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Need an affordable 300mm

Hello everyone,

I recently upgraded from the 7D to 6D, and am looking to get some length back in my lenses. I had been using a 70-200mm f/4 IS, and liked the length at 200, so around 320mm on FF.

I will be renting for this go around, and then probably purchasing something in this range.

My thoughts are one of the below options:
Rent a 1.4x TC for my 70-200 f/4. This will give me a 280mm lens at f/5.6, based on ISO 12233 crops, it still looks pretty sharp, but autofocus may be iffy.Rent a 300mm f/4 IS. Less versatility but a stop faster, and sharper.Rent the 70-300L, good zoom range, sharp, but f/5.6 at 300mm.Rent a 100-400mm, same speed as the 70-300mm, but the IS likely isn't as good.

If you've had a chance to use any of these options I'd greatly appreciate your feedback!

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Canon U.S.A. Introduces Two New Cinema Prime Lenses, Expanding The Cinema EOS Prime Lens Product Lin

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<i>Designed for Film-Style Operation, Canon Cinema Prime Lenses Deliver Exceptional 4K Performance</i></p>

<p><b>LAKE SUCCESS, N.Y., January 10, 2013</b> – Canon U.S.A., Inc., a leader in digital imaging solutions, announces the new CN-E14mm T3.1 L F and CN-E135mm T2.2 L F single-focal-length lenses for large-format single-sensor cameras employing Super 35mm or full frame 35mm imagers. These two new lenses join with Canon’s CN-E24mm T1.5 L F, CN-E50mm T1.3 L F, and CN-E85mm T1.3 L F primes to provide a broad line of five precision-matched, competitively priced EF-mount Cinema prime lenses that provide high optical performance levels and a choice of versatile focal lengths for a wide range of creative shooting choices. All five Canon Cinema prime lenses are part of the Canon Cinema EOS System of professional digital cinematography products, which include the EOS C500 4K/2K Digital Cinema Camera, EOS C300 Digital Cinema Camera, EOS C100 Digital Video Camera and EOS-1D C 4K DSLR Cinema Camera, and four Canon Cinema zoom lenses.</p>
<p> </p>
<div id="attachment_12601" class="wp-caption aligncenter" style="width: 585px"><a href="http://www.canonrumors.com/wp-content/uploads/2013/01/cinelenses.jpg"><img class="size-medium wp-image-12601" alt="CN-E14mm T3.1 L F and CN-E135mm T2.2 L F" src="http://www.canonrumors.com/wp-content/uploads/2013/01/cinelenses-575x269.jpg" width="575" height="269" /></a><p class="wp-caption-text">CN-E14mm T3.1 L F and CN-E135mm T2.2 L F</p></div>
<p>“Since our introduction to the film and television production industry back in November 2011, we have brought to market five Cinema prime lenses, two top-end Cinema zoom lenses, two compact Cinema zoom lenses, and four professional digital cinematography cameras all within 18 months,” stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A. “This is a testament to the Company’s dedication to the needs of the growing and diverse universe of professionals creating 4K, 2K, and HD moving-image content for theatrical, television, and other high-resolution digital production markets. We look forward to continuing to serve these professionals with Canon Cinema EOS products designed to help them achieve their creative imperatives and commercial aspirations.”</p>
<p><!--more--></p>
<p>All Canon Cinema EOS lenses integrate advanced materials and coatings to meet high optical performance levels, including 4K (4096 x 2160) production standards. Each Canon Cinema lens is equipped with an odd-numbered 11-blade aperture diaphragm, which is ideally suited to achieve creative depth-of-field manipulation and pleasing “bokeh” effects of cinematographic quality. The Canon line of five Cinema prime lenses is precision-matched for consistent and solid optical performance that minimizes focus-induced changes in the angle of view. All feature a full-frame image circle in a lightweight, compact design, and they incorporate proven Canon lens elements designed to fulfill contemporary 4K production standards. All five primes also deliver color tone and balance that matches Canon’s top-end Cinema zooms and compact Cinema zooms. Canon Cinema prime lenses are also water-resistant for severe shooting conditions and deliver the operation and reliability required in professional film-style shooting environments.</p>
<p>All five Canon Cinema primes feature mechanical attributes specifically designed for motion-picture production, as opposed to still photography. These strategically integrated film-style characteristics include 300 degree rotation on the focus ring for precision focus control as well as large, highly visible engraved focus scales for convenient operation. These markings appear on the angled surfaces on both sides of the barrel, making them easy to both read and to adjust the stepless focus and/or aperture settings of the lenses from behind – or from either side – of the camera. Focus markings can be switched from standard labeling to metric, and control rings are engineered to maintain the proper amount of resistance with consistent operating torque and familiar tactile “feedback” for satisfying manual control. All Canon Cinema prime lenses also share the same uniform gear positions, diameters, and rotation angles, as well as front-lens diameters, making them compatible with matte boxes, follow focus gear, marking disks, and other third-party film-industry-standard accessories. Film crews can quickly change lenses without the need for accessory gear-position adjustments or other changes to the rig setup.</p>
<p>The new Canon CN-E14mm T3.1 and CN-E135mm T2.2 Cinema prime lenses – as well as the Canon CN-E24mm T1.5, CN-E50mm T1.3, and CN-E85mm T1.3 primes – are fully compatible with the Canon EOS C500, EOS C300, EOS C100 and EOS-1D C digital cinema cameras. The EF-mount design of all five Canon Cinema prime lenses provides communication with these cameras for such handy features as display of the ƒ number in the electronic viewfinder, recording of focus/zoom position and ƒ number, and Peripheral Light Compensation<sup>i</sup> for more pleasing effects shots.</p>
<p>The versatility of image-capture options using Canon EOS digital cinema cameras can be further extended with Canon’s Super35mm top-end Cinema zoom lenses (the CN-E14.5-60mm T2.6 wide-angle and the CN-E30-300mm T2.95-3.7 telephoto) and compact Cinema zooms (the CN-E15.5-47mm T2.8 wide-angle and CN-E30-105mm T2.8 telephoto). All four are available in both EF- and PL-mount versions, as are the EOS C500 and EOS C300 cameras. Almost all of Canon’s EF Series photographic lenses can also be used with these Cinema EOS cameras, including Image Stabilized zooms, tilt-shift models, and macro lenses. All of these products are designed to contribute to the continued advancement of tools for visual storytelling and all express Canon’s continuing commitment to cinematic culture.</p>
<div><b>Pricing and Availability</b></div>
<p>The CN-E14mm T3.1 L F single-focal-length lens is expected to be available in April 2013 for an estimated retail price of $5,500. The CN-E135mm T2.2 L F single-focal-length lens is expected to be available in May 2013 for an estimated retail price of $5,200.</p>
<p>Source: [<a href="http://usa.canon.com/cusa/about_canon/newsroom?pageKeyCode=pressreldetail&docId=0901e02480793c98#" target="_blank">CUSA</a>]</p>

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Which second speedlight should I buy?

Hi,

I'm trying to work out which speedlight to buy. I currently own a 430EX II and use this with a Pocket Wizard Flex TT5 and Mini TT1 to use off camera but I now need to buy a second speedlight and maybe in a few months I'll buy a third.

My question is do I buy:
- the new 600EX-RT to future proof my setup. Obviously with the 430EX II I know that the radio functionality won't work but hopefully the next speedlight I'd buy would be another 600EX-RT so it would make the setup more flexible. I'd also sell the Flex/Mini as the 600 would be my new Master.
- another 430EX II...if I do this do I have to buy another Flex TT5 to make them both talk to each other? If I do then it seems pointless to take this option but let me know.
- a used 530EX-II and again sell the Flex/Mini.

Any comments/advice would be much appreciated!

Thanks
Zoë

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EF 200-400 f/4L IS 1.4x Production to Begin in Q2

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<p><strong>From Singapore

</strong>A member on the clubsnap forum was at an event in Singapore this week and was told by a Canon guy at the event, that the EF 200-400 f/4L IS 1.4x wouldn’t start production until Q2 of 2013. Pricing was estimated at $16,000 (Singapore dollars), that converts out to about $13,000 USD and goes along with the $11,000 pricetag we’ve heard for a while now.</p>
<p>We don’t even have an official announcement yet, so this could be possible. I am hoping once they do announce it, that stock will be available immediately.</p>
<p><strong>Source: [<a href="http://www.clubsnap.com/forums/canon/1207372-canonsg-launch-ef-200-400-f-4l-1-4x-2.html#post8294287" target="_blank">CS</a>]</strong></p>
<p><em>thanks dolina</em></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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Canon 6D review and Canon 6D vs 5D mark III

Got a Canon 6D review with a sample pictures from the tests at : http://learningcameras.com/reviews/4-dslrs/91-canon-6d-review
Interesting results and it's kind of a mixed bag so take a look before buying this camera to make sure that you will not be turned off by the negatives.

Also put it up against the 5D mark III:
Canon 6D Vs. 5D Mark III Hands On Review

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ST-E3-RT shortage?

Does anybody know why there seems to be a shortage of supply for the ST-E3-RT transmitters?

I wanted to buy one in China and realized that not only in Shanghai but in the whole of China nobody seems to have them in stock. I seriously contacted every single seller that advertised them on taobao.com which is like ebay but with only "buy it now"-options and no auctions and more or less only commercial sellers. They all say it's on back order.
And then I looked on Adorama and B&H in the states and it's the same situation. So what's going on? Did Canon underestimate the demand? Do they have production problems? Or did they find a bug that needs to be fixed before production can continue? Or do they just hope that people buy more 600EX-RT's instead since these can work as masters too and can be used as additional off camera flash's when the ST-E3-RT's arrive.

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Reikan Focal Mac Client is NOT native

Just shelled out the money for the Pro version and downloaded the Mac version, only to find out that I need to install the Mono framework, which for those not in the know is an open source port on Microsoft's bloated .NET framework.

What kind of crap is this?
I understand it's probably easier to port but there are not many Mac users happy install something as bloated as this on their Mac.

I've downloaded the Windows version and will run it on a Win7 laptop.

Disappointed to say the least :(

ET

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AF Assist Beam

Do any canon SLR's have Af assist built into the body?

My 40D doesn't have one and it annoys the hell of me when i have to use onboard flash with those annoying strobes.

Is their a techinical reason why they shouldn't be used. Canon point and shoot use them and the nikon 5200 has it as well.

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Working as an assistant.

Hey guys, I'm starting and internship at my local photography store. I'm working as an assistant for their top portrait specialist.

I will work both as a studio hand, and as a second photographer, how should I go about my job. I know these guys take things seriously, and he's one of the best, but how do I please him?

What angles should I look for while shooting?

How should I ask questions (regarding his needs, or to get information) without getting in he way.

I understand he will be a bit more passive having me under his wing, but I don't want o mess up.

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