neuroanatomist said:
I didn't realize Nikon lacked that feature, it certainly comes in handy on both my 1D X and my iPhone.
I've never had a problem with the color accuracy of my Canon bodies. Not that the LCD needs perfect accuracy for review, which is impossible to achieve anyway due to changing viewing conditions, as Lawliet points out.
Still, if my camera displayed images with an ugly green tint, I'd be pretty annoyed. I guess that yet another defect Nikon fixed by releasing a new camera.
Nikons don't lack that feature, so I've no clue what that was about.
As for the green tint, I noticed it when I first got the D800 after the Mk3.
Being a colour expert, I knew that Canon LCD's have always been warm, which many find more pleasing, but let's not pretend it's accurate.
The D800 was really designed to be a killer studio camera, and studio guys know colour, as do their clients.
All other cam LCD's are simply made more pleasing, and warmer equals more pleasing in many people's eyes, but don't believe for a second that makes them colour accurate.
My Gh4 is lovely to look at, because it's warm and makes images pop. It's a disappointment getting them on a calibrated display and seeing them neutral though.
The D800 was less pleasing to the general public, and to you apparently, but actually more accurate, evidenced when you shoot pure grey on it, something I do a lot in my work.
That said, with my D810, I can have it warm, cold, or anything I want so they ended up pleasing everyone from studio togs to weekend warriors.
Out of the box, the D810 was warmer than the D800, and I ended up making it like the D800 in the end.
I did that, as when I looked at image on the LCD, they looked greener on my calibrated 30" monitor, which give or take, was like the D800's rendition.
If you're going to comment, get your facts right guys
When exactly are Canon fixing their faulty sensors Neuro?
How many years is that now?