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Canon Makes the EF 24-70 f/4L IS & EF 35 f/2 IS Official

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<strong>Canon EF 24-70 f/4L IS & EF 35 f/2 IS</strong>


London, UK, 6 November 2012 – Canon today adds to its world-famous EF lens series with the launch of two models designed for enthusiasts and professionals – the EF 24-70mm f/4L IS USM and EF 35mm f/2 IS USM. Offering first-class optical technologies alongside highly compact designs, the new lenses are perfect for a range of creative purposes, including reportage, landscape, portrait, and travel photography.</p>
<p>Ideal for use alongside DSLRs like the new EOS 6D, both new lenses utilise the latest Canon technologies to consistently deliver superb results. Both include aspherical lenses and Super Spectra Coatings optimised for each individual element, Canon’s industry-leading Image Stabilizer (IS) technology and Ultrasonic Motors for superfast</p>
<p>Auto Focus (AF) – providing outstanding optical performance. The EF 24-70mm f/4L IS USM is also the latest lens to feature Hybrid IS, delivering shakefree shots at any distance, including at macro focal lengths.</p>
<p><strong>EF 24-70mm f/4L IS USM – high performance, high flexibility, Hybrid IS


</strong>The EF 24-70mm f/4L IS USM is the latest addition to Canon’s elite L-series, and expands the range of standard zoom EF lenses available for both professional and amateur photographers. Ideal for reportage and wedding photography, it combines an essential everyday focal range with a premium quality L-series construction, delivering consistently sharp, professional-quality stills in a range of different situations. A new macro function also optimises the placement of lens groups during macro photography, allowing shooting at a maximum magnification of 0.7x – reducing the need for photographers to carry a dedicated macro lens.</p>
<p>Its first-class optical system includes two aspherical elements alongside two Ultra-low Dispersion (UD) lenses, each with optimised Super Spectra Coatings to minimise chromatic aberration, colour blurring and flare. A constant f/4 aperture throughout the zoom range provides photographers with exceptional creative control, allowing blurring of the background of a scene at all focal lengths. A nine-blade circular iris also assists photographers in making their subjects stand out, delivering beautiful out of focus highlights (bokeh) in the background blur to add atmosphere to a shot.</p>
<p>The EF 24-70mm f/4L IS USM also features a newly designed IS system, delivering blur-free images throughout the zoom range. Canon’s advanced optical IS offers a 4-stop light advantage, while Hybrid IS effectively compensates for angular and shift shake during macro shooting for stable close ups.</p>
<p>Superfast AF performance is provided by a small, ring-type Ultrasonic Motor (USM). Working in combination with a high-performance CPU and advanced AF algorithms, USM technology enables accurate, silent and ultra-responsive autofocusing. Full-time manual focusing also ensures adjustments can be made even when AF is engaged.</p>
<p>The EF 24-70mm f/4L IS USM features a high grade, usability-focused design – both inside and out. The exterior features a high quality leather-texture coating, a revised shape ensures ease-of-use, and the focusing and zoom rings have been designed for optimal operation. Additionally, a dust and drip-proof construction is resistant to dust and moisture, a lock function protects lenses from knocks when travelling, while fluorine coating minimises the amount of dust, dirt and fingerprints that adhere to the front and rear lenses – helping to maintain superior image quality and reduce the need for cleaning.</p>
<p><strong>EF 35mm f/2 IS USM – take a wider look at the world


</strong>The new EF 35mm f/2 IS USM is designed to offer outstanding flexibility – allowing photographers to capture an even broader range of scenes and subjects in wide-angle. The lens is Canon’s first-ever 35mm prime to feature optical Image Stabilizer technology, which combines with high quality optics to offer outstanding performance from a lightweight, compact body. The 35mm focal length also provides the ability to capture everything from close-up portraits to wide-angle landscapes, making it an ideal companion for travel or general reportage photography.</p>
<p>Its advanced specification offers photographers great flexibility to shoot a wider-range of scenes and subjects. A bright, fixed f/2 aperture also allows photographers to employ a shallow depth of field, and optical IS offers users a 4-stop light advantage, allowing the capture of blur-free images in low light conditions when shooting handheld. Intelligent detection of panning motion is also supported, with Panning IS mode automatically engaged to enable photographers to capture movement with greater accuracy.</p>
<p>Designed to deliver exceptional image quality, the EF 35mm f/2 IS USM features an aspherical glass-moulded (GMo) element positioned at the rear of the optical path to correct aberration for the entire optical system. Additionally, each individual element features optimised Super Spectra coatings to reduce ghosting and flare – ensuring excellent colour balance with minimal need for post processing. A combination of a ring-type USM and high performance CPU also provides rapid AF performance, with full-time manual focus also available for users who want to retain maximum control.</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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Canon Announces New Lens Caps!

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<strong>Pinch Lens Caps


</strong>Canon has finally wised up and introduced pinch lens caps.</p>
<p><strong>New lens caps – designed for greater ease and convenience

</strong>Canon’s ‘Mark II’ centre-pinch lens caps. From left to right: 82mm, 77mm, 72mm, 67mm, and 58mm.</p>
<p>Both new lenses also come with newly-designed Mark II lens caps, which incorporate a hook mechanism in the centre of the cover, as opposed to the sides. Simply pinching the hook allows users to quickly remove and replace caps mid-shoot, especially when using lens hoods. The re-designed lens caps will start to be rolled out across Canon’s entire EF lens range from the beginning of January 2013, and will also be available to buy separately.</p>
<div id="attachment_11835" class="wp-caption alignnone" style="width: 585px"><a href="http://www.canonrumors.com/wp-content/uploads/2012/11/lenscaps.jpeg"><img class="size-medium wp-image-11835" title="lenscaps" src="http://www.canonrumors.com/wp-content/uploads/2012/11/lenscaps-575x123.jpeg" alt="" width="575" height="123" /></a><p class="wp-caption-text">The new Canon lens caps!</p></div>
<p><strong> <span style="color: #ff0000;">c</span>r</strong></p>

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Weird large card delay problem with 5D3 in Multiple Exposure mode

Hello all,

I thought I'd give some of the onboard composition features a go on my 5D3. But I have an odd issue that prevents me from trying one of them.

When I go to Multiple Exposure mode, the camera sort of hangs. It says "Busy.... Please Wait" and never comes out of that screen. The red 'busy' LED on the bottom right never stops flickering, so I assumed it was a full card issue. I have a 50% full 128 GB SD card (which works brilliantly otherwise), and apparently, in Multiple Exposure mode, it needs to access every damn picture, presumably if I want to choose one of those existing shots to be part of an ME composition.

So I put my backup (empty 8GB) card and it snapped right to attention and ME mode was working. But I still prefer to keep all my shots on one card. I transfer and backup militantly, but it's much easier to know where my shots are if they're all in one place.

So how I do avoid the ME mode hanging other than routinely cleaning out my card or swapping in an empty one?

To be fair, this may be a case of me being very stubborn, in that I prefer:

  • To shoot with SD (much easier to share shots with non-photogs, I don't shoot video, etc.)
  • To keep the last 3-6 months of shots on the card despite having already transferred to a computer
  • To not have to swap to another card for ME mode as I'll certainly leave it in there and now have keeper shots on two cards

...so someone may need to tell me that ME mode simply won't fly in that particular environment. But here's hoping someone else found a solution. :D

Thx,
A

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Lens recommendation -newborn shoot

I just agreed to shoot my very close friends newborn. Obviously this is pro bono and the couple also agreed that if it doesn't work they have a more seasoned pro standing by. I've shot lots of kids but never one so tiny. So any help or recommendations for lenses to rent would be great. I'm thinking I need a macro, 100L?

Gear right now:

5diii

28 1.8
50 1.8
85 1.8

70-200 f4 IS

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Post your wishlist for to-be-released lenses

Hi,

This is my list of lenses I wish Canon would develop / release.
And my reasons why.

Canon EF 14-24mm f/2.8 L USM
- Optically it should be on par or better than the legendary Nikon 14-24
- It completes the rest of Canon's great zooms; 14-24, 24-70, 70-200 and 200-400. (way better than the awkward 16-35)

Canon EF 35 f/1.4L II
- mk1 is 14 years old, so it's time for a refresh. i.e. AF CPU to match modern 1dx / 5d3
- Should be a lot lighter than the mk1
- Better MTF outside of center when wide open
- More pleasing bokeh, the mk1 is a bit "nervous"

Canon EF 85mm f/1.2 L III
- AF speed
- AF speed
- AF speed.. ;)
- Not a gram lighter, I want it to stay a massive chunk of glass..

Canon EF 200mm f/2 IS USM II
- Lighter
- Less crazy expensive

Canon EF 300mm f4 L IS II USM
- Latest gen IS
- Better MTF wide open

Canon EF 400mm f/5.6L IS USM
- Latest gen IS
- Better MTF across all apertures

Post your wishlist and let us know why....

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How the iconic post-Sandy 'New York' cover photo shot w/ ID-X

I thought you guys would find this info from the Verge and original link interesting:

From the Verge
"Dutch photographer Iwan Baan captured a stunning shot of New York City for the latest cover of New York Magazine, but how exactly did he do it? Speaking to Poynter, Baan described how he rented a helicopter on Wednesday night after the storm hit to try and take a photo that would convey the duality of the city at that moment in time. Despite the freezing cold and motion of the helicopter, Baan spent an hour taking burst shots with a Canon EOS-1D X and 24-70mm f/2.8 L lens, ultimately achieving the cover picture with an ISO of 25,600, 1/40 shutter speed, and a wide-open aperture. The photographer didn't stop there, though: Dezeen has put together a slideshow of Baan's various pictures taken across a largely blacked out Manhattan in the aftermath of the storm."

Where they got the story:

http://www.poynter.org/latest-news/mediawire/194225/architecture-photographer-explains-how-he-got-that-new-york-magazine-cover-shot/

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Hold out for EF 35/2 IS or jump in with classic 35 1.4L

I've been lusting for the 35/1.4 since I gave away (to old friend w new baby - shooting w T2i) my 2nd 28/1.8 in July. Just as I was bout to pull the trigger - whammo - options options.

Many rumors of updates for the ol' 35 but that was not an issue for me as it is a great lens - Now!

In comparison, I shoot the 50/1,4 at 2.0+ most of the time. Opening up in really bad light.

In a bizzare state of excitement and confusion over this one. I'll hold off for a couple of days to cool down a bit and review in a sane state of mind.

It doesn't seem that the new 35/2 IS would be a replacement for the 1.4.... Am I wrong??

Thank you in advance for your thoughts.

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Opinion: EF 24-70 f/4L IS & EF 35 f/2 IS

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<strong>What do I think?


</strong>Since we gave a <a href="http://www.canonrumors.com/2012/10/canon-ef-24-70-f4l-is-coming-cr3/" target="_blank">[CR3] to the EF 24-70 f/4L IS rumor</a>, there have been a lot of questions, confusion and opinions about why Canon would make such a lens. Especially since the very good EF 24-105 f/4L IS is already in the lineup. I just wanted to give my opinion about this upcoming lens, one that I think makes  a lot of sense. I’ll do this in FAQ format from emails I have received over the last week or so.</p>
<p>This is from the opinion of  a photographer, I can’t touch on the video angle. As <a href="http://www.dslrnewsshooter.com/" target="_blank">Dan Chung</a> suggested, videographers do prefer the additional reach of the 24-105.</p>
<p><strong>Will the EF 24-105 f/4L IS remain current?


</strong>I do not know if the EF 24-105 f/4L IS will remain current in the Canon lineup. My gut tells me it will slowly disappear into the sunset until it’s gone, so it could last another 6 months or so. We’ll have to wait and see the official word from Canon.</p>
<p><strong>Why does the f/4 version get IS and the f/2.8 version does not?


</strong>I think the biggest reason it’s omitted in the f/2.8 version is size/bulk. Canon’s goal was to make the version II of the lens a lot lighter than the predecessor, and they accomplished that. I also don’t believe EOS 5D Mark III & EOS-1D X shooters need a stabilized lens for event or portrait work. It’s not genrally considered a “walk-around” lens. The f/4 version is going to be mated to a lot of EOS 6D’s, and may be the only lens people have on the camera at the beginning. IS is a nice feature if you’re travelling and shooting still things in low light.</p>
<p>There will always be some controversy on this one.</p>
<p><strong>Why would I buy the EF 24-70 f/4L IS over the EF 24-105 f/4L IS, when I get 35mm more reach with the latter?


</strong>First, I’d like to mention that the new EF 24-70 f/4L IS may be longer at the 70mm end then the model suggests. Lets wait and see if it’s actually 70mm, as it could be significantly longer. “24-70″ has appeal from a marketing standpoint, as it’s a highly desired focal range. If you look at the EF 70-200 f/4L IS, it’s actually quite a bit longer at the “70mm” end.</p>
<p>Second, I have worked in photo retail and own a lens rental company and I can honestly say that no one ever bought or rented an 24-105 f/4L IS over a 24-70 f/2.8L because of the additional 35mm of range. People were into the 24-105 because of price, size and IS. Now compared to an f/4 version of the 24-70, would people choose the 24-105 over it for the 35mm? I think very few would given the new lenses attributes. The reduced weight, better hybrid IS system, and most likely better optics will be big selling points. The much improved minimum focusing distance of 0.2m will also be a big deal as you’re getting a near macro lens as well. I also think that people will like not having overlap if they have a wonderful EF 70-200 f/4L IS, or 70-300 f/4-5.6L IS. Put a 17-40 f/4L in your kit and you have 3 lightweight lenses that would make a terrific kit for the amateur and professional that doesn’t need light gathering ability.</p>
<p>Now, there are definitely people out there that will disagree and prefer the 105mm on the long end, I can only tell you what I have experienced. Maybe Canadians are weird? :)</p>
<p>Thirdly, there may even people that own both of the new 24-70s. f/2.8 for your event photography and the f/4L IS when you’re out and about.</p>
<p><strong>What about the new EF 35 f/2 IS?


</strong>Great, if it performs like the new EF 24 f/2.8 IS and EF 28 f/2.8 IS lenses, it will be a keeper. This lens will probably become Canon’s most popular non L prime pretty quickly as it will make a nice pairing with the lightweight EOS 6D, I am really looking forward to trying one out. I also think if it’s priced liked the other new non L primes, people won’t mind as much due to the f/2.</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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EF 24-70 f/4L IS & EF 35 f/2 IS

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<p><strong>New Lenses

</strong><a href="http://www.canonrumors.com/2012/10/canon-ef-24-70-f4l-is-coming-cr3/" target="_blank">As suspected</a> the new Canon EF 24-70 f/4L IS will be announced. This lens should appears as a kit lens with the upcoming EOS 6D. The other lens isn’t a new 50mm at this time, it’s actually going to be a new EF 35 f/2 IS.<strong> </strong>Pricing will also be higher than the previously unconfirmed suggestions.</p>
<p><strong>EF24-70mm F4L IS USM</strong></p>
<div id="attachment_11801" class="wp-caption alignnone" style="width: 510px"><a href="http://www.canonrumors.com/wp-content/uploads/2012/11/ef2470f4is_1.jpeg"><img class="size-full wp-image-11801" title="ef2470f4is_1" src="http://www.canonrumors.com/wp-content/uploads/2012/11/ef2470f4is_1.jpeg" alt="" width="500" height="320" /></a><p class="wp-caption-text">EF 24-70 f/4L IS</p></div>
<p><strong>

</strong></p>
<ul>
<li>15 elements in 12 groups, two aspherical lens, lens configuration sheet 2 UD lens</li>
<li>9-blade circular aperture</li>
<li>Weatherproof</li>
<li>Full-time manual focus</li>
<li>Can switch to macro mode at the telephoto end</li>
<li>0.2m minimum focusing distance, 0.7 times the maximum magnification</li>
<li>Hybrid IS Image Stabilizer</li>
<li>77mm filter size</li>
<li>600g weight, 93mm length, 83.4mm in diameter</li>
<li>Released in mid-December</li>
</ul>
<p><strong>EF 35mm f/2 IS</strong></p>
<div id="attachment_11802" class="wp-caption alignnone" style="width: 510px"><a href="http://www.canonrumors.com/wp-content/uploads/2012/11/ef35f2is_1.jpeg"><img class="size-full wp-image-11802" title="ef35f2is_1" src="http://www.canonrumors.com/wp-content/uploads/2012/11/ef35f2is_1.jpeg" alt="" width="500" height="320" /></a><p class="wp-caption-text">EF 35 f/2 IS</p></div>
<p><strong>

</strong></p>
<ul>
<li>10 elements in 8 groups, the lens structure is glass-molded aspherical lens</li>
<li>8-blade circular aperture</li>
<li>4 stop IS</li>
<li>AF motor ring USM, full-time manual focus</li>
<li>67mm filter size</li>
<li>335g  weight, 62.6mm length, 77.9mm in diameter</li>
<li>Released in early December 2012</li>
</ul>
<div>Source: [<a href="http://digicame-info.com/2012/11/ef24-70mm-f4l-is-usmef35mm-f2.html" target="_blank">DI</a>]</div>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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a used Canon 5D, a budget way to go full frame?

So I've really gotten into DSLR over the past 1.5 years. I've spent some money on lenses, I have the 28 f1.8, 50 f1.4, 100 macro IS USM, 24-105 f4, and my DSLR is the t3.

I don' t have an unlimited budget, so I was thinking of picking up a good condition used 5d online, looks like around $600 is the going rate, and spending the $1000 I'd save over a Mark II towards the 70-200 f2.8 IS USM.

Bad idea or good idea? What are the primary drawbacks with using a 5d? How is the ISO performance? I shoot mostly portraits of family or landscapes, not a lot of action or fast movement.

Is the 5d obsolete or is it a good carry over for a year or two until I spring for a newer full frame camera? Anyone still using the 5d alongside a newer full frame? What are the primary differences? Thanks.

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Can we all send a complaint to Canon to fix the AF-Assist focusing on the 5D3?

I went to every major Canon forum and a lot of people are saying that the 5D3 focuses slower with the AF-Assist beam on when using at least a 600ex with the camera in dim or dark situations when this topic is brought up. I do club photography and I find it embarrassing to stand around for a long time trying to get a focus lock. Sometimes people walk away from the shot or look at me like I am crazy. The only way I know how to focus faster in situations is to play with the AF-point and move it towards the red light on the subject. Lets make a petition or something because I also own a 7D and it focuses in an instant with the same flash. It is the camera!

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5D3 Spot Focus Question, and Advice on Accessories

Spot Focus & Re-Compose:
I am a bit confused on the "spot focus and re-compose" function, as to how it works on the 5D3. I do the usual: Spot focus on a subject and Press Shutter half-way to lock focus, and then re-compose the frame before taking my shot. However, when I view the shot on LCD afterwards, with the AF point display active, I find that it does NOT show the AF point on the initial subject on which I had locked the focus on (even though that subject does appear to be in focus also!). Did the focus point really shift to the spot right before I took the shot, or does the LCD display show it at the wrong spot? Has anybody else tried this also?

Screen Protectors:
What is your personal experience and opinion on using "Optical Glass Screen Protectors" for the rear and top LCD's on the 5D3? There are several products in the market claiming to be wear-resistant, abrasion-resistant, scratch-resistant, multi-coated with 95%+ light transmitting rate. Do you use them, or do you prefer keeping the LCD's clear from protectors?

Neck Strap:
To replace the flashy OEM neck strap that comes with the 5D3, with a Black and more plain and simple, yet durable and strong replacement neck strap, which product(s) would you recommend?

Camera Bag:
As a Small Hoster-Type camera bag, that would fit the 5D3 with the 24-105 kit lens attached, the best product I could find, so far, is the "Tamrac 5625 Pro Digital Zoom 5" bag. For those who use that bag for this camera, what is your experience with it? Any other similar feature bags (Small and Holster-Type) you can recommend?

CPL Filter:
Trying to decide between the 77mm CPL filter from "B+W KSM F-Pro MRC" and "Hoya Pro1 DMC". Obviously, B+W is more expensive. My question is for the 24-105 L lens, would I notice the difference between those two CPL's?

I appreciate all feedbacks.

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Free and Inexpensive Video Editors

I'm looking for a free or inexpensive video editor.
My requirements are:
* Produce high quality videos
* Add titles
* Add music
* Currently only a single video source is planned (from an EOS 6D)
* Use externally recorded sound (sync & use)

Evaluating each of the reasonably rated free video editors looks like a daunting task:
• Avidemux v 2.6
• (Windows Live) Movie Maker v 2012
• Blender 2.64a (cool interface!)
• Jahshaka v2.0
• Video Edit Master v 2.0
• VSDC Free Video Editor v 1.2.1

If free won't cut it, I'd like to spend less than $100.

Thanks,
Drew

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Two Lenses to be Announced Shortly.....

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<strong>*UPDATE 2*


</strong>A new 50mm will be coming in 2013, as the 35 f/2 gets replaced with a new IS version. The EF 24-70 f/4L IS definitely coming, which we knew for sure. I’m willing to wager the pricing below is also not accurate. I probably shouldn’t have posted unconfirmed information about these 2 lenses so quickly. <strong> </strong></p>
<p><strong>*UPDATE*


</strong>Below is some unconfirmed information in regards to price and weight of the new EF 24-70 f/4L IS, rate it as [CR1] for now.</p>
<ul>
<li>EF 24-70 f/4L IS $849 and weighing 545g</li>
<li>EF 50 f/1.4 IS $799</li>
</ul>
<p>As mentioned earlier, I’m confident about the new 24-70, but the 2nd lens, I’m not 100% sure on. There are so many coming down the pipeline.</p>
<p><strong>Two New Lenses


</strong>We hear that Canon will announce two new lenses very shortly.</p>
<p>We’re pretty sure one of them will be the EF 24-70 f/4L IS, still working out the second one. There are lots of candidates including the 14-24 f/2.8L, 100-400 f/4-5.6L IS, 50 f/1.4, 50 f/2 IS, 135 f/2L IS and the 35 f/1.4L II.</p>
<p>More to come…..</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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