Standby for protest marches.
I live north of Seattle. I’ve had it. Please. Somebody give these people a job.
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Standby for protest marches.
isnt the r5 the r1 ? How can you get more pro than the r5 (for stills)?
I think it's hard in this photo to get a sense of scale. The shape is ugly, but convenient. As for the size, for all we know it could be tiny like a komodo
They really are something, I cannot fathom arguing over frame rates and codecs, no thank you.No. This is serious stuff. It’s VIDEO after all.
I made this same joke in another “video” thread and was told very sternly that the video bro’s were trying to have a ‘serious discussion’ and stills shooter humor wasn’t welcome. I’m thinking ‘video whining has flooded every thread since the dawn of the R5’ but I deleted my little joke and left them to their round table...
I’m sure some video guy will try to stick a grain of rice in this thing somewhere. It’s inevitable.
It makes sense that you will see that probably soon. With a cinema RF adapter, you could use RF, EF or PL lenses quickly without having to change mount....I would love a C500 w/ RF mount.
Do you really think it’s possible to run the R5 all day long without any overheating whatsoever, just because it’s connected to an external recorder, but pop a card in the slot, while still outputting/recording externally and voilà, the overheating is back? Don’t be silly.Yes, the camera does not really overheat. And the Earth is flat and we never landed on the moon.
Learn some physics. Understand that electronics generate heat. Try to grasp that all FF DSLRs and MILCs have issues with overheating.
Do you seriously think that Canon has devised a way to overcome physics reality. A magic potion perhaps sprinkled on the processor?
So 90% of a $12,000 C-300 Mk3 For $6000...and that’s a problem for you? Ok. If you are shooting weddings you should have one A cam on a tripod anyway making ibis irrelevant. This is who this camera is forHmm, mixture of some XC-10 and some Blackmagic stuff. I am worried though, as the main question is - whom is the camera for? It should be a Panasonic or Sony A7SIII competitor. But that means - EVF, that also means an IBIS. If Canon made it just a C line like, and it will have no IBIS, then it is a different product for different ppl and as an occassional videographer for weddings, there is a zero chance I would get one, if IBIS is missing. Simple as that.
Worst news.After enhancing the image detail we can clearly observe that there is indeed a hinge visible in the picture. So we can conclude that the C70 will sport a flippy screen.
So it's ok to go one way but not the other? See that's the rub. You can start on a 'Stills Only Body' wishlist thread and all the forum comes to bash your balls. But it's perfectly understandable for this body to take zero stills.
Hmm, mixture of some XC-10 and some Blackmagic stuff. I am worried though, as the main question is - whom is the camera for?
Earlier post:I'm going cautious on spec here, due to number in the name, and the R5. I'm saying super 35 sensor with RF mount will be the draw, and 4K 60p be the top it can do. Protects the R5, gives people an entry point into RF film making, and paves the way for R mount C300 / C500 equivalents next year. Price I'm guessing around $4.5k.
Oh my God, another cripple hammer fanboy...This is exactly what I was worried about and now this is proof - Canon really seems to be going hard on the path to crippling their products to protect other lines. For folks like me who desire a proper hybrid - this is not a solution - just another problem.
If IBIS isn't in it, I'm so excited for all the whiners to say the product is doomed without ever having used it. That being said, if it had ibis, i would never use it. My Ronin S more than satisfies my stabalization needs.Well, that's my worry. Ppl using e.g. C300 III will wait for just C300 IV having an RF mount. Why should they opt for C50 or C70? Maybe as a B roll cameras? So - if Canon thinks, that C50 or C70 would attract professional wedding shooters, putting no IBIS there is a fatal mistake. They don't need to put stills mode there, as if they really want to compete to the likes of an A7SIII, they need perfect low-light performance, hence even a lower resolution than the R6's 20mpx, but IBIS has to be there. My bet is, that IBIS is going to be missing, which will immediately cut-off many potential buyers. That's why I ask about the market target for such cameras.
CID comments are becoming the new Dad jokes. Please, be original. Ugh.
Would be outstanding to have a screen like that for touch DPAF. But it could also be a door/cover for mechanical dials for audio preamps like the other cinema cams. That said, being on the back, I DO tend to agree it's more likely a tiltflipAfter enhancing the image detail we can clearly observe that there is indeed a hinge visible in the picture. So we can conclude that the C70 will sport a flippy screen.
I fully expect that thing to run 12k unlimited recording (based on youtuber expectations)
Basically R5 with a fan
C300Mkiii | R5 | ||
Sensor | 8.85MP | 45MP | |
4K Native | 8K Native | ||
16:9 | 3:2 | ||
ND | Built-in | NA | |
Weather sealing | None | Full | |
Battery type | BP-A Series | LP-E6N/H | |
Image stabilization | Electronic | IBIS and electronic |