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D600 vs. leaked 6D specs: a comparison

In response to the folks here repeating that the D600 beats the 6D, here's a feature comparison that applies to the kind of photography I do, which is a mix of travel, landscapes, & weddings (usually as a backup photog). For other folks it's surely different but here's my take:

  • 20mp vs 24mp: the smaller the files the better. I'm going to run the thing in MRAW mode most of the time anyway. Point Canon.
  • High ISO performance: top native ISO on the 6D is 25.6k. It's 6400 on the Nikon. 6D is certainly not two stops better than D600 but if they've got the balls to give it native 25.6k then I'm betting it's at least somewhat better. Point Canon.
  • AF: D600 has 39 points vs. 11 for Canon. Point Nikon.
  • Metering: too early to call it, but they had both better be pretty good. Draw.
  • Shooting speed: Nikon is 1fps faster, which is too close for me to care as they're both fast enough for me. I'd award Nikon a point if I could definitively figure out if D600 has DX high-speed mode or not but AFAICT it doesn't. Draw.
  • Max shutter speed & flash sync: Both not too hot but not horrible either. Draw.
  • Storage: I prefer CF to SD & they both use SD to keep the size down. D600 has two of them, but I really don't care. Draw.
  • Weather sealing: The basic seals on my 40D have been good enough to keep me out of trouble so far. Draw.
  • Built-in flash: point Nikon (but my 270EX II will always be in my bag...).
  • Built-in GPS & Wifi: point Canon. I hesitate to award two here as they are both optional on the Nikon.
  • Of course, 6D takes my EF mount lenses & EX flashes, but I won't award any points here. It's also worth noting that the D600 will drive old-school Nikon screwdriver lenses.
  • Price: 6D is a couple hundred simoleons cheaper & under the ephemeral double-deuce mark. Point Canon.

So, I've got 4 points for Canon & 2 points for Nikon, without taking into account the fact that I'm already a Canon customer. Looks like they've spec'd it right for geeks like me. For me, the D600's better AF & built-in flash just don't outweigh better high ISO performance (the most important thing for me after handling) & the built-in GPS & wifi.

Regardless of my conclusions, bear this in mind: in this economy, the less expensive camera wins pretty often...

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5D III Autofocus

The autofocus range of the 5DIII is from EV -2 to EV +18, this must be based on the amount of the light entering the lens and the sensitivity of the autofocus sensors.

If it can autofocus at EV -2 at f5.6, can someone explain why it can't autofocus at f8 at EV -1, f11 at EV 0 or f16 at EV +1.

Why the f5.6 restriction, it is so limiting particularly when using extenders.
I have yet to see someone using a f2.8 telephoto, where this wouldn't be an issue.
In the UK the 400mm f2.8 and 500mm f4 cost around £10,000 (16,000 USD).

I have the excellent 400mm f5.6L, but soon as I put on a 1.4x, I have manual focus, and the lens doesn't have IS, so it difficult to use.

I think autofocusing down to f16 lenses should be standard.

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Need advice on buying equipment

i couldnt find this anywhere on the forum so i figured i would use this as my first post.
I currently have a 50mm 1.8, 24-105 f4, 70-200mm 2.8, 5d mark ii, 60d, 580ex ii, h4n
i have money i have to spend at Best buy and i can not decide what to get. I have thought about a studio flash or new lens.
the flash i am looking at is http://www.bestbuy.com/site/Elinchrom+-+Style+500/500BXRi+Studio+Strobe+Light+Kit/2663916.p?id=1218343206104&skuId=2663916&st=elinchrom&cp=1&lp=8
I dont exactly have a lens picked out but here is what i shoot.
I shoot equal amounts of video and pictures, I only make money off of pictures currently, for pictures i mostly do weddings, senior pic and family pics.
For video i do a wide range of things from short documentaries for my church to promo video for groups in my town.
i am open to recommendations other then just strobes or lens but those seem to be where i end up. I do want something that can still help me make money or improve my video skill where i can start getting paid more for those things. I do believe in buying good quality equipment that will last. I will eventually buy the 70-200mm 2.8 is ii in trade for the non-is i have now. any wisdom from people smarter than me would be amazingly helpful. Love this forum and read through most post about everyday! thanks for you help!

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Zoom-walking, Walk-zooming

Hi everyone! Been reading posts on this forum for some time now, and have quite a high regard for most of the canonrumors forum's members' opinion and knowledge, so decided to join and post a topic which has been on my mind for everlong. Based on what I read on many photographers blogs and websites (cfr. 35mm - 50mm poll) people claim that by walking forward or backward one changes the field of view of the lens mounted on ones camera (don't like the angle my 35mm lens is giving me, no worries, just walk forward and magically change it into a 50mm lens or back off a bit and it becomes a 28mm...) So in a way, moving closer or further away from an subject equals zooming in or out with your prime. I have noticed a few very clever people here on the cr forum, and would be very happy if one of them can finally put this myth to rest in a 'scientific' way!

Go West!

The 18.12 from Paddington:


Paddington by RCARCARCA, on Flickr

The sun through the windowed arch at the end of the platform was glorious.

EXIF: 5Dmkiii, 24 - 105mm at 105mm, 1/30 sec, f9.0, ISO1000.

Also at Paddington, but in the underground:


Paddington by RCARCARCA, on Flickr

EXIF: 5Dmkiii, 24 - 105mm at 24mm, 1/5 sec, f22.0, ISO5000.

I guess I should probably have opened the aperture up a bit, but you don't have long to think as the train moves off and you have a connection upstairs...

Richard

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Which Macro?? Please help!

I just purchased a 5D MKIII

I photograph high end watches in a light box.

Ideally I am thinking a 50 or 60 mm

What will work will with the D5 and still work with the autofocus?

I have heard the Canon EF 50mm f/2.5 Compact-Macro is a bit dated really.
The Canon 60mm f/2.8 EF-S Macro does not mount in the 5D.

Does anyone have any other suggestions?

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Canon 1dx Color

Hi everyone,

my name is Dotun and I'm new to the forum.

1dx owners, have you noticed the colors of your raw file look a little too cool and not consistent with color from other canon bodies? if you see the same what steps have you taken in Lightroom to bring its color to look closer to lets say the 5d mark 3 or 1ds. I currently own the 5d II, 5d III and 1dx.

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Should I sell 35L f/1.4 to get 24-70II?

I am mostly doing weddings and engagement sessions and usually just use 70-200 2.8II on 5D3 and I use 35L on 5D2. I am on the fence about selling 35 to buy the new 24-70? I am not in love with having to be spot on to get perfect sharp image with 35 with aperature below 3.2 when doing a pressure shoot like a wedding. I know these lens are different beasts, but wondering if anyone who has experience with both lens can tell me why I should make the switch.

Beside the obvious more reach or the 35 have ability for lower aperature below 2.8.

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Bought this beauty, the Really Right Stuff TVC-33 Tripod + BH-55 head

A month ago, I asked this forum for tips on any way to get the tripod/head I wanted to buy, cheaper
My thread was
[Is there a cheaper way to buy from "REALLY RIGHT STUFF"?]
http://www.canonrumors.com/forum/index.php?topic=8611.0

As no other way was found, I bought it from RRS website, directly, at full price
Paid postage, VAT and import duties, in full
It hurt much less after I opened the box

In my opinion, already having photographic gear, costing the best part of 6K, and investing almost 300-500 hours yearly in my photographic hobby, I have no hesitation in saying that I am glad that I bought that ultimate tripod combination
And, cost less than a set of alloy wheels and should prove more useful
There will hopefully not be any need to upgrade, for a very long time (perhaps until light motorised tripods are invented by Apple)

Of course, some may think that the price is not a good value, or other makes will be better, like a Gitzo
However, if there will always be a single right answer that should apply to everyone, we should expect to find one make and model of cars, owned by everyone
We don't. Because people differ in their needs, tastes and amount their are willing to spend

How to "possibly" get it 30 - 40% cheaper, for Europe residents:
If you postponed your purchase, until your next trip to USA "assuming you that will go there of course", you can get it delivered to your hotel within 24-48 hours
1- Postage is free for USA addresses. I would have saved 10%
2- No duties or VAT. I would have saved 30%
In my understanding, which could well be wrong; after you use it while you are in the USA, it becomes 2nd hand, thus no VAT or duty (I could be wrong here), when you arrive at the airport. Of course, you must declare them and leave it to customs to decide
Naturally, you will NOT need to bring with you the packaging. I heard that some people post them to themselves in UK, and I am not sure why!! :-\
Now, hopefully, no further duties at UK borders, as it is not new stuff anymore, with all the mud and dirt that you have collected on the legs

VV5A2881.jpg


VV5A2868.jpg


VV5A2876.jpg

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What does the future hold for Wildlife photographers ?

Hello all I have been wondering as of late that everyone seems to be on the full frame band wagon, I see the benefit to them but for wildlife crop is still better, I am wondering is canon going to make a new better crop camera to replace the 7D and 1Dmk4 as there seems to be a big hole in the market right now.

It seems odd that that canon does not have a camera that can focus at F8 I was thinking this probably wont last long as they just redesigned there 2x extender I am sure that cost them a bit in R@D and doubt they would do that if they where not going to have a camera that would work with it in the future.

On another note with regard to image processors do they help lower noise in raw files or does that only apply to jpegs when canon says the DIGIC 5+ has 20% lower noise ect.


Thanks
Corey

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Canon EF 24-70 f/2.8L II Arrived

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<strong>Canon EF 24-70 f/2.8L II


</strong>I finally got my hands on the Canon EF 24-70 f/2.8L II. I’ll be using the lens for the weekend and then it’ll be thrown into the rental fleet.</p>
<p>My first impression of the lens is very positive. I love the feel, weight and size of the lens. I actually have an event this weekend that I’ll be shooting, so I can put the lens through the paces in a real world situation. I’ll have it paired with the EOS-1D X, apparently they were born to be together.</p>
<div id="attachment_11205" class="wp-caption alignnone" style="width: 585px"><a href="http://www.canonrumors.com/wp-content/uploads/2012/09/1C1A1409.jpg"><img class="size-full wp-image-11205 " title="1C1A1409" src="http://www.canonrumors.com/wp-content/uploads/2012/09/1C1A1409.jpg" alt="" width="575" height="383" /></a><p class="wp-caption-text">Born to be together | Canon EOS-1D X & EF 24-70 f/2.8L II</p></div>
<p>I still get a lot of people asking why the lens has no IS. I’m of the belief a medium range lens such as this doesn’t require it. This lens is going to be most used in event photography, or portrait and that kind of thing. If you’re looking for a walkaround tourist lens, then the EF 24-105 f/4L IS exists for that purpose. When you see the ISO performance of the EOS-1D X, that’s another reason not to care much about IS. That’s just my opinion!</p>
<p><strong><strong>Canon EF 24-70 f/2.8L II at: <a href="http://www.bhphotovideo.com/c/product/843008-USA/Canon_5175B002_EF_24_70mm_f_2_8L_II.html/bi/2466/kbid/3296" target="_blank">B&H Photo</a> | <a href="http://www.adorama.com/CA2470.html?kbid=64393" target="_blank">Adorama</a> | <a href="http://www.amazon.com/gp/product/B0076BNK30/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B0076BNK30&linkCode=as2&tag=canorumo-20" target="_blank">Amazon</a></strong></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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Canon EOS 6D Specs Leaked?

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<p><strong>Canon EOS 6D Specs?

</strong>I received this spec list this morning, and it seems to have also appeared at <a href="http://digicame-info.com/2012/09/eos-6d-20.html" target="_blank">Digicame-info</a>.</p>
<ul>
<li>A new 20mp sensor</li>
<li>Full Frame</li>
<li>4.5fps</li>
<li>ISO Range 100-25600</li>
<li>DIGIC5+</li>
<li>APS-C Sized body</li>
<li>Weathersealed</li>
<li>SD Card</li>
<li>Built-in Wifi & GPS</li>
<li>11 AF Points, f/2.8 Cross-type in the center.</li>
<li>3″ LCD</li>
<li>Full HD (1920×1080)</li>
<li>Available December 2012</li>
<li>Price: $2099 USD</li>
</ul>
<div><a href="http://www.canonrumors.com/wp-content/uploads/2012/09/eos6d_f3.jpeg"><img class="alignnone size-full wp-image-11211" title="eos6d_f3" src="http://www.canonrumors.com/wp-content/uploads/2012/09/eos6d_f3.jpeg" alt="" width="500" height="455" /></a></div>
<div></div>
<p><strong>Source: [<a href="http://digicame-info.com/2012/09/eos-6d-20.html" target="_blank">DC</a>]</strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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Photokina 2012: Tamron 70-200 f/2.8 VC & 90mm F/2.8 Di MACRO 1:1 VC Development

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<strong>SP 70-200mm F/2.8 Di VC USD with ultrasonic focus</strong>


The most compact full-size, high-speed telephoto zoom lens, delivering leading-edge image quality and featuring Tamron’s proprietary VC (Vibration Compensation) and USD (Ultrasonic Silent Drive)[3]</p>
<p>September 13, 2012, 4PM JST, Saitama, Japan – Tamron Co., Ltd. (President and CEO: Morio Ono / Headquarters: Saitama City), a leading manufacturer of optical equipment, announced the development of a full-size, high-speed telephoto zoom lens equipped with VC (Vibration Compensation)2 image stabilization, and USD (Ultrasonic Silent Drive) that achieves leading-edge image quality while boasting the most compact design in its class. The SP 70-200mm F/2.8 Di VC USD will be available in Canon, Nikon and Sony mounts. The lens is expected to ship by the end of 2012. Pricing information will be announced at a later date.</p>
<p><!--more--></p>
<p><strong>Product Features</strong></p>
<ul>
<li>One special XLD (Extra Low Dispersion) glass in concert with four LD (Low Dispersion) elements minimize chromatic aberrations. This combined with a new optical design that delivers high contrast and high resolution throughout the zoom range achieves leading-edge image quality.</li>
<li>Tamron’s advanced multi-layer coating technology dramatically improves lens performance by reducing flare and ghosting for crisper, clearer images.</li>
<li>The rounded diaphragm affords the photographer spectacular blur effects, delivering the kind of rich expression only achievable with a high-speed telephoto zoom lens.</li>
<li>The most compact full-size, high-speed telephoto zoom lens with VC (Vibration Compensation) image stabilization and USD (Ultrasonic Silent Drive) in its class delivers superior mobility, enabling photographers to capture the previously unattainable.</li>
<li>Features USD (Ultrasonic Silent Drive) to power a speedy AF drive together with a continuous manual focus mechanism.</li>
<li>The VC (Vibration Compensation) image stabilization mechanism reduces camera shake to deliver sharp images.</li>
<li>Moisture-resistant construction helps prevent moisture from penetrating the lens.</li>
</ul>
<p><strong>Tamron SP 90mm F/2.8 Di MACRO 1:1 VC USD

</strong>September 13, 2012, Saitama, Japan—Tamron Co., Ltd. (President and CEO: Morio Ono / Headquarters: Saitama City), a leading manufacturer of optical equipment, announced the development of a next generation 90mm Macro lens for full-size SLR cameras. The lens features completely redesigned optics, a proprietary VC (Vibration Compensation)*1, and USD (Ultrasonic Silent Drive)*2.</p>
<p>Tamron has updated their legendary 90mm Macro lens with a new, state-of-the-art optical design. The lens, reborn for the age of digital photography, offers VC (Vibration Compensation) and USD (Ultrasonic Silent Drive).</p>
<ul>
<li>Adopting a state-of-the-art optical design and a rounded diaphragm, this lens carries on the long tradition of Tamron’s 90mm Macro lens in delivering spectacular blur effects. Two XLD (Extra Low Dispersion) glasses and one LD (Low Dispersion) element reduce chromatic aberrations, yielding sharp images and outstanding resolution.</li>
<li>Tamron’s newly developed eBAND (Extended Bandwidth & Angular-Dependency) Coating*6 delivers a dramatic improvement in antireflection performance—significantly reducing flare and ghosting for clearer, crisper images.</li>
<li>The VC (Vibration Compensation) image stabilization mechanism reduces camera shake to deliver sharp images.</li>
<li>Features USD (Ultrasonic Silent Drive) to power a speedy AF drive together with a continuous manual focus mechanism.</li>
<li>Incorporates IF (Internal Focus) system, which focuses by moving only the internal lens group, rather than the front lens elements. The overall length of the lens therefore does not change when focusing, thus ensuring a broad working distance.</li>
<li>Moisture-resistant construction helps prevent moisture from penetrating the lens.</li>
</ul>
<p><strong><a href="http://www.tamron.com/en/" target="_blank">Visit Tamron</a></strong></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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Photokina 2012: Samyang 10mm f/2.8 for APS-C

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<strong>Samyang 10mm f/2.8 prime for APS-C sensor cameras</strong>


Kraków, September 14th 2012 – Samyang Optics company is thrilled to invite all participants of Photokina fairs held in Cologne to visit our stand no. A025 located in the hall 2.1. We will introduce a prototypical version of the Samyang 10mm 1:2.8 ED AS UMC CS lens.</p>
<p>Samyang 10mm 1:2.8 ED AS UMC CS is a prototype of the ultra wide-angle prime lens designed for use with cameras fitted with APS-C/DX sensors. Its extremely short focus length and rectilinear imaging system ensure extra wide angle of view amounting to 110 degrees (~107 degree for Canon version). As a result the lens is a comprehensive tool for architecture and landscape shooting. New Samyang 10mm 1:2.8 ED AS UMC CS is similar to the 35mm system lens with 15mm or 16mm focal length in the case of Canon APS-C cameras.</p>
<p>All details concerning the optical construction of the lens and available mounts will be published at a later date. The lens will be introduced for sale either at the end of 2012 or in the first days of 2013.</p>
<p><a href="http://www.syopt.co.kr/eng/product/manual_zoom.asp" target="_blank">Visit Samyang</a></p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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Canon 60d flash prob..

Hey guys I have a lovely Canon EOS 60D
but have for som time i haven`t could open the on camera flash!! (approximately 2 week ago)
About 2 months ago I updated the firmware to 1.1.0

when I try to go into the "Build in flash menu" it says that the menu can`t be shown because an externel flash it mounted..

Ftr. I have a flash.. Canon Speedlite EX580II and ther isn`t any problems with that.

Pleas help.. Thank you :)
Canon EOS 60D

Karkonosze mountain with legend (Trailer Full HD)

INFO:
'Karkonosze mountains shrouded in legend' it's a project which was made for 4 days near KArpacz. I used 19854 photos to make this film. All material was made based on system Eos (Canon company). It allowed to gain excellent quality of material. I'm giving you only small preview today. Full film will be on the beginning of September.
Karkonosze góry owiane tajemnicą (Trailer Full HD)

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Need Assistance on how to improve skin tones with strobes

In the following attachments you will note an untouched portrait straight out of the Canon 5D Mark III and then a post processed (in CS5 and LightRoom) which took about another half hour. I used 2 Elinchrom 400 watt strobes at almost the lowest setting which was 2.2 to achieve a 6.3 and 1/100th light meter read at ISO 50

Does anyone have any suggestions with an older audience how to capture better portraits without all the red areas as in the untouched photo? Am I perhaps too close with the strobes? The 2 strobes were about 6 feet high (client seated), facing downward angle of about 45 degrees and approximately 16 inches form subject. Each strobe was placed about 6 feet apart at 45 degree angles

Hope that helps to describe my setup to offer suggestions. Thanks in advance.

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