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  • Poll Poll
7D mark 2 crop vs full frame

Would you prefer the 7D mark 2 to be a crop sensor, or a full frame sensor?

  • Crop sensor - APS-C

    Votes: 41 73.2%
  • Crop sensor - APS-H

    Votes: 12 21.4%
  • Full Frame

    Votes: 3 5.4%

I'm curious if you'd prefer the 7D mark 2 to have a crop sensor (aps-c or aps-h) or a full frame sensor. Many have stated they would be delighted if it were full frame, and others would be highly disappointed if it were anything but a crop sensor. I realize that some other factors may have an effect on your answer (possibly the MP count) but in general I think you'll have a preference, regardless of those factors.

Pareto principle

Hi guys! I maybe the only person who has never heard of Pareto principle, but I still decided to share it with you. According to Wikipedia, the Pareto principle (also known as the 80-20 rule) states that, for many events, roughly 80% of the effects come from 20% of the causes. So, how can it be related to photography gear? Well, the same principle appears to work when we buy expensive including cameras and lenses instead of the cheaper ones. So, with regard to optics, Pareto principle states that you get 80% performance of the optics for 20% of its total cost. The remaining 20% of the performance improvements will cost you 80% of the total cost of the optics. In other words, 80% of the cost of expensive optics refers to the very top 10-20% performance. I think this is pretty close to the differences in the optics quality and cost between 85 f1.8 vs. 85 f1.2L, 200 f2.0L vs. 200 f2.8L, Zeiss 100 f2.0 vs. Canon 100 f2.8L, Zeiss Otus 50 f1.4 vs. Canon 50 f1.4. This is again a very personal choice if you’re willing to pay a premium cost to get the 10-20% improvements of the optical quality.

Well, I’m sure many of you know much more about this principle and how it can be applied to the photography gear. But since it was new to me, I wanted to share this with you. Take care everybody.

Patent: Canon EF 400 f/4 DO IS

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<p>A patent for a new Canon EF 400 f/4 DO IS has appeared. The current lens has been <a href="http://www.canon.com/camera-museum/lens/ef/data/super_telephoto/ef_400_4dois_usm.html" target="_blank">around since December, 2001</a> and I think it’s a gem in the Canon lineup.</p>
<p>We’ve seen a lot of DO patents over the years, but no DO lens has been announced since June, 2004 when the <a href="http://www.bhphotovideo.com/c/product/319783-USA/Canon_9321A002_EF_70_300mm_f_4_5_5_6_DO.html/bi/2466/kbid/3296" target="_blank">EF 70-300 f/4.5-5.6 DO IS</a> came to market.</p>
<div id="attachment_16761" style="width: 469px" class="wp-caption alignnone"><a href="http://www.canonrumors.com/wp-content/uploads/2014/06/400dopatent.png"><img class="size-full wp-image-16761" src="http://www.canonrumors.com/wp-content/uploads/2014/06/400dopatent.png" alt="Canon EF 400 f/4 DO IS" width="459" height="186" /></a><p class="wp-caption-text">Canon EF 400 f/4 DO IS</p></div>
<ul style="color: #444444;">
<li>Patent Publication No. 2014-109700
<ul>
<li>Publication date 2014.6.12</li>
<li>Filing date 2012.12.3</li>
</ul>
</li>
<li>Example 1
<ul>
<li>Focal length f = 392.00-381.59-332.99mm</li>
<li>Fno.</li>
<li>Half angle ω = 3.16-3.10-2.81 °</li>
<li>Image height Y = 21.64mm</li>
<li>The overall length of the lens 292.02mm</li>
<li>BF 105.64mm</li>
</ul>
</li>
</ul>
<p>Source: [<a href="http://egami.blog.so-net.ne.jp/2014-06-21" target="_blank">EG</a>]<strong> | <a href="http://www.bhphotovideo.com/c/product/239654-USA/Canon_7034A002_Telephoto_EF_400mm_f_4_0.html/bi/2466/kbid/3296" target="_blank">Canon EF 400 f/4 DO IS at B&H Photo</a></strong></p>

Marketing Fail? Forced to wear Sony vests at FIFA WC but shoot with Canon Gear

As posted at http://www.sonyalpharumors.com/marketing-fail-worldcup-photographer-wear-sony-4k-vest-but-do-shoot-with-canon/

Sony is one of the big sponsor at the Football World Cup in Brazil. Even though photographers are “forced” to wear Sony 4K advertising vests, as you can see from the 360 degree pics posted at Visualise.com, not a single one of them shoot with a Sony. It’s all about Canon (and few Nikon). Let’s hope Sony will make a real Alpha Full Frame Sports camera that will convince some of them to switch over to Sony!

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Gura Gear Acquires Tamrac Brands & Assets

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<div class="layoutArea">
<div class="column">
OGDEN, UT (June 18, 2014) – GuraGear, LLC, makers of innovative carrying solutions for discerning creative professionals has agreed to acquire the brand and assets of Tamrac, Inc. The U.S. Bankruptcy Court approved the sale through the Chapter 11, Section 363 Sale of Assets process. Tamrac entered Chapter 11 bankruptcy protection in early 2014 and has a 37 year history of developing affordable carrying solutions for photographers.</p>
<p><span style="color: rgb(25.098040%, 25.098040%, 25.098040%);">Gura Gear President, Gregory Schern stated, “this acquisition represents an exciting opportunity for Gura Gear to build upon a brand with a legacy of designing solutions for photographers and a dedicated customer following while leveraging worldwide distribution. We look forward to providing customers a high level of service and implementing solutions from a new perspective in a rapidly evolving industry.” </span></p>
<p><span style="color: rgb(25.098040%, 25.098040%, 25.098040%);">Tamrac, Inc. will continue to operate normally until the acquisition is finalized in late June. Once the transaction is complete, Gura Gear will relocate Tamrac’s assets and expand its Ogden, Utah facilities. </span></p>
<p><span style="font-style: italic; color: rgb(25.098040%, 25.098040%, 25.098040%);">Questions regarding the acquisition can be directed to </span><span style="font-style: italic; color: rgb(0.000000%, 0.000000%, 100.000000%);">[email protected]</span><span style="font-style: italic; color: rgb(25.098040%, 25.098040%, 25.098040%);">. </span></p>
<p><span style="font-weight: bold; color: rgb(25.098040%, 25.098040%, 25.098040%);">About Gura Gear </span></p>
<p><span style="color: rgb(25.098040%, 25.098040%, 25.098040%);">Gura Gear began in 2008 as an idea on the back of a napkin by a team of passionate photographers looking for the perfect photography bag. Today, Gura Gear has expanded to a full line of carrying solutions built to the highest standards utilizing only the best materials and workmanship. Gura Gear focuses on creating innovative products for discerning creative professional and enthusiast photographers who love to explore the world. </span></p>
<p><span style="font-weight: bold; color: rgb(25.098040%, 25.098040%, 25.098040%);">About Tamrac </span></p>
<p><span style="color: rgb(25.098040%, 25.098040%, 25.098040%);">Since 1977, Tamrac has offered a diverse product line to meet a wide range of travel and photographic requirements. From the first bag a beginning enthusiast will purchase to a bag suitable for the professional, Tamrac is committed to continuing to offer innovative products that are easy-to-use and understand. </span></p>
<p><strong><a href="http://guragear.com/" target="_blank">Visit Gura Gear</a></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>
</div>
</div>
</div>

Photozone finally joins the party on reviewing the Sigma 50 F/1.4 Art

Hey all,

PZ finally got to testing the Sigma 50 Art, but for some odd reason their first review is on APS-C and not FF. I expect that to be remedied soon, but here are the crop results:

http://www.photozone.de/canon-eos/875-sigma50f14art_eosapsc?start=1

Shockingly, they found it to not suck to a very high degree. Stellar resolution numbers on their test rig (a 50D, I believe).

They did flag a small focus shift when stopping down, though -- that's the first I've heard of this.

But FYI on another highly satisfied reviewer with the 50 Art.

- A

New Sensor Tech in EOS 7D Mark II [CR2]

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We’re told to definitely expect new sensor technology to be introduced in the Canon EOS 7D Mark II. This tech will be used in all forthcoming Canon DSLRs. What is it? We’re not 100% sure yet, though we’re told it’s definitely not a foveon type technology that <a href="http://www.canonrumors.com/2013/05/patent-canon-foveon-sensor/" target="_blank">we’ve previously seen in patents</a>.</p>
<p>This may be one of Canon’s best kept secrets as it’s apparently going to be more than an “evolutionary” technology.</p>
<p>We’re filtering through a lot of emails about this new sensor tech and we’re not sure what’s true and what isn’t.</p>
<p><em>More to come… We’re not putting a [CR3] on this until we know what the new tech is.</em></p>
<p><strong><span style="color: rgb(255, 0, 0);">c</span>r</strong></p>

Tamron 28-300MM F/3.5-6.3 DI VC PZD Full Frame Lens Official

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<span style="font-style: italic; color: #222222;">Innovative All-In-One zoom integrates state-of-the-art optical design, PZD (Piezo Drive) and Tamron’s exclusive VC (Vibration Compensation) system to achieve superb image quality in a remarkably compact, lightweight package.</span><br style="color: #222222;" /><span style="color: #222222;"> </span><br style="color: #222222;" /><span style="color: #222222;">June 19, 2014, Commack, NY – Tamron USA, Inc. has announced the delivery date of the anticipated 28-300mm F/3.5-6.3 Di VC PZD (Model A010), an advanced new All-In-One zoom lens for full-frame DSLR cameras. The lens will be available in the U.S. in both Canon and Nikon mount (Sony mount availability to be announced) on June 26, 2014 at $849.</span><br style="color: #222222;" /><span style="color: #222222;"> </span><br style="color: #222222;" /><span style="color: #222222;">Since the launch in 1992 of the 28-200mm (Model 71D) high-power zoom lens – which featured a revolutionary compact, lightweight design – Tamron has been continually expanding its portfolio of world class optics to benefit consumers. Having revolutionized the optical design of the previous 28-300mm (Model A20), Tamron developed a powerful new, high-power zoom lens for full-frame DSLR cameras that enhances image quality and incorporates the PZD (Piezo Drive)-a standing-wave ultrasonic motor system optimized for swift, quiet AF-and the acclaimed VC (Vibration Compensation) mechanism in an amazingly compact configuration.</span><br style="color: #222222;" /><span style="color: #222222;"> </span><br style="color: #222222;" /><span style="color: #222222;">Featuring a new, sophisticated external finish, this lens complements the performance and style of full-frame DSLRs, while delivering the practical advantages of an All-In-One zoom lens.</span></p>
<p><strong><a href="http://www.bhphotovideo.com/c/product/1029393-REG/tamron_28_300mm_f_3_5_6_3_di_vc.html/bi/2466/kbid/3296" target="_blank">Preorder the Tamron 28-300 f/3.5-5.6 DI VC PZA at B&H Photo $849</a></strong></p>
<p><!--more--></p>
<p><b style="color: #222222;">Product Highlights</b></p>
<ul>
<li><b>State-of-the-art optical design technology delivers superior image quality.</b>

The advanced optical construction of this lens includes four elements of LD (Low Dispersion) glass, three Molded-Glass Aspherical elements, one Hybrid Aspherical element, one XR (Extra Refractive Index) glass element, and one element of UXR (Ultra-Extra Refractive Index) glass, which has greater refractive index than XR. The full use of specialized glass elements in its design contributes to making this outstanding lens as compact and lightweight as possible, while minimizing aberrations, resulting in superior image quality. Particularly impressive is the thorough compensation of chromatic aberrations at the telephoto end, yielding images of enhanced clarity and crispness.</li>
<li><b>Focus on portability – The lens is now even smaller and lighter.</b>

In addition to state-of-the-art optical design that facilitates downsizing of the lens body, the mechanical design leads to a smaller overall lens compared to the existing Tamron 28-300mm (Model A20). The incorporation of a highly sophisticated multi-stack-cam layout that takes up far less space as well as the PZD (Piezo Drive) AF, an autofocus drive system with a simpler, more compact structure, make it possible to reduce the overall dimensions of this lens. These technologies are the fruit of Tamron’s more than 20 years of research and development in the high-power zoom lens field.</li>
<li><b>Advanced anti-reflection coating.</b>

The application of BBAR (Broad-Band Anti-Reflection) coatings for suppressing reflections on lens element surfaces minimizes unwanted flare and ghosting to deliver sharp, crisp, high-contrast images.</li>
<li><b>Upgraded cosmetic design – Elegant tungsten silver brand ring.</b>

Tamron has upgraded the cosmetic design and finish of this lens to create a more sophisticated, high-end look in keeping with the demands of discerning full-frame DSLR users. Employing a sophisticated linear pattern rubber grip on the zoom and focus rings and an elegant tungsten silver brand ring, this newly designed model accentuates its visceral presence with understated elegance and class.</li>
<li><b>PZD (Piezo Drive) delivers faster, quieter autofocus action.</b>

The PZD (Piezo Drive), a standing-wave ultrasonic motor system, delivers faster, quieter, more precise action when the autofocus is engaged. The full-time manual focus system is easy and intuitive, enabling quick and convenient manual focus at any time.</li>
<li><b>Sharper images with VC (Vibration Compensation)</b>

Tamron’s acclaimed VC (Vibration Compensation) mechanism reduces image blur caused by camera shake to deliver significantly sharper images even when shooting handheld.</li>
<li><b>Circular diaphragm facilitates achieving spectacular blur effects</b>

Using a circular diaphragm[4], this lens achieves spectacular background blur effects that enable creative use of depth of field</li>
<li><b>Moisture-resistant construction for worry-free outdoor shooting.</b>

Moisture-resistant construction helps prevent moisture from penetrating the lens.</li>
</ul>
<p class="NewsPost" style="color: #222222;"><b>Specifications</b></p>
<table class="ComparisonTable" style="color: #222222;">
<tbody>
<tr>
<td><b>Model</b></td>
<td>A010</td>
</tr>
<tr>
<td><b>Max Format size</b></td>
<td>35mm FF</td>
</tr>
<tr>
<td><b>Focal length</b></td>
<td>28–300 mm</td>
</tr>
<tr>
<td><b>Image stabilisation</b></td>
<td>Yes</td>
</tr>
<tr>
<td><b>Lens mount</b></td>
<td>Canon EF, Nikon F (FX), Sony/Minolta Alpha</td>
</tr>
<tr>
<td><b>Maximum aperture</b></td>
<td>F/3.5 – F/6.3</td>
</tr>
<tr>
<td><b>Minimum aperture</b></td>
<td>F/22.0 – F/40.0</td>
</tr>
<tr>
<td><b>Number of diaphragm blades</b></td>
<td>7</td>
</tr>
<tr>
<td><b>Aperture notes</b></td>
<td>Circular diaphragm</td>
</tr>
<tr>
<td><b>Elements / Groups</b></td>
<td>19 / 15</td>
</tr>
<tr>
<td><b>Minimum focus</b></td>
<td>0.49 m (19.29″)</td>
</tr>
<tr>
<td><b>Maximum magnification</b></td>
<td>0.29×</td>
</tr>
<tr>
<td><b>Autofocus</b></td>
<td>Yes</td>
</tr>
<tr>
<td><b>Motor type</b></td>
<td>PZD Ultrasonic</td>
</tr>
<tr>
<td><b>Full time manual</b></td>
<td>Yes</td>
</tr>
<tr>
<td><b>Focus method</b></td>
<td>Internal</td>
</tr>
<tr>
<td><b>Distance scale</b></td>
<td>Yes</td>
</tr>
<tr>
<td><b>Weight</b></td>
<td>540 g (1.19 lb)</td>
</tr>
<tr>
<td><b>Diameter</b></td>
<td>74 mm (2.93″)</td>
</tr>
<tr>
<td><b>Length</b></td>
<td>96 mm (3.78″)</td>
</tr>
<tr>
<td><b>Zoom method</b></td>
<td>Rotary (extending)</td>
</tr>
<tr>
<td><b>Zoom lock</b></td>
<td>Yes</td>
</tr>
<tr>
<td><b>Filter thread</b></td>
<td>67 mm</td>
</tr>
<tr>
<td><b>Hood supplied</b></td>
<td>Yes</td>
</tr>
</tbody>
</table>
<p class="NewsPost" style="color: #222222;"><strong><a href="http://www.bhphotovideo.com/c/product/1029393-REG/tamron_28_300mm_f_3_5_6_3_di_vc.html/bi/2466/kbid/3296" target="_blank">Preorder the Tamron 28-300 f/3.5-5.6 DI VC PZA at B&H Photo $849</a></strong></p>
<p class="NewsPost" style="color: #222222;"><strong><span style="color: #ff0000;">c</span>r</strong></p>

Tamron 18-200MM F/3.5-6.3 DI III VC for Canon EOS M Official

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<span style="color: #222222;">June 19, 2014, Commack, New York- Tamron USA, Inc. announced the price and delivery of the 18-200mm F/3.5-6.3 Di III[2] VC for Canon mount (Model B011). This lightweight, compact high-power zoom lens, originally released for Sony mount in 2011, is designed for mirrorless interchangeable-lens cameras with APS-C sized sensors and sports a stylish design and is available in two color options. It will be available in the U.S. starting June 26, 2014 at $499.</span><br style="color: #222222;" /><span style="color: #222222;"> </span><br style="color: #222222;" /><b style="color: #222222;">Product Highlights</b></p>
<ul>
<li>This high-power, 18-200mm, lightweight and compact zoom lens weighing 16.2 ounces with a 62mm filter is designed for mirrorless interchangeable-lens cameras. Equipped with Tamron’s acclaimed VC (Vibration Compensation), the lens enables easy handheld shooting from 18mm wide angle to 200mm full telephoto.</li>
<li>Employing two (Low Dispersion) elements, three Molded-Glass Aspherical elements, one XR (high refractive index) element, and one Hybrid Aspherical element, the lens delivers astounding image quality by reducing aberrations to a bare minimum.</li>
<li>The lens boasts a striking appearance worthy of mirrorless interchangeable-lens camera designs. The metallic lens barrel exterior is available in two colors: black and silver.</li>
<li>The lens also has a stepping motor adopted for the AF drive, a construction that accommodates Contrast-detection AF and shooting video. This feature also supports Direct Manual Focus (DMF) function, which allows the user to make fine manual adjustments after initially focusing by AF.</li>
</ul>
<p><strong style="color: #222222;"><a href="http://www.bhphotovideo.com/c/product/1060227-REG/tamron_afb011em_700_18_200mm_f_3_5_6_3_di_iii.html/bi/2466/kbid/3296" target="_blank">Preorder the Tamron 18-200 f/3.5-5.6 VC at B&H Photo $499</a></strong></p>
<p><!--more--></p>
<p class="NewsPost" style="color: #222222;"><b>Specifications</b></p>
<table class="ComparisonTable" style="color: #222222;">
<tbody>
<tr>
<td><b>Model</b></td>
<td>B011</td>
</tr>
<tr>
<td><b>Max Format size</b></td>
<td>APS-C (EF-M)</td>
</tr>
<tr>
<td><b>Focal length</b></td>
<td>18–200 mm</td>
</tr>
<tr>
<td><b>Image stabilisation</b></td>
<td>Yes (4 stops claimed)</td>
</tr>
<tr>
<td><b>Lens mount</b></td>
<td>Canon EF-M, Sony E (NEX)</td>
</tr>
<tr>
<td><b>Maximum aperture</b></td>
<td>F/3.5 – F/6.3</td>
</tr>
<tr>
<td><b>Minimum aperture</b></td>
<td>F/22.0 – F/40.0</td>
</tr>
<tr>
<td><b>Aperture ring</b></td>
<td>No</td>
</tr>
<tr>
<td><b>Number of diaphragm blades</b></td>
<td>7</td>
</tr>
<tr>
<td><b>Elements / Groups</b></td>
<td>17 / 13</td>
</tr>
<tr>
<td><b>Minimum focus</b></td>
<td>0.50 m (19.69″)</td>
</tr>
<tr>
<td><b>Maximum magnification</b></td>
<td>0.27×</td>
</tr>
<tr>
<td><b>Autofocus</b></td>
<td>Yes</td>
</tr>
<tr>
<td><b>Motor type</b></td>
<td>Stepper motor</td>
</tr>
<tr>
<td><b>Full time manual</b></td>
<td>Yes</td>
</tr>
<tr>
<td><b>Focus method</b></td>
<td>Internal</td>
</tr>
<tr>
<td><b>Distance scale</b></td>
<td>No</td>
</tr>
<tr>
<td><b>DoF scale</b></td>
<td>No</td>
</tr>
<tr>
<td><b>Weight</b></td>
<td>460 g (1.01 lb)</td>
</tr>
<tr>
<td><b>Diameter</b></td>
<td>68 mm (2.68″)</td>
</tr>
<tr>
<td><b>Length</b></td>
<td>97 mm (3.82″)</td>
</tr>
<tr>
<td><b>Materials</b></td>
<td>Metal barrel, metal mount</td>
</tr>
<tr>
<td><b>Colour</b></td>
<td>Black, Silver</td>
</tr>
<tr>
<td><b>Zoom method</b></td>
<td>Rotary (extending)</td>
</tr>
<tr>
<td><b>Zoom lock</b></td>
<td>Yes</td>
</tr>
<tr>
<td><b>Filter thread</b></td>
<td>62 mm</td>
</tr>
<tr>
<td><b>Hood supplied</b></td>
<td>Yes</td>
</tr>
<tr>
<td><b>Hood product code</b></td>
<td>flower shaped hood</td>
</tr>
<tr>
<td><b>Tripod collar</b></td>
<td>No</td>
</tr>
</tbody>
</table>
<p class="NewsPost" style="color: #222222;"><strong><a href="http://www.bhphotovideo.com/c/product/1060227-REG/tamron_afb011em_700_18_200mm_f_3_5_6_3_di_iii.html/bi/2466/kbid/3296" target="_blank">Preorder the Tamron 18-200 f/3.5-5.6 VC at B&H Photo $499</a></strong></p>
<p class="NewsPost" style="color: #222222;"><strong><span style="color: #ff0000;">c</span>r</strong></p>

  • Locked
Canon EF 16-35 f/4L IS Hitting Retailers

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It looks like the Canon EF 16-35 f/4L IS is beginning to hit retailers. Below is an image from a Taipei retailer, there’s some unboxing images as well as a bunch of test shots taken with the new lens.</p>
<p>You can see the unboxing and test images <strong><a href="http://iphone4.tw/forums/showthread.php?t=211281" target="_blank">here</a></strong>.</p>
<p>This lens is expected to be available at European and North American retailers in the coming weeks.</p>
<p><a href="http://www.canonrumors.com/wp-content/uploads/2014/06/20140617091109281030860f50f582f4d8cc6156f77a31.jpg"><img class="alignnone size-medium wp-image-16746" src="http://www.canonrumors.com/wp-content/uploads/2014/06/20140617091109281030860f50f582f4d8cc6156f77a31-575x383.jpg" alt="20140617091109281030860f50f582f4d8cc6156f77a31" width="575" height="383" /></a></p>
<p><strong>Preorder the Canon EF 16-35 f/4L IS $1199:</strong> <a style="color: #900000;" href="http://www.amazon.com/gp/product/B00K8942SO/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00K8942SO&linkCode=as2&tag=canorumo-20&linkId=6AVWEQKBYJ7TXPHU" target="_blank">Amazon</a> | <strong><a style="color: #900000;" href="http://www.bhphotovideo.com/c/product/1051475-USA/canon_9518b002_ef_16_35mm_f_4l_is.html/BI/2466/KBID/3296" target="_blank">B&H Photo</a></strong> | <a style="color: #900000;" href="http://adorama.evyy.net/c/60085/51926/1036?u=http://www.adorama.com/CA16354.html?kbid=64393" target="_blank">Adorama</a></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>
<p> </p>

Canon FD 500mm f/4.5 L drop-in filter

Hi guys!
I have a question for those who know about FD lenses. I've been trying to find a ND filter for my alod Canon FD 500mm f/4.5 L. This lens has a compartment for filters, but is not the gelatin kind but glass made. It has a 48mm diameter and it can be screwed in and out of the tray.
I have attached pictures so you can understand better.
My question is: could I buy a normal 48mm ND filter to use with this lens instead of buying the holder again? Has been really hard to find the original parts and I've had lucky with polarizers only.

Hope someone can help me.
Many thanks!

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DSLR vs Mirrorless :: Evolution of cameras

Okay to all the gurus here, I am a bit eager to know to where is this technology going? First, I am not a pro but an enthusiastic photographer like many others out there. Since DSLR’s & glass are expensive, I heard that glass should be where the investment should go. But I find it changing now with the mirroless. Small form factor compared to DSLR body and lenses. Why should I buy more or invest in more lens while mirrorless lens would be the future due to their small form factor. For sure giants telephoto lenses is a different league of its own, so I would exclude those users.

Mostly I hear is that mirrorless is no doubt the future. And with the likes of Fuji XT-1 and Sony full frame mirrorless it so much seems to be true. Fuji system has a great road map for their native lenses and is very popular among many amateur and some pro photographers alike.

Apart of my concern in which technology of lenses to invest in, i am also confused that if Mirrorless is really the future then why are the likes of Canon and Nikon not serious about it like the way Fuji is? And plus how come Sigma, Canon & Nikon are still releasing fine good lenses and upgrading them?

If I can travel with Fauji XT-1 and some XF lenses such as 35mm1.4, 56mm 1.2, UWA 10-24 F4 OIS, 14mm 2.8 etc then why on earth should I invest in DSLR or these new lenses being released by canon, sigma etc while I get a huge advantage on other things while only sacrificing a very little in quality or any other feature?

Roadmap of Fuji Lens: (pretty neat I would say)
http://photorumors.com/wp-content/uploads/2014/04/Fujifilm-XF-lens-roadmap.jpg

What do you all think, please share your thoughts and shed some light.

Canon 70-200 f/2.8 L vs. Canon 70-200 f/4 L IS

I have a Canon 70-200 f/2.8 L lens that I have had for a while now and I used to be able to hand hold the sucker with no problems as far as getting sharp images. Call it getting older but I really can't do it anymore and I am missing a lot of shots due to the lack of IS. I know I could use a mono or tripod but that's kind of defeating the purpose of being agile.

I don't have the funds to spend on the Canon 70-200 f/2.8 L IS II lens so the next best thing would be the Canon 70-200 f/4 L IS. Would it be a bad thing to sell my Canon 70-200 f/2.8 L lens and use the funds towards the Canon 70-200 f/4 L IS? Is there things my 2.8 L can do better than the 4 L IS version?

Thanks in advance!

Patent: Canon EF 100-400 f/4.5-5.6 IS STM

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A new patent for an EF 100-400 f/4.5-5.6 STM has appeared. Also in the patent is the EF-S 55-250 f/4-5.6 IS STM, so this patent is probably just covering an additional optical formula that will not become a product. I’d think any 100-400 replacement will be an L lens with an Ultrasonic Motor instead of an STM.</p>
<ul style="color: #444444;">
<li>Patent Publication No. 2014-102462
<ul>
<li>Publication date 2014.6.5</li>
<li>Filing date 2012.11.22</li>
</ul>
</li>
<li>Example 1
<ul>
<li>Zoom ratio 4.24</li>
<li>Focal length f = 56.90-133.00-241.28mm</li>
<li>Fno. 4.12-5.04-5.83</li>
<li>Half angle ω = 13.50-5.86-3.24 °</li>
<li>Image height 13.66mm</li>
<li>154.33-176.38-191.20mm overall length of the lens</li>
<li>BF 41.21mm</li>
</ul>
</li>
<li>Example 5
<ul>
<li>Zoom ratio 3.73</li>
<li>Focal length f = 104.59-199.99-389.99mm</li>
<li>Fno. 4.58-5.03-5.87</li>
<li>Half angle ω = 11.69-6.17-3.18 °</li>
<li>Image height 21.64mm</li>
<li>245.09-285.06-308.91mm overall length of the lens</li>
<li>BF 68.73mm</li>
</ul>
</li>
</ul>
<p>Source: [<a href="http://egami.blog.so-net.ne.jp/2014-06-19" target="_blank">EG</a>]</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

35L vs 35/2 IS

I've been thinking about the 35L for years but never really pulled the trigger. I am now about to either trade my 50L (which I don't use that often anymore) for a 35L or keep the 50L and get the 35/2 IS instead. Then perhaps sell it and go for the 35L II (whenever that one will be introduced)

Anyway...I like what I've seen so far from the 35/2 IS and reviews seem to confirm this. Photozone really likes it and I've always trusted their opinions. And IS can be quite useful for creative stuff such as motion blur.

Is there anyone here who has compared the two?

Ps. Not interested in the SIGMA so this is strictly a canon thing...

ND Filter in software

Hello Canon Gurus,


I have been listening to some photography Podcasts. They have been talking about the wonders of Neutral Density (ND) filters and how they speed up time, and cause wonderful blur, and on and on.


So my question, isn't this the inverse of what we get with ISO Sensitivity? "Not enough crank up the ISO".


Is it possible to Apply an ND filter at the firmware level?

Canon EOS 7D Mark II Speculation [CR1]

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<p>Below are some points sent to me by someone who says they have spoken to a person who has shot with the EOS 7D Mark II. Some of the points are a bit vague, but could bring about better information in the near future.</p>
<p>This is the first I’ve heard about a megapixel count being “quite high”, It has been expected the camera would be around 24mp.</p>
<p>Below is a direct quote of what we were told.</p>
<ul>
<li>Quite high MP count</li>
<li>Vastly improved AF performance</li>
<li>Greatly improved low light and ISO/noise performance</li>
<li>Potentially a different sensor and/or technology than expected</li>
<li>Good price point</li>
<li>Very close to ‘pro’ classification, but non-compete with flagship such as 1dx</li>
<li>Release by Fall season as expected</li>
<li>Canon holding back 7Dmk2 for a reason. I suspect 100-400 mk2 announcement, or some other coinciding situation.</li>
</ul>
<p><strong><span style="color: rgb(255, 0, 0);">c</span>r</strong></p>

Tamron 18-200 Di III VC for EF-M Coming

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<p>An 18-200 from Tamron for the EOS M is coming shortly. This would be the first third party zoom lens with a native EF-M mount.</p>
<p>The announcement is expected on June 19, 2014.</p>
<p>Source: [<a href="http://translate.google.com/translate?hl=&sl=ja&tl=en&u=http%3A%2F%2Fdigicame-info.com%2F2014%2F06%2Fef-m55-200mm-f45-63-is-stm-1.html" target="_blank">DCI</a>] via [<a href="http://www.northlight-images.co.uk/Canon_new_lenses.html" target="_blank">NL</a>]</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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