Canon Technologies Contribute to Production of Primary Mirror Used in TMT Extremely Large Telescope

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<p><strong>TOKYO, November 13, 2014</strong>—Canon Inc. announced today that the Company has been entrusted with the responsibility of processing the 30-meter-diameter multi-segment primary mirror to be incorporated in the Thirty Meter Telescope (TMT) currently under construction near the summit of Mauna Kea, Hawaii.</p>
<p>The creation of the TMT, a next-generation extremely large telescope, is being made possible through the cooperative efforts of Japan and four other countries. Construction of the telescope began in 2014 with completion scheduled for the early 2020s. Japan will handle the processing of approximately 30% of the 492 segments (574 when including replacement segments) that make up the TMT’s primary mirror. Of the processing being handled by the team from Japan, Canon is currently responsible for grinding 26 segments and has already begun work.</p>
<div id="attachment_17894" style="width: 460px" class="wp-caption alignnone"><img class="size-full wp-image-17894" src="http://www.canonrumors.com/wp-content/uploads/2014/11/p2014nov13a.jpg" alt="Conceptual image of the completed TMT (courtesy of the National Astronomical Observatory of Japan)" width="450" height="318" /><p class="wp-caption-text">Conceptual image of the completed TMT
(courtesy of the National Astronomical Observatory of Japan)</p></div>
<p>The TMT’s primary mirror will comprise an array of 492 hexagonal segments, each of which measures 1.44 meters diagonally with a thickness of 45 millimeters. The segments will be closely arranged, separated by gaps measuring only 2.5 millimeters wide, to create the 30-meter-diameter primary mirror. The primary mirror’s construction requires the production of six each (seven when including replacement segments) of the 82 uniquely shaped segments used to create the mirror.</p>
<p><!--more--></p>
<p>The processing work that Canon is responsible for requires that segments be processed at a level of precision measuring less than 2 microns Peak-to-Valley (P-V), a value that indicates differences in surface levels. This degree of precision is comparable to a variation in the surface evenness of the playing field housed in the Tokyo Dome sports stadium of less than 0.2 millimeters. To produce the segments, Canon is drawing on its various optical technologies cultivated through the manufacture of lenses and mirrors, namely grinding and polishing technologies, aspherical surface processing technologies, and measuring technologies. In particular, Canon will make use of its proprietary tools when grinding and polishing the aspherical surfaces to ensure the proper curvature required for each segment.</p>
<p>In addition to Canon’s involvement in the TMT, the Company provided support for the large-scale optical-infrared Subaru Telescope, also located on Mauna Kea. Canon developed and produced the corrector lens used in the Subaru’s Hyper Suprime-Cam ultra-wide-field prime-focus camera. In this way, Canon will continue to use its technologies to contribute to the development of the world’s science, technology and natural science fields.</p>
<p>Canon will be exhibiting a prototype of a segment from the TMT’s primary mirror, which was ground and polished by the Company, at the 2014 International Broadcast Equipment Exhibition (Inter BEE), to be held from November 19 to 21 at the Makuhari Messe in Chiba City, located east of Tokyo.</p>
<p><strong>Overview of primary mirror segment production</strong></p>
<p>The segments to be used in the TMT’s primary mirror are produced by grinding and polishing the front and back surfaces of a circular glass material that is then subjected to spherical and aspherical processing. After cutting the glass into a hexagonal shape and adding holes, it is mounted on a Segment Support Assembly (SSA), a mechanism that enables precise adjustments to ensure the proper positioning of each mirror segment.</p>
<p><strong>About TMT</strong></p>
<p>The TMT, which is currently being constructed near the summit of Mauna Kea, Hawaii, is scheduled to be completed in the early 2020s. The project is a collaboration between five countries: Japan, the United States, China, India and Canada. Japan is providing one-fourth of the cost to construct the TMT, which totals approximately 150 billion yen. In addition to the processing of the multi-segment primary mirror, which Canon is carrying out, the team from Japan is in charge of such tasks as producing the glass material used in the segments, as well as the design and construction of the telescope’s structure.</p>
<p>The TMT will have thirteen times the light-gathering power and four times the resolution of the Subaru Telescope, which is currently conducting observations from the summit of Mauna Kea, the same location where the TMT is being constructed. The TMT will enable more detailed observations into even farther reaches of space at a level of resolution that would enable a one yen coin in Osaka to be recognizable from Tokyo—a distance of approximately 400 kilometers. Furthermore, in nearly all of its observations, the TMT will make use of adaptive optics (AO), which correct for atmospheric turbulence to enable high-visibility astronomical imaging.</p>
<p>Through observations using the TMT, researchers hope to identify stars dating back to the beginning of the universe and find answers to some of the mysteries of the galaxy, as well as discover planets outside of our solar system capable of supporting life.</p>
<p><a href="http://www.canon.com/news/2014/nov13e.html"><strong>http://www.canon.com/news/2014/nov13e.html</strong></a></p>

Forum Decorum....Deshmorum?

Just wanted to state a few things (from my POV) that one should bear in mind when participating in forum chatter.

- Know that starting/participating in potentially controversial threads is like playing a game

- Know the rules to the game and how to best play it

- If you don't like those games, don't play them (e.g. starting the threads and then participating in them)

- Don't get mad at what happens during that game, then take your ball and go home simply because you are no longer enjoying that game (e.g. starting threads and then locking them after you've had the last word)

- In the real world, you'd get shunned, punked, and treated like the turd burglar that you are for pulling the "I'm taking my ball home" card on everyone

- Freedom to express your view/opinion/two cents whether it be nonsense or valuable is something which every person is entitled to

- You are entitled to not like what others have to say

- You should try not to apply double standards. Dish it and be okay with having it dished back

- Much of how you SHOULD conduct yourself in life is probably the best way to conduct yourself on forums such as this one (unless you're a d-bag in every facet of life). Still, you are entitled to act as you so choose (within the confines of the admin set rules)

- Don't post or start threads that you know may be inflammatory if you don't want to deal with the resulting flames (very similar to not putting your hand in the fire if you don't like hot)

- If you insist on posting them, deal with the results (which you know full well are inevitably coming). Don't be the guy on the school yard that pushes someone and then gets mad because you subsequently got punched in the face because you weren't really looking to fight

- Stop crying

Yes, I am aware there are some slight redundancies. But they are good for reiteration of things that appear to be unclear to many around these parts.

The end.

Sigma 150-600mm Contemporary Series Shipping and Lens Review

hi Friends,

The New Contemporary Series of Sigma 150-600mm is also announced . Cheaper than Sports Version.
Picture attached for your reference.

B1YR2aAIMAASMA4.jpg:large




Also confirmed by BH Photo :
http://www.bhphotovideo.com/c/product/1082154-REG/sigma_150_600mm_f_5_6_3_dg_os.html

C Series S series

Lens : 20 elements in 14 groups Lens : 24 elements in 16 groups

Filter thread : 95 mm Contemporary , Sport Version is Bigger : 105mm

Dimensions : Approx. 4.1 x 10.2" (10.41 x 25.91 cm) Dimensions : Approx. 4.8 x 11.4" (12.19 x 28.96 cm)

Weight : Awaiting Weight : 6.3 lb (2.86 kg)



Awaiting the Reviews now.

Sony Vario-Tessar T* FE 16-35mm F4 ZA OSS Sample Images

http://www.photographyblog.com/previews/sony_vario_tessar_t_fe_16_35mm_f4_za_oss_photos/

http://joerghaag.com/2014/11/10/finally-a-usable-wide-angle-zoom-for-the-%CE%B17/

http://www.sonyalpharumors.com/zeiss-16-35mm-fe-gets-dxomarked-best-f4-0-wide-angle-zoom-on-market-by-a-hair-over-the-nikon/

i ordered one for my sony.

can´t wait to compare it to a friends canon 16-35mm f4.


ups this thread should have gone into the third party forum...

6D photos on a 4K TV monitor

Will Canon 6D best resolution jpegs or RAW photos display better on a new UHD 4K monitor than a regular 1080P monitor? I don't watch TV (haven't for >20 years) but I have a 55 inch fast refresh rate 1080p TV for my computer monitor, which I love. But, sitting close you can see the pixels. So, I'd love to spend the dough for a similar 4K monitor, but, since website stuff if so compressed and will look crappy on a 4k monitor (still), one of the main joys of getting it would be if my Canon 6D pictures looked better. Thanks.

My Dorito's Superbowl Commercial Submission

Howdy!!

Well I did my first collaboration on a video and we've entered it into the Dorito's $1M Superbowl commercial...

Please give it a watch:

https://crashthesuperbowl.doritos.com/gallery/submission/4023?filter=

If you like it, please rate it high and share with social media and anyone you know!!

It was shot with my Canon 5D3...mostly the 24-105mm f4 and 17-40mm f4 lenses...I also tried my hand at my first green screen.

I used Davinci Resolve to try color....strange that once the Dorito's site uploaded it to my YT site...it really over saturated the colors much more than what I had on my screens when editing...

We did have 3x VERY good looking models, and NONE of them showed up for the shoot....so our "athlete" called a girl friend of his, and our makeup artist got an immediate new role.
:)

Anyway, my first endeavor trying something like this....renting a place, hauling equipment all around....getting there and being told we had an hour less than supposed to....etc.

Anyway, was fun and a good lesson learned in logistics....please leave thoughts, ideas and again, if you like it, please vote it up on the doritos site!!

cayenne

Concert Shots

I recently got what is a very rare chance to shoot some bands playing - certainly here in the UK turning up at a venue with a DSLR is not usually a productive experience. Anyway, I got a chance to do some concert photography which I am very interested in. Some examples below, would be very interested to hear any opinions on how to improve them. They are jpegs processed in Lightroom, taken with a 70d and primarily the 24-70L Mk I with a few also taken with the 135L.

This first set is a band from Athens called Verbal Delirium . . . music that was full of drama.

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Danny Green Talks the Canon EF 100-400 f/4.5-5.6L IS II

HTML:
<p>Canon Explorer of Light Danny Green has put the EF 100-400 f/4.5-5.6L IS II through the paces for the CPN. While there’s no way the article would say anything negative about the lens, all the positives about it are worth noting.</p>
<p><em>“This EF100-400mm f/4.5-5.6L IS II USM lens has the new, special Air Sphere Coating (ASC) technology that incorporate what Canon calls a low refractive index layer. It took me a while to get my head around this, but it’s fascinating. Basically, when light enters a lens, it slows down as it passes from the air through the glass. This slowing down in speed is what causes reflections and flare, causing problems such as ghosting and contrast degradation.”</em></p>
<p><em>“It works with an EF1.4x converter<sup>*</sup> too, unlike the old 100-400 which would only let you manual focus with it fitted. With this new lens you can use AF no problem with the central focusing point. Another big step forward.”</em></p>
<p><strong><a href="http://cpn.canon-europe.com/content/education/technical/danny_green_on_ef100_400mm_f45_56l_is_ii_usm_zoom.do" target="_blank">Read the full article at CPN</a> | <strong><strong>EF 100-400 f/4.5-5.6L IS II: <a href="http://www.bhphotovideo.com/c/product/1092632-REG/canon_9524b002_ef_100_400mm_f_4_5_5_6l_is.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/CA1004002U.html?KBID=64393" target="_blank">Adorama</a> | <a href="http://www.amazon.com/gp/product/B00PF39PEY/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00PF39PEY&linkCode=as2&tag=canorumo-20&linkId=DR7JYMNZQZ4LVBHE" target="_blank">Amazon</a></strong></strong></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

  • Poll Poll
Do you flick your camera off when setting it down?

Do you turn your camera off when you set it down.

  • Always.

    Votes: 9 16.4%
  • Sometimes.

    Votes: 15 27.3%
  • Never.

    Votes: 16 29.1%
  • Situation Dependent.

    Votes: 15 27.3%
  • Other (explain)

    Votes: 0 0.0%

I tend to do this when I put my camera down. Bad habit? Situational dependent? Or just muscle memory?

Do you do this? And why/ why not?

EF 100-400mm f/4.5-5.6L IS II Sample Images

HTML:
<p>Canon China has posted a <a href="http://www.canon.com.cn/products/camera/ef/lineup/telezoom/ef100400f4556lisii/sample.html" target="_blank">few sample images from the upcoming Canon EF 100-400 f/4.5-5.6L IS II</a> which starts shipping in December, 2014.</p>
<div id="attachment_17885" style="width: 585px" class="wp-caption alignnone"><a href="http://www.canon.com.cn/products/camera/ef/lineup/telezoom/ef100400f4556lisii/sample.html"><img class="wp-image-17885 size-medium" src="http://www.canonrumors.com/wp-content/uploads/2014/11/sample6_b-575x383.jpg" alt="sample6_b" width="575" height="383" /></a><p class="wp-caption-text">Image from Canon China</p></div>
<p><strong><a href="http://www.canon.com.cn/products/camera/ef/lineup/telezoom/ef100400f4556lisii/sample.html" target="_blank">View Sample Images</a> | Preorder <strong>EF 100-400 f/4.5-5.6L IS II: <a href="http://www.bhphotovideo.com/c/product/1092632-REG/canon_9524b002_ef_100_400mm_f_4_5_5_6l_is.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/CA1004002U.html?KBID=64393" target="_blank">Adorama</a> | <a href="http://www.amazon.com/gp/product/B00PF39PEY/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00PF39PEY&linkCode=as2&tag=canorumo-20&linkId=DR7JYMNZQZ4LVBHE" target="_blank">Amazon</a></strong></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

New acronym patent: WO?

As an Italian reader of this forum, I have learnt several acronyms (not only photografic):

AF: autofocus (in Italy we use autofocus as a noun, but not as a verb: "mettere a fuoco" sounds like "to put to focus")
AFAIK: as far as I know
AFMA: autofocus micro-adjustment
BS: Biased Score (thanks Neuro) ;D
DSLR: in Italy we are lazy and we call it just "reflex"
FF: Full frame (also used in Italian)
...
etc.


Now my question is: can I apply for a patent for the new indispensable acronym WO?

For example: let's write "I shoot WO" instead of "I shoot wide open".

If my new acronym patenting request is accepted, how much will I be able to charge as royalty for each use? Will I get rich?




P.S. Just before clicking the "Post" button, I made a google-check and realized that the acronym is not new [https://www.google.it/search?hl=it&source=hp&q=%22i+shoot+wo%22].
An opportunity for easy money just vanished. :( :( :( :'( :'( :'(

Samsung NX1 First Shots

The Samsung NX1 "uber camera," the company's first truly pro-level NX body, has arrived at IR HQ and was immediately escorted to the lab for a run through its paces. We've just now published our First Shots set of lab sample image for all your pixel-peeping pleasure. With a brand new backside-illuminated 28.2-megapixel APS-C CMOS sensor coupled to the powerful new multi-core DRIMe V processor, the beefy, weather-sealed NX1 is capable of pumping out some very sharp, high-resolution images.

.......

As noted, the images themselves look pretty darn good. As always, manufacturers make different tradeoffs between noise and detail levels, and while we haven't yet done a detailed analysis against the competition, our initial impressions are very positive, particularly at higher ISOs. This is especially impressive given the 28 megapixels the NX1 has packed onto its sensor.


http://www.imaging-resource.com/news/2014/11/11/samsung-nx1-first-shots

Sony revolutionizes the sensor world? Active Pixel Color Sampling sensor (APCS).

http://www.sonyalpharumors.com/sr4-hot-news-sony-revolutionizes-the-sensor-world-makes-worlds-first-active-pixel-sensor-apcs/

......
Every single pixel can take the full color info with the help of an electrified moving color filter!
How this works in detail is yet not described on that paper. But basically instead of having four pixels “RGBG” interpolated into one single pixel information (as it happens on usual Bayer sensors) every pixel on the APCS sensor grabs the full color information. There is no need of interpolation. So on paper you have 4 times the resolution and that 4,8 MP sensor can be compared (again on paper) with a 19,2 MP classic Bayer sensor used by 99% of todays cameras. This is a more advanced solution than Sigmas Foveon sensor used on DP cameras. Sigma uses three vertically ordered R-G-B layers. But also here you need to merge three pixel information into one and you also struggle with noise level because electrons get absorbed (or lost) on each layer).

Positive effects of such a sensor design are:
– 4 times bigger pixels compared to same resolution Bayer sensor. This means more electrons captured and therefore higher dynamic range and lower noise (crazy ISO possible…even crazier than those of the Sony A7s).
– No moire issues anymore. No Anti Aliasing filter needed (increases per pixel sharpness).
– That tech also allows to make crazy high megapixel sensor. For example if you keep an Sony’s APCS pixel size same as the current Sony A7r 36MP RGB pixel size sensor you could in theory make a 144 Megapixel FF APCS sensor :)
– Less pixels to read means also faster processing and readout.

Other key features of the new APCS sensor:
– Electronic Global shutter. No more “jello” effect on videos!
– Records 2K with 16,000 frames per second (processor doesn’t have to be interpolate between RGBG pixels and therefore can use full power to read out more frames per second!). Note that the current Arri Phantom Flex shoots 4K at 1,000 frames per second.
......

canon is trying to catch up with the latest sony sensor generation and sony seem to have the next big hit ready already.

i guess as with BSI we will see this in smartphones first and maybe 2016 in more photographer oriented cameras.

or maybe it´s a VIDEO sensor. the sensor is little big for a smartphone. :)
but i guess the technology will make it into still cameras at some point.

anyway... personally i can´t wait to get rid of the bayer sensor and it´s shortcomings.

The next three new lenses? 50, 100 macro, 70-300

I have just received a 15% off promotion from Amazon. In particular the 50/1.4 is cheaper than I remember seeing it before in the UK, even before the 15% discount is applied at checkout. Does that mean that fans of the classic 50 prime are finally going to have a modern option?

http://www.amazon.co.uk/gp/feature.html/ref=pe_1416011_57576541_pe_ecg/?docId=1000832543&ie=UTF8

Two other lenses included are the non-L 70-300 USM IS and the non-L 100mm macro. Are these likely to see imminent updates too?

The remaining two lenses included are modern STM models, which I cannot imagine are up for replacement.

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