pedro said:I'm always in for surprises. But if I read the sound comments of our experts here in the forum, 1/3 to 1/2 a stop would be a huge step forward already, given the current tech. Sorry for comparing apples to oranges now: in comparison to an a7s we talk about 24 MP vs 12 MP, and a different sensor tech as well. Anyway, if a 24 MP 6DII would deliever an 1.5 stops improvement in RAW, this would be fantastic. 3200ish ISO 8000, 6400ish ISO 18000 and 12800ish ISO 31000. Bring it on, put the same sensor into the 5DIV and I am a happy camper...;-)
That's kind of the problem. On the stills front, the 6D -- even with it's nerfed AF -- ever so slightly upstaged the 5D3 in some areas. The argument for the 5D3 went from "Have the best non-gripped FF SLR on the planet for $3499" to "We're like a 6D, but with better AF and video for roughly twice the price" the moment the 6D's reviews got posted.
We all know the 5D3 is a better camera for many other reasons (some big, some small), but the sensor gobbled up everyone's attention and an argument could be made if you weren't shooting video and you weren't tracking a fast moving object, a 6D could absolutely net the same images as a 5D3.
I assure you, Canon will see to it that such blurring of the price points never happens again. I expect a clear differentiation between the 5D4 and 6D2 sensors, so that it's clear (a) which product is top dog and (b) why top dog costs a lot more.
Could you if imagine Canon asked $4k for a 5D4 and put the same sensor into a $2k 6D2? I just can't see it.
- A
Upvote
0