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430ex II assist beam - is this normal??

Hi all,

I was shooting a stag-do (aka: bachelor party) last weekend and noticed that my assist beam on my 430ii was not firing. I didn't have time to work out what was going on then and there, but am now trying to figure out if my flash is faulty or if there is something I simply don't know about.

I always shoot with my 5Dii in full manual mode, and usually the flash as well. Although in this case I switched the flash to ETTL. So full manual on the body side, AF set to AI Servo, drive set to continuous shooting and I use backbutton focusing, which I've swapped with the * button just to right of the AF-ON button on my 5Dii. This was the setup I was using, and the flash assist beam didn't fire a single time.

So after a little bit of research I figured out that the assist beam will only fire in One Shot mode, not AI Servo. Fair enough, makes sense really. But when I change the above mentioned configuration to One Shot and leave everything else as it is, only the right hand side of the flash assist beam fires, whereas when I switch to Full Auto (green square) both sides of the flash assist beam light up. What gives?? For me the assist beam works a treat especially with the 5Dii AF issues... But I hate not being able to shoot full manual!

Anyone have any ideas what's going on here?

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Your advice for my first fullframe.

Hi all,

same old dilemma, I know, I hope nobody will be nerved by my question...
After the long long wait for the announcement of the 5dmk3, and after reading all the reviews, comparisons and forum discussions of the past month, I still cannot take a clear decision about which camera to buy between the 5dmkii and 5dmkiii.

The point is: I'm just an amateur photographer, I definitely want to go for one of these two great cameras and no one else, but I could not use and test them to clearly make up my mind about the effective added value of the mk3 over the mk2.

As a professional photographer I would have NO doubts (mk3 for sure), but as amateur I am not really sure...

So, the question is mainly addressed to those of you who have already tried both cameras:
Considering the huge difference in price (1600€ here in Europe, means 2100USD!!), are the additional features (AF, IQ, silent mode, 6fps) really worth for an amateur?
Wouldn't it be better to spare all these money and invest them in some good lens/equipment?

thanks in advance!
mc

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5D iii AFing with F11 lens.... on Liveview. Normal?

I put a 2x iii on my 100-400L (making it F11 @800mm) and the sucker was auto focussing. Very slowly, about 4-5 secs round trip, but it nailed the AF (with some AFMA help). Is this even possible Given Canon denying supporting AF over F5.6? Are we getting a freebie?

I have never connected the Cam via Cable to any PC, so nothing was updated. Original Firmware... etc

Second discovery. My 70-200mk.II with 2x @400mm F5.6, is clearly sharper than the standalone 100-400L @400mm F5.6. I thought the 100-400 would be better than the 2x + 70-200mk.ii combo.

With Mixed feelings...
K

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Sorry 5D3, Insufficient Value

Maybe I'm just a cheapskate; if so, so be it. Maybe I value my dollars differently than others. Anyway, I've decided I can't justify 3500 Tracy dollars for the 5D3.

As I said here several times before the 5D2 successor showed up, rather than speculating/hoping/fantasizing, I would wait to see what Canon offered, then make a decision about what to do. After limping along for two years with T2i limitations, I knew I wanted an affordable tool that would provide 5D2 image quality and low-light capabilities with 7D or better autofocus speed and versatility.

The new 5D3 has delivered exactly what I want. Low-light capability seems at least marginally improved and the AF is all I would ever need. Despite hearing some whining about sensor capabilities, dynamic range, etc., I suspect Canon realizes this sensor produces image quality better than what a large percentage of users actually need or can use. It surely produces images that satisfy me. So, from a practical standpoint, the 5D3 is my ideal camera.

Only Canon knows why they've priced the 5D3 as they have. I can speculate along with everyone else, but the improvements over the 5D2 don't warrant the additional cost for me. I can see a wedding photographer biting his lip and paying the extra money because the critical improvements give him reasonable value. There may be some other businesses that see it as a reasonable (affordable -- and also available) alternative to the new 1Dx. So, for me, I've decided on my own current solution. It's the 7D with some lens upgrades.

The plan that's evolved as a cheaper 5D3 solution for me is this:

1. Replace the T2i with a new 7D.

2. Upgrade (my interpretation) my walkaround lens from the 15-85mm to a 17-55mm.

3. Upgrade my 70-200 f/4.0L to a 70-200 f/4.0L IS.

4. Get a 10-22mm for the wide side.

I've got an ef-s 60mm that's adequate for macro, but I'll keep it mostly for the non-macro look it provides. I don't know what it is, but that has become a favorite lens for landscape type shots. I'll keep my 135mm f/2.0L for serious headhunting, and I'll keep the 100-400L for the great reach.

This also allows me to sell the EOS-1V as I won't need it for the great AF. Yesterday I was shooting around town with the T2i in one hand and the 1V in the other (with the 70-200) and it's speed is nothing short of joy. The contrast between the two helped make this decision.

One reason I got the T2i initially was that it was the cheapest entry to a decent digital camera. It has virtually the same sensor as the 7D, so if you can sacrifice the upscale capabilities of the 7D you can work with a T2i and good lenses. Here's an image that makes that case for me:

IMG2839-M.jpg




That was taken yesterday with the T2i and has all the IQ I'd ever realistically need. However that is one of perhaps 50 I took of gulls flying around me. The AF simply can't do the job; this shot just got lucky. With a 7D, this shot won't require luck -- or a one out of fifty keeper ratio. And as I've often said, for street photography, by the time the T2i gets it together, the shot is gone. I saw that again yesterday with the lightning speed of the 1V. Even using film, as soon as the shutter button is actuated, the shot is made.

Anyway, perhaps this will help others wrestling with the 5D3 pricing. If you're thinking about Nikon, well that's a different issue!

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another attempt at video on canon 5d 3 / sharpness issues

So when i take video, it looks like its in focus, and when i upload it to the computer, some clips are in focus and some aren't... is anyone else having these issues??? or is there a trick that i am missing? when i try the autofocus, it looks way out of focus, so i try to do it manually... thanks for any help

Canon 5D Mark III Smoke Video @ an abandoned warehouse

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Gelling for Tungsten at Indoor Events?

How many of you gel your speedlites to match ambient lighting at indoor event shoots?

I normally do not gel at events, but then again my past event work has typically been in low-light environments where ambient lighting isn't an issue. However, I shot an event in a ballroom the other day, and the results look hideously "point-and-shoot"-ish. Meaning, the people are all balanced to flash, but the background is that hideous orange tungsten glow. To make matters worse, the walls were all wallpapered a deep yellow-ish orange hue, so the contrast in color balance is extremely obvious, and makes the photos look atrociously amateur.

I started painting in a white balance correction in Lightroom on the background, but then realized I didn't have the time to do it on 200 photos. I'm chalking this up as a lesson learned, and if I had to do it again I'd definitely gel with a CTO correction. Do many of you do this in environments with heavy tungsten lighting?

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More colors

Todays sensors have heaps of megapixels. More than you can shake a stick at. More than most of us need.

Now, today's sensors still have a bayer filter with a basic R,G,B pattern. RGB is what our monitors use. Newer sensors have standard green alternating with an expanded green, but it's still pretty much the same idea.

What if you created a color filter that sampled the color spectrum in a different way? You could sample a wider spectrum for richer violets and deeper reds. These two colors are weak on DSLRs, something I miss after switching from slide films like Velvia.

You could also sample the spectrum more finely. Either way you'd end up with a wider gamut. Maybe a computer monitor wouldn't show the full extent of the improvement, but a good quality print should.

So, the idea is to use these sensels to record more color information, rather than focusing in spatial information.

In the same vein, some sensels could have a darker filter on top (e.g. RGgB where the g is 3 stops less sensitive than G) for wider dynamic range.

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Canon Speedlite 600EX-RT Reviews

HTML:
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<strong>The new flash


</strong>I finally got my hands on the Canon Speedlite 600EX-RT today, and I’m looking forward to playing around with it. I probably won’t do a review, because I am 95% of the time a natural light shooter.</p>
<p>Below are three separate reviews done by Ron Martinsen, he’s pretty positive about the new flash.</p>
<ul>
<li><a href="http://www.ronmartblog.com/2012/03/first-look-canon-600ex-rt-flash.html" target="_blank">First Look</a></li>
<li><a href="http://www.ronmartblog.com/2012/04/ask-ron-canon-600ex-rt-radio-wireless.html" target="_blank">Wireless Real World</a></li>
<li><a href="http://www.ronmartblog.com/2012/04/ask-ron-canon-600ex-rt-radio-wireless.html" target="_blank">Wireless & High Speed Sync</a></li>
</ul>
<p><strong>Available Now at: <a href="http://www.bhphotovideo.com/c/product/847537-REG/Canon_5296B002_Speedlite_600EX.html/BI/2466/KBID/3296" target="_blank">B&H Photo</a> | <a href="http://www.normancamera.com/index/page/product/product_id/25480/product_name/Canon Speedlite 600EX-RT" target="_blank">Norman Camera</a></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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New Extensive Firmware for the Canon EOS 7D? [CR1]

HTML:
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<strong>Added Features


</strong>I received some information that suggested instead of a near future 7D Mark II, we’d see a firmware update that would add new features to the current 7D.</p>
<p>Most of the added features mentioned would aid video. It mentioned new visual aids on the LCD for exposure and audio. Also a suggestion about an autofocus feature being added. We have heard that a new 18-135 IS lens would be coming with a silent autofocus motor alongside the T4i, so maybe there is a new AF feature coming.</p>
<p><strong>CRs Take


</strong>Canon has really only added significant features to the 5D Mark II via firmware in the past, so this would be a unlikely situation in my opinion. Although, adding features to the 7D to boost some sales while we wait for a successor does make some sense. Definitely CR1 for now.</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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  • Poll Poll
Prices of canon gear in Japan & China vs Canada

Where is Canon gear cheapest?

  • Canada

    Votes: 1 10.0%
  • Japan

    Votes: 1 10.0%
  • China

    Votes: 4 40.0%
  • U.S.A

    Votes: 4 40.0%

I'm taking a trip to china and japan and am thinking of picking up some new gear, one lens and a flash for my 5dmkIII and I'm considering waiting until I'm over there does anyone know if the price will be any different?

Thanks!

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One area the 5D3 beats the D800...

It seems the 5D3 beats the D800 (and the 5D2) in it's anti-aliasing. You'll notice the 5D3 image is just about perfect, the 5D2, D800 and the A900 all show problems, phantom vertical or horizontal lines that seem to cut through the pattern. Red arrows show the problem areas.

The image is from DPR's RAW image comparisons. It's not quite visible on the D800 at the reduced resolution on this site, however if you download the image you should be able to see it clearer at full size.

You can also go to DPR's page here and move the selected area to the pinwheel directly below the + in the center of the frame. You can of course compare how other cameras perform against the 5D3 on this same test.

Attachments

  • Image Test 5d3 5D2 D800 A900 .jpg
    Image Test 5d3 5D2 D800 A900 .jpg
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Canon Shipping 5D Mark III Bodies - Any rumors?

I placed an order with B&H April 4rth and I have no idea when I will get this camera because Canon is not providing any information about shipments.

So far I have probed B&H about shipments without any results.

I have read the following news, but not from Canon.

1. http://www.canonrumors.com/2012/04/5d-mark-iii-not-getting-recalled/

2. http://www.the-digital-picture.com/News/News-Post.aspx?News=2267
found it here: http://www.canonrumors.com/forum/index.php?topic=4791.msg110933#msg110933

3. http://www.techradar.com/news/photography-video-capture/cameras/canon-suspends-5d-mark-iii-shipping-1076503
found it here: http://www.canonrumors.com/forum/index.php?topic=5648.msg110168#msg110168

4. Also canon watch: http://www.canonwatch.com/canon-stopping-shipment-in-canada/

If you search Google for "Canon suspends 5D Mark III shipping" there are 378 links!

BUT NOTHING OFFICIAL FROM CANON! What a shame, no respect for their clients!!!!!!!!!

When will they start shipping again???

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A fresh (reasonable?) view on the 5D mk III Vs. Nikon D800 debate

I don't really know what the meaning of this post is, maybe it's just to vent my own thoughts about the battle of the newest Canon and Nikon Bodies.

I think there are two kinds of people, which is also true in photography. There are the gearheads and there are the photographers, and everyone is somewhere in between those two, some closer to the middle and some more extreme.

Everyone who is a bit towards the gearhead category does tend to look a bit at numbers, reviews and tests before purchasing anything. I myself is a bit towards the gearhead category, but what can make me very enthusiastic about a piece of gear is seeing something made with it. If I see a lens makes great photos, then that is more important to me than looking at MTF charts etc.

Everyone has to admit that the D800 sensor is a great achievement in resolution, and performance. Especially in low-ISO, but everything taken into account also in high ISO settings.

Why did I end up with a 5D mk III then? I mean DxO numbers are one thing, I truly don't give a damn about them, if only the photos that I see from the camera are pleasing to my eye. The 5D mk III does that, I also think the D800 does it, however I don't NEED the more resolution, I wouldn't mind having it. However I do value the burst speed and a (in my eyes) better focusing system.

I'm sure both cameras are going to produce great results, just choose the one that suits your needs best, that is the 5D mk III to me. Even though I would have liked the same specs with the D800 sensor, but that is just not going to happen just now.

Anyway, wether you're a gearhead or a photographer or anywhere in between, don't waste your time trying to convince the internet that you are correct and everybody else is wrong. Chances are everyone (including you) are both right and wrong. The "best" camrea doesn't exist, it's all about compromise to get to what camera comes closest to your needs. And to be honest, most peoples needs are adressed by multiple cameras.

Now this is my one and only post regarding this matter, I wanna get out in the sunshine and enjoy my 5D mk III, I hope to bump into a friendly D800 owner for a little talk about what we're capable with our tools :)

Cheers.

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The Techradar Test of the 5D MK3

http://www.techradar.com/reviews/cameras-and-camcorders/cameras/digital-slrs-hybrids/canon-eos-5d-mark-iii-1074186/review/page:5#articleContent

the techradar test:

TIFF images (after conversion from raw) have a consistently good signal to noise ratio across the sensitivity range comparing closely to the Canon EOS 1Ds Mk III and just having the edge over the Nikon D800. It also shows a slight improvement at all sensitivities over the Canon EOS 5D Mk II.


TIFF files (after conversion from raw) have a high dynamic range with results comparing closely to the Nikon D4 and D800. Compared with the Canon EOS 5D Mk II, there is a marked improvement showing over 2EV greater range at the lower end of the sensitivity scale.


i thought techradar is a DxO certified lab? ???

http://www.techradar.com/news/photography-video-capture/cameras/noise-and-dynamic-range-results-explained-1027588

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D800 Mini Review

just saw this link posted at DPR:

http://photofocus.com/2012/04/16/nikon-d800-mini-mini-review/


am not going to write much about this camera because as I originally expected, it just doesn’t make sense to me. I have a sort of “meh” reaction to it. I am particularly disappointed in its autofocus system compared to that found on the 5D MK III – but it is $500 cheaper than the Canon so if you’re deciding between the two that’s a big factor – UNTIL you also consider the cost of more computer memory, a faster computer and bigger camera memory cards. Then it’s a wash.

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Why so much trust in DXO.

Check this topic.
So why should we trust there sensor numbers ???

http://www.fredmiranda.com/forum/topic/1106506/


70-200 version II rates lower then 70-200 version I.

Think about this.
They know and we all know this is not true.
DXO guys also rate EVERY Nikon counterpart lens higher than Canon.

In real life the 70-200 II is one of the best zoom lenses in the world.

But DXO has nothing to do with real live.
Number numbers.

What we see with our eyes doesn't matter anymore.
Number numbers numbers and numbers. This is a bad thing.

!!!!!! We all trust ONE company for all there numbers !!!!!!

The company that rates the 70-200 F4 IS and 70-200 F2.8 IS II not that good !!!!!!!!!!!!
While these lenses are tested superb everywhere.

FOR THOSE having the 300mm F2.8 version II, I feel sorry.
The 24-105 resolution wise is much better. Funny these clowns.

I own the latest NEX 7 and it should be close to the 5D according DXO numbers.
Well my eyes tell me it's not. Why ??


Take the camera , take pictures, see yourself and forget about this commercial company that sales software.

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CANON 1DC "crushes the F65, Epic, Alexa in one fell swoop." LOOK HERE!!!

Hi,

In this page you can see the video "the ticket" shot with the 1DC ....Amazing!!!..... ;D

In the page there are also some very interesting comments about the camera....

http://www.hurlbutvisuals.com/blog/2012/04/the-next-gen-in-digital-film-capture-canons-4k-1dc/


SOME NEW INFO FROM THE PAGE....
4GB equals 1 minute of 4K :-X

Lexar cards that process at 1000 mb/s, UDMA 7 are the only things that can capture this baby.... :'(

Rolling shutter was less apparent. Moire did not exist. ;D

Canon Log was one of the most exciting functions of the 1DC. At 400 ISO, it will give you a dynamic range of 12.5 stops. The log looks unbelievable. You can expose it easily, not like Cinestyle or other flat files. No h.264 codec here. This records to motion jpegs, and the WOW factor goes up when you see how the slight compression to the cards makes it look just like film. This compression, that I have embraced and love, softens the highlights, skin and rounds the 4K capture.

The contrast ratio feels more like a hill than a cliff. Skin tones are absolutely beautiful. Vitality abounds with the Canon’s sensor and color space. I could care less that it is 8 BIT color. I am getting it very close, and Dave Cole, our colorist at Technicolor, had a huge range to deal with. Canon’s 8 BIT feels like 12 BIT with its color space and reproduction.

The effective native ISO of the chip is 400 ISO in Canon Log. There are no native ISOs like the 5D, 7D, and 1D. Through testing, I was able to go to 6400 on the Neutral picture style as well as Canon Log and see the noise that I saw at 1600 ISO on the Canon 5D, which is what 70% of the night photography was shot at on Act of Valor. That noise is minimal. It doesn’t look like the C300 at 6400 ISO, which looks very noisy and a grain texture equal to 5219 pushed two stops, which is marginal. Shooting at 6400 ISO, with minimal noise/grain will shake things up. I felt that it handled the highlights of night photography wonderfully on Canon Log. Holding all detail in color on neon, flo’s, street lamps with no hot burning video looking boca. There was no evidence of sensor pattern in the out of focus highlights that you get from every other camera. It just plain looked like film. This is an A Camera system. Period!!!!

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some larger scale noise structure images posted for commonly compared bodies

Have a look at the bottom of page 3 of this thread here I posted them to earlier.

These are at ISO 200, for the 5D2, 5D3, 7D and D800.
There's more info in the posting in the other thread but, quickly, they're from the +4 EV push, a further push (~+2EV on each) used to really bring up the visibility of the noise so you can easily see the large-scale patterns, then cropped to 600x400 so no additional scaling messes up the appearance of each.

http://www.canonrumors.com/forum/index.php?topic=5845.msg111359

probably should have just started a new thread with these images instead but...
I'll post the whole whack of them on my website eventually.

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