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<p>Below is an image showing the new Canon cinema lens with servo that will be announced shortly. It’s the lens in the front with the red ring and will cost 5 figures, so it’s definitely aimed at the professional market.</p>
<p>NAB in Las Vegas starts April 5, 2014 and runs until April 10, 2014.</p>
<p>We’re currently not expecting any new announcements for Cinema EOS bodies, beyond the possibility of a development announcement.</p>
<p>More to come….</p>
<div id="attachment_16204" style="width: 585px" class="wp-caption alignnone"><a href="http://www.canonrumors.com/wp-content/uploads/2014/03/cinezoom1.jpg"><img class="size-medium wp-image-16204 " alt="Click for Larger" src="http://www.canonrumors.com/wp-content/uploads/2014/03/cinezoom1-575x431.jpg" width="575" height="431" /></a><p class="wp-caption-text">Click for Larger</p></div>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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<p>We’re told that Canon will announce the PowerShot G17 some time in May. That is an extremely fast refresh from the <a href="http://www.bhphotovideo.com/c/product/1000470-REG/canon_8406b001_powershot_g16_digital_camera.html/bi/2466/kbid/3296" target="_blank">PowerShot G16</a>, which was announced last August. The PowerShot G16 was a very minor refresh from the G15.</p>
<p><strong>Specifications</strong></p>
<ul>
<li>24-200mm f/1.4-2.0 lens</li>
<li>New 1″ Sensor</li>
<li>all magnesium body with comfortable grip</li>
<li>DIGIC 6</li>
</ul>
<p>The lens looks pretty impressive if this turns out to be true.</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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<p>We continue to receive little bits of information about the upcoming Canon PowerShot SX60 IS. We should be seeing this highly popular superzoom some time in the spring.</p>
<p>The latest we’ve heard is the camera will have a 100x zoom and will have a focal length range of 20-2000mm. This goes along with what most sources have previously said. I’d get one just for the fun of 2000mm!</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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<p><a href="http://www.eoshd.com/content/12310/canon-4k-refresh-c200-c400-coming-nab" target="_blank">EOSHD</a> has posted about the possibility of an EOS C200 and EOS C400 for NAB 2014 in April.</p>
<p>According to EOSHD’s source, Canon will introduce the Cinema EOS C200 as a new entry level 4K camera, and the semi-pro Cinema EOS C400 sitting under the EOS C500.</p>
<p><strong>CR’s Take

</strong>We have it from pretty good sources that Canon is announcing a few things, but not any cameras. However, there’s always a possibility that Canon has kept the existence of a C200 & C400 to a very small and select group of people and the other goodies are for a broader audience.</p>
<p>We’ve heard absolutely nothing about a C200 and C400, however that doesn’t remove the possibility of their existence, as this site isn’t the first place cinema people go.</p>
<p>The other possibility is these cameras could receive “development announcement” status and wouldn’t be part of the regular product announcement process.</p>
<p><strong>Source: [<a href="http://www.eoshd.com/content/12310/canon-4k-refresh-c200-c400-coming-nab" target="_blank">EOSHD</a>]</strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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<p>ZEISS is launching the Compact Zoom CZ.2 15-30/T2.9 at this year’s NAB Show in Las Vegas from April 7-10, 2014. The third member of the Compact Zoom family broadens the cine zoom line-up in the wide-angle range. From August 2014, the lens will be available for € 17,900 or US$ 23,900 (excl. VAT)*. The new zoom lens fills the wide-angle gap and complements the already available CZ.2 28-80/T2.9 and CZ.2 70-200/T2.9 lenses. It does not only offer extreme angles of view but also fulfills all the requirements for motion picture zooms: It stands out for its optical brilliance, as well as its distortion-free images.</p>
<p>The ZEISS Compact Zoom CZ.2 family of lenses sets new standards only experienced with fixed focal lengths from ZEISS. Equipped with this set of three zoom lenses, cinematographers can master an enormous range of shooting situations without having to resort to frequent time-consuming lens switches. For sophisticated filmmakers, the ZEISS cine zooms open up new creative possibilities. When working with a zoom lens, you can move a lot more quickly because you don’t have to change lenses and can make different shots from the same perspective.

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The ZEISS Compact Zoom lenses are the only cine-style zooms in the world with full-frame coverage. All three zooms were calculated for the full-frame format of 36×24 mm. As a result, they are also compatible with image sensors larger than Super 35 (ex: image diagonal 31.5 mm) and therefore already ready to accommodate future developments in the field of growing sensor sizes. When the lenses are used on Super 35 cameras, users benefit from the positive “sweet-spot effect”: the image circle used by the sensor comes from the inner circle of the lens. As a result, the lens only uses that part of the illumination that has the highest quality in terms of sharpness, light and contrast. In line with the reliable and strict quality requirements that ZEISS lenses are subject to, all three representatives of the Compact Zoom family enable 4K capture.</p>
<p>The cine zooms from ZEISS are masters of flexibility whenever the goal is to achieve high-quality results with little lens changes. The optical balancing between ZEISS cine zooms on the one hand and ZEISS high-end cine lenses on the other fulfills filmmakers’ highest demands, whether they are making big-screen, TV, documentary, music video productions or feature films. All three zooms have a consistent aperture of T2.9, also making them suitable for situations with less available light. And thanks to the established ZEISS color matching, the lenses can be used in combination with the existing lens families ARRI/ZEISS Master Prime, ARRI/ZEISS Ultra Prime and ZEISS Compact Prime, with no additional color grading needed.</p>
<p>Over many years, ZEISS has been continuing to develop the bokeh – that special look of an out-of-focus area in an image. After all, bokeh is one of the most important characteristics of a lens. With special optical design and circular f-stop forms, ZEISS zooms here achieve a particularly harmonious result and depict out-of-focus highlights as circular without any bothersome artifacts. In addition, the Carl Zeiss T* coating – based on several layers in the nano field – ensures a visible reduction of stray light and reflections. The result: brilliant images with a three-dimensional effect.</p>
<p>A special protection against dust and spray water for rough use on the set underscores the high professional standard of these cine lenses.</p>
<p>The cine zooms from ZEISS deliver the well-known quality and performance for which ZEISS lenses have been known for decades. For cinematographers on smaller budgets in particular, it is critical to make safe investments in their equipment. On this point, the Compact Zoom CZ.2 lenses stand out strongly: due to the interchangeable mount system (IMS), with currently five different mounts (PL, EF, F, MFT und E), the lenses can be fitted without problems onto different camera mounts. As a result, the zooms can always be used on the latest camera models, and always in an optimal system mix.</p>
<p>All three lenses – the new Compact Zoom CZ.2 15-30/T2.9, the CZ.2 28-80/T2.9 and the CZ.2 70-200/T2.9 – will also be available as a complete set (without transport case) for € 44,999 € or US$ 59,900 (excl. VAT)*.</p>