.canonrumors.com/wp-content/uploads/2015/09/1567116916.jpg'><img width="168" height="168" src="http://www.canonrumors.com/wp-content/uploads/2015/09/1567116916-168x168.jpg" class="attachment-thumbnail" alt="1567116916" /></a>
</dt></dl><dl class='gallery-item'>
<dt class='gallery-icon landscape'>
<a href='http://www.canonrumors.com/wp-content/uploads/2015/09/8293962808.jpg'><img width="168" height="168" src="http://www.canonrumors.com/wp-content/uploads/2015/09/8293962808-168x168.jpg" class="attachment-thumbnail" alt="8293962808" /></a>
</dt></dl><br style="clear: both" />
</div>
<strong>London, UK, 1 September 2015</strong> – Canon Europe and Getty Images today reveal a series of iconic images which, shot by some of the world’s leading photographers, represent defining moments from the past decade and bring to light the power of photography and the role it plays in helping to affect change around the world.</p>
<p>Known for enabling people to tell the stories that need to be told, the Canon EOS 5D series celebrates its 10th anniversary with an initiative that showcases 10 amazing images that tell some of these stories. From exposing the use of chemical weapons by the Syrian army, to uncovering illegal logging of rare and endangered trees in Madagascar, the EOS 5D has been the camera of choice for many professional photographers over the past decade and has captured some of the world’s most significant and important moments.</p>
<p><!--more--></p>
<p>To view all the images and the amazing stories behind them, visit Canon’s Showcase within the Come and See website. The images will also be available to view as part of a special anniversary exhibition within Canon’s space during the professional week at Visa pour l’Image 2015, the annual festival of photojournalism held in Perpignan, France, from August 31 to September 6 2015.</p>
<p><strong>Canon invites you to share your iconic images</strong>
To further celebrate 10 years of profound imagery, Canon Europe is also launching a pan-European competition that will offer participants the chance to win limited edition EOS 5D anniversary prizes.</p>
<p>All photographers, from amateurs to professionals, both smartphone and camera users, are invited to share an image that they feel represents a story of change. Winners will be selected by a panel of award winning judges, including Canon Ambassador Brent Stirton and Getty Images photographer Toby Smith.</p>
<p>The Canon Iconic Images competition will run in eighteen European countries (UK, France, Germany, Spain, Netherlands, Belgium, Austria, Norway, Denmark, Finland, Sweden, Switzerland, Portugal, Hungary, Poland, Slovakia, Czech Republic and Russia) from September 1 until October 2 2015.</p>
<p>For more information please visit the ‘Iconic Images’ competition page within the Gallery section of Canon’s ‘Come and See’ website.</p>
<p>“Since the launch of the original EOS 5D in 2005, the series has grown to become one of the most popular camera ranges of all time. 10 years on and now with four iterations under our belts, we’re showcasing today at Visa pour l’image how the EOS 5D series has enabled photographers around the world to tell some of the most important stories throughout the past decade,” said Kieran Magee, Director, Professional Imaging Group, Canon Europe. “We’re incredibly proud of what has been achieved over the past 10 years and want to invite everyone, both amateur and professional photographers, to share their own iconic stories and join us in celebrating the power of photography.”</p>
<p>The 10 iconic Getty Images photographs are:</p>
<p><strong>1. John Moore, EOS 5D Mk I; Arlington, USA – May 27, 2007</strong>
John’s image of a woman weeping at the foot of her husband’s grave depicts a personal moment of change against a backdrop of simultaneously changing attitudes towards the deployment of troops in conflicts overseas such as Iraq and Afghanistan. Published within many of the world’s leading media titles, his image touched the heart of millions and showed the devastating consequences at home of war.</p>
<p><strong>2. Alvaro Ybarra Zavala, EOS 5D Mk I; Colombia – November 29, 2007</strong>
Taken whilst on assignment to document the Colombian civil war, Alvaro’s image of two female guerrilla soldiers caught the attention and imagination of the mainstream media, highlighting the long suffering plight of the Columbian people and bringing the reality of this largely forgotten 50-year conflict to the general public.</p>
<p><strong>3. Veronique de Viguerie, EOS 5D Mk I; Hobyo, Somalia – October 27, 2008</strong>
When Veronique de Viguerie and her journalist colleague travelled to Somalia to meet with one of the pirate chiefs it was still an unknown story outside of the region. The resulting report was ground-breaking and was published as the first landmark feature on the subject, just as it was about to enter headlines globally.</p>
<p><strong>4. Toby Smith, EOS 5D Mk II; Masoala National Park, Madagascar – August 21, 2009</strong>
Toby’s body of work on illegal logging of endangered species of trees in Madagascar became part of the first prosecution on US soil of international traders using endangered species of timber.</p>
<p><strong>5. Ed Ou, EOS 5D Mk II; Mogadishu, Somalia – April 24, 2010</strong>
Ed’s heart-breaking photos of young children armed with powerful weapons were published internationally and later shown in the US Senate which went on to see the US government and UN Security Council apply renewed pressure on the Somali transitional government to stop using child soldiers.</p>
<p><strong>6. Marco Di Lauro, EOS 5D Mk II; Gadabedji, Niger – June 27, 2010</strong>
Marco Di Lauro partnered with UNICEF UK to document the serious food crisis gripping the West African nation of Niger. His surreal, striking photograph captured the attention of the public by offering something new, a different side to a widely reported issue. The impact of the work helped raise several million dollars in a few months to help the Nigerian people.</p>
<p><strong>7. Jonathan Torgovnik, EOS 5D Mk II; Port-au-Prince, Haiti – January 10, 2011</strong>
Port-au-Prince was one of the most severely damaged places in Haiti during the devastating earthquake in 2010. Published internationally, Jonathan’s image raised refreshed awareness about the extraordinarily poor conditions that people were still living in one year on.</p>
<p><strong>8. Brent Stirton, EOS 5D Mk II; Ol Pejeta Conservancy, Kenya – July 13, 2011</strong>
Permanently guarded by four armed sentries, Brent’s image of one of the last northern white rhinos in the world was captured as part of a wider investigation in to the use of animals in black market medicines. Highlighting the fragility of the rhino’s existence, as the world’s most endangered species, the image reached an audience of millions globally.</p>
<p><strong>9. Laurent Van der Stockt, EOS 5D Mk II; Jobar, Damascus, Syria – 13 April, 2013</strong>
The series of images, video footage and soil samples which Laurent and a fellow journalist took, were published globally and used by French, British and American administrations as evidence of the use of chemical weapons by the Syrian army. This lead to pressure by world leaders to stop the use of chemical weapons in this conflict.</p>
<p><strong>10. Dan Kitwood, EOS 5D Mk III; Kos, Greece – June 4, 2015</strong>
Dan’s image of four Pakistani migrant men arriving on the beach of the Greek Island of Kos from Turkey captures one of the most important stories to have come out of 2015 so far. His work has been published internationally in many influential media outlets, helping to raise awareness of the issue around the world.</p>
<p>You can view all the images at the <a href="http://www.canon-europe.com/get-inspired/come-and-see/showcase/canon-eos-5d-10th-anniversary/" target="_blank">Canon Showcase</a>.</p>
<p>TOKYO, September 1, 2015—Canon Inc. announced today that it is developing an LCOS projector capable of displaying 5,000 lumen video and still images at a resolution of 4,096 x 2,400 pixels, a level of definition that surpasses the 4,096 x 2,160 pixel-resolution of 4K digital cinema.</p>
<p>Tracing its beginnings to the movie industry, 4K-resolution content has been gaining traction in the broadcasting industry. Amid ongoing advances in image quality and definition made possible by the introduction of a growing number of 4K production tools, Canon is leveraging its proprietary optical technologies to make its entry into the 4K projector market in 2016.</p>
<p><!--more--></p>
<p>In addition to growing demand for high-resolution, high-quality imaging performance, there is an increased need for projectors that enable projection from close-range installation locations and offer compatibility with a variety of installation environments to facilitate use in such settings as museums with limited available space, driving and flight simulators, and on the design scene. In response to these needs, Canon is developing the 4K projector as a new model within its Power Projector (REALiS and XEED in other regions) series that not only achieves high brightness and high resolution, but also has a compact and lightweight body to accommodate a range of installation environments.</p>
<p>Equipped with a high-definition 4,096 x 2,400 pixel LCOS panel, the Canon 4K projector under development will support the projection of high-definition content that exceeds the resolution offered by 4K digital cinema. While increases in brightness performance for projectors commonly require larger lamps and cooling systems, resulting in increases in projector body size, Canon’s proprietary AISYS optical system delivers bright 5,000 lumens performance while making possible significant reductions in body size and weight. Additionally, the projector will feature a newly developed 4K wide zoom lens capable of projecting large images from a short throw distance, as well as an optical focusing function that enables the projection of images on curved-surface screens.</p>
<p>Through the further enhancement of its Power Projector series lineup, Canon will strive to respond to the diverse needs of users.</p>
The Sigma 24-35mm f/2 Art series lens is the first f/2 zoom for DSLRs, and it has certainly sparked a lot of debate about it’s usability with such a short zoom range. I think the lens is basically 3 faster primes in one lens, 24mm, 28mm and 35mm. For the people that need this range of focal lengths, this lens could be a game changer. For the rest of us? maybe not. However, it’s nice to see a lens manufacturer push into new territory.</p>
<p>Bryan over at The-Digital-Picture has completed his review of the lens and came away very impressed.</p>
<div>
<div>
<blockquote><p>Do wide angle focal lengths work for some of your applications? Need apertures wider than f/2.8 to stop action in low light, to allow handholding in low light and to create a stronger, subject-isolating background blur? Need a range of focal lengths available at your fingertips without a lens change? The Sigma 24-35mm f/2 DG HSM Art Lens could become a most-frequently-used member of your kit. <a href="http://www.the-digital-picture.com/Reviews/Sigma-24-35mm-f-2-DG-HSM-Art-Lens.aspx" target="_blank">Read the full review</a></p></blockquote>
</div>
</div>
<div></div>
<div><strong>Sigma 24-35mm f/2 DG HSM Art $999: <a href="http://adorama.evyy.net/c/60085/51926/1036u=http://www.adorama.com/SG2435EOS.html" target="_blank">Adorama</a> | <a href="http://www.bhphotovideo.com/c/product/1162798-REG/sigma_24_35mm_f_2_dg_hsm.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x657240" target="_blank">B&H Photo</a> | <a href="http://amzn.to/1N6CjQT" target="_blank">Amazon</a></strong></div>
<iframe src="https://www.youtube.com/embed/P0CLPTd6Bds" width="728" height="409" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p><strong>From Steve Perry</strong></p>
<p>So, do you need a UV filter for your camera or not? In this video, I put UV filters to the test.</p>
<p>We find out if UV filters REALLY protect your lens with a series of smash tests (yes, I bust of a bunch of lenses and filters) – with some REALLY surprising results!</p>
<p>We’ll also examine…</p>
<ul>
<li>If it’s necessary to use them to filter out UV haze with a digital camera.</li>
<li>If UV filters hurt image quality.</li>
<li>When you should ALWAYS remove them.</li>
<li>If they really are cheap insurance.</li>
<li>And so much more…</li>
</ul>
<p>This is one video every photographer needs to see! Forget theories and anecdotal evidence. Watch this video and see EVERYTHING about UV filters put to the test (plus hey, it’s fun to watch lenses get smashed)! You may be in for a few surprises!</p>
On top of the 4K screen (which yields over 800 pixels per inch), the device also packs a 23-megapixel camera with a 0.03 second autofocus and 5X digital zoom, confirming a previous leak.
Scott Reading - Honda by Jonny Henchman, on Flickr
Marc Marquez - Honda by Jonny Henchman, on Flickr
Sam Lowes - Speed Up Racing by Jonny Henchman, on Flickr
Alex Marquez - EG 0,0 Marc VDS by Jonny Henchman, on Flickr
Cal Crutchlow - Honda by Jonny Henchman, on Flickr
Valentino Rossi - Yamaha by Jonny Henchman, on Flickr
Jorge Lorenzo - Yamaha by Jonny Henchman, on Flickr
Neutral MotoGP Fans by Jonny Henchman, on Flickr