Threads

bitm2007 · Jun 22, 2015

Has the Canon EOS 5DS or 5DSR arrived in the UK ?. WEX, Calumet, Mifsuds, Park etc are still taking pre-orders, and Amazon are yet to list them.

Canon Rumors · Jun 22, 2015

HTML:

Another lens patent from Canon, this time for an EF-S 20mm f/2.8. Are we going to see a series of inexpensive EF-S primes in the future? This is pretty close to the 24mm f/2.8 STM pancake though.</p>
<p>Patent Publication No. 2015-111192 (Google Translated)</p>
<ul>
<li>Published 2015.6.18</li>
<li>Filing date 2013.12.6</li>
</ul>
<p>Example 3</p>
<ul>
<li>Focal length 20.65mm</li>
<li>Fno. 2.88</li>
<li>Half angle of view ω = 33.48 °</li>
<li>Image height Y = 13.66mm</li>
<li>Overall length of the lens 64.00mm</li>
<li>BF 35.30mm</li>
</ul>
<p>Canon patents</p>
<ul>
<li>Negative ShiboTadashi</li>
<li>The pay-out the entire</li>
</ul>
<p>We’ve changed how we source things, the source link is at the bottom right of this post if you want to read more.</p>

Jun 22, 2015

In the past there was a account deletion option in a user profile if my memory serves me right. That does not seem to be the case anymore. Does anyone knows how to delete your account?

m8547 · Jun 22, 2015

It seems like most people on these forums use big DSLRs, myself included. But I'm wondering how many of you use Point-and-Shoot cameras on a regular basis? (I'm purposefully excluding mirrorless interchangeable lens cameras since they can deliver DSLR level image quality, but they still don't quite fit in a pocket).

I had a Panasonic Lumix ZS3, but I've decided to sell it. I often found myself carrying it instead of my T3i sometimes because it's convenient, but when I look back at the images they aren't that great for anything but web size viewing. The small sensor results in a wide depth of field, so none of the shots have good subject/background separation. If I zoom in at 100% there are awful JPEG artifacts even though I have it set for "fine" or whatever the highest quality is called. It would be considered medium quality at best using Photoshop settings. It's a step up from cell phone quality, but phones are catching up these days. I'm sure there compact cameras out there now with better image quality.

So I'm wondering if any of you use a point and shoot in some situations where a DSLR is too cumbersome?

sanj · Jun 21, 2015

Friends.
I am in NY and having a super time. Great place!
Am excited about 4th of July fireworks and want to know if any of you know the best 'spot' to be at with my 5d3 and 16-35 with a tripod. I asked a cab driver and he said that each year the fireworks are at different places. Is that true?

Any suggestions? Thank you.

Am attaching a photo of family with a friend next to nice wall painting.

Eldar · Jun 21, 2015

I have just made a 6 image stitched panorama of the view from a house I´m renting, in a hill above Chania og Crete. I used my newly acquired 5DSR. The resulting image is about 270MP and the resolution and detail and sharpness and ... , whatever you´re after, is astonishing, fantastic, awesome, impressive, almost beyond belief ... etc.
I tried to export from LR on a format I could use on CR, but it refused to use "only" 4MP :

But then it struck me, what are we after?

One of my other passions in life is music. Many would probably call my an audiofile. At a certain point in my strive for the absolute sound, I realized that I was not listening to music anymore. I was totally consumed with resolution, dynamics, with, height, depth, sound stage, over harmonics, bass punch, instrument positioning, voice texture etc. etc. Until I one day realized; I have to re-learn how to listen to music. I will not tire you with how I did that, but I did. So today I have a fantastic hifi setup, where I enjoy lots of great music.

Photography is about to end up in a similar situation. We pixle peep and read test charts, we want resolution, we want dynamics, we want less noise, we want contrast, color, no CA etc. etc. But is that what a photograph is about?

The other day I went through some of my older images and I found one, shot with the 50mm f1.2L. Not the EF version, but the FD version. Shot on a Canon New F1 in 1987, with Kodachrome 25. If you held this photograph up, next to one shot with a 5DSR and the Otus 55/1.4, it would (technically) look like a poor image, shot by a technical imbecile. Resolution, edge sharpness and all the rest of it would end up in the dust. But the picture is still a great picture. Firstly because the composition is good and secondly because it has great light. (It is very private, so you can´t see it

)

So the question is; Are we losing track of why we are doing this, in all this technical progression? Are we losing our ability to see a good picture in our strive for technical perfection?

Rob-downunder · Jun 21, 2015

Hi all,

I've just returned from a European trip and spent a night out in London taking photos until 3:30 am. (The wife wasn't real happy about that). Anyway I thought I would post some pics on here from a very memorable evening.

Rob

AcutancePhotography · Jun 21, 2015

<in my best John F. Kennedy imitation>

These are extraordinary times. And we face an extraordinary challenge. Our strength as well as our convictions have imposed upon this forum the role of leader in freedom's cause. No role in history could be more difficult or more important. We stand for freedom from trolls. That is our conviction for ourselves-that is our only commitment to others. No friend, no neutral and no adversary should think otherwise. We are not against any man or woman unless it is a troll. I am here to promote the freedom doctrine. …

I believe that this web community should commit itself to achieving the goal, before this year is out, of not responding to trolls and troll like posts.

No single forum policy in this period will be more impressive to our members, or more important to the long-term operations of this website; and none will be so difficult to accomplish.

Now this is a choice which this community must make, and I am confident that under the leadership of the moderators, that you will consider the matter carefully.

It is a most important decision that we make as a forum. But all of you have lived through the last few threads and have seen the significance of trolling and the disruption it causes, and no one can predict with certainty what the ultimate meaning will be.

We choose to ignore trolls and do the other things, not because it is easy, but because it is hard.

;D

But seriously, if you don't respond to a troll thread, it will age out. If you respond to a troll thread, it gets refreshed and stays on the page.

Trolls are like stray dogs. Once you start feeding them, you can't expect them to go away.

Canon Rumors · Jun 20, 2015

HTML:

Redrock Micro has posted an article talking about the use of the EOS 5D Mark II in one of the summer’s best visual treats, George Miller’s Mad Max. If you haven’t seen the movie, go now!</p>
<p>Ten EOS 5D Mark II camera bodies were used by the stunt/action team and the lens of choice was the EF 16-35mm f/2.8L II. Redrock Micro were the exclusive rig for all the EOS 5D Mark IIs used in the production</p>
<blockquote><p>For the rigging, we definitely see action cam style – the DSLR camera ops were well prepared to strap in to cars, on towers, pretty much anywhere they wanted a great action insert or angle of view that would otherwise be impractical or too time consuming to setup with an A or B camera (ARRI Alexa with those huge Panavision primo zooms). Rigs from Redrock Micro were exclusively used with the canon 5D MKII to fit this style, each slightly customized to each operator’s liking.</p></blockquote>
<p>Why the EOS 5D Mark II?</p>
<blockquote><p>A number of Canon 5Ds were used as crash cams during the action sequences – as “semi-disposable stunt cameras”. The DSLR was chosen as a proven work-horse crash-cam even though it was released way back in 2008. The 5Ds provide extra cut-away point of view angles during action sequences – the cutaways are so short you don’t notice the changes in image quality</p></blockquote>
<p><strong><a href="http://redrockmicro.blogspot.ca/2015/06/dslr-insider-on-mad-max-fury-road.html#sthash.BPGCCbAA.dpuf" target="_blank">Read the full article</a> | <a href="http://store.redrockmicro.com/fury-rig.html" target="_blank">Redrock Micro Fury Rig</a></strong></p>

Zeidora · Jun 20, 2015

Has anybody actually swapped focusing screen on the 5ds or 5dsr, specifically to the Eg-S? Is it the same procedure as on 5d3? See
https://www.youtube.com/watch?v=H1xUyqQNlys

Jack56 · Jun 20, 2015

I like to know which one you prefer. I like the B&W, but maybe the other one is a bit different?
Thanks for looking and your comments!

sootzzs · Jun 20, 2015

Hi all,

All this talking about Sigma's new 24-35 F2 "zoom" reminded me how much I need a faster lens for low light situations. I have a 60D (but plan to move to full frame in a year or two) and my fastest lens is 50 1.8 II, which as you can imagine is too short for many situations ( moreover, the AF is horrible in low light). Mostly, I miss a fast lens in close dimly lit spaces (cafes, tight streets, etc...). I did tried to use old manual 28 F2.8 lenses adapted to EF (I have an EF-s screen to aid MF) but in dim, dynamic situations I really struggle with the focus (also, F2.8 is not that wide for a really dim light).

I am a very budget conscious so my options are limited at best to 500-600$ and must be an FF compatible for the future.

I'm pondering between Canons 24-28-35 IS options (35 is F2 of course). Also there is the new super cheap Yongnuo's 35mm F2 Canon clone which seems to be nice for the price (115$). I lean toward the 35 IS USM but wonder won't it be too tight for my needs. Is there that much difference (in low light) between F2.8 and F2, especially considering the new IS Canon put in them (I understand the stop motion factor but I will be shooting in many different situations so can't predict it)? Or should I just buy Yongnuo and play with it till I'll have a FF?

Any input from crop users (or any) of one of these lenses would be really appreciated. Thanks!

Roman

wsmith96 · Jun 20, 2015

Hey all - hope all is well with you.

At work we have a recognition system that awards points for performance. You can redeem your points on an internal rewards webpage, which happens to have some canon gear. I've accumulated approximately 3650 points. Of what's available, this is what interests me:

70D - 3200 points
100mm f2.8L Macro - 3630 points
MR-14EXII flash - 1966 points
EF-S 17-55 f2.8 - 3206 points (I have one already - but could sell this one)
EF 28mm f2.8 IS USM - 1964 points (they had the 35f2 is, but has disappeared from the list)
EF 100 F2 - 1768 points
EF - 20mm f2.8 - 1925 points
Rokinon 14mm f2.8 - 1405 points
EF-S 18-135mm STM - 1965 points.

you can see from my signature what I already have. There is some appeal to the macro flash as it is something that I normally wouldn't buy, but since it would be free... And I've been wanting the 100 mm F2.8 L macro for some time too.

So what would you do? Even do nothing is a valid option.

Thanks!

Canon Rumors · Jun 19, 2015

HTML:

Roger at <a href="http://www.lensrentals.com" target="_blank">LensRentals.com</a> figured it’d be a good time to take apart the brand new Canon EOS 5Ds. He was curious as to whether or not things had changed inside the camera, or if it was identical to the EOS 5D Mark III. He also notes areas where Canon has improved some of the design.</p>
<blockquote><p>Outside of the stuff we already know about the new Canon cameras, there were not many surprises looking inside, and the few surprises we had were positive. There was Canon’s usual very clean design and layout. There were incremental improvements in the engineering, like the separated I/O system, more robust tripod mount assembly, and improved inner tapes and shields. I have a little concern about the lens release pin, but it probably will not be an issue. After all, I’m known to be paranoid.</p></blockquote>
<p>On a side note, we received our EOS 5DS and and are looking forward to shooting with it this weekend.</p>
<p><strong><a href="http://www.lensrentals.com/blog/2015/06/canon-5ds-teardown" target="_blank">Read the full article with pictures</a> | Canon EOS 5DS Body $3699: <a href="http://www.adorama.com/ICA5DS.html?kbid=64393" target="_blank">Adorama</a> | <a href="http://www.bhphotovideo.com/c/product/1119026-REG/canon_0581c002_eos_5ds_dslr_camera.html/BI/2466/KBID/3296" target="_blank">B&H Photo</a> | <a href="http://www.amazon.com/gp/product/B00T3ERPT8/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00T3ERPT8&linkCode=as2&tag=canorumo-20&linkId=C3LAZKJCU4IRBJUF" target="_blank">Amazon</a></strong></p>
<p> </p>

thepancakeman · Jun 19, 2015

Hey all,

Short version: the title pretty much sums it up.

Long version:
Out of the blue I've just scored a press pass/official photographer deal for the upcoming USA Weightlifting Youth National Championships. I'm concerned that my trusty 7D isn't quite going to be up to the task. So what I'm trying to decide is whether a 5D3 or a 7D2 is the way to go.

My wife is due for an upgrade and shoots weddings, which would favor the 5D3, but I shoot sports almost exclusively which favors the 7D2 (and yes, we share equipment), so that's a wash. The lighting for the event is likely going to be poor and with weightlifting being an extremely quick movement I will need all the shutter speed I can get, so I need good high ISO. However, in the same vein, being a quick movement I could certainly make use of the FPS.

So the question is, how much high ISO difference between the two, and for this event (and indoor sports in general) do which do you favor and why? And if you're feeling talkative, throw some lens thoughts in there as well, as I'm not sure where the press platform is relative to the lifting platform and am a little light on wider lenses. And if after that you still feeling like sharing, I could use a new tripod for this event, but since I almost never use one I don't want to throw a lot of funds at it.

Thanks!

Current lens selection is 70-200L IS, the 85 1.8, 24-105 4.0L, the nifty 50, and a Tamron 17-55 for crop bodies.

traveller · Jun 19, 2015

http://www.lensrentals.com/blog/2015/06/canon-5ds-teardown

Canon Rumors · Jun 19, 2015

HTML:

A patent showing drone technology has appeared. It looks like this patent is more about the movement and location of a drone camera, as it measures GPS locations, has an altimeter and can control the horizontal & vertical position of the camera.</p>
<p>I’m not sure if Canon is working on a drone, a drone camera or just random technology pertaining to drones.</p>
<p>Patent Publication No. 2015-106840 (Google Translated)</p>
<ul>
<li>Published 2015.6.8</li>
<li>Filing date 2013.11.29</li>
</ul>
<p>Canon patents</p>
<ul>
<li>And control the angle of the vertical and horizontal direction of the camera</li>
<li>The analysis of the position coordinates from the GPS satellite</li>
<li>The stored the coordinates of the object</li>
<li>Altimeter</li>
</ul>

Canon Rumors · Jun 19, 2015

HTML:

PhotographyBLOG has posted 25jpg and 25raw files using the Canon EOS 5DS R, paired with the Zeiss Otus 85mm f/1.4. The level of detail is very good, especially on the studio shots.</p>
<blockquote><p>Here are 25 JPEG (Fine Detail picture style) and 25 Raw images taken with a final production version of the Canon EOS 5Ds DSLR camera with the Zeiss Otus 85mm f/1.4 lens. As always with our sample images, they’re straight out of the camera with no post-processing…</p></blockquote>
<p><strong><a href="http://www.photographyblog.com/previews/canon_eos_5ds_zeiss_otus_85mm_photos/" target="_blank">View the sample Images</a> |  <strong>Canon EOS 5DS R: </strong><a href="http://www.adorama.com/ICA5DS.html?kbid=64393" target="_blank">Adorama</a><strong> | <a href="http://www.bhphotovideo.com/c/product/1119026-REG/canon_0581c002_eos_5ds_dslr_camera.html/BI/2466/KBID/3296" target="_blank">B&H Photo</a> | <a href="http://www.amazon.com/gp/product/B00T3ERPT8/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00T3ERPT8&linkCode=as2&tag=canorumo-20&linkId=C3LAZKJCU4IRBJUF" target="_blank">Amazon</a></strong>

</strong></p>

Canon Rumors · Jun 18, 2015

HTML:

We’re told that Canon isn’t done with PowerShot announcements this summer, and that we can expect another camera sometime over the summer.</p>
<p>We’re told this premium compact camera will fit into your pocket (no clarification on pocket type), have a “large” sensor, a fast lens, and a short zoom range.</p>
<p>The source wasn’t sure if we were talking about a new camera, such as a “PowerShot G5 X”, or an update to the PowerShot G7 X.</p>
<p>More to come…</p>

dolina · Jun 18, 2015

I got an Err 20 with my 5DS R.

It occurs when I try shooting stills after taking video. This happened during a party.

I was able to resolve it the first time by reinserting the battery, as stated in the screen.

On the second go I simply turned off then turned on the camera.

Although I do not expect this camera to be used primarily to do videos with I hope it gets resolved through future firmware.

Canon Rumors · Jun 18, 2015

HTML:

<strong>The pocket-sized DxO ONE features a 20.2 MP 1-inch sensor and a high-end f/1.8 lens</strong></p>
<p>San Francisco, California and Paris, France—June 18, 2015—DxO, a world leader in digital imaging technologies, today introduced the DxO ONE, a revolutionary camera that delivers DSLR image quality in an extremely compact size. At 3.8 oz (108 g) and 2.65” (6.9 cm) tall, the DxO ONE is so small that it easily fits in a pocket, yet it features an ultra-high quality f/1.8, 32mm equivalent aspherical lens with a variable 6- blade iris and a 1-inch 20.2MP CMOS BSI sensor capable of capturing high-resolution images even in very low light.</p>
<p>Made of high-grade aluminum, the DxO ONE is a premium camera that has been engineered with the iPhone and iPad® in mind: it attaches via the LightningTM connector, turning the beautiful iPhone display into the camera’s viewfinder. The camera swivels ±60°, enabling creative perspectives.</p>
<p>The DxO ONE achieves a DxOMark Sensor Score of 70, and up to 85 when using the SuperRAWTM technology (described below), on par with full frame DSLRs and dramatically higher than any smartphone. DxOMark is the industry-standard protocol for camera and lens image quality assessment, used throughout the camera industry and photography press.</p>
<p>“The image quality of the DxO ONE is stunning,” said Jerome Meniere, CEO and founder of DxO. “It’s possible to shoot crystal-clear images under moonlight, which is incredible for a camera this small. The shallow depth of field and bokeh of the lens at f/1.8 is absolutely perfect for portrait photography.”</p>

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<p><!--more--></p>
<p>A free iOS app enables control of the individual settings on the DxO ONE camera, including aperture (from f/1.8 to f/11), shutter speed (from 15s to 1/8000s), and ISO (from 100 to 51200). In addition to an Auto mode, the DxO ONE app offers various capture modes, including multiple Scene modes, Speed, Aperture Priority, or full Manual mode – and the camera interface automatically adapts to the selected mode for a unique user experience.</p>
<p>The DxO ONE also records outstanding videos at 1080p/30fps or 720p/120fps.</p>
<p>In addition to the built-in microSDTM memory card, photos or video can be automatically stored in the iOS camera roll, where they are immediately displayed on the iPhone’s or iPad’s beautiful high-resolution screen, and can be instantly shared to Facebook®, Instagram®, and Twitter®, leveraging the iPhone’s natural connectivity.</p>
<p>By default, the DxO ONE automatically keeps the valuable high-dynamic RAW ‘digital negative’ files, enabling post-production editing flexibility in RAW conversion programs like DxO OpticsPro and Adobe® Lightroom®.</p>
<p>For the ultimate in noise-free image quality – even in very low light – users can choose to capture images in DxO’s new SuperRAW format. A SuperRAW file is the result of 4 RAW frames captured in quick succession. When the DxO ONE camera is connected to a Mac or PC, the DxO Connect companion software automatically merges the four images together using the very latest in spatial and temporal noise reduction.</p>
<p>“The DxO ONE leverages all of the imaging technologies that we’ve been perfecting for well over a decade,” explained Frederic Guichard, DxO’s Chief Image Scientist. “It brings together mobile imaging miniaturization technologies with a large 1-inch sensor and state-of-the-art software image processing.”</p>
<p>“Being image lovers at DxO, we have built the camera we dreamed of for ourselves and could not find anywhere else: uncompromised image quality always available in our pocket,” concluded Jerome Meniere, CEO and founder of DxO. “We believe that, as the first truly connected camera, the DxO ONE opens a completely new era in digital imaging and we can’t wait to see what incredible images photographers around the world will be able to create with it.”</p>
<p><strong>Pricing & Availability</strong></p>
<p>In the US, the DxO ONE can be pre-ordered today from www.dxo.com, with shipments planned to begin in September. Pre-order and availability dates for other countries are available on DxO’s website.</p>
<p>The DxO ONE is offered at a price of $599. For a limited time, the DxO ONE comes with free licenses of two award-winning RAW image processing software, DxO OpticsPro (ELITE Edition, sold separately for $199), and DxO FilmPack (ELITE Edition, sold separately for $129), which digitally reproduces the look and feel of analog films.</p>

Canon Rumors · Jun 18, 2015

HTML:

Leaked photos of a brand new Sigma 24-35mm f/2 DG HSM have hit the web. This would be a full frame lens and a game changer at f/2. We’d heard rumors that Sigma was working on a 24-70 f/2 Art lens, but I guess this is what was actually in development.</p>
<p>The announcement is expected soon, along with specifications.</p>
<p>More to come…</p>

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Canon Rumors · Jun 18, 2015

HTML:

The brand new Canon Connect Station CS100 was initially slated to ship this month, but has now been pushed back until September. The reason(s) for the delay are unknown and I’m sure at least tens of people are bummed about this.</p>
<p class="fs16 OpenSans-600-normal upper product-highlights-header">PRODUCT HIGHLIGHTS</p>
<ul class="top-section-list" data-selenium="highlightList">
<li class="top-section-list-item">Wirelessly Accessible Storage Hub</li>
<li class="top-section-list-item">Dedicated to Canon Cameras & Camcorders</li>
<li class="top-section-list-item">Built-In 1TB Hard Drive</li>
<li class="top-section-list-item">NFC and Wi-Fi Connectivity</li>
<li class="top-section-list-item">SD/CF Card Slots and USB Port</li>
<li class="top-section-list-item">HDMI Out for Viewing on HDTV</li>
<li class="top-section-list-item">Simple Interface for File Management</li>
<li class="top-section-list-item">Compatible with Wireless Printers</li>
<li class="top-section-list-item">Web Browser and iMAGE GATEWAY Support</li>
<li class="top-section-list-item">Includes CS-RC1 Remote Control</li>
</ul>
<p><strong><a href="http://www.bhphotovideo.com/c/product/1110391-REG/canon_9899b002_connect_station_cs100_storage.html/BI/2466/KBID/3296/DFF/d10-v21-t1-x591961" target="_blank">Canon Connect Station CS100 at B&H Photo $299</a></strong></p>

jaayres20 · Jun 18, 2015

Got the 5DSr a couple days ago and I love it. In terms of IQ it blows the doors off the 5D3, 1DX, & 6D (which I have all). The 1DX has a little better noise, but the details of the 5DSr almost allow post processing to make up for it. The 5D3 doesn't even compare in any category related to the sensor. ISO 6400 on the 5DSr is nice and works great for my purposes (weddings & portraits).

I have no issues taking 200mm images with sharp detail hand held at 1/100 with the 70-200 IS (as long as my technique is solid). I am very happy about that because I was a little nervous with everyone saying a tripod was absolutely necessary.

I really wish the mRAW was a viable option to me and am a little disappointed mRAW is so terrible. Is a wedging photographer I would really like to go between 28mp and 50mp to help with file size but a few quick tests showed there is a lot more missing from a mRAW than resolution. Here is a quick test, original on the left, RAW in the middle, and mRAW on the right. Why are the colors so terrible in the shadows? I underexposed the image on purpose and processed it more than I would have if the image served more of a purpose than just a test, but look at the wheel well? The colors in the shadows turned green. What in the world happened? All of the settings were taken the same and all of the post processing sections were the same too.

ahsanford · Jun 18, 2015

Photo Rumors is more of an aggregator than a site that cultivates its own leads. But when they have a title of "This is the new [Product]" it's 100% correct as it's just a repost of legit leaked shots. Think of it as a CR3.

Which is why this one is goofy:
http://photorumors.com/2015/06/18/new-sigma-24-35mm-f2-full-frame-lens-to-be-announced-tomorrow/

...as they never say "the end is nigh", they only say "the end is here". This isn't like them at all, so I have to file this one under 'not buying it', but I thought I'd pass it along.

And if they end up making this lens instead of the 24-50 f/2 we heard about some time ago, I will be quite sad.

- A