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Photography magazines

I am about 6 months into photography as a hobby and live in the US. I am looking for some helpful magazines that some of you find enjoyable on a monthly basis. I am into sports, HDR and landscape photography. I am always looking for new information on new gear, software and techniques.

Any suggestions are appreciated. I am not currently subscribed to any right now.

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Thinking of downgrading my 5d3 system

I have been considering selling my setup

5d3
24-70 2.8 mkii
70-200 2.8 is mkii
Cf cards
600 exrt speedlite

To get a 6d
24-70 f4 is
70-300l
Newer speedlite 430ex ii replacement

I just spent thousands of dollars this year and have hardly used the gear. When I do its for candids or vacations. I wonder if I am wasting the money and should sell it to downgrade to something more enthusiast level and cheaper. Also it's just so much to lug around. Just not sure and wanted some opinions.

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Lens Firmware Update

Hello, I would like to update the firmware for my 40mm Pancake lens. On the instructions PDF, Canon says to use a 5D Mark III or newer. Does that mean I can use the new Canon 6D camera to do this? I am planning on buying this camera so would be interested to know.

Thanks!

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introduction to speedlights/off-camera flash?

Hey guys- can you point me towards a thread or online resource that might encapsulate what's available and what I should be considering or perhaps even give me a fifty-cent summary here?

I'm a new 6D owner- first camera I've ever had that didn't include a built-in flash. Most of my photography is outdoors- landscape and aerial but I also take the usual family photos. The 320EX is in the price range I'd prefer but is there any compelling reason to consider something higher up the food chain such as a 430EX2 or 600EX-RT? Thanks!

O give me a home, where the buffalo roam

Don't know that this one deserves its own topic, but I couldn't find a better place to put it. This is not the American Bison, but rather a water buffalo. Interestingly in Thailand, where I shot this pic, the word buffalo is the worse curse word that you can possibly say. I don't think this buffalo really cares.

Shot with a 7D.

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Educate me about why 70mm <> 70mm...

Alrighty, I should probably know this, but I guess I've never had the lenses to test this question before.

Yesterday evening, I received a copy of the new Canon 24-70 F4 IS lens. We can talk about why I selected that lens over the F2.8 and why I'm so crazy, but perhaps folks can explain to me something I observed this morning on my morning walkabout where I took the new lens out for a shakedown cruise.

The images below are uncropped and unretouched, other than being exported from Lightroom at smaller dimensions than the original RAW files from my 5d Mk II.

The first image (Img_4708.jpg) is the 24-70 shot at 70mm (at the top of the lens's rotational range) F4, 1/200th, 1000 ISO, -1/3 EV.
The second image (Img_4697.jpg) is the 70-200 Mk II shot at 70mm (at the bottom of the lens's rotational range) F4, 1/160th, 1000 ISO, -1/3 EV

Both images were handheld (left my tripod at home this morning), but I didn't move between switching lenses. Looking at the LCD, I thought "wait, is one of those more zoomed-in than the other?"

At home, thinking perhaps it was how I'd held the camera, I set up the tripod in the kitchen and repeated the test. This time, the tripod definitely didn't move between images.

The first image (Img_4735.jpg) is the 24-70, shot at 70mm, F4, 1/60th, 200 ISO, 0 EV.
The second image (Img_4736.jpg) is the 70-200, shot at 70mm, F4, 1/80th, 200 ISO, 0 EV.

As you can see, in both sets, there's a difference in the angle of view - not necessarily good or bag, but different. So, I can come up with two explanations for what I'm seeing, but I'm hoping someone can shed more light on this.

1. The difference can be explained by the fact that lens manufacturers paint numbers on the lenses which are approximations of the focal length, and two lenses of different design will inevitably have a different length (or angle of view) even at what's nominally the same setting.

or

2. This is the optical result of the difference in physical length between the 24-70 and the 70-200 lenses. At 70mm, the 24-70 is about 3 inches shorter than the 70-200. Because in both tests I tried to keep the focal plane of the image sensor more or less in the same place (roughly in the handheld setting, exactly when it was on the tripod), the front element of the 70-200 was always closer to the subjects, thereby shifting the scene.

My question to the collective wisdom of folks: Are either or both of these explanations accurate, or is there something else at play here? And also, what might explain the approximately 1/3 stop difference that the camera's choosing between shutter speed when it's working with the different lenses? Is this also due to the front element being closer to the subject (that whole "light falling off at the square of its distance" thingy I learned and forgot in my college photography class so long ago?)

Looking forward to learning from others here...

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When (and if) does a "gold" colored flash diffuser make sense?

I've seen there are "gold" flash diffusers like the ones from sto-fen that are supposed to give, surprise, warmer "sunset-like" light. Since I couldn't find any decent reviews...

... does anyone use this kind of diffuser, when does it make sense (broad range of situations or only as a very special effect)? Any sense buying this over flash gels except that gels are a hassle to mount to the flash in addition to a diffuser?

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6D pattern noise compared to 5D2, the info you won't get from DxO

Got to play with one a bit at the shop today, shot some dark frames and pushed them as i usually do to better visualize the pesky noise patterns.

The 6D is considerably improved over the 5d2 and even 5d3. Although the total amount of dark level noise is not so greatly reduced, the subjective annoyance of its patterning is noticeably less.

5d2 could produce some fairly harsh noise lines (hor. & vert) in shadows at 100 ISO, they soften a bit from random noise at 400 ISO and up.

6d, at the same ISO settings, produces far less obviously structured noise lines. THIS IS A GOOD THING! :)
Canon has actually made some significant improvement in this area over the older cameras!

6d's overall noise is more random and uniform, tho still exhibits some fine vertical stripe structures at 400 ISO, similar to 7d's low iso noise but not as severe. Overall there is still some coarse but smooth transition variations in horizontal and vertical axis, almost like large blotchiness. This would not show up on large prints anywhere near as bad as 5d2 or 7d noise stripes.

6d's subjective total noise at 400 iso is similar to 5d2 at 100 iso. And the 6d's noise would clean up better with NR software.

6d's high iso performance is impressive!
I could print a decent 6x9" from a reasonably exposed 25600 iso shot! (larger if not too fussy)

So, altho 6D's dynamic range will not be significantly better than 5D bodies at low ISO, its raw files should provide more post-processing leeway because of the reduced severity of patterned noise. Its extra performance at high ISO is a definite bonus.
Fussy shooters who do a lot of post-processing should definitely consider the 6D over either 5D body if low ISO performance is critical to their work.

SoNikon sensored cameras still do blow the 6D into the weeds with far cleaner low ISO data.
Hopefully Canon's (soon to be released?) next generation sensors will further improve on this dark/read noise issue.

As it is now, I am very tempted to sell my 5D2 to fund the 6D, it's that much more usable to me.

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How to produce circular flash reflection in eyes?

I've got some flashes and conventional diffusers, i.e. the sto-fen type. But I'm annoyed by the ugly flash reflection in the eyes, so currently I'm looking for a softbox (larger square "studio-like" reflection) and/or some means to produce a circular reflection.

The best I could come up with is this type, does anyone else the conventional rectangle reflection is ugly and has another solution (or something home-made)? http://www.amazon.de/D%C3%B6rr-PRO-4-Diffusor-Canon-580EX/dp/B001BN4T9S/ref=sr_1_2?ie=UTF8&qid=1357378741&sr=8-2

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lens for a lightpainter

Hmm,
its Gotta be extremely sharp at apertures beyond f/5.6

Weather sealed coz I'm gonna be using it in snow,dust,sand and what not

Tilt and shift functions are welcome( I would love it but I doubt it'd be possible)

More realistically an ultrawide lens with a good zoom range

Ability to change aperture mid exposure

Easily available ,no hunting on eBay etc

I will be using it on a 7d so it won't be ultra wide after all

Accepts filters

Well that's pretty much what my impossible list is no lens can be everything at once so sharpness, weather sealing and ability to change aperture gets preference pretty much in that order I hope you guys can bear with me

Thanks in advance

Some nature Macro

So, these are some of my first, real macro shots. Hand-held with a vintage Vivitar 55mm f/2.8 (I think they were all at f/4 or f/5.6, no metadata on that :(

Any tips on hand-held macro work while out and about and not necessarily able or have the time to setup a full tripod? Especially for things that are down on the ground, or in hard to hold positions/locations?

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Sensor dust on a new 5D Mark III

I have heard that sensor dust is present sometimes on new cameras, and in the case of a new 5D Mark III I received today, that statement holds true. Using a blower made no difference, so the sensor will have a wet cleaning soon. This is the third consecutive body (first two were Rebel T3i models) with non-blowable sensor dust right out of the box. My question is whether many of you forum members have had similar experiences. I must say that not being able to use a new camera right away does something to take the skip out of one’s step.

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The grass is greener?

Wow, I really respect this guy as a working professional and he is saying DO NOT buy a D800, D800E or D4 because they all have serious AF issues.
Lot's of owners chiming in with similar stories.

He basically says the only way he can get reliable results in MF in LiveView with a tripod in the studio.
This is exactly what I was worried about when I switched to Canon last year.
Seems my fears were real.

http://blog.mingthein.com/2012/10/27/nikon-d800e-midterm-report/

Now I just need to find some new glass that makes the 5D MK3 sing and I'll be happy...

ET

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600 ex -rt sticky wheel syndrome

I have 3 of the 600 ex rt speedlites. last night as I was gearing up one of the units the adjustment wheel became really stuck almost impossible to move I had to jam my fingernails into the grooves to rotate it.
the other 2 units units seemed stiffer than usual. I took them to Canon service in Irvine 53 miles away,
the intake receptionist took the bad one back to repair and came back said it was normal. Well that made my day, I told the girl to try the other unit. duh...
A speedlite you can't adjust is useless. I think the lube used is gumming up the wheel as it was really cold here and maybe the heat from the flashing degraded the lube. either way its a problem especially for a $550 speedlite. My other two units are exhibiting bad behavior as well.. I really think the cold weather is affecting them..

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IS sound probleme 100 2.8 L IS USM Macro with my EOS 5D MK III ? [SOLVED]

Hello,

I have observed the following effect when I use the 100 2.8 L IS USM Macro with my EOS 5D MK III.
If I have start the IS, the IS motor sound is VERY present, but after one minute (continuous operation),
sometimes longer, this sound disappears. (see this MP3: http://www.space-observer.de/CR/5DMK3.mp3)
If I use the same lens with my EOS 50D the IS sound is always very quiet.
(see this MP3: http://www.space-observer.de/CR/50D.mp3) .

Has anyone ever notice this effect with the 100 2.8 L IS USM Macro in combination with the EOS 5D MK III ?

ciao
Chris

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EF 24-70 f/4L IS Resolution Tests

HTML:
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<strong>Via Lens Rentals


</strong>Roger Cicala from <a href="http://www.lensrentals.com" target="_blank">LensRentals.com</a> has posted his first resolution tests of the Canon EF 24-70 f/4L IS.</p>
<p>He has compared it with the EF 24-70 f/2.8L version 1 and 2, the EF 24-105 f/4L IS as well as the Tamron 24-70 f/2.8VC. All of which will probably get your consideration in a very crowded focal range.</p>
<p>At 24mm, the EF 24-70 f/4L IS is the second best performing lens behind the EF 24-70 f/2.8L II. Mind you, the results are all pretty close. It does look like Canon’s MTF chart of the lens holds up against the others.</p>
<div id="attachment_12557" class="wp-caption aligncenter" style="width: 585px"><a href="http://www.canonrumors.com/wp-content/uploads/2013/01/ef2470f4is24chart1.jpg"><img class="size-full wp-image-12557" alt="EF 24-70 f/4L IS at 24mm Resolution Comparison Chart" src="http://www.canonrumors.com/wp-content/uploads/2013/01/ef2470f4is24chart1.jpg" width="575" height="119" /></a><p class="wp-caption-text">EF 24-70 f/4L IS at 24mm Resolution Comparison Chart</p></div>
<p>At 70mm, none of the lenses are as sharp as they are at 24mm. However, the EF 24-70 f/4L IS is again the 2nd best performing lens by a small amount.</p>
<div id="attachment_12558" class="wp-caption aligncenter" style="width: 585px"><a href="http://www.canonrumors.com/wp-content/uploads/2013/01/ef2470f4is70chart1.jpg"><img class="size-full wp-image-12558" alt="EF 24-70 f/4L IS at 70mm Resolution Comparison Chart" src="http://www.canonrumors.com/wp-content/uploads/2013/01/ef2470f4is70chart1.jpg" width="575" height="120" /></a><p class="wp-caption-text">EF 24-70 f/4L IS at 70mm Resolution Comparison Chart</p></div>
<p><strong>Part of Roger’s Conclusion


</strong><em><b>“</b>Obviously this hasn’t told us a thing about autofocus accuracy, bokeh, or a dozen other things that have to be considered when choosing a lens. Just like you, I’ll be waiting for more complete reviews to tell us about that.</em></p>
<p><em>On the basis of this information, though, I’m . . . well, I don’t know what I am. This is a good lens, but I at the price point I’d probably prefer the f/2.8 of the Tamron VC to the new Canon’s f/4. The macro feature is nice and will certainly pull some people towards the Canon.”</em></p>
<p>Roger also notes that there was quite a bit of variation at 70mm between the 22 copies they tested.</p>
<p><strong><a href="http://www.lensrentals.com/blog/2013/01/canon-24-70-f4-is-resolution-tests" target="_blank">Read the entire article</a> | </strong><a href="http://www.bhphotovideo.com/c/product/898652-USA/Canon_6313b002_EF_24_70mm_f_4_0L_IS.html/bi/2466/kbid/3296" target="_blank"><em><strong>Canon EF 24-70 f/4L IS at B&H Photo $1499</strong></em></a></p>
<p> </p>
<p><strong>cr</strong></p>

Quantarid Meteor Shower

Did anyone get any photos of the Quantarid Meteor Shower yesterday morning? I spent a few hours outside, and managed to capture 2 bright ones, and a few faint ones. They were very impressive to the naked eye, but not always bright enough to register in camera. This was my first time trying for meteors, it was fun and frustrating at the same time - I think I need many more cameras pointing in a lot of different directions to get a higher success rate!

73681_518363434863478_819991477_n.jpg

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Nikon sells a lineup of crop primes, why not Canon?

So in assisting a friend search for new lenses on her D90 I advised her to check out some decent economical fast Nikon primes. These are crop only lenses akin to EF-s for Canon. I am curious as to why Canon hasn't tapped this market. I really like the Nikkor 35mm 1.8 DX for a 'normal lens on her D90. Kind of Nikon's equivalent to a Nifty Fifty.

But to tell the truth, as a lifetime Canon user,other than owning a Nikon film camera in the 80's it was my first foray into shopping for Nikon products and I truly found the overall line lacking in variety and multiple pricepoints. It's either super expensive or dirt cheap.

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