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AF Point Color on the 5D Mark III & 1D X Update [CR2]

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<strong>User preference known by Canon


</strong>I have been talking to various professionals about what they think about the black AF points on Canon’s new 61 point AF system. I have yet to find one that doesn’t have at least one issue with it.</p>
<p>A lot of people are finding it hard and/or impossible to see which AF point is selected when shooting in dark conditions, like a wedding reception. There are also people telling me they’re having trouble tracking birds in flight with the 1D X and the black AF points.</p>
<p><strong>Solution


</strong>I have been told that Canon is aware users aren’t particularly happy with the way the AF points are displayed to the shooter. I’m told there is a “solution coming” that “may not be ideal for everyone”. There is no timetable for any firmware update as of yet.</p>
<p>Most users want the AF system to operate like the previous 1D camera did, always lit red when AF is engaged.</p>
<p>I’m posting this to lend my vote to the growing number of people that want some kind of fix. I had trouble last weekend with the 1D X and tracking birds myself.</p>
<p>More to come.</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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canon eos 60d for sports and underwater pictures???

I'm planning to by a 60d, and would like to use it for taking kitesurfing, stand up paddle boarding and underwater pictures.

Could anyone please tell me if this camera is able to take decent pictures in these categories?
Or post any link where i could read some review regarding to this?

Your answers are much appreciated and Im glad for any help.

Thank you very much

Sylvia

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1DX silent mode?

Does the 1DX have a silent shutter shooting mode similar to that implemented on the 5D III? Well, not completely silent that is. Although if you want to use silent mode with a big spanking 1D body pointed at someone during street shooting, no amount of silent shooting will cover what you are doing pointing such a tank at someone IMHO!

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Voigtländer 28mm f/2.8 Color Skopar Pancake Lens in EF Mount

Just saw this listing on Canon Watch
http://www.canonwatch.com/voigtlander-28-mm-f2-8-colorskopar-sl-ii-n-comes-with-ef-mount
Does anyone know of any info or reviews about this lens.....Looks intriguing to me!
I would like to know if the lens is at least connected to the CPU on a Canon camera...ie...do you get focus confirmation. It is not definitely apparent in the stats...only for the Nikon does Voigtlander specify that.

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5D2 & Strobe Light Question

Hey guys,
I'm hoping someone can give me some direction on what mode to set the white balance to when shooting with a 3 light strobe set-up? I typically leave it on auto WB and tweak it in post production; however, this time I'll have the editor, stylist, and publisher of the magazine at the shoot wanting to see every image sent to my iPad for review. I would like to hit the WB on the spot and not have to explain that we can fix in post..

I’m using a 5D MK2, 90mm TS lens, 50mm f1.4, and 24-70 f2.8. Firing with PW to a 3 light strobe set-up by Novatron with 1 large softbox and 2 umbrellas.

Thanks

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430ex ii with 5d mark iii

i have 175$ credit at crutch field burning a hole in my pocket. figured why not get a flash? would the 430ex ii be a suitable flash for a somewhat beginner photographer in the flash game? I will be using it basically for recreational purposes. all around photo stuff. also can the flash stay lit up as an external light for video? is this recommended?

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Packing list for trip of a lifetime

Travelling to the Galapagos Islands in a few short weeks with the wife and two teenagers, all de facto photo enthusiasts, and always love to hear how others would pick and pack our gear. In theory, there is a weight limit of 45 lbs + one 15 lb carry-on per person, which must include ALL our clothes AND gear.

We will each have our own camera body, and obviously sharing lenses, but I am curious to how the forum would change my proposed choices, and we must respect this limit of our weight (in order to get on the plane in Ecuador). Also which travel bags would get most recommended.

The trip will include a week of 2x/day zodiac boat rides with wet shore landings, so water/weatherproofing transport suggestions are encouraged.

For the plane, we use Think Tank International and Retrospective 30 shoulder carry-ons, and that takes up all our allotted carry-on weight (for the bodies, and 70-200, 100-400, 16-35 and 24-70 zooms Ipropose, laptop, external hard drives. & accessories we plan on sharing).

Which travel / day-use bags would provide easiest access for our daily on/off water taxi/shore landings? Not sure the Retrospective is waterproof / comfortable enough for this type of use.

Also, any suggestions/personal experiences on an underwater camera/housing for a small point and shoot possibly? We will have opportunities for snorkeling (sharks / seals are abundant photo ops) and would add a P/S if people like one enough to convince me. My 'old' P/s (Olympus 8080) has an underwater housing which is too heavy - looking for newer, lightweight options. Was debating about getting a housing for the 7d and shipping it but cost-prohibitive.

Always fun to hear others' travel experiences/gear selections, so if you have opinions on other essentials, please add those as well, especially opinions on Gorillapod tripods, lightweight tripod/monopod heads etc.

I am still debating the value (weight) of bringing my Induro GHB2 head (3+ lbs), Manfrotto 055 Carbon Fiber - Q90 - 4 Section tripod (another 3+ lbs) and /or monopod - versus lighter options.

Appreciate your ideas/reminders so I don't forget anything.

See profile for list of body/lens options - I am also CPS member who could 'evaluate' just about any lens for a week, but with trip overlapping with Olympics, selection/availability might not be great. Was thinking about 28-300, so if Neuro (or others) have experience with that, let me know. I am considering a trial of this lens to help limit my weight, but I love my 70-200 and 100-400, AND if I bring 3 white whales with me, not sure my wife will still want to be seen with me :)

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lenses for my 7D - please help!

I've just taken delivery of a new Canon 7D (body only) for work. I've been recommended three lenses by the supplier who know what I'm going to be using the camera for:

70-200mm F/2.8L
50mm F/1.2L prime lens
15-85mm F/3.5-5.56

I'm going to be using it mostly for shooting videos in the mountains (in all weather types) in the UK, indoor/outdoor and under studio lights. I know that the lenses are just as important as the camera (or more important depending on what you have) but there seems to be a huge range in pricing for the range I've been recommended.

Unfortunately, the company I work for has a tight budget, but I don't want to get something cheaper and then find it's not going to get the best results.

I shoot a wide range of stuff, from a static shot of presenters in a podcast, to tracking someone skiing past me or with me skiing with them.

Could I ditch the prime lens and make do with the 70-200 and the 15-85?

Someone else recommended the Canon 50mm f1.8 which they said although a bit plasticy produced great results. Plus the Sigma 10-20mm F3.5 EX DC HSM as another option.

I haven't shot video with a DSLR before so please excuse my ignorance!

My budget is around £1500 (US$2300)

Thanks!

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Help! Error 20, Canon 50d

Hi all,

I have a Canon 50d and during continuous shooting it stops and i get " error 20, turn on and off and reinsert battery"

This happens every time a try and shoot continuously and occasionally just trying to take 1 shot.

I'm panicking because i'm going on holiday in two days and i dont want a broken cam! I'm also doing 365 so it could well and truly mess things up!

does anyone have any suggestions? help me please!

James

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What happened to this picture?

Anyone see anything like this before? My first thought is a flash sync problem but usually you see 1/4 of the frame dark not a dark line like that. Also if the shutter got stuck wouldn't the frame from that point on be darker? It was the only picture like that out of the entire wedding. I hate wired stuff like this that I can't explain. Also I have a 5D3 and it is like this on both cards so I don't think it is a card problem. Maybe a glitch when the camera wrote to the cards? So the other question is if the camera has two card slots does it write the image to both cards separately or does it write to one card and copy from one card to the other? I would hope they don't do that because it it would negate the usefulness of two card slots.

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  • Poll Poll
Canon Mirrorless Body Style - which style do you prefer?

Which body style do you prefer? Pick 1 Only

  • Classic

    Votes: 32 82.1%
  • SX1

    Votes: 2 5.1%
  • Similar to current DSLR – pls be specific

    Votes: 3 7.7%
  • Don’t care…as long as mirrorless body

    Votes: 2 5.1%

The reason I created this poll:
Gothmoth said:
Dylan777 said:
Then no one would buy it. The "classic" looks way better.


you would not buy it.. but i really doubt you can speak for other customers. :)

you have not done a survey, right?
so you can not even say how many people would prefer a classic look.

the SX1 is no beauty.. but then i find angelina jolie not that sexy either. :)

Lee Jay said:
Dylan777 said:
Then no one would buy it. The "classic" looks way better.

Who cares how they look? You aren't taking pictures of them, you're taking pictures with them.

I hated using my AE-1 - rotten ergonomics. Much better with an actual grip.

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Patents - EF 600 f/5.6 DO & 800 f/5.6 DO

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<strong>More diffractive optics


</strong>Canon seems to still invest significant money into developing their diffractive optics technology. Currently Canon has 2 DO lenses, the very good 400 f/4 DO IS and the decent 70-300 DO IS.</p>
<div id="attachment_10624" class="wp-caption alignnone" style="width: 412px"><a href="http://www.canonrumors.com/wp-content/uploads/2012/07/600do.png"><img class="size-full wp-image-10624" title="600do" src="http://www.canonrumors.com/wp-content/uploads/2012/07/600do.png" alt="" width="402" height="149" /></a><p class="wp-caption-text">EF 600mm f/5.6 DO</p></div>
<p>Making long lenses that are smaller and lighter will always be desired, especially with the boom in digital cinema cameras and wildlife photography.</p>
<p>More patents have appeared, one for a 600 f/5.6 DO  and another for an 800 f/5.6 DO. The 800 would measure a miniscule 46cm in length.</p>
<div id="attachment_10625" class="wp-caption alignnone" style="width: 412px"><a href="http://www.canonrumors.com/wp-content/uploads/2012/07/800do.png"><img class="size-full wp-image-10625" title="800do" src="http://www.canonrumors.com/wp-content/uploads/2012/07/800do.png" alt="" width="402" height="149" /></a><p class="wp-caption-text">EF 800mm f/5.6 DO</p></div>
<p>Chances of coming to market? I think it’s a pretty solid bet we’re going to see new DO lenses announced sometime. When? Your guess is as good as mine.</p>
<p>Source: [<a href="http://egami.blog.so-net.ne.jp/2012-07-12" target="_blank">EG</a>]</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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Mirrorless Update - APS-C? [CR2]

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<strong>Going bigger?


</strong>We’ve mentioned in teh past that the upcoming mirrorless camera from Canon would have the G1 X sensor. While an apparent prototype exists using the sensor, the coming camera is apparently an APS-C sized sensor based around the 18mp sensor in the Rebel T4i (Hopefully the rubber grip isnt the same).</p>
<p>The camera will also feature an articulating touchscreen, and maybe larger than some people are anticipating.</p>
<p>More to come I’m sure. An announcement is expected on July 23, 2012.</p>
<p>Seems [<a href="http://www.northlight-images.co.uk/cameras/Canon_rumours.html" target="_blank">NL</a>] is hearing similar things.</p>
<p><strong><span style="color: #ff0000;">c</span>r</strong></p>

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1Dx and f/8 AF: it works.

I have just tried the following combination on my production 1Dx :

Canon EF 70-200 f/2,8 II IS + Canon extender x2 III + Kenko extender x1,4 pro 300.

With these attached, AF works well, just a bit slow, with the central sensor. But exposure is wrong, roughly 2 IL overexposed.

It also works with the Canon extender x2 II.

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EOS 1DX training videos from Canon

Received this in an email from CPS:

The Canon Digital Learning Center is pleased to share its newest resource for the EOS-1D X -- 18 Exclusive On-Camera Tutorial videos.

Canon's popular On-Camera Tutorial videos explore a specific feature or technology of the EOS-1D X. These instructional videos are designed to be viewed at your convenience: Watch them online, on the go, or even on the camera's rear LCD screen -- so you can follow along, every step of the way!

Please click link below to view tutorials:

http://www.learn.usa.canon.com/galleries/galleries/tutorials/eos_1dx_tutorials.shtml


Canon Professional Services (CPS)
Canon U.S.A., Inc.

Contact Information for Inquiries:
CPS Toll free; 1-877-CPS-8122
24 hours 7 days per week

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Is the 8-15 fisheye on FF a good replacement for the 10-22 on a crop

I currently have the 10-22mm on a 550D, but will be upgrading to a 5dmk3 at some point this year.

My question is that I do alot of landscape shots while hiking (though without a tripod). I know that I can't use the 10-22 on the 5d, but was wondering if the 8-15 fisheye might be a good FF replacement for the 10-22mm. Looking over my stats in LR for the 10-22 lens, i find that over half the pictures are at 10mm and alot of the times i wish it was a little more wide. I personally like the distortion on the 10-22mm but if it was a little stronger, I'm sure I would like it. Hence why I started looking at the fisheye. I figured anytime the distortion is not what I wanted, I could just apply the lens profile in LR, though I realize it will result in some cropping of the picture.

I'm just starting out in photography, but it seems that the 16-35L is an ok lens, but not an amazing lens like the fisheye or the 10-22. Long term, I would probably get the 14-30L lens (if Canon ever decides to make one), but think in the short term i could get away with just the fisheye. Oh, one last thing, the fisheye is $600 USD cheaper than the 16-35L in Japan, which is also a factor.

So my question is, does this logic seem sound, or is the 8-15 a really niche lens that won't really fill the gap of the 10-22 for purposes of hiking and landscape shots.

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Should I get the 5dmk3 now or wait for possible unannounced 24-70mk2 kit

I currently have a trip to Maui planned for the first week in Oct. and my wife told me it would be a great reason to go out and buy a 5dmk3 (Yeah I was shocked too). My issue is that I lack lens to really take advantage of the 5dmk3 if I pick it up.

Have the following lenses
10-22
18-55
18-200
100 macro (non-usm)
35L
50 1.4

With the idea to fill out the gaps in my kit, I had gone ahead and pre-ordered the 24-70mk2 back in March. Recently, I heard of 5dmk3 24-70mk2 kits on pre-order in Australia and thought that if there is a kit, I might as well get the kit to save a few hundred dollars. With the idea of picking them both up this week and then having 2.5 months to play with the lens and the camera to get a feel for when I go to Hawaii. However, now that the 24-70 has been delayed to the end of Sept. I am concerned that the lens won't arrive in time before i leave, and even if it did and i got the kit, it would only give me a week or two to play with the camera and get used to it.

Now, if there isn't going to be a kit, then I would just go ahead and pick up the 5dmk3 now (or wait at least until after the announcement coming later this month). Though be gimped with my lenses as I really prefer shooting on my 10-22mm. So far this year, this lens accounts for over a 1/3 of all my pictures.

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Cancelled 1dx pre order.

http://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=458&Camera=779&Sample=0&FLI=0&API=4&LensComp=458&CameraComp=792&SampleComp=0&FLIComp=0&APIComp=4

And the color resolution chart on the review page shows there is no real IQ advantage to 1dx over 5d3 to MY EYE.

Will miss the extra 6 fps. :( Rest of the features do not warrant spending this money to ME.

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Kenko or Tamron 1.4x or 2x teleconverter

I did a quick search so see if there was any information here regarding these teleconverters but I didn't come across anything of value so please forgive me if this question has already been asked.

I own two lenses that I would like to use with the teleconverters. My Canon EF 70-300 IS USM f4 lens and my Canon EF 70-200 IS USM f4L. Now I know the teleconverters work best with F2.8 or faster glass but I don't own a f2.8 zoom lens.

My choice would be the 2x as it would make my 70-200L a 400mm and my 300 a 600mm lens, but I am not sure what the lower light would do for the autofocus and such. The 1.4 would be OK but then I would have to use my 300 as a 400mm. (420mm to be exact)

My question is, how are the optics with these teleconverters and what exact model would you recommend? Thank you in advance to anyone who answers my question(s). Oh and one more thing, I usually shoot with an f-stop of f8 or higher (f8 ~ f13) so keeping it in the higher numbers are not a problem.

D

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One Example ISO 12,800 Photo from Production 1DX

There's nothing special about this image, but it has a good combination of rather dark shadow and much brighter highlights. My 1D X arrived on Monday, but just before sunset tonight was the first time I could take it out for a spin.

http://dropoff.us/private/1342061837-1-AJ9P0620.JPG

The photo was taken at ISO 12,800 and 1/200th. Most of the softness that is visible is due to a thin plane of focus or JPEG compression or slight motion blur, or all three. It's amazing for ISO 12,800. Update: the photo is a 100% center crop from the full 18 MP image file.

Another image: the "X" on my camera wants to say "hi"-- (this photo wasn't taken with the 1D X, obviously):

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