Im looking to create a few videos with the 5d3. My question is, when Im in Adobe Premiere I would like it to have the crop with the black bars on top and bottom(2.35:1 crop) To get this crop, I must export with width=1440 and height=1080. When this is done, part of the video gets chopped off. My question is, is there any way in the 5d3 while recording video to set this standard so I can get the correct shot? I notice that while recording video on the 5d3 there is black bars on the top and bottom. is there a way to show what these black bars would like like with the 2.35:1 crop IN camera instead of just guessing how wide to record?

Is their a reason why Canon has a rebate for the 50mm 1.2l? Does this mean a new lens is coming out?

Okay, at the risk of sounding like a complete newbie, which I am with the 5D, as I've only had it a couple of weeks. I can't seem to find the Sound Recording section in the menu. I read the instruction manual and where it says it is, it isn't. So, I am baffled and confused. Someone please direct me. I have my external mic plugged in and from what I've read when you are recording video you can press the Q button and it will show you the audio levels. Well, it isn't doing that either and I'm not sure what to do.

Thanks,

Lance

I know this is probably not the most appropriate place to post it, but since "EOS Bodies" have the most posts/visits, I figured I would get the most feed backs here.

I'm considering to upgrade my computer but have come to a standstill.

I'm still debating on whether to stay with PC and upgrading it to a newer and more power one or switching to Apple, iMac. I have no experience or working knowledge of post processing, Photoshop, Lightroom, or Aperture.

Also, should I go with Adobe Photoshop, Lightroom, or Aperture?

All these equipment is mainly for post processing my photos.

Please help. Thanks.

I've been saving for a while now to upgrade my T1i and ef-s lenses to full frame, and will have a budget around $4k to work with. I'm just looking for some opinions on which combo to go with: 5d II and the new 24-70L II or the 5d III and the original 24-70L.

Image quality of the combo, and features/handling are my two main concerns. If the image quality of the original 24-70L plus the newer 5d III is good enough then all the extra features the 5d III offers will be great. If the performance of the 24-70L II lives up to the expectations and blows the original out of the water, then I could certainly justify getting the 5d II and the newer lens.

Everybody always says to spend the money on glass, which is why I'm coming to the CR forums for help. Which way would you go and why? Thanks for any input ;D

Hi All,

I need your help on this.

My interest in photography has grown much recently and I want to pursue it with more commitment and dedication.

As I continue to learn about photography, reading and shooting, I also would like to build up my gears.
I have recently upgrade my camera from a Rebel XSI to the 5D Mark II. I only have 2 lenses: 24-105 f/4 and 50 f/1.8 II.

My interest is in wedding photography, portraiture, and landscapes (mostly while on vacations).

Which lens/es should I get next (in order if you have more than 1 suggestion)??

Some lenses I have in mind to get next are (but I'm thinking perhaps the order of purchase might help refine my skills for the types of photo shoot I've mentioned above?):

1) 70-200 f/2.8 IS II
2) 85 f/1.2 II
3) 16-35 f/2.8 II
4) 24-70 f/2.8 II
5) Your other suggestions

My budget is about $2,500 every 8 months.

Your insights are much appreciated. Thanks!

I've heard some reports of people getting them, and some scattered outlets have gotten a few, but I'm still waiting for mine. An order in at Amazon and B&H since they were announced and still nuthin.

it says "Communications between the camera and lens is faulty. Cleans the lens contacts."

i literally just got this lens with my 5d mark iii today. its not the 5d because i tried other lenses with it. i also had problems with a refurbished flash i bought from Canon also. last thing i'm buying refurbished from Canon, they lost my respect and trust.

does anyone know if i can fix this on my own, or should i just call them tomorrow and return the defective product.

thanks in advance.

DxoMarks shows 5D mkIII's high iso is pretty low, much lower than its Nikon counterparts. And that is backed up by DPReview comparison tool. Have a look at this:



Absolutely no detail in 5DIII's high-iso JPG. It looks like the so-called high ISO improvement is in JPG, and only at the expense of the image quality and detail. So, please explain what is so amazing about 5DIII's high iso performance? Its RAW is same as D800's, albeit lower detail. JPG is just embarrassing.

I have Pentax has the reference. It shows what-should-have-been ideal.

Greetings,

I have sold all my Nikon gear (D700, D7000, + 5 lenses) and today i bought a 5D MK II.
I´ve been researching a lot about video moiré, resolution, tested a 5D MKIII and really don´t see why spend more $1.500,00 for almost the same image quality of the 5D MK II. So i bought the MKII body and a 24-105 f/4 lenses. Still waiting for the 70-200 F4 IS and for the 35mm 1.4 L to complete the set.

Impressions about the autofocus vs Nikon:

- The center point is really sensitive, and lock the focus accurately with the 24-105 (razor sharp lens even at f/4)
- I don´t use the other points, neither on the D700.
- Conclusion: almost the same precision of the D700 in the center af or normal conditions (my main job is with light )

Impressions about the sensor vs Nikon:

- Much more detail in the images than the D700, nice skin tones.
- Shadow push really bring noise in shadows, for increase DR better use magic lantern and bracketing, than fill light (you can use it with some care).
- Colors are great.

Impressions ergonomics vs Nikon:

- As a Nikon user for a long time i´m a little lost in the menu system, but the handling of the body is great!

Conclusion:

I have no brand loyalty, Nikon produces great cameras, but for the whole system Canon, in my point of view, offers more. The f/4 zoom series, the primes and the market availability of the products in my country (the main decision to not get the D800 and switch to Canon), helped with the choice.

As a photo and video shooter i´m happy, maybe next to xmas i grab a new FF Canon body and stay with the gourgeous MKII for back-up.

All the best,

Bernardo
www.bernardovaghi.com.br

Shouldnt Canon be somehow more responsible in this Light Leak issue - even if its not an major issue - they have made it a big enough issue by statements they have issued along with affected serial numbers. New buyers dont seem interested in purchasing any of the 1X or 2X serial models. So we early adopters have been penalized by what something Canon is totally responsible for. If you tried to resell your camera that you bought last month you may have already lost a couple of hundred dollars because of the light leak issue. Apart from setting the price of the new Mk3 out of the reach (esp when compared with the D800) they have now reduced our investment, and dont seem to care.

I have not seen anyone discuss this review:
http://philipbloom.net/2012/05/13/fullframeshootout/

While he does not outright declare a winner - I think he prefers the 5d Mk3 followed by the D4.

I am currently selling *(sold) my 70-200 f/4L IS (but can borrow it as i need) so I only have a 16-35mm for "normal" shooting(besides the kit 28-135 from my 50d). Would trading my 16-35 for the 24-70 and $200 be a trade you would be interedted in?

So, I tried using B&H website, but obviously it's help is counter productive. This is the items I have ordered. I am trying to return all unnecissary items and items that don't work together.

1) Gitzo GT3531LSV tripod legs 75mm thread (didn't realise it didn't have a head)
2) Wimberly WH-200 -- clearly the head I want to use, recommended through and through
3) Wimberly WIFC600 replacement foot -- recommended by B&H website for some unknown reason
4) Wimberly p50 - Wh200 mounting bracket for 600 f4
5) Wimberly BS-100 screw adapter -- cheap so don't mind having extra
6) Gitzo GS3511S -- tripod head which is recommended by B&H website for my tripod, but doesn't even fit it!!

I am confused, and have a 600 f4 IS USM just waiting for me to be able to use as soon as my tripod is set up! How do I get the WH-200 on the tripod legs Gitzo GT3531LSV? HELP PLEASE!!

If you have a 24-105L would you buy a 50mm 1.2L?

Just thought people might be interested in Jay Goodrich's practical field test of the 1DX

http://jaygoodrich-blog.com/2012/04/field-testing-the-canon-1dx/?utm_source=May+2012+Participant+Mailing&utm_campaign=March+2012+Newsletter&utm_medium=email

I wanted to purchase a 50mm 1.2 but wanted to know if a new 50mm will be coming out soon. Putting budget aside, would you get a 50mm 1.2 or a 1.4?

Hello,

I am having a hard time making a decision whether or not I should wait for the 650D or just buy the 600D now, especially since today's announcement.

I'm interested in the camera because of the video features.

600D

- Still one of the best video DLRS
- I can go buy it right now, install ML and start filming.
- It is a bargain for 600€/$680 with the 18-55 IS

- It is a bit dated


650D

- Digic 5
- New sensor
- New video features (whatever that could be)
- (Touchscreen and autofocus for video is really not important to me)

- More expensive
- I might have to wait several months

Say they announce it the 1st of June, when do you think it will hit the shelves in Europe? Correct me if I'm wrong but didn't the 5Dm3 arrive pretty quickly after it was announced?

I would really like to hear what you guys think. Wait or buy?

Cheers

Any more sayings on BG-E11 availability? I just called Adorama and they are unable to provide estimated date.

So, I figure it's finally time for me to get a RF speedlite/strobe triggers. I currently have a 580 EX II (may get another speedlite, prolly 3rd party at sometime) and a old pack + 4 heads that still works fine that I got recently. The Phottix Odin is overkill for me, I think, and too expensive for me right now, The Phottix Aster looks just about perfect for me, but then I noticed the Phottix Strato II Multi which is a bit more expensive (~$155 for transmitter + 2 receiver vs $71), but can do single or multi group, plus hotshoe passthrough, longer distance, and takes AAA batteries instead of CR2 coin batteries. It's a good bit more, but I think the capabilities might be nice, plus I can use them as a remote shutter release which is pretty neat.

So, opinions? Suggestions? Am I crazy?

I just picked up a 9/10 copy of "the drainpipe". I was told a while back by a couple of well seasoned photographers that still use them that if I ever came across one that I should scoop it up. Anybody have experience with this lens?? I know it's been discontinued for 17 yrs. but according to reviews and personal recommendations to me it's a great lens. Any input??

Any idea what the battery life is with 6 aa batteries vs two Lpe6 battery packs and what do most people use. It would be nice to use the aa batteries since you could easily replace them but not sure if the performance is worse? Thanks

Back in the film days I frequently shot ISO 25 or 64 Kodachrome for waterfalls, it avoided having to use a ND filter. Those days are gone (RIP Kodachrome).


So here is my question, if read conflicting accounts: How does ISO L (sic 50) impact IQ? As an FYI, I'm using a 5D Mk2. Any thought are appreciated.


Thanks

Just got my 'new' 5dm3 last night, ordered them from Adorama. But the first thing I checked was the serial number for the body. And sure enough, it's with the 1 S/N (xxxxx1xxxxxx). I would think the new batches will continue with 3 and so on? Did I get the old returned copy, repacked to look new? I hate to return them back and had to wait another month or two. Thanks.