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70D or wait for 7D MK II?

As a 7D owner, am curious for input on if I should wait for a 7D Mk II or just go for the 70D. The 70D does have some interesting features, especially the highly touted AF system, but I worry if I upgrade now the 7D Mk II may be far superior with the same AF system, dual DiGiC 5s, and probably even higher FPS shooting (as a sports photographer that's important!). While I can wait, I can't wait forever. Probably til the end of the year? Anyone know/think they know when the 7D Mk II will come out?? Should I wait?

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Canon Dual Pixel Liveview Autofocus

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<p><strong>A Revolution in Autofocus Unlocks the Potential of Live View</strong>

Dual Pixel CMOS AF is a groundbreaking technology from Canon that unlocks the potential └of Live View, changing forever the way users will capture video and still images with a DSLR camera. Dual Pixel CMOS AF powers incredibly smooth and consistent autofocus – like that └of a camcorder – so focus transitions are natural and subjects remain locked in even as they move. It also enables phenomenally accurate and faster-than-ever autofocus through an LCD monitor, allowing the user to realize the unique compositional freedom of angle that Live View is capable of providing. And the compatibility of Dual Pixel CMOS AF with 103* Canon EF lenses empowers the user with exceptional optical tools for nearly limitless creative options. All these remarkable advances are possible thanks to an innovative technological design. For the first time in an EOS camera, the individual pixels on the CMOS sensor are capable of both capturing light and performing phase-difference detection autofocus. This revolutionary leap in Live View autofocus performance cements Live View shooting as an outstanding complement to traditional viewfinder shooting, unleashing wonderful new possibilities for dynamic, creative, high quality video and still capture in more situations than ever before.</p>
<p><a href="http://www.canonrumors.com/wp-content/uploads/2013/07/liveviewq.jpg"><img class="size-full wp-image-13922 alignnone" alt="liveviewq" src="http://www.canonrumors.com/wp-content/uploads/2013/07/liveviewq.jpg" width="575" height="498" /></a></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>
<p> </p>

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Canon EOS 70D Announced

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<strong>London, UK, 2 July 2013</strong>
 – Canon today unveils an outstanding new addition to its world-famous EOS series – the EOS 70D. Designed for aspiring enthusiast photographers, the EOS 70D is the ideal camera for anyone looking to take their photography to the next level. It combines completely new, world-first Canon imaging technology with powerful, creative and wireless sharing features – delivering a responsive, all-purpose camera ideal for capturing the moment with stunning images and Full HD video.</p>
<p><strong>Capture the moment with stills and Full HD movies</strong></p>
<p>The EOS 70D features a new 20.2 MP APS-C CMOS sensor, designed and manufactured by Canon. It’s the first Digital SLR in the world to feature ground-breaking Dual Pixel CMOS AF technology, which delivers smooth and accurate autofocus (AF) when shooting Full HD movies and fast AF acquisition when shooting in Live View mode. Paired with the 14-bit DIGIC 5+ processor and 19-point all cross-type AF System, the EOS 70D captures incredible, full resolution images at up to 7 frames per second, with up to 65 JPEG or 16 RAW images in a single burst*. Additionally, a native ISO range of ISO 100-12800 enables photographers to shoot in lower light conditions and use faster shutter speeds whilst retaining high image quality.</p>
<p>“I was incredibly impressed with how many new technologies the EOS 70D packs into one body, and how versatile it is,” said Brutus Östling, Canon Ambassador. “The EOS 70D is the perfect camera for anyone that wants to develop their photography skills. Not only is it suited to shooting people, landscapes and action easily and in outstanding quality, but also filming subjects in Full HD with focus speeds I never thought would be possible. The camera proved itself in the most challenging of circumstances, and had a range of new-generation technologies to comfortably solve any test I threw at it – especially with the new Dual Pixel CMOS AF technology. It really takes DSLR shooting and filmmaking to a whole new level.”</p>
<p>Canon’s new Dual Pixel CMOS AF provides swift AF performance when shooting in Live View mode and smooth accurate focus for Full HD movies. It makes it easy for users to take their next step with movies, enabling them to keep moving subjects in sharp focus and create professional-looking pull-focus effects. The technology utilises advanced CMOS architecture, allowing two photodiodes to be mounted within each pixel, both of which can be read independently to achieve autofocus, or together for image capture, with maximum image quality at all times.</p>
<p>An advanced AF system for stills includes 19 cross-type AF points spread across the frame, providing high speed, accurate AF – ideal for tracking sports and wildlife subjects as they move within the frame. The AF system is customisable, allowing photographers to adapt to the subject they’re shooting. AF points can be used individually, together in small groups, or as a wide active area for more unpredictable subjects. A dedicated AF area selection button, positioned conveniently next to the shutter release, enables quick switching between modes, without having to take the camera away from the eye.</p>
<p><strong>Expertly designed for professional control</strong></p>
<p>The EOS 70D’s powerful specification is packed into an expertly-engineered body that’s designed for comfort and swift operation. The Intelligent Viewfinder, with 98 per cent frame coverage and 0.95x magnification, allows photographers to comfortably frame their images and visualise settings via the electronic overlay. Conveniently-placed controls provide instant access to the most frequently used settings, such as ISO, AF mode selection and metering, so users can quickly change settings and concentrate on capturing the moment.</p>
<p>A 7.7cm (3.0”) Vari-angle Clear View LCD II Touch screen with a sharp 1,040k dot resolution is ideal for video shooting, or composing images from unusual and creative angles. The screen is a capacitive type, which supports a series of multi-touch gestures including swiping and pinch-zooming – perfect for navigating menus, amending settings or flicking through images.</p>
<p><strong>Clever connectivity for easy control and instant sharing</strong></p>
<p>The EOS 70D is the latest EOS model to feature integrated Wi-Fi, providing the freedom to remotely control the camera, as well as share images. Using Wi-Fi connectivity, users can connect to the EOS Remote app and control a wide range of image settings, including ISO and exposure, as well as focus and release the shutter. Photographers can also remotely use Live View mode, as well as review and rate their images.</p>
<p><strong>Instant creativity unleashed</strong></p>
<p>The EOS 70D features a host of creative modes to make capturing unique images easy. In-camera HDR removes the challenges of shooting in tricky, high contrast situations, merging three exposures into one that captures more detail in both the shadow and highlight areas. With multiple-exposure mode, photographers can shoot and combine up to nine exposures into a single image, or use a range of Creative Filters to instantly change the style and look of their shot.</p>
<p>Experimenting with creative off-camera flash is easy, thanks to the Integrated Speedlite transmitter, which provides in-camera control of multiple Canon Speedlite EX flash units.</p>
<p><strong>Creative Full HD Movies</strong></p>
<p>Alongside beautiful stills, the EOS 70D allows photographers to create high quality movies with ease. Full HD (1920 x 1080p) resolution video can be captured with a choice of selectable frame rates, including 30, 25 or 24fps, and 60 and 50fps at 720p, and a range of compression options for post-editing and sharing. Thanks to new Dual Pixel CMOS AF, Movie Servo AF mode tracks subjects as they move, or even as shots are recomposed, ensuring they’re always in focus. Alternatively, users can select different focus areas over 80 per cent of the frame** simply by tapping the touch-screen, even when recording – ensuring that movies stay sharp and clear if a subject moves or the user changes the composition of a shot.</p>
<p>Videographers can also enjoy stereo sound using the internal microphone, or enhance audio with the in-built external microphone input terminal. Full control over settings such as aperture and ISO is also possible within manual mode, giving users greater freedom as their skills develop.</p>
<p><strong>EOS 70D – key features:</strong></p>
<ul>
<li>20.2 megapixel APS-C CMOS sensor and DIGIC 5+</li>
<li>19 point cross-type AF System and 7 fps shooting</li>
<li>Dual Pixel CMOS AF</li>
<li>Instant sharing and remote control with Wi-Fi</li>
<li>ISO 12800 (H:25600)</li>
<li>Vari-angle 7.7cm ClearView II LCD touch screen</li>
<li>Intelligent viewfinder</li>
<li>Full-HD movies</li>
<li>*UHS-I card required for maximum burst duration</li>
</ul>
<p>**Dual Pixel CMOS AF is possible over 80 per cent of the width and height of the Live View frame</p>

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500mm or 600mm lens on a monopod.

While I'm planning on buying a 600mm lens in the next 6 months, my current 300mm (plus, on occasion, the 1.4x TC) with a gripped 5D3 feels okay on a monopod (for birding/wildlife).

However, not having used a 600mm before, is the monopod approach still ideal for such a large lens, or am I entering tripod territory?

Sorry for the possible lame question, but I'm just imagining the extra weight adds to the momentum when tracking, and in the heat of the moment, those BIF movements can get fairly active ;)

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Bright highlights clipping to black / blue in video mode?

Yesterday I was filming a wedding with a new video light (1000watt lowel DP light), and I noticed that the brightest part of the light appeared black with bits of blue in my footage rather than white. (See sample jpeg)

Can anyone explain this? I was shooting with a 5D mkII.

Attachments

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EOS 70D Images Surface Early

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<p><strong>Canon EOS 70D

</strong>A few Korean based images have appeared showing off the Canon EOS 70D. If you can translate the language, please do so in the forum.</p>
<p>We’ll be up until midnight EST for the launch of what looks to be a very well specced APS-C camera from Canon.</p>
<p>We haven’t yet heard about the build quality of the camera. Here’s hoping it’s weather sealed to some degree.</p>
<p><a href="http://www.canonrumors.com/wp-content/uploads/2013/07/eos70d_f2_.jpg"><img class="size-full wp-image-13900 alignnone" alt="eos70d_f2_" src="http://www.canonrumors.com/wp-content/uploads/2013/07/eos70d_f2_.jpg" width="500" height="500" /></a></p>
<p> </p>
<p><img class="size-medium wp-image-13888 alignnone" alt="img0601" src="http://www.canonrumors.com/wp-content/uploads/2013/07/img0601-575x225.jpg" width="575" height="225" /></p>
<p><img class="size-medium wp-image-13887 alignnone" alt="img0401" src="http://www.canonrumors.com/wp-content/uploads/2013/07/img0401-575x233.jpg" width="575" height="233" /></p>
<p><a href="http://www.canonrumors.com/wp-content/uploads/2013/07/img0201.jpg"><img class="size-medium wp-image-13886 alignnone" alt="img0201" src="http://www.canonrumors.com/wp-content/uploads/2013/07/img0201-575x302.jpg" width="575" height="302" /></a></p>
<p><a href="http://www.canonrumors.com/wp-content/uploads/2013/07/img0901-1.jpg"><img class="size-medium wp-image-13889 alignnone" alt="img0901 (1)" src="http://www.canonrumors.com/wp-content/uploads/2013/07/img0901-1-575x227.jpg" width="575" height="227" /></a></p>
<p><strong>Canon EOS 70D Specifications</strong></p>
<ul>
<li>20.2mp CMOS Sensor</li>
<li>DIGIC 5+</li>
<li>19pt AF System (All Cross Type)</li>
<li>7fps</li>
<li>Built-in WiFi</li>
<li>3″ Vari-Angle Touch Screen LCD</li>
<li>ISO 12,800 Maximum</li>
<li>Dual Pixel CMOS Autofocus</li>
<li>Full HD Video</li>
<li>HDR</li>
<li>Multiexposure Mode</li>
<li>LP-E6 Battery</li>
<li>Announcement on July 2, 2013</li>
</ul>
<p><em>Thanks for these</em></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>
<p> </p>

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Reminder: Canon EOS 70D Launch Tonight

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<strong>New EOS</strong>

As previously posted, Canon will launch the EOS 70D this evening.</p>
<p>The camera will come as a body only package or kitted with either the EF-S 18-55 IS STM or the EF-S 18-135 IS STM. Below is a screenshot with the price of the kit with the EF-S 18-135 IS STM in Canada. The USA price should be within $100 of this.</p>
<p>Noted in the screenshot below is the September 13, 2013 release date, we’ll see if that turns out to be true. We’re hoping the camera launches well before that date.</p>
<p><a href="http://www.canonrumors.com/wp-content/uploads/2013/07/70dstore.jpg"><img class="size-medium wp-image-13883 alignnone" alt="70dstore" src="http://www.canonrumors.com/wp-content/uploads/2013/07/70dstore-575x431.jpg" width="575" height="431" /></a></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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Big white lenses: Foot replacement or Lens plate?

hello,

having bought a 500mm f/4L IS II and using a Markins M20 head - which for at least this year will NOT be complemented with objects named Wimberely, Gimbal, Sidekick etc - I wonder if the best choice is a lens foot replacement or a lens plate. Since a friend is coming from the States where almost everything is cheaper I decided to test both! So I will get Kirk LP-58 and Kirk LP-55SG - the reason for Kirk is my positive experience with their Camera plates. I will have them in about 2 weeks.

I have the following thoughts:

1. LP-58 comes with 2 1/4" screws and a 3/8" adapter.

My 500mm requires 3/8 and 1/4 screws (one per category) so the adapter will have to be used. Do you have experience with these adapters? Are they safe to use?

For example when you decide to remove the plate which one will unscrew first adapter with the screw or just the screw first and leave the adapter in the lens plate and me scratching my head wondering how to fix it

2. LP-55SG means removal of the original foot. Will the screwing of the new foot be secure? Canon suggest to leave this to them which of course is silly so what is your opinion? Is the replacement safe? I guess it's both safe and trivial...

On RRS site they say: "If your mounting screws loosen over time, consider using a drop of LocTite 242 for better security. "

There is nothing like that on Kirk's site but I think RRS are being more sincere...

3. Any comparison between Lens foot replacement and use of lens plate?

Sorry for possibly silly questions but I am newbie as far as big white lenses are concerned.

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YN-622C and 600ex-rt setup question

I currently have 2x 600EX-RT's and a pair of YN-622C's being given to me in the next couple weeks. What I would like to know is...

Will I be able to setup one 600EX-RT to fire with the YN-622C's, and be able to use that 600EX-RT to wirelessly fire the second 600EX-RT? I know I could just buy a third YN-622C transceiver, but would prefer to put the cash toward something else if I can.

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EOS 70D Video Features?

Are there any rumors about the offered specs of the video features being included with the 70D? Any chance for 1080/60p with the standard firmware?

Hoping for some improvements, updates, or features that make this worth looking at. Shooting video with a T4i is often easier than a 7D/5D these days, especially with the rotational touchscreen and STM lens support (although QUITE limited selection). This feature does seem to be moving to the 70D, but hoping there's more improvements aside from that...

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Amazon.com PULLED the 600EX-RT?

I just sold my old 580s and PocketWizard gear on eBay, and went over to Amazon to upgrade to the ST-E3 and 600EX-RT, and found this...

Item Under Review

While this item is available from other marketplace sellers on this page, it is not currently offered by Amazon.com because customers have told us there may be something wrong with our inventory of the item, the way we are shipping it, or the way it's described here. (Thanks for the tip!)

We're working to fix the problem as quickly as possible.

SOURCE: http://www.amazon.com/Canon-600EX-RT-Speedlite-Flash-Black/dp/B007FH1KX2

Does anyone know what this is about? After further digging, I've found there are a lot of people unhappy with the overheat protection kicking in way too soon on the 600's, ruining gigs in the field. Is this related? It also sounds like Canon has been unresponsive to this problem.

Now I'm really nervous about moving to the 600's with all of this weirdness surrounding the product. Can anyone shine some light on what's going on?

Thanks!

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Gitzo tripod or no?

It seems like Gitzo is kind of universally accepted as "the best" when it comes to tripods. But if I try my hardest to ignore the fanboy-esque reviews and comments I see about them online, and don't let myself be tempted by their slick branding materials, it seems like there has to be a better and cheaper alternative.

Currently I have a manfrotto (it was around $100). I'm pretty sure it's made out of aluminum. It is sturdy even with my 5d3 w/ 70-200 on it, and that's probably the largest rig I'd ever have on a tripod unless I can afford the 200mm f2 IS someday lol. But the head isnt changable, there is no level, and the head sinks too low when I tilt the body on its side (even when it's as tight as possible).

I like the Gitzo traveler tripod (gt1542t). The weight, max/min height is cool, weight limit is good, but the price is pretty steep even for that one at $670. I went to a local camera shop and looked at them in person, ready to buy one if it proved to be on par with the hype online. The rubber foot stops seemed loose on most of them. One model's legs slid completely out and detached. Small problems, and possibly only because they were abused as floor models. But still, considering the price and their "...forever" tag line, I lost confidence in them. I searched about those issues online and found reviews about the same thing happening to other people.

Does anyone have a tripod in mind that they swear by... built to last, useful features.... lightweight is a plus, but not necessary? Was my experience coincidence and is the Gitzo really as great as it's cracked up to be?? Or is my gut right, and they are over hyped?

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Used 300 2.8 L IS Mk I

Hey all,

Hopefully will be picking up my first big white soon. There are a couple of sellers in the area. One has a UV date code in very good condition the other is a US date code in pristine condition. Both are about the same price.

So my question is -- the US (2004) vs the UV (2007) -- is there any reason (USM motor, aperture control etc.) that a person would pick the lens with newer electronics over the older lens or is date code fairly irrelevant? Both lenses are supposed to have perfect glass, no internal dust or fungus. The few scuffs and scrapes on the UV lens are just cosmetic on the body.

Anybody know of any quality control issues with any of the runs of the 300 2.8?

Recommendations?

Thanks,

Ryan

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EOS 70D a New Benchmark in ISO Performance?

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<p><strong>We’ll know tonight

</strong>We’ve received word that the new Canon EOS 70D which is right around the corner will set the benchmark for ISO performance from a crop camera.</p>
<p>That bit of information will make a lot of people happy, as it may mean Canon is ready to make a jump back into the top end of sensor and processor development.</p>
<p>We should be seeing sample images within the next 24 hours.</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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IQ of Sigma 50-500mm F4,5-6,3 DG OS HSM - Your experience about it

I have a problem with my Canon 100-400 as it needs much power to change the focal length. The push/pull mechanism was repaired last year, but ist ist difficult to change the focal length if you photograph passing and fast moving objects.

As Canon will not release the rotating zoom in the near future, I want to ask, if the Sigma 50-500mm F4,5-6,3 DG OS HSM would be an good alternative?
It is an rotoating zoom with an IS too.
Does anybody own this lens? What is your experience of this lens?


Much thanks

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NP-E3 - NiMh-accupack for 1Ds ...

Hello,

I have the problem, that my accumulators for my 1Ds become old. Replacement is necessary, but from which source? Canon sells them for more then 100€ in germany, there are many other suppliers on the market, are there any experiences in the community which brand should be avoided and which is good? I order also in the US, that's no problem if it is worth tax and fee.

Joerg

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For all you wedding photogs out there...

Ok, here we go again for your sound advice. I have started out as an assistant wedding photographer not too long ago, and my goal is to become a primary wedding Photog (disclaimer: this is still a side gig & I have a full time job, but goal is to be full time wedding photog). Currently my gears are:

1) 5D Mark II
2) Sigma 35 mm f/1.4
3) Canon 50 mm f/1.8 II
4) Canon 24-105 mm f/4
5) Canon 70-200 mm f/2.8 II

I am saving up to purchase my next gear...should I aim to buy:

1) 5D Mark III
or
2) Canon 24-70 f/2.8 II (if I choose this option, I would sell my 24-105)

I know the price difference between these options could be a swing of $2k, but that's not the main issue. Priority here is practicality and usefulness.

Initially I thought of purchasing lenses first, but the thought of a 2nd body is very intriguing because I have found swapping lenses is a bit of a hassle and could miss some important opportunities.

Thanks again!

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Repair Shop for Old EF Lenses?

Looking for some recommendations if I need to have some older EF lenses repaired. For instance, my trusty EF 20-35/2.8L has developed a rattle inside that sounds suspiciously like a loose element. I live in the Midwest USA but no problem in shipping anywhere in the States. If you have had good luck with any shop(s), would appreciate contact info. Thanks in advance. (Apologies if this thread has been asked before. If so, where can I find previous info?)

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35mm film body

Hi,
few past weeks I started to think about nice older body for 35mm film. Unfortunately I have no idea where to start, or what to be aware of and I found lot of them really cheap on ebay ::)
Right now I have only one requirement - EF mount, so I can use my current lenses...

Any ideas and advices are welcome.
Thanks

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Firmware - Canon EOS C100

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<p><strong>Canon EOS C100

</strong>Canon has released new firmware for the entry level Canon EOS C100 camera.</p>
<p>The firmware adds some continuous autofocus features to the the entry level Cinema EOS camera when using STM lenses from Canon. <a href="http://nofilmschool.com/2013/06/canon-c100-continuous-autofocus-firmware-update/comment-page-1/" target="_blank">Early reports are very positive</a> about the implementation.</p>
<ul>
<li>A function has been added which allows automatic continuous focusing and iris setting on a subject in the center of the screen when using the EF-S18-135mm f3.5-5.6 IS STM lens.</li>
<li>The polarity of the XLR terminal has been modified to improve compatibility with external audio devices. The pin configuration has been modified to be consistent with the Instruction Manual.</li>
</ul>
<p><strong><a href="https://www.usa.canon.com/cusa/support/professional/professional_cameras/cinema_eos_cameras/eos_c100#DriversAndSoftware">Download the firmware</a> | </strong><strong><a href="http://www.bhphotovideo.com/c/product/889545-REG/Canon_EOS_C100_EF_Cinema.html/bi/2466/kbid/3296" target="_blank">Canon EOS C100 at B&H $5499 (Save $1000)</a></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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Body upgrade - Florida trip

Hi all!

I have been looking around for an upgrade of my current 450D bodies for some time now.
First one, then two 450Ds have been in my ownership since the release in 2008. I learned a lot from them, but I think I'm ready to step up.

I will visit Florida this summer for a two week trip. Things I miss about the 450D are the colours and details. I’m afraid I will be disappointed by something that could have been prevented.



Two bodies I'm still fighting with; the 7D and 6D.
These are actually very different from eachother, but I find the desicion hard.

I really like the 6D. It's something totally different (fullframe) and I can start to learn new things. The 16-35 is usually my walk-a-round lens, which would become quite wide. Is this fun in Florida, or is even the 35mm impractical without the crop-factor? Another advantage is the SD-capability. I wouldn't have to buy new cards as the 450D uses SDs too.
One camera 'below' the 6D seems to be the 7D, in my opinion. It does have a faster AF-system and a higher frame rate. But how much of an upgrade is it from my 450D? Advantages of the 7D are of course the crop-factor and the lower price (1699€ vs. 1049€ after cash back).

Which one would you pick and why?
I actually shoot all kind of things. The main focus for now is Florida, but I do shoot some sports sometimes. But even the 6D seems like an upgrade regarding sports compared to my 450D.

A small list of my current gear could be useful;
- 16-35mm f/2.8L II
- 50mm 1.8
- 70-200mm f/2.8
- 580EX II

Thank you very, very much for any input.

Kind regards,
Jerome

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Focusing Screens for better Manual Focus with 5D Mark III

In general, I have been very pleased with my Canon 5DIII. However, the one weakness that I have finally addressed is the use of a manual focusing screen. I wanted to let folks here know in case this was an issue for them.

Scenario:

I have several Zeiss Lenses and use Canon tilt-shift lenses that are all manual focus. While the focus confirmation "works" and allows me to achieve accurate focus (especially with the micro adjustment), I find the manual focusing process distracting with focus points and the focus indicator being the prime means of verifying focus when I am concentrating on the image. I longed for a good "old fashioned" microprism where I can simply look at the subject and focus the lens until it looks sharp and the microprisms are clear. This is less of an issue with my tilt-shift lenses as I almost always use live-view with the camera on a tripod. This is real issue with my Zeiss lenses that I focus hand-held, especially the 85mm.

I found a source for focusing screens from a review story linked to the Zeiss website; the provider can be found at <dead link removed by mod>. I believe the gentleman who runs this is based in Taiwan. He custom cuts Canon 1-series focusing screens to fit the 5DIII and includes installation tools and shims to achieve proper focus. In addition, he provides very clear instructions how to install the screen - it is fairly simple, if a somewhat nervous, exercise.

I have been using his microprism screen in my 5DIII for a month and am very satisfied with its performance. I did not need to use any shims as the thickness of the screen is exactly the same as the standard screen in my 5DIII. I have easily verified this by focusing the camera on a tripod and examining the image with magnified live view.

By turning the display of AF illumination points off in the viewfinder (custom settings anyone?), I now have a simple way to configure the camera for excellent manual focus at flick of a switch. It has changed the way I use my manual lenses and greatly enhanced my experience with the 5DII, which was already sky-high.

If you have the same manual focus issue that I do, this could be helpful for you.

A side note: after going through this, I have arrived at the conclusion that the only reason Canon did not provide interchangeable screens on the 5DIII is to maintain enough "separation" between it and the 1DX. I don't make this statement lightly as I have great respect for Canon and its products. However, the removal of the 5DIII screen only requires two screws and is a simple affair. Canon could have provided interchangeable screens for the 5DIII at low incremental cost if they wanted to.. I am thankful that I have an alternative..

I hope this is helpful for others..

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