privatebydesign said:For the first shot, full length with the model walking, I'd use a pre chosen single point in Servo, just select the top middle point (or the next one around the edge if possible) and crop slightly to give better framing in post, often you can batch process the crop too. For the turn and half-profile shot the same AF setting will work, but I might be tempted, because I am a One Shot AF fan, to toggle to One Shot, you can program the four black buttons on the lens to do this.
Just don't get mixed up with trying to move focus points, the models move fast and if you lose one you won't have time for the AF to regain them and get your shot, choose one and stick with it. If you look at almost any runway series from any shooter they will all be shot with the same framing and point of focus. This not only makes it easier for the photographer but it gives viewers a much clearer comparison of the look the designers have created. If the publisher wants something more dynamic then the designers can crop and rotate etc to give that look.
Aye, this is very close to what I did. I used a (semi)fixed focus point (played around with the top/2nd-top row points), and then panned/changed composition as they walked the runway. I used the AI servo mode, though, attached to the shutter button. I previously tried some of cervantes recommended settings, so I may have been fouling up the AF settings.
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