Canon 5Ds & 5Dsr: Shipping date confusion!!

I have ordered the 5Dsr here in USA and in Europe and i am getting really confused about the different shipping info i get


B&H Photo: June
My Amazon order confirmation states 27th-29th of May
Store in Italy: End of May
Store in Denmark: Beginning of June

somehow the manual is out since a while, so the raw support from Canon and 3rd party raw converter
normally at this point the camera should be just a few weeks from shipping but on this web site it still says that the cameras will ship only at the end of June
Does any one have more informations?

Thanks in advance
E

Getting Canon 200-400 f4 L this weekend...advice?

Dance recital time again this year! I usually rent a a 1DX for the weekend and fire away with my trusty 70-200 IS II, but this year I had the guys at LensRentals.com toss in the 200-400 superbeast. I'll be shooting the stage from 100 feet away (huge recitals) so I can set it to focus from 20feet to infinity as I chase competition dancers back and forth across the stage nestled atop a sturdy manfrotto tripod.

I've never shot this monster before.

Anyone have any advice on best practices? I'm thinking IS mode 3 considering I'm gonna need as much speed for tracking as possible. My aim is to set up in Manual mode at f4 (5.6 when switched into tele mode) at 1/400th and Auto ISO with maybe +2/3 exposure comp. LED walls and $50k of theatrical lighting changes metering every second.

Visiting USA, need some advice pls.

Hi everyone.
I will be visiting USA - NY mostly last week of June and 1st week of July. Dates are bit flexible still.
Question:
I want to visit a nice SCENIC national park for 3 odd days with my two daughters. Which one do you recommend?
I have never been to Yellowstone and was thinking visiting but I do not want to go anywhere that is too crowded. I have Alaska sort of visual in mind but 3 days will be too short and too far from NY. What do you suggest? Thanking you in advance.

Real World Image Samples from Rebel T6s & T6i

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Canon’s latest Rebels didn’t launch without issue, as a select number of the first batch of cameras needed a service advisory. Now that Canon has taken care of that, these feature rich entry level DSLRs from Canon are showing some good promise.</p>
<p>DPReview has posted a gallery of real world images from the EOS Rebel T6s (760D) and EOS Rebel T6i (750D), the images look pretty impressive to me.</p>
<p><strong><a href="http://www.dpreview.com/articles/7890754335/canon-eos-rebel-t6s-t6i-sample-galleries-posted" target="_blank">View the gallery at DPReview</a></strong></p>
<ul>
<li>Canon EOS Rebel T6i $749: <a href="http://adorama.evyy.net/c/60085/51926/1036?u=http://www.adorama.com/ICAT6I.html" target="_blank">Adorama</a> | <a href="http://www.bhphotovideo.com/c/product/1116100-REG/canon_0591c001_eos_rebel_t6i_dslr.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.amazon.com/gp/product/B00T3ERFFW/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00T3ERFFW&linkCode=as2&tag=canorumo-20&linkId=CT2FAZ2X7Y25YGNV" target="_blank">Amazon</a></li>
<li>Canon EOS Rebel T6i w/18-55 IS STM $899: <a href="http://adorama.evyy.net/c/60085/51926/1036?u=http://www.adorama.com/ICAT6IK1.html" target="_blank">Adorama</a> | <a href="http://www.bhphotovideo.com/c/product/1116103-REG/canon_0020c001_eos_rebel_t6s_dslr.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.amazon.com/gp/product/B00T3ERFFW/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00T3ERFFW&linkCode=as2&tag=canorumo-20&linkId=CT2FAZ2X7Y25YGNV" target="_blank">Amazon</a></li>
<li>Canon EOS Rebel T6i w/18-135 IS STM $1099: <a href="http://adorama.evyy.net/c/60085/51926/1036?u=http://www.adorama.com/ICAT6IK2.html" target="_blank">Adorama</a> | <a href="http://www.bhphotovideo.com/c/product/1116102-REG/canon_0591c005_eos_rebel_t6i_dslr.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.amazon.com/gp/product/B00T3ERFFW/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00T3ERFFW&linkCode=as2&tag=canorumo-20&linkId=CT2FAZ2X7Y25YGNV" target="_blank">Amazon</a></li>
<li>Canon EOS Rebel T6s $849: <a href="http://adorama.evyy.net/c/60085/51926/1036?u=http://www.adorama.com/ICAT6S.html" target="_blank">Adorama</a> | <a href="http://www.bhphotovideo.com/c/product/1116103-REG/canon_0020c001_eos_rebel_t6s_dslr.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.amazon.com/gp/product/B00T3ERM4Q/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00T3ERM4Q&linkCode=as2&tag=canorumo-20&linkId=WEOGU5PU54KOZVWA" target="_blank">Amazon</a></li>
<li>Canon EOS Rebel T6s w/18-135 IS STM $1149: <a href="http://adorama.evyy.net/c/60085/51926/1036?u=http://www.adorama.com/ICAT6SK.html" target="_blank">Adorama</a> | <a href="http://www.bhphotovideo.com/c/product/1116104-REG/canon_0020c003_eos_rebel_t6s_dslr.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.amazon.com/gp/product/B00T3ERM4Q/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00T3ERM4Q&linkCode=as2&tag=canorumo-20&linkId=WEOGU5PU54KOZVWA" target="_blank">Amazon</a></li>
</ul>

EOS 5D Mark IV Testing Has Begun [CR2]

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<p>We’re told test bodies for the EOS 5D Mark IV have made their way to select photographers. The timeline for an announcement is still some time in Q4 of 2015.</p>
<p>While there has been talk about a new DIGIC processor for the EOS-1D X Mark II, it is unknown if the EOS 5D Mark IV will see the rumored DIGIC 7 processor as well. If it doesn’t, one can assume that the EOS-1D X Mark II won’t come soon after the EOS 5D Mark IV and will likely fall into the winter of 2016, with availability coming soon after.</p>
<p>2016 is an Olympic & Euro year, with the summer games being held in August and Euro beginning in June. 2016 is a Photokina year as well, which comes in September.</p>
<p>More to come…</p>
<p> </p>

Switzerland

Hoi zäme,

Don't know if this thread will have a lot of life, but these regional boards seem like a good idea to me, and I've seen a few other Swiss photographers around these parts, so hopefully there might be some interest for a few Switzerland-specific tidbits.

To kick things off, I'll point out that Canon Switzerland has launched their summer cashback offer for 2015:
http://fr.canon.ch/summer-cashback-2015/
http://de.canon.ch/summer-cashback-2015/

The best deal is (once again) on the 24-70 f4L, which with this offer can currently be had for CHF 578, genuine Canon Switzerland item, 3 years promotional warranty. At some point they're going to start giving them away ... ::)

Pretty good deal on the 16-35 f4L as well, bringing it under CHF 800. Great price for a great lens.

Oh, and they also have this new "free accessory" offer with the purchase of a camera.
http://fr.canon.ch/midrange/
http://de.canon.ch/midrange/

I didn't look at it so carefully, because I personally have no intention of buying another camera (and I prefer cash to accessories anyway), but it might be of interest to others.

And finally, for folks in Zürich, a reminder that the World Press Photo exhibit is in Sihlcity until the end of the month.
http://www.worldpressphoto.org/exhibitions/2015-exhibition/zurich

That's all for today ;) Cheers to all fellow Swiss CR readers.

RODE VideoMic Pro Gets Upgrade With Rycote Onboard

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<strong>Tuesday May 19th, 2015, Sydney Australia</strong> – Pro-audio brand RØDE Microphones is announcing an upgrade to its number one selling microphone worldwide, the VideoMic Pro.</p>
<p>Originally released in 2010, the VideoMic Pro quickly became an industry standard on-camera shotgun microphone for professionals and enthusiasts alike. With its small form factor, superior audio quality and industry first +20db level boost, it was the perfect companion for DSLR cameras as they became the go-to device for high definition video capture.</p>
<p>Determined to raise the bar again in 2015, RØDE’s all new VideoMic Pro will feature the acclaimed Rycote Lyre suspension system, along with an upgraded microphone capsule, improving both the physical characteristics and audio performance of the microphone.</p>
<p>Already implemented on the VideoMic and VideoMic GO, the Rycote Lyre suspension system is widely regarded as the best microphone shock mounting solution available. Featuring a suspension structure composed of a hard-wearing thermoplastic, it is far more effective at minimising unwanted vibrations, handling and cable-borne noise than traditional elastic suspensions. Virtually indestructible, the Rycote Lyre will never sag, snap, wear out or require rethreading to maintain its effectiveness.</p>
<p>Completing the upgrade is an all-new microphone capsule, giving the 2015 VideoMic Pro even higher sensitivity and lower self-noise, ensuring crystal clear audio capture over a wider dynamic range.</p>
<p>“The VideoMic Pro was a revelation for DSLR users the world over, making broadcast quality audio accessible to everyone at an affordable price” comments Damien Wilson, RØDE’s Global Sales and Marketing Director. “Now we’re taking it to another level. With the Rycote Lyre upgrade, and an upgraded capsule, it’s now even better value for such an amazing broadcast quality product.”</p>
<p>The VideoMic Pro featuring Rycote Lyre suspension is shipping to authorised RØDE dealers now. For more information please visit <a href="http://www.rode.com/microphones/videomicpro" target="_blank">www.rode.com/microphones/videomicpro</a>.</p>

GAS - what to get next

i grew quite fond of photography over the past few years and as a result i now own a 5d3, 24-70 II and the 50 L...
not so long ago i sold my 70-200 4 IS and the 100 zeiss so now i got 1500-ish EUR to spend

my candidates to spend them on:

70-200 2,8 IS II - i lately notice the lack of tele distance after selling the 4IS - especially for sports and portrait photography, but i dont shoot those too frequently; this lens seems the most logical choice leading a universal setup

65mm super macro - the zeiss was optically awesome and files straight out of camera looked halfway processed, but the 1:2 just wasnt enough for me and manual focus was too hard to master for portraits... the 65 might be a bot too much on the other hand, but it is something i can imagine myself playing with over longer periods of time

24mm tilt shift - i got 24mm covered, and can work around most of what TS provides via post-processing one way or another, but id still love to own this... hmm... yeah... just a case of GAS i guess

85L - i dont understand why 50L gets so much hate, but the 85 seems to get pure love, so, should be worth a try

i would welcome any opinions on which to buy first (cause i guess i will buy most of them sooner or later ;)), including suggestions of lenses which i didnt consider

EF 300mm f/2.8L II + 2x III (with Canon 7D mk II) or...?

Do you think that EF 300mm f/2.8L II + 2x III would be a realistic option to get 600mm f/5.6 with IS for birding? I've seen some really sharp images taken with this combination, but still not sure if it's worth the price. It's possible to get the lense only for 5500 euros and I already happen to have the 2x III. Also the size and weight of this combo would be rather low. Or should just I save and get the EF 600mm f/4L II for twice price? :) It's a bit on the big side, though.

  • Poll Poll
Lumix G7 with 16k Shutter Speed.

Do you need 16K Speed?

  • Yes - I need it now

    Votes: 2 33.3%
  • Don't know - I shoot when I need between 4k & 8K

    Votes: 2 33.3%
  • No. - I don't go faster than 4K

    Votes: 1 16.7%
  • I don't know - My camera doesn't support those speeds

    Votes: 0 0.0%
  • I don't know WHY and for WHAT I would need it.

    Votes: 1 16.7%

I think this one is really good. Will ever Canon begin using shutter speed and do you need 16K speed?

Lumix G7

AS I just read here. Even Canon 1D could reach these speeds.... Why then having them back?

Panasonic Announces LUMIX DMC-G7

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<strong>Newark, NJ (May 18, 2015) – </strong>Panasonic is proud to introduce the LUMIX DMC-G7. The revolutionary Panasonic LUMIX G7 offers Panasonic’s exclusive 4K PHOTO feature that taps the high resolution of 4K Ultra HD video to improve the speed of photo capture. With the exclusive 4K PHOTO feature you are able to pause and extract high resolution pictures from 4K video so you will never again miss that one special moment. The LUMIX G7 is also compatible with over 24 compact lens options and is built on the next generation interchangeable lens camera standard (Micro Four Thirds) that is “Changing Photography” and pioneered by Panasonic. The “Mirrorless” Micro Four Thirds design enables a lighter, more compact camera body, while also offering cutting-edge 4K video, audio, creative controls, wireless, super-fast intelligent-focusing and exposure technologies not possible with traditional DSLRs. The LUMIX G7 will be available at shop.Panasonic.com and LUMIX authorized retailers.</p>
<p><strong>4K Capability Delivers a Change in Photography – 4K Video and 4K Photo

</strong>The LUMIX G7 records stunningly smooth, high-resolution QFHD 4K video in 3840×2160 at 30p or 24p in MP4 in addition to the Full-HD 1,920 x 1,080 60p video in AVCHD Progressive or MP4 (MPEG-4 / H.264) format with practical full-time Auto Focus (AF).</p>
<p>Taking advantage of 4K video recording capability, users can lock in on a split-second photo using the exclusive “4K PHOTO” feature on the LUMIX G7. With 4K PHOTO, users can extract fleeting photo moments at 30 frames per second in printable 8-megapixel equivalent resolution, by playing back and extracting a precise photo frame of a special moment from the 4K file to save as a photo. Three new exclusive functions are offered to make 4K photography even easier; 4K Burst Shooting, 4K Burst S/S (Start/Stop) and 4K Pre-burst. The 4K Burst Shooting allows almost <span class="green">*</span>unlimited shooting at 30 fps, which can be initiated by pressing the shutter button and releasing it once you are satisfied the image has been captured. The 4K Burst S/S (Start/Stop) mode starts consecutive shooting with a single press of a shutter button and stops it with the second press, which is more suitable for the shooting opportunities requiring longer waiting time. And the 4K Pre-burst automatically records a total of 60 images right before/after the shutter release. All of three 4K Photo modes allow you to save images in 8-megapixel equivalent high resolution; 3840×2160 (16:9), 3328×2496 (4:3), 3504×2336 (3:2), 2880×2880 (1:1) without missing that unique photo opportunity.</p>
<p><a href="http://www.bhphotovideo.com/c/search?Ntt=DMC-G7&N=0&InitialSearch=yes&sts=ma&Top+Nav-Search=/bi/2466/kbid/3296" target="_blank">Preorder the Panasonic LUMIX DMC-G7 at B&H Photo</a></p>
<p><!--more--></p>
<p><span class="green">Motion pictures with their file size set to [FHD],[HD]or[VGA]in[MP4]:</span></p>
<p><span class="green">Recording stops when the continuous recording time exceeds 29 minutes and 59 seconds or the file size exceeds 4GB.</span>

<span class="green">-Since the file size becomes larger with [FHD], recording with [FHD] will stop before 29 minutes 59 seconds.</span>

<span class="green">Motion pictures with their file size set to [4K] in [MP4]:</span>

<span class="green">Recording stops when the continuous recording time exceeds 29 minutes and 59 seconds.</span>

<span class="green">(You can continue recording without interruption even if the file exceeds 4GB, but the motion picture will be recorded and played back in separate files.)</span>

<span class="green">*Max.29 min 59 sec. </span></p>
<p><strong>High Photographic Performance – Picture Quality and Response</strong>

The LUMIX G7 integrates a 16.00-megapixel Digital Live MOS Sensor that achieves both higher resolution and higher sensitivity image recording with minimum noise. The Venus Engine image processor with quad-core CPU enables high speed signal processing. The advanced Multi-process NR (Noise Reduction) applies effective noise reduction and detail processing according to each component frequency. Plus, newly added Random Filter reduces chromatic noise in the image even more naturally. As a result, ISO 25,600 is achievable. The Venus Engine also improves accurate reproduction of each color not only in color phase but also in saturation and luminosity. In addition, the Venus Engine in LUMIX G7 excels in diffraction compensation making the resulting image crisp and clear even when shot at a small aperture.</p>
<p><strong>The Top Level of AF Performance Among Conventional DSLRs and Mirrorless Cameras</strong>

The LUMIX G7 uses Contrast AF for its focus system that excels in both speed and accuracy. The LUMIX G digital interchangeable lens is capable of digital signal communication at max. 240 fps, allowing focusing that is impressively quick and smooth. The Contrast AF system in the G7 is further enhanced by Panasonic’s integration of DFD (Depth from Defocus) technology, originally introduced in the now legendary LUMIX GH4, which even shortens the time to focus. It calculates the distance to the subject by evaluating two images with different sharpness levels while consulting the data of optical characteristics of the current lens at that moment. As a result, the LUMIX G7 achieves ultra-high speed AF of approx.0.07 sec<span class="green">*2</span>. This improvement becomes even more beneficial as focal length increases. The speed of burst shooting is dramatically faster than its predecessor the G6, boasting high speed burst shooting at 8 fps (AFS) / 6 fps (AFC) to capture fast moving subjects accurately in-focus.</p>
<p>The Low Light AF makes it possible to set focus on the subject more precisely even without an AF assist lamp in extremely low-lit situations all the way down to -4EV, which is as dark as moonlight. Furthermore, the LUMIX G7 newly integrates Starlight AF which allows users to shoot a star in the night sky with auto focus. This can be achieved by accurate calculation of contrast value in each tiny AF zone.</p>
<p>In addition to the conventional Face Recognition AF, the LUMIX G7 incorporates Face / Eye Detection AF which automatically sets focus right on the eye of human face. With the Pinpoint AF, users can magnify the target area to set precise focus. With the new algorithm of AF Tracking, not only the color but also the size and motion vector of the target are recognized, enabling the camera to lock on the subject even more securely. The result is AF tracking performance of approx.200% or greater which prevents the camera from losing the subject<span class="green">*3</span>.</p>
<p><span class="green">*1 Contrast AF with DFD Technology works only with Panasonic Micro Four Thirds lenses.

*2 In AFS, With LUMIX G VARIO 14-140mm / F3.5-5.6 ASPH. / POWER O.I.S. (H-FS14140)</span>

<span class="green">*3 Panasonic comparison with DMC-G6.</span></p>
<p><strong>Improved Mobility Supported by Mechanical Advancements

</strong>To further enhance the ease of use in capturing 4K photos, the LUMIX G7 comes with a new drive mode dial in addition to the front/rear dials for the first time among all LUMIX G cameras. The drive mode dial enables activating 4K photo mode very quickly. Users can change settings such as aperture, shutter speed with the front/rear dials and can also customize the assignment of functions as well as on Fn buttons. It is also possible to make a temporary shift of dial functions with Dial Operation Switch. For example, users can adjust white balance with a front dial and set ISO with a rear dial while choosing the shutter speed or seeing the noise effect, which is helpful in complex lighting situations. Either AFS/AFC/MF can be switched with the dedicated focus lever.</p>
<p>The LUMIX G7 boasts a high-precision, high-speed dual OLED (Organic Light-Emitting Diode) displays for the LVF (Live View Finder). Increasing the resolution of display area to 2,360K-dot, the LVF boasts approx.1.4x / 0.7x (35mm camera equiv.) magnification and 100% field of view and eye point of approximately 17.5 mm. Thanks to the newly designed large eyecup, the visibility of LVF is dramatically improved. The image output between the LVF and the rear monitor is switched automatically with the eye sensor on the LVF. Adoption of OLED achieves high speed response with minimum time lag while enhancing the resolution. Notably, the OLED for the LVF in the LUMIX G7 boasts 10,000:1 high contrast for superior color reproduction. Now the excellent visibility comes closer to the Optical View Finder. On the other hand, live view image can be displayed in monochrome through the LVF which enables shooting concentrating on contrast.</p>
<p>Adopting a static-type touch control system, the 3-inch free-angle rear monitor with 1040K-dot high resolution features approx.100% field of view. Notably, it boosts the maximum luminance by more than 50% compared with the predecessor. As a result, the LUMIX G7 secures higher visibility even in the sunny outdoors.</p>
<p>Last but not least, the LUMIX G7 is equipped with a large, ergonomically designed grip. It fits well in the users hand and offers stable grip even in one hand.</p>
<p><strong>Other Features</strong></p>
<ul>
<li><strong>UHS-II SDXC/SDHC Memory Card Compliance NEW</strong>

The G7 features the compatibility with the SDXC/SDHC Memory Card of the highest performance BUS class UHS-II in addition to the conventional UHS-I.</li>
<li><strong>Max.1/16,000 sec High Shutter Speed NEW</strong>

The GF7 offers a shutter speed at max. 1/16,000 sec (electronic) not only to capture spur-of-the-moment of a fast moving subject but also to use a high-speed lens with open aperture even in outdoors, to give impressive defocus.</li>
<li><strong>Easy Wireless Connectivity via Wi-Fi® with Smartphones ADVANCED</strong>

The LUMIX G7 integrates Wi-Fi® connectivity (IEEE 802.11 b/g/n) to offer a more flexible shooting experience and instant image sharing with easy operation. Once connecting the camera and smartphone/tablet installing Panasonic’s dedicated application software Panasonic Image App for iOS / Android, users can shoot, browse and share images remotely.

The LUMIX G7 also integrates Jump Snap. By holding the smartphone in your hand or having it in a pocket, the smartphone detects the highest position when the user jumps and releases the shutter of the camera. It lets users to photograph themselves jumping as if they are flying in the air.</li>
<li><strong>Creative Panorama (ultra wide) ADVANCED

</strong>The Panorama Shot function allows shooting horizontal/vertical ultra-wide panoramic image by shooting sequent pictures easily.  This is in addition to the standard Panorama function.</li>
<li>3.5mm Microphone Socket</li>
<li>Focus Peaking</li>
<li>Silent Mode</li>
<li>Level Gauge</li>
<li>WB (White Balance) Bracket</li>
<li>Creative Control with 22 Filters</li>
<li>Time Lapse Shot / Stop Motion Animation</li>
<li>P/A/S/M mode for Video Recording</li>
<li>iA+ (Intelligent Auto) Mode for Photo and Video</li>
<li>Scene Guide with 20 Sample Situations</li>
</ul>
<p> </p>
<p><strong><a href="http://www.bhphotovideo.com/c/search?Ntt=DMC-G7&N=0&InitialSearch=yes&sts=ma&Top+Nav-Search=/bi/2466/kbid/3296" target="_blank">Preorder the Panasonic LUMIX DMC-G7 at B&H Photo</a></strong></p>

Canon Working on Professional Underwater Camera? [CR1]

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Is Canon working on a higher end and more professional underwater camera?</p>
<p>We’re told that Canon is working on an underwater camera for serious divers, a camera that would not require an underwater housing and far superior to any of the point and shoot options out there. Canon has said that they’re going to start making cameras that are need based, instead of the do-it-all cameras of the past.</p>
<p>Take this with a huge grain of salt, but the concept is interesting.</p>

New EF f/2.8 Wide Angle Zoom in the Works [CR1]

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This is the second time in the last month or so that we’ve been told that a new wide angle f/2.8 zoom was in the works. The obvious lens for replacement would be for the EF 16-35mm f/2.8L II. which was released in 2007. Fast wide angle zooms are still required by a lot of event photographers as well as people that want to use something lighter, cheaper and easier to use than the EF 11-24 f/4L.</p>
<p>I think it’s possible that the focal length range changes, even if only slightly.</p>
<p>Such an update will not come before the release of Canon’s next L prime, which most people expect to be the EF 35mm f/1.4L II.</p>

Fujifilm Announces Lightweight X-T10

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<em>X-T10 uses advanced scene recognition and new auto focus system to capture your memorable moments</em></p>
<p><strong>Valhalla, N.Y., May 18, 2015 –</strong> FUJIFILM North America Corporation today announced the all new FUJIFILM X-T10, the latest premium interchangeable lens camera that joins the world-renowned X-Series digital camera line-up. The sleek FUJIFILM X-T10 delivers outstanding image quality, usability and portability for photo enthusiasts with its new innovative autofocus system, large electronic Real Time Viewfinder, and incredible continuous shooting speed of up to 8.0fps. The X-T10 also has an amazingly short lag time of just 0.005 seconds so users can be ready and capture every image imaginable.</p>
<p>The FUJIFILM X-T10 uses the latest generation 16.3 Megapixel APS-C X-Trans CMOS II sensor with built-in phase detection autofocus along with the high-performance EXR Processor II, and is compatible with all FUJINON lenses to deliver excellent resolution and outstanding image quality.</p>
<p><strong>Advanced new autofocus system

</strong>The FUJIFILM X-T10 uses a new auto focus system that complements the fast and accurate single-point auto focus system with new Zone and Wide/Tracking modes, which use 77 autofocus points across a wider area to substantially improve the camera’s ability to track and capture moving subjects.</p>
<p>The Zone mode allows users to choose a 3×3, 3×5 or 5×5 zone from the 77-point auto focus area. When combined with the AF-C continuous focusing mode, the camera continues tracking a subject in the selected zone. The 3×3 and 3×5 zones at the center, in particular, offer extra-fast focusing with the use of the built-in phase detection pixels.</p>
<p>In the Wide/Tracking mode, the camera displays the area in focus, identified automatically out of the 77-point auto focus area (Wide in the AF-S mode) and tracks the focus area’s subject across the entire 77-point AF area (Tracking in the AF-C mode). This makes it possible to maintain focus on a subject that moves vertically, horizontally, and back and forth.</p>
<p><strong>Preorder Body & Kits</strong></p>
<ul>
<li>Fuji X-T10 Body $799: <a href="http://www.bhphotovideo.com/c/product/1149205-REG/fujifilm_16470245_x_t10_mirrorless_digital_camera.html/BI/2466/KBID/3296" target="_blank">Black</a> | <a href="http://www.bhphotovideo.com/c/product/1149204-REG/fujifilm_16470439_x_t10_mirrorless_digital_camera.html/BI/2466/KBID/3296" target="_blank">Silver</a></li>
<li>Fuji X-T10 w/16-50 $899: <a href="http://www.bhphotovideo.com/c/product/1149209-REG/fujifilm_16470817_x_t10_mirrorless_digital_camera.html/BI/2466/KBID/3296" target="_blank">Black</a> | <a href="http://www.bhphotovideo.com/c/product/1149208-REG/fujifilm_16471380_x_t10_mirrorless_digital_camera.html/BI/2466/KBID/3296" target="_blank">Silver</a></li>
<li>Fuji X-T10 w/18-55 $1099: <a href="http://www.bhphotovideo.com/c/product/1149207-REG/fujifilm_16471005_x_t10_mirrorless_digital_camera.html/BI/2466/KBID/3296" target="_blank">Black</a> | <a href="http://www.bhphotovideo.com/c/product/1149206-REG/fujifilm_16471574_x_t10_mirrorless_digital_camera.html/BI/2466/KBID/3296" target="_blank">Silver</a></li>
</ul>
<p><!--more--></p>
<p><strong>Stunning design with functional control

</strong>The FUJIFILM X-T10 has an all-new design that packs the best X-Series functionality into a compact and lightweight body, perfect for travelling light. The X-T10 top and base plates are made of a lightweight, but highly rigid, die-cast magnesium. The top plate features three precision-milled aluminum dials that give the X-T10 a premium feel and allow users to intuitively adjust the combination of aperture, shutter speed and shooting functions while concentrating on picture taking.</p>
<p>The X-T10’s back panel has a 3” 920K-dot tilting LCD monitor that makes above head and close to the ground shooting easy and fun. The X-T10 also has a new Auto Mode Switch lever for selecting the fully-automatic Advanced SR Auto mode. In this mode, the camera automatically chooses optimum settings for a given scene to make shooting effortless.</p>
<p>The X-T10 body also features an integrated pop-up flash, positioned in the center of the top plate that uses Super Intelligent Flash to automatically adjust light output according to the scene type.</p>
<p><strong>A FUJINON XF/XC lens for every shooting style

</strong>The FUJIFILM X-T10 is compatible with every current FUJINON lens – 18 premium lenses ranging from ultra-wide-angle to telephoto, including five fast aperture prime lenses. These lenses bring out the very best image quality from the X-T10. Together with optional accessories including X- mount adapters and macro extension tubes, users can experience a full range of photographic possibilities with images that achieve edge-to-edge definition for high-resolution pictures across the entire frame.</p>
<p><strong>FUJIFILM X-T10 key features:</strong></p>
<ul>
<li>16.3 million Megapixels APS-C X-Trans CMOS II Sensor

– EXR Processor II

– Fast AF of 0.06 seconds

– Startup time of 0.5 seconds

– Shutter time lag of 0.005 seconds

– Shooting interval of 0.5 seconds</li>
<li>High-precision 2.36 million dot OLED viewfinder</li>
<li>Large viewfinder magnification for digital cameras of 0.62x</li>
<li>Wide viewing angle (horizontal 25°)</li>
<li>Ultra-fast Real Time Viewfinder with a lag-time of 0.005 second and new Natural Live View with Preview Picture Effect</li>
<li>Tempered glass 920K-dot high-precision 3” tilting LCD monitor</li>
<li>Digital Split Image and Focus Highlight Peaking</li>
<li>Completely electronic shutter up to 1/32000 seconds</li>
<li>ISO200 – 6400, extended ISO 100, 12800, 25600, Auto (maximum ISO setting from ISO 400 – ISO6400 available)</li>
<li>ISO setting of up to 51200 for ultra-high sensitivity that produces low noise and strong blacks in low light conditions.</li>
<li>‘Classic Chrome’ and ten other film simulation modes with eight Advanced Filter functions</li>
<li>Eye Detection AF to automatically detect and focus on human eyes</li>
<li>Full HD video 1080p at 60fps; bit rate of 36Mbps for clear capture of delicate movements; frame rates of 50fps, 30fps, 25fps and 24fps, supporting worldwide motion picture formats with a high bit rate of 36Mbps for high definition video capture</li>
<li>Manual focus available during video recording</li>
<li>Auto Macro function automatically activates the Macro mode while maintaining AF speed</li>
<li>Variable aspect ratio can be selected from 3:2, 16:9, and 1:1 (square) to accommodate a wide range of photographic styles</li>
<li>Interval timer shooting for time lapse photography is available with intervals of one second to 24 hours and up to 999 frames.</li>
<li>Free FUJIFILM Camera Remote application and Wireless Communication function allows users to remotely shoot images from smartphones and tablets via WiFi</li>
<li>Photos can be sent to the INSTAX Share Printer using the free INSTAX Share App (iOS and Android) SHARE Smartphone Printer.</li>
</ul>
<p>The FUJIFILM X-T10 will be available in June 2015 in the following configurations:</p>
<p><strong>Preorder Body & Kits</strong></p>
<ul>
<li>Fuji X-T10 Body $799: <a href="http://www.bhphotovideo.com/c/product/1149205-REG/fujifilm_16470245_x_t10_mirrorless_digital_camera.html/BI/2466/KBID/3296" target="_blank">Black</a> | <a href="http://www.bhphotovideo.com/c/product/1149204-REG/fujifilm_16470439_x_t10_mirrorless_digital_camera.html/BI/2466/KBID/3296" target="_blank">Silver</a></li>
<li>Fuji X-T10 w/16-50 $899: <a href="http://www.bhphotovideo.com/c/product/1149209-REG/fujifilm_16470817_x_t10_mirrorless_digital_camera.html/BI/2466/KBID/3296" target="_blank">Black</a> | <a href="http://www.bhphotovideo.com/c/product/1149208-REG/fujifilm_16471380_x_t10_mirrorless_digital_camera.html/BI/2466/KBID/3296" target="_blank">Silver</a></li>
<li>Fuji X-T10 w/18-55 $1099: <a href="http://www.bhphotovideo.com/c/product/1149207-REG/fujifilm_16471005_x_t10_mirrorless_digital_camera.html/BI/2466/KBID/3296" target="_blank">Black</a> | <a href="http://www.bhphotovideo.com/c/product/1149206-REG/fujifilm_16471574_x_t10_mirrorless_digital_camera.html/BI/2466/KBID/3296" target="_blank">Silver</a></li>
</ul>
<hr />
<p> </p>

Anyone have experience with EF-S 24mm STM and a gear overhaul

So I'm considering a change in my gear and would appreciate others thoughts on the matter.

I currently own a t4i and the 17-55 2.8. I've had this combo for about a year and a half. Prior to that I had the old 35mm 2.0, 50mm 1.8, and 85 1.8 (and the kit lens).

I was never impressed with the 35 and found the 50mm equivalent focal length uninspiring. I enjoyed the 50mm 1.8, but found the bokeh... blahhh. LOVED the 85 when that focal length fit with what I was shooting, but found it too tight most of the time or not long enough the rest of the time.

The problem with all of it was I have small kids, who move about... and I found the primes too restrictive as they were coming closer and farther away all the time. So, I sold the three lenses to finance my purchase of the 17-55 2.8.

I've found it to be a good lens, though not as impressed with it at 2.8 (at least my copy. could be focal calibration issues which I haven't tested because it wouldn't be able to do anything about it anyways with the t4i).

Here's the rub. As an every day combo, I find myself taking it out less and less because it is an unwieldy combo with the battery grip on, which I find I need for balance and to prevent my pinky from cramping as it falls below the base of the camera. Also, one of my daughters is now in various sports activities and I would like a longer lens for those.

I have NO money to spend. NOT ONE DIME. So if I'm to change things up, I need to do it within the budjet of what I could get for my 17-55 (including a polariser and ND filter). I figure I could definitely get $650 (I live near Vancouver BC) which is what I paid for it.

I'm contemplating ditching the battery grip and going for a minimalist approach. Get the 24mm 2.8 stm pancake which I would keep on all the time. Get the new 50mm 1.8 STM (I'm assuming better bokeh with the 7 blade apateur, I never like the old pentagram, we'll see) for portraiture, and I could also pick up a 70-300 f4-5.6 IS USM for $300 on craigslist for the tele end. I would still have the kit lens if I need to go wider.

I would only pull out the other lenses when I think I would need them and essentially keep my t4i and 24mm as a small, light, camera to take everywhere. I'm well aware of the saying the best camera is the one you have on you, and I anticipate I would have this camera combo on me far more often.

After taxes on the 24 and 50mm (they would be new) and the used 70 - 300, it would all come out to be under my $650 budget.

Thoughts from the community? Especially those with experience using the 24mm 2.8. Alternative recommendations? I really do miss the pop my primes had compared to the 17-55mm. Not to mention f1.8. I wish could have it all, especially the 85 1.8. But due to budgetary constraints I can't and I really need the longer focal lengths as my daughter is playing outdoor soccer and getting closer is often not an option.

Ideally I would get the 70-200 f4 (non-IS). But that would eat up all my money and I would have none leftover.

Thanks in advance for any reply's and suggestions.

Should I keep Sigma 35 1.4/Art lens?

I bought Sigma 35 Art 1.4 lens recently. After using it for about two weeks I am debating whether I should keep it. I have Canon 24-105L and Canon 85/1.8 lens also. I enjoy photography as a hobby and I mostly take photograph of family and landscape. I use these lenses with Canon 6D.

Low light photography: One of the advantage of Sigma lens is 1.4 wide open. However I am realizing that I don't want shallow depth of field while shooting in LL condition such as theater, group of people/family, cityscape etc. If I end up shooting at higher f stops, then I might as well use Canon 24-105L.

Portraits: I think I am able to get equally good portraits using Canon 85/1.8 Lens.

Landscape: Again landscape would be shot at higher f-stops so having 1.4 as minimum doesn't help and Canon 24-105L would be equally effective.

One advantage of Sigma that I am able to see is ability to do macro photography that I am unable to achieve using Canon 24-105L.

Sigma 35/1.4 is a good and fairly expensive lens and I am wondering if I really need it given the other two lenses I already have. Please let me know your thoughts and anything else I may have overlooked.

Thanks
Deepinder

6D + Rokinon 14mm and price estimates

I am a Canadian consumer looking to get a 6D.... coupled with a 14mm Rokinon 2.8 with my focus being set on nightlife and astrophotography.

Can anyone think of any other good lens combinations that would be good for my situation?

Found a 6D body through digitaloutlets.net for 999.99 and the lens for around 450.00.

I've tracked the 6D price over the last 2 Yrs and I don't suppose anyone predicts a drop in price? Or would you recommend waiting until blackfriday for some sales? (hopefully)

Which lens/es to take on Iceland 12-day tour?

Hello,

in 6 weeks, I'll be leaving for a phototrip to Iceland (Golden Circle) for nearly two weeks. Since there is obviously some hiking planned and I hate lugging half-a-ton backpack, I'd like to ask, what do you think would be ideal lens setup? My main goal is obviously landscape photography there.

Backpack:
LowePro Protactic 350AW

Bodies:
6D primary
7D for the backup (should be in the backpack too? or just insurance, waiting in the car?)

Lenses (my main problem):
16-35/4L IS (problem with LEE polarizer, not usable under 21mm with it)
24-70/2.8L II (Would this one do just fine instead of UWA? Would I miss 16-24mm there too much?)
100/2.8L Macro (not sure about this one, 600g deadweight or actually useful?)
70-200/2.8L II (this one is given, puffins, mountain ranges...)

Also, my father is tagging along, with his new Fuji X-E2 + XF 18-55/2.8-4. Should he purchase XF 55-200/3.5-4.8 lens too? He's just a casual photographer, I'm not sure, he would use that lens much afterwards? Would this lens be used like 5%, 20% or 50% there?

Thanks a lot in advance for all your 0.02 cents below :)

Trouble with YN 622C and 6D

Hi all, just picked up my first wireless trigger, the 622C for my 6D and 430EXII. I'm new to this, so please excuse me if I'm missing something obvious.

I connected one 622 to the 430 flash. I connected the other 622 to the 6D. Tightened the locks and turned everything on. Both 622s are on the same channel. When I hit the test button on either 622 the flash goes off.

When I try to take a shot on the 6D neither the AF assist beam or the flash is going off. When the 622 is connected to the 6D the shutter is not firing consistently. Without the 622 connected it works normally.

The 430 works perfectly when connected directly to the 6D.

I've tried factory resetting the 622s and turning the 6D on and off.


What am I missing?

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