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DXOMark: Zeiss Otus 55mm f/1.4

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<strong>Shocking news….


</strong>….. The Zeiss Otus 55mm f/1.4 is the best lens ever mounted to a Canon DSLR! DXOMark has completed their testing of the new king of the primes.</p>
<p><strong>Says DXOMark

</strong><em>“Without doubt Zeiss has achieved their goal of producing the finest fast standard prime available on the market today for full-frame DSLRs, but at a shade under $4000, image quality like that doesn’t come cheap.</em></p>
<p><em>There are a couple of other concessions to consider as well. The Zeiss lacks autofocus and being slightly larger and heavier than the firm’s <a href="http://www.dxomark.com/Lenses/Carl-Zeiss/Zeiss-Carl-Zeiss-Apo-Sonnar-T-Star-F2-135-ZE-Canon" target="_blank">Apo Sonnar T* 2,0/135</a> it’s not particularly discrete.</em></p>
<p><em>Despite that the <a href="http://www.dxomark.com/Lenses/Carl-Zeiss/Zeiss-Carl-Zeiss-Distagon-T-STAR-Otus-55mm-F14-ZE-Canon" target="_blank">Zeiss Otus T* 1,4/55</a> is a breathtaking example of what’s possible, and will likely go down in history as one of the classic fast standard designs of our time.”</em></p>
<div id="attachment_14951" style="width: 585px" class="wp-caption aligncenter"><a href="http://www.canonrumors.com/wp-content/uploads/2013/11/dxootus1.jpg"><img class="size-full wp-image-14951 " alt="Zeiss Otus 55mm f/1.4 Results on the EOS 5D Mark III" src="http://www.canonrumors.com/wp-content/uploads/2013/11/dxootus1.jpg" width="575" height="293" /></a><p class="wp-caption-text">Zeiss Otus 55mm f/1.4 Results on the EOS 5D Mark III</p></div>
<p><strong><a href="http://www.dxomark.com/Reviews/Carl-Zeiss-Distagon-T-Otus-1-4-55-ZE-Canon-mount-lens-review-Peerless-Prime" target="_blank">Read the full review</a> | <a href="http://www.bhphotovideo.com/c/product/1007599-REG/zeiss_2010_056_55mm_f_1_4_otus_lens.html/bi/2466/kbid/3296" target="_blank">Preorder the Zeiss Otus 55mm f/1.4 at B&H Photo</a></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

  • Poll Poll
Lens Squeak - 24-70 2.8 USM II - Is this Normal?

Is the noise coming from this 24-70 2.8 USM II normal?!

  • Yes

    Votes: 4 17.4%
  • No

    Votes: 15 65.2%
  • It's a normal mechanical noise - nothing to be worried about (What Canon tells me)

    Votes: 4 17.4%

I've had my 24-70 for a few months now and its started squeaking when retracting the zoom barrel. I've sent it into cannon for repair (under warranty) and they've sent it back saying that this is normal. I'm not sold yet.

Never had a lens do this before - looking for some advice on the issue. Links to video of squeak below.

Canon 24-70 2.8 USM II Lens Squeak (2)

IMG 0036

Thanks!
Mark

6D Feature Request: Web Server

I sent this message to canon earlier today, what do you guys think?

Nice to have? overkill? it's already there and I just missed it?




Dear Canon, could you please add a WebServer to the cameras OS. This could be as simple as:

GET /
# Gives the list of photos



GET /IMG_00001.cr2
# Gets one photo



Nice to have but not needed out of the gate:
DELETE /IMG_00001.cr2

This is the Way a White Camera Should be Done

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<p><strong>Canon P Imperial Edition

</strong>Canon Rumors reader Bernard sent me a few photos of his custom Canon P rangefinder. He had it redone in Tokyo with the help of <a href="http://www.japancamerahunter.com/" target="_blank">The Japan Camera Hunter</a>.</p>
<p>The camera is fully customized with a new paint job and striking red grip. I personally think this is a nicer rangefinder than the one that <a href="http://www.macrumors.com/2013/11/24/one-of-a-kind-products-designed-by-jony-ive-and-designer-marc-newson-sold-off-at-red-auction/" target="_blank">just went for $1.8mil</a> :)</p>
<p>What do you think of Bernard’s P?</p>
<div id="attachment_14824" style="width: 585px" class="wp-caption alignnone"><a href="http://www.canonrumors.com/wp-content/uploads/2013/11/canonP1.jpg"><img class="size-medium wp-image-14824" alt="Canon P Custom | Click for Larger" src="http://www.canonrumors.com/wp-content/uploads/2013/11/canonP1-575x383.jpg" width="575" height="383" /></a><p class="wp-caption-text">Canon P Custom | Click for Larger</p></div>
<div id="attachment_14825" style="width: 585px" class="wp-caption alignnone"><a href="http://www.canonrumors.com/wp-content/uploads/2013/11/canonP2.jpg"><img class="size-medium wp-image-14825" alt="Canon P Custom | Click for Larger" src="http://www.canonrumors.com/wp-content/uploads/2013/11/canonP2-575x383.jpg" width="575" height="383" /></a><p class="wp-caption-text">Canon P Custom | Click for Larger</p></div>
<div id="attachment_14826" style="width: 585px" class="wp-caption alignnone"><a href="http://www.canonrumors.com/wp-content/uploads/2013/11/DSF5125.jpg"><img class="size-medium wp-image-14826" alt="Canon P Custom | Click for Larger" src="http://www.canonrumors.com/wp-content/uploads/2013/11/DSF5125-575x383.jpg" width="575" height="383" /></a><p class="wp-caption-text">Canon P Custom | Click for Larger</p></div>
<p>What if this was a digital P?</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>
<p> </p>

Best tablet for on-location preview

Guys,
What is the most effective means of previewing your photos on location when lugging around a laptop is not a possibility? I frequently find myself in the situation when exposures shown on the camera screen are drastically different from when I take them into lightroom. I'm thinking of perhaps getting a tablet with either lightroom or some decent preview software that reads Raw, and using it to check shots on location.
I'm leaning towards a full-featured tablet like the Asus W700... although I would prefer something lighter and less expensive. I'll be getting a 70d, and I think its wifi will be very useful for this.
I would be interested in hearing what other people here would recommend.

Want a second camera body already have 5D Mk3, Anything else too?

I am in the middle of getting back into this wonderful Hobby (Future job hopfully). I have already invested deep into it. Bought the following items: 5D Mk3, 16-35 2.8, 24-70 2.8, 70-200 2.8, Speedlite 600. Built a new computer I have Adobe Master Suite CS 6. Have a Nice 28 inch PC Monitor...Good Printers but I can use local processing.

Now I want to get a back up Camera body but also have something that would complement what I already have. I was thinking a 60D or a 7D. The 6D would give me a Full Frame back up. The 7D would give me the better focus capability and a longer reach with my long lens. Also Canon "might" be bringing out a new body between the 1D and 5D..Should I wait? Should I go with one of my choices? Get something different? Or just get a second 5D Mk3?

Other items I will be buying soon are. 2X converter, 100mm Macro, Macro Flash, travel Tripod and heavy duty Tripod.

As for other future lenses I think I'll be saving up for the 600mm after the above items.

Also open to other suggestions on my Kit, I'll get a 50mm some time and an 85mm too. Maybe a Tilt shift but waiting for a while on that one.

Thanks for your help.

A little back ground on me: At one time I was going to go Pro then my real life, wife, kids and other things got in the way. Now I am able to leave what I do and go Pro so I am very seriously building my Kit before I leave my present job to go with my 1st love.

Canon 10-22 vs. Tokina 11-16

I'm looking to purchase an UWA lens for my 7d. I'm pretty torn between the Canon 10-22, the Tokina 11-16.

The 10-22 is obviously wider, I also read that it puts out a little better IQ. Also the canon USM is probably a bit snappier. However, does anyone who shoots this lens find the variable aperture causing problems in everyday shooting? My fear is that i'll be shooting on the fly and get screwed over shooting at f/4.5. Obviously at that focal length DOF isn't really a concern but quick shutter speeds are important to me as a photojournalist.

11-16 is great because of the f/2.8 but i'm afraid the zoom range is too limited. Does anyone who shoots this lens find that range presents issues? My fear is that it is more of a specialty lens and I wont feel comfortable leaving it on the camera for long periods of time, while the range of 10-22 gives me a lot more options. Also I've been less than in love with the AF performance of non-canon lenses.

Just Touching the Surface of Dual Pixel Technology? [CR1]

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<p><strong>Dual Pixel technology more than just AF?

</strong><a href="http://www.northlight-images.co.uk/cameras/Canon_rumours.html">NL</a> reports that they’ve been told to expect even more new features from Canon’s Dual Pixel technology other than autofocus. Currently the tech appears in the <a href="http://www.bhphotovideo.com/c/product/986389-REG/canon_8469b002_canon_eos_70d_dslr.html/bi/2466/kbid/3296" target="_blank">EOS 70D </a>and will also appear in an upgraded <a href="http://www.bhphotovideo.com/c/product/889545-REG/Canon_EOS_C100_EF_Cinema.html/bi/2466/kbid/3296" target="_blank">EOS C100</a>. Will the <a href="http://www.canonrumors.com/2013/11/from-interbee-interview-with-the-head-of-cinema-eos/" target="_blank">C300 get a similar upgrade</a>?</p>
<p>Apparently dual pixel design will need the latest generation of processing (DIGIC 6/7?) technology to realize its full potential. The benefits of this alongside new CODECS will be seen in the next Cinema EOS cameras and possibly in new high end DSLRs.</p>
<p>The video and stills segments of the professional lineup will get upgrades in 2014. Cinema EOS will get it first, and possibly be shown in April at NAB 2014 in Las Vegas. DSLRs will get it in the second half of the year and will most likely be shown at Photokina 2014 in Cologne, Germany.</p>
<p>Source: [<a href="http://www.northlight-images.co.uk/cameras/Canon_rumours.html" target="_blank">NL</a>]</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

Random (but Legal) Use of your Photos

Sometimes we enter photo contests or sign the rights to do a lot with our photos over to others. So far, no harm has come to my photos - if anything, it's been a great and sometimes amusing experience. For starters, I entered the Florida State Parks photo contest twice - the first time with no luck and the second time I won the monthly contest. Out of the total entry of 4 photos, one was used (as the main photo) on the cover of their 18-month calendar, one was exhibited in a local museum (forgive the crappy photo), my photo is the little alligator in the bottom center, and I just found that they used my (winning) photo for the cover of some water quality publication. They gave my photo a HDR look and (re)-captioned my photo screwing up everything but my name and the location...but still kind of funny and cool that they used the photo.

My commercial clients have used my photos for magazine ads, billboards, lobby art, and other stuff. Has anyone else had their work spread around like this after giving away or licensing the rights? If so, any funny or interesting examples?

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TEN YEARS FROM NOW.

It is a bit quiet here and until the 7d2 or the high mp camera here is something for us.
I think it may be fun to predict what camera technology will be like in December of 2023.
Here are my few predictions:
1. DSLR's will be used only by top end sports/wild life shooters.
2. Mirror less would have evolved and be thriving.
3. Point and shoot would be dead.
4. Canon cameras will have 4 stops better ISO.
5. There will be lenses with 6 stop IS.
6. Canon and Nikon would share equal percentage of the market.
7. Canon will have 65 mp full frame camera.
8. The fast version Canon camera will shoot 18 fps.
9. DR will be around 16 stops.
10. 1d form factor will stay.

We all need to put our thoughts down by early next year and then look at this ten years from now and tickle ourselves.

Sanjay

Refurbed lenses and sharpness

Hi all,
So while I have bought refurbed bodies, I've never bought a refurbed L lens. I can see why someone would return a body because it did not meet their needs, but returning an L lens I would find less likely for this reason as its pretty clear what a lens is able to do upfront.

Reason behind my train of thought is the below:
1) Canon refurb stock to my knowledge is generally customer returns in the 30 day period or dealer demos
2) I've heard lots of people who will do sharpness tests with brand new lenses and return them if they do not match some of the reference tests online. Or sometimes they will order multiple copies and return the less sharp ones.
3) Most of the time due to copy variation less sharp copies are generally considered in spec (i.e. look at lensrentals data), and thus Canon would not adjust it
4) Thus, when buying a refurb lens and thus a customer return, there might be a higher probability you would get a less sharp copy than if you bought new

Is this reasoning crazy, or do others agree? :) I do know many people are happy with refurbed lenses, and I am not talking about getting a lemon here, just a lesser chance of getting the brightest bulb of the bunch. I've also heard quite a few stories of people getting refurbed lenses with a lot of dust inside, though it is unlikely that would affect image quality.

All-I/IPB compression and SDs

How does the compression work on Canons . Can you choose a bitrate in the menu? Is it decided by the SD slot speed? Decided by the card speed as well? Is it always a consistent speed in All-I? And if so does anyone know the max bitrate for the 6D? (I think it's. 90 for Mark IIi) Just curious cuz I don't wanna but an SD card with a super high write speed if it isn't even capable.

A use for the 24-70 f4.0 ?

I'm thinking it might be a nice lens for a woodworker taking shots of furniture. At least that's what i'm debating about whether to buy it for myself. I wouldn't be taking show shots, but rather working shots to aid in reproducing some piece of furniture, or some part of a piece.

The lens is supposed to have decent resolution, relatively low distortion, good stabilization, and macro capability if needed. A faster F2.8 aperture wouldn't be needed, since depth-of-field is usually more important here.
The reported focus shift (worst at 70mm close-in non-macro) might be an issue, but seems like that should be fixable by a simple firmware update, i'd think. Hopefully Canon's already done that.

Hopefully the price will come down a bit...

60D vs. 6D slower at capturing focus

I recently bought a 6D, have been shooting with a 60D for 2 years. In the last 4 months I have been shooting a lot of hummingbirds with the 60D and a 70-300 IS L lens. In the last week I started using the 6D for the same shots. I am finding that the 6D is decidedly slower at locking focus that the 60D. Most of my shots are at 300mm, f8, 1/1250, high speed flash snyc all on a tripod. I have shot many tack sharp images with the 60D, but can not match them with the 6D.

Any experiences, help or advice would be appreciated.

shutter problem

Today, every picture I took with my 5DIII has a black bar on the bottom of the frame, regardless of the lens I used. The camera has not suffered any recent impact (of which I am aware). Is this indicative of some problem with the electronic shutter? I assume I will have to send this into a Canon repair shop to get this fixed.

Canon 6D video feed to projector?

I want to feed video directly from my 6D to a projector for a club meeting and may also want to record the videos for our website. Have not done much video but assume the EOS software will manage this interface thru wifi into my mac laptop and then usb into the projector? Any tips or "watch out fors" here? I did some searches on this forum and came up empty handed. Thanks for any advice.

Tony M

Dual-pixel AF and ISO performance?

I switched from Nikon to Canon recently, and for my crop body went from a D7100 to a 7D. The 7D seems great with the major exception of high ISO performance, which I find disappointing compared to the D7100. Yes of course the D7100 is much newer sensor technology, so it should be better at high ISO, but I have high hopes of a 7d mk II in 2014 that would trump the D7100 at high ISO because of even newer sensor tech.

But now with the 70D having dual pixel AF, which is of little use to me since I don't shoot video, I assume this will be in the 7d mk II as well. My question is: Does dual pixel AF have the downside of hindering high ISO performance? I have read this from uninformed sources and am curious if there is truth to it. As a still shooter, I would be way bummed if technology that mostly benefits video shooters was really hurting us still shooters! I want the best high ISO performance possible in a crop body for stills and would be thrilled to see a 2 stop improvement over the current 7D, but man what a bummer if we saw only minor improvement as a result of dual-pixel tech implementation. (would be WAY cool if Canon offered 2 versions, a video optimized version and a sills optimized version). And before you tell me to just go full frame if I want quality high ISO, I own a 5d mk III and love its high ISO, but will always switch to the crop when I am shooting wildlife or other reach-limited scenarios.

Thanks for any clarification on this dual-pixel AF tech question!

Wow lens filters are hard to sell!

I have a couple of spare lens filters on Amazon from previous lenses I sold. They are all B+W XS-Pro MRC Nano 007m Clear filters - good stuff! In 77mm, 58mm, 52mm... But they won't sell for weeks even though I have the lowest price and they are in beautiful shape!

I'm really surprised, has anyone else had difficulty selling lens filters they don't use anymore? Or is this just an unpopular model I am using? IMO it is the best model for the cost, but perhaps because they are costly filters they don't sell much? I know you can get a lens filter for a fraction of the price, but usually you get more flare, loss of clarity, and color tint with those cheap filters - are people not aware of this in general?

IXUS fun

I bought a new IXUS 132 (Canon ELPH 115 / IXUS 132 / IXY 90F) yesterday for only 69 Euro's and decided to try it out on my cat. Here's a few shots; I had a lot of fun! ...and it's interesting to try out some of the digital filters. It's a great little camera. The only thing that's really missing is a 'shutter priority' mode (there's only 'P' and all the creative stuff). So to get fast(ish) shutter speeds the only workaround I could think of is to increase the iso. All in all I'm very pleased with the results. Not bad for such an affordable little camera. The build is good, too.

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