Airplane Wreckage

Hello Everyone,

I wanted to post a recent video I took while in Truk Lagoon. This is a short film of the 'Betty Bomber' Airplane wreck. It's a fun and mellow dive. It also happens to be a very photogenic wreck.

I shot this with my trusty Canon 5d, and all of it is shot with natural light an No filters. With the exception of when I am inside, in which I do use some sola lights. I also used the new Canon 16-35mm F4L lens. It has a very good image and relatively sharp corners. Much better than the 17-40mm.

As always, Comments, Likes and Shares are appreciated.
Enjoy!
Dustin

https://www.youtube.com/watch?v=6XF4redU_GE

Canon EF-S 24mm f/2.8 STM

Hi there everybody!

I just picked up my new EF-S 24mm to add up to the EF 40mm and the 100D/SL1 for traveling light.
And now I recognized that yet there isn't any lens gallery thread until now although this little cutie is out for more than half a year.

First impression:
Mechanics and optics not at L level, what a surprise ;) but all equal to the EF 40 mm.
STM AF at same audible noise level and comparable speed. Nothing for video, but acceptable for that price.

Here are some first test pictures about the bokeh, shot with 100D almost at MFD
First one at 1/100, f2.8, ISO 100
Second one at 1/100, f8.0, ISO 800
Both almost SOOC with almost no PP, just standard correction with DPP, so vignetting is easy to handle.

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Imaging Resources Investigates T6s/T6i Sensor Anomalies

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<p>Imaging Resource has done some tests to measure the image quality that comes from “sensor fleck” affected Canon EOS Rebel T6s & Rebel T6i cameras that was first reported by LensRentals.com. A brief follow-up from LensRentals.com states that Canon is taking the issue very seriously and we should hear some kind of an official statement from Canon soon.</p>
<p>As far as image quality issues with affected units, Imaging Resource had this to say:</p>
<blockquote><p>The good news is that (a) the actual impact on photos is pretty small, and even then is limited to shots captured with very small apertures; and (b) it’s quite easy to tell whether any given camera has flecks or not. I’d personally be comfortable buying either of these models myself, and either exchanging it with the retailer if it proved to have flecks, or waiting for what I expect will be an eventual repair program from Canon to deal with the issue. (Note that we have absolutely no direct information from Canon on this; this is just personal opinion at this point.)</p></blockquote>
<p><a href="http://www.imaging-resource.com/news/2015/05/01/canon-t6-sensor-flecks-how-big-an-issue-an-in-depth-look" target="_blank">Read the full analysis at Imaging Resource</a></p>

Now that DR is sorted...

Now that DR is sorted, what would be your next wish list from Canon?

Mine: A 1.6 crop with a built-in f1.4 35mm equivalent Mirror-less camera pocketable camera with EVF/flash. Super sharp lens... Aperture on ring and a simple dedicated menu system (Leica like). 12mp, noiseless at 4000 ISO. Weather proof. Yess!!!

Actually if it would be full frame I would be ecstatic. A Sony RX1 killer.

"Pocketable" is key. Or else I use 5d3.

New Zeiss FE35 F/1.2 ZA on Sony A7S at low light.

Received few days back new Zeiss FE 35mm F/1.4 ZA , primarily for use on Sony A7S , tested it on Sony A7R and Sony A7S. Impressed with image quality from this lens.
On Sony a7R it resolves to every pixel on 36mpx sensor (very sharp images) and that was expected.
For A7S it is very good at low light.
Attached are couple of shots , done hand held wide open at F1.4 at dim light conditions.

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More Fun With the Canon EF 1200mm f/5.6L USM

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<p><iframe src="https://www.youtube.com/embed/czmPpvANYtM" width="100%" height="390" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>B&H Photo recently came into possession of the Canon EF 1200mm f/5.6L USM, this is the third time the used department at B&H has had this lens for sale. It’s rumored that less than 20 of these lenses were ever built, although Canon won’t confirm the production number.</p>
<p>If you’re in New York City, be sure to head to B&H Photo and check it out.</p>
<p>The lens is still available with free shipping in the CUSA! If you buy it today, <a href="http://www.lenscoat.com/lenscoatsuptmsup-canon-1200mm-p-914.html" target="_blank">I’ll buy you the LensCoat for it</a>.</p>
<p><strong><a href="http://www.bhphotovideo.com/c/product/801201815-USE/canon_2527a001_super_telephoto_1200mm_f_5_6l.html/bi/2466/kbid/3296" target="_blank">Canon EF 1200mm f/5.6L $180,000 at B&H Photo</a></strong></p>
<p>Source: [<a href="http://www.the-digital-picture.com/News/News-Post.aspx?News=15012" target="_blank">The-Digital-Picture</a>]</p>

Using on camera TTL flash while firing manual flash remotely

Alright, so I've been using the Yongnuo 622 for sometime now. I just shot a wedding last night and ran into problems again with it. The issue is I want to be able to share a manual flash (in this case an alien bee) to bring up the ambient level and then let the ttl on camera flash fill in from there. The issue is even when I've tried doing the trick of setting the group to C and only doing the A:B setting it still jacks up a lot. What I'm looking for is a simple manual flash that also has TTL pass through to the on camera flash. I looked at this list of manual flash triggers:
http://flashhavoc.com/flash-trigger-guide-manual/

and the Commlite Comtrig T320, Ojecoco H-430 / Commlite Comtrig G430, and the Phottix Strato II seem like my only real options. Everyone says the Phottix are the best but still I read reviews of them not lasting very long before they develop cracks. If anyone has a better way of doing this I'm all ears. Just FYI. I shoot with a 5d mark ii which has a flash sync port and a 6d which does not.

EOS m3

Hi all,

I know this is probably a stupid question but i will ask anyway. Any one can confirm the EOS m3 crop factor is 1.6 ? i know traditionally canon APS-C machines have a crop factor of 1.6, but since the sensor is quite likely from sony, is it going to be 1.6 too? or 1.5 like sony and nikon ? Cheers. ;D

EOS-1D X Mark II Dynamic Range [CR2]

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<p>Beyond the increased ISO capabilities of the EOS-1D X Mark II, we’re told that dynamic range is going to see a massive improvement, and possibly have the most stops of any DSLR currently on the market. It’s always possible that Sony will do something in the meantime with their new sensors to increase their lead in stops of DR.</p>
<p>It’s also sounding like a new DIGIC 7 processor will make its way into the EOS-1D X Mark II, instead of going with the DIGIC 6 processor that was introduced in 2013. The current EOS-1D X uses dual DIGIC 5+ processors.</p>
<p>More to come…</p>

Leica Announces M Monochrome Type 246

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<p><em>Fresh Features Focus on Unsurpassed Imaging Performance, Rich Details, Peak Low-Light Capabilities, HD Video Capability and Live View Options</em></p>
<p><strong>April 30, 2015 –</strong> Leica Camera introduces the new Leica M Monochrom (Type 246) today, the next step in its hugely successful digital black-and-white photography concept for the Leica M rangefinder camera system. The new Leica M Monochrom, the first and only digital camera to enable a real black and white image – still or moving – without image processing or filtering, will be available May 2015.</p>
<p>“With never-before-seen imaging performance, outstanding low-light capabilities, and richness of detail, the new Leica M Monochrom surpasses the high standards set by its predecessor,” said Roland Wolff, VP of Marketing and Corporate Retail for Leica. “At the same time, it keeps its primary aim sharply in focus: black-and-white images with top quality across the board.”</p>
<p><strong>Preorder the Leica M Type 246: <a href="http://www.bhphotovideo.com/c/product/1144610-REG/leica_10930_m_monochrom_typ_246.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/LCM246.html?KBID=64393" target="_blank">Adorama</a></strong></p>
<p><!--more--></p>
<p>Thanks to its high-capacity 2GB-buffer memory and Leica Maestro processor, the new Leica M Monochrom captures sequences three times faster than its predecessor. The new processor also enables extremely fast display of the captured images in review mode, making the new Monochrom even more versatile.</p>
<p>The Leica M Monochrom follows the successful route taken by the Leica M and captures decisive moments with 24-megapixel resolution. The monochrome CMOS sensor produces exceptionally sharp pictures at all sensitivity settings up to ISO 25000. As the M Monochrom has no  color filter array over the sensor, it requires no interpolation for the calculation of luminance values. The result is 100% sharper images with brilliance and detail contrast that far exceeds what color photography can do.</p>
<p>The new Leica M Monochrom can also capture high-quality full-HD video in black and white. The optional Leica microphone adapter set, comprising an adapter and a stereo microphone, ensures perfect sound. The high-resolution 3″ monitor with 921,600 pixels ensures that photographers have complete control of composition, exposure, focusing and depth of field.</p>
<p>Moreover, the camera now offers full visual control with its Live View function, which provides two focusing methods: the up to 10x magnification of Live View Zoom mode, enabling full control of the sharpness of details in the image on the monitor or the closest focusing distance; and Live View Focus Peaking mode, where sharply focused edges in the image are highlighted by colored lines.</p>
<p>Another advantage of the new CMOS sensor is that, in addition to the M-Lens portfolio, almost all lenses of the Leica R series can now be used with an optional adapter on the Leica M Monochrom to expand the creative capabilities of the Leica rangefinder system, as is also the case with the Leica M. Additionally, all equipment and accessories from the Leica M series are compatible with the new Leica M Monochrom.</p>
<p><strong>Other new features include:</strong></p>
<ul>
<li>Nearly unbreakable sapphire crystal cover glass for the LCD monitor, treated with an anti-reflection protective coating to ensure precise assessment of images in any lighting situation.</li>
<li>A body manufactured from high-strength magnesium alloy, with a top- and baseplate made from solid brass blanks and finished in black chrome.</li>
<li>New yellow, orange and green filters, available in July.</li>
</ul>
<p><strong>Preorder the Leica M Type 246: <a href="http://www.bhphotovideo.com/c/product/1144610-REG/leica_10930_m_monochrom_typ_246.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/LCM246.html?KBID=64393" target="_blank">Adorama</a></strong></p>

Reviews: Canon EOS M3

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The big reviews for the Canon EOS M3 have started to arrive.</p>
<p>First up from Gordon at CameraLabs</p>
<blockquote><p>If you do have an existing EF lens catalogue and fancy a smaller body to try them with, then the EOS M3 is a good choice, and I commend Canon for making so many improvements over the original body. The EOS M3 is a confident step-forward, and with a greater selection of EF-M lenses (or even a promising roadmap) it could certainly become a contender as a standalone camera. But if you’re looking to build a new system that gives you all the benefits of mirrorless, then you should invest in Olympus, Panasonic, Fujifilm or Sony, all of whom have dumped their legacy DSLR baggage and are concentrating on delivering a more compelling native experience.</p></blockquote>
<p><a href="http://www.cameralabs.com/reviews/Canon_EOS_M3/" target="_blank">Read the full review at CameraLabs</a></p>
<p>Paul from WhatDigitalCamera</p>
<blockquote><p>There are areas in which the new camera is still lacking, however. Notably, the relatively slow burst mode and small buffer make the M3 feel a bit dated, while the kit lens also feels in need of an update already.</p>
<p>So, although the M3 is a huge improvement on its predecessor it’s up against some serious competition and it’s difficult to claim that it outperforms its closest challengers.</p></blockquote>
<p><a href="http://www.whatdigitalcamera.com/reviews/compact-system-cameras/canon-eos-m3-review#amy7YYw0xZp81PHf.99" target="_blank">Read the full review at WhatDigitalCamera</a></p>
<p>Both reviews, and the others I have seen think the EOS M3 is a step in the right direction, but hasn’t done anything to even suggest Canon wants to be a market leader in this segment.</p>
<p>As you know, the EOS M3 isn’t available in North America, but you shouldn’t have a problem getting your hands on one via ebay or other global retailers such as DigitalRev.</p>
<p><a href="http://www.anrdoezrs.net/links/3958327/type/dlg/http://www.digitalrev.com/product/canon-eos-m3-with-ef/MTEwNDA2MA_A_A" target="_blank">Canon EOS M3 w/18-55 IS STM $699 at DigitalRev</a></p>

Patent: Canon EF 35mm f/1.4L II

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We’ve been told that Canon’s next L lens would be a prime. Most of the people I’ve talked to think that the EF 35mm f/1.4L will be the lens getting the update. There have been a lot of patents in the past for the optical formula, and recently a new one has appeared.</p>
<p>Patent Publication No. 2015-72370 (Google Translated)</p>
<ul>
<li>Published 2015.4.16</li>
<li>Filing date 2013.10.3</li>
</ul>
<p>Example 1</p>
<ul>
<li>Focal length f = 35.47mm</li>
<li>Fno. 1.45</li>
<li>Half angle of view ω = 31.38 °</li>
<li>Image height Y = 21.64mm</li>
<li>Lens length 141.37mm</li>
<li>BF 39.37mm</li>
<li>Positive, positive ShiboTadashi</li>
</ul>
<p>We expect to see a new L lens some time in late summer or early fall and all the signs continue to point to a new 35L.</p>
<p>Source: [<a href="http://egami.blog.so-net.ne.jp/2015-05-01" target="_blank">Egami</a>]</p>

Possible Issue With T6s & T6i Sensor?

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<p>LensRentals.com has discovered issues with the sensors on the brand new Canon EOS Rebel T6s & EOS Rebel T6i. Out of 20 cameras they received the exhibited the following issue.</p>
<blockquote><p>Every once in a while we notice something, because of the large quantities of cameras and lenses we buy, that we think people should be aware of. This particular issue won’t affect our renters; we’ve sent the affected cameras back. It may not affect very many people at all, since this is from a relatively small sample size. But I still think it worth mentioning.</p>
<p>The bottom line is that 4 of the <a href="http://www.lensrentals.com/rent/canon/cameras/canon-eos-t6s">Canon T6s</a> and 2 of the <a href="http://www.lensrentals.com/rent/canon/cameras/canon-eos-t6i">T6i</a> cameras we received had to be sent back because of a defect in the sensor stack (the layers of filter glass over the sensor). This is out about 10 copies of each; the others were absolutely perfect.</p></blockquote>
<p><a href="http://www.lensrentals.com/blog/2015/04/canon-t6-sensor-issue" target="_blank">Read the full article at LensRentals.com</a></p>

Does your wife or significant other understand how much effort is required?

I think this conversation harkens back to the, "Your camera takes great photos." debate. No, it isn't the camera, it is the understanding of lighting, depth of field, perspective, etc. That isn't what I'm addressing, because I can understand perfect strangers not realizing what it takes to makes something of worth.

But what about the Mrs... or Mr... I know some just look at the final product and they are happy with the results, but do they acknowledge that the shot took a few hours of planning, then a practice shot here... Some post production there?

I volunteered to do some studio shots of my daughter and her softball teammates & I asked for roughly 3 hours to go through 11 girls which involved backdrop changes, 2 lenses changes, four lighting changes, etc... And she opined that 3 hours on a Friday was too much.

From a practical standpoint, that is only 16 minutes per girl... So it REALLY doesn't seem like a ton of time. Especially since I'm not the tilt your head and smile kinda photog.

So am I over reacting, which I'm prone to do. Or is it a systemic ignorance that most significant others simply aren't cognizant of what is involved...

Spinel lenses (if only)

Spinel is a mineral (magnesium aluminate) that creates optically clear objects and is so much tougher, stronger, harder than glass that doesn't get scratched in a sand storm and won't break as easily as glass. Ok, ok it's very hard (and expensive) to polish, so if not lenses, maybe we can dream of some clear filters made of it in the future. Read more at the NRL page:

http://www.nrl.navy.mil/media/news-releases/2015/transparent-armor-from-nrl-spinel-could-also-ruggedize-your-smart-phone

Landscape Lens

I am a wedding photographer but I love taking pictures of landscapes. I do not have a lot of experience but want to do it as more of a hobby especially now that I ordered the 5DSr. I mostly have wedding and portrait orientated lenses. I am looking at getting the 17mm or 24mm tilt shift lenses. For those of you who shoot landscapes, would those be the lenses you get and if you could only have one which one? Right now I have lenses like the 24-70 and 70-200 which may not be the best.

  • Locked
7D2 Auto-focus (AI Servo mode)

Previously I was using the 7D with either 135/2L or 300/4L: the focus was always pretty accurate. I would generally use centre-spot. Occasionally my target would slip out of the middle, capturing background -or- I would miss an 'in-between' frames shot. Overall the camera performed as expected and I was happy with the results.

Naturally I started to lust after the (rumoured) higher fps and AF of the 7D2, to meet the perceived shortfall. Having purchased the 7D2 I am struggling to realise the camera's potential.

I've heard of the AI Servo issues, and am having difficulty getting as many keepers as before, so I'm trying to determine if it is me or the camera.

I think I've got to grips with the various cases of AI Servo, and sometimes realise that centre spot is not appropriate, but the camera seems especially sensitive and possibly inconsistent.

Swimming is the primary subject that I am having difficulty with: What are the recommendations for AF focus points and AF case for starts and swimmers in the water? I can normally achieve 1/1000 or better, with ISO below 1600.

I am getting some superbly focussed water droplets, and out-of-focus starts. I am leaning towards a different case and focus point for the start and in-water. Does this sound sensible?

Any tips or links would be much appreciated.

Need good small sensor camera for Macro

I like taking macro shots, and I currently have a 5d3 and a 70d with 100L and Sigma 150 and Canon 60mm macro, but I want to get a small sensor (under 1") camera that takes great macro shots, takes RAW and has reasonable manual controls.
I want a small sensor to get the best possible DOF and I'm happy to get something with a fixed lens and it doesn't have to be a Canon.
Most of my macro shots are handheld, but I'm happy to focus manually.

I'd love some input from you learned gentlemen and women.

  • Poll Poll
Will DSLRs be gone by 2025 and CIPA shipment volumes for first quarter

Will DSLRs be gone by 2025?

  • Yes

    Votes: 8 10.1%
  • No

    Votes: 60 75.9%
  • Maybe

    Votes: 11 13.9%

Here are the shipment numbers of DSLRs.
CIPA Numbers for First Quarter

Having in mind the claim that Full-frame DSLRs will be gone by 2025

What do you think? Will mirrorless be a good match for you to switch from DSLR by then?

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