What’s not nifty about the RF 50 f/1.8?A nifty 50 would be more worthwhile IMO.
Sony/Nikon etc could either receive a unit price (% price?) per 3rd party lens sold or annual royalty or perhaps another esoteric calculation.It kind of makes sense though, if one considers that Canon is in the business if selling Canon lenses, and they don’t make money when third party manufacturers sell lenses.
Kind of wondering why...One of the lenses that Canon will announce in the near future that hasn’t been on our roadmap is a Canon RF 24-50mm f/4.5-6.3 IS STM. I think it’s safe to assume that such a lens will be very small and very light. The price should also be on the lower end of the line-up
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Exactly my thoughts too50mm 6.3? No, thanks.
I think he's hoping you'll tune in again over the next few days to see if his new nail gun has arrived ...What does @Canon Rumors Guy mean by "we know of more products being announced, but we haven't nailed down the announcement date" ? Is he holding out on us ?
Firstly, there are decades of Canon DSLR lenses that need to be updated to the new mount so some or many of the popular ones of those have to be ”copied”. Secondly, there has been a series of novel telephoto lenses that are much, much cheaper than previous ones etc."Me too". We either copy from Nikon, or we copy from our own DSLR line, whichever is worse. Then we add substantially to the price and are done with it.
Canon even makes one for EF-RF, intended for the C70 but why not use it on an R7 or R10?
I would be all over that.Zooms with a constant maximum of F5.6 at all focal lengths, sounds like a good idea.
I am not quite sure why that is not a kit lens.A nifty 50 would be more worthwhile IMO.
It was the kit lens in film days before decent zooms. All consumer cameras from point and shoot upwards have zooms, and even phones do so in different ways, so people entering the market expect a zoom. I have a nifty fifty and hardly ever use it but I use my kit 24-105 and RF-S 18-150.I am not quite sure why that is not a kit lens.
It is cheaper than most kit lenses.
A question I've had for years is, does edge-to-edge sharpness matter as much to the viewers of landscape shots as to practitioners of that genre? I don't do much of that kind of thing myself, but my feeling is when the whole scene is the subject, sharpness matters less than, say, for a bird/insect/flower with a defocused background, where your eye is on one part of the image rather than ranging around or taking it all in at once.I probably wouldn't get the 16mm, as it would be used exclusively for landscape work where I need the highest edge to edge sharpness and detail rendering.
I don't shoot a lot of landscapes, but I do shoot a fair amount of architecture and there I feel like sharpness across the frame is important. But maybe not so much to viewers, as you suggest. Having said that, I shoot mainly for my personal enjoyment...so I get to decide what's important.A question I've had for years is, does edge-to-edge sharpness matter as much to the viewers of landscape shots as to practitioners of that genre? I don't do much of that kind of thing myself, but my feeling is when the whole scene is the subject, sharpness matters less than, say, for a bird/insect/flower with a defocused background, where your eye is on one part of the image rather than ranging around or taking it all in at once.
The last rumor pertaining to the 35 L said it might not be 1.2 and might be 1.4.*35 f1.2L
The eternally rumoured Canon RF 35mm f/1.2L USM (or f/1.4) has been rumored for what seems forever.