IS mandatory? 70-200 f/4 IS vs. f/2.8 Non-IS

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Well, title says it all. I've never shot with an IS telephoto lens and I was wondering if that should affect my next purchase? I don't do video whatsoever and I try to shoot handheld when possible (although I will 'pod it when necessary). The couple stops of Aperture seem to be quite a difference but I'm willing to compromise if the IS makes that much of a difference. As you all probably know, these lenses are within the same price range so the money isn't a factor. Thanks in advance!

* Most of my photography are static objects but I do like to shoot moving animals occasionally.
 
Personally I'd rather have IS and not need it than need it and not have it. For me the advantage of IS is a steady viewfinder which even when using high shutter speeds helps you keep focus on target. You honestly can't really go wrong with either of the two lenses above.
 
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For static subjects, IS is more useful. It will allow you to decrease ISO/shutter speed and achieve better IQ. If you were shooting sports or moving animals more, then you'd want to to shoot at higher shutter speeds, where IS would make less of a difference.
 
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All good advice here. I think I would rather have IS than 2.8. Yes, when shooting action, 2.8 is better than IS at 4.0 to stop the action. But once you stop down, that advantage is gone. So, unless you mostly shoot action wide open, I think the f4 IS would be the better more versatile option. Oh, and also lighter and smaller.
 
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Definitely the f/4 with IS. Since this is a tele lens, you really need it. I once switched off the IS of my 300 f/4 and wondered why the landscape was shaking so badly. The longer the reach the more IS you need. Or a tripod.
The 70-200 f/4 IS is a great lens. It costs half of the 2.8 and has half of the weight. Which is important if you hike.
Image quality, sharpness and contrast is great. I can really recommend that one.
 
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I agree with everyone else, get the IS version, be it f2.8 or f4 ;)

with the 2.8 non-IS unless you're shooting with high shutter speed, you'll need a tripod to keep the lens steady, and since you mention you try to shoot handheld when possible, IS is a must (especially since the 2.8 is so heavy). Also, f4 is only one stop slower than the f2.8. You could try renting both first and trying them out.

IMHO The F4L with IS is just that much more convenient than the 2.8 non-IS variant.
 
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If you will always be using the lens in bright light and have a steady hand, you probably don't need IS at all. But if, like me, you will often want to use it in lower light, and if you're not trying to freeze action or minimize depth of focus, you may find, as I do, that f/4 + IS yields better results than f/2.8 without it. Even though I seem to have a pretty steady hand (I've taken taken some sharp photos in very low light with the 135L and 200 f/2.8 L at very slow shutter speeds), I'm still not as good as IS and I would rather not worry about it.
 
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While I can't speak to those lenses specifically, I use the f/4.0 without IS (Roger at Lens Rentals says it's sharper than the IS version, for what that's worth). Anyway, I've found that unless it's a bright sunny day, I leave it home. Either that or get it on a tripod.

For good light, it's excellent, but I really suffer the lack of IS.
 
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I've had multiple copies of all three versions of the f/2.8, and the IS version of the f/4.
Use of the non IS version was not a issue for me, but I knew to keep my shutter speeds up to 1/200 sec, usually 1/400 if I could. It is a wonderful lens, and used prices make it better. Since it does not have IS, its simpler and seems to be more reliable.
Obviously, IS is more forgiving of my sloppy practices, but after learning the best settings for no IS at 200mm, it worked very well.

Here is a handheld shot with the f/2.8 non IS and a 1.4X TC. Its a near 100% crop. Wide open aperture and 1/320 sec. 280mm equiv. I found the lens locally for $300.


70-200%20f2.8L%20%2B%201.4TC-5770-L.jpg
 
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VitorMachado said:
Well, title says it all. I've never shot with an IS telephoto lens and I was wondering if that should affect my next purchase? I don't do video whatsoever and I try to shoot handheld when possible (although I will 'pod it when necessary). The couple stops of Aperture seem to be quite a difference but I'm willing to compromise if the IS makes that much of a difference. As you all probably know, these lenses are within the same price range so the money isn't a factor. Thanks in advance!

* Most of my photography are static objects but I do like to shoot moving animals occasionally.

I went through a similar decision last year.

I shoot handheld whenever possible. I shoot mostly static objects with my camera, sometimes I shoot moving animals.

For me, on a static subject, the IS made a bigger difference than the extra stop in terms of sharpness. I went with the 70-200/4 IS.

This was with the 70-200/4 IS on a 6D at 1600 ISO, f/4, 1/125s.

IMG_2250 by BrianBotterill, on Flickr
 
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I haven't missed IS on my 135L, even in low light. For 200mm, I feel I would definitely need either IS or a tripod. The length of the lens comes into play here (at least for me). I love my 70-200 F4 IS.
 
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I don't see how this can go down any other way. You either care more about shooting things that don't move(get the f4IS) or things that do move(get one of the 2.8 options). For shooting stationary things IS will more than make up for the 1 stop of speed loss. Or just pony up more money for a larger heavier 2.8IS. BTW- I consider the heavier 2.8 easier to hold steady than the lighter f4's. depending on how you work, you might care about filter sizes. Or not...
 
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Put simply, with IS my keeper rate is appreciably higher in most shooting environments, most noticeably shooting with longer focal lengths. I genuinely miss IS when shooting with the 135 f/2. With a 70-200, IS has got to be worth every penny of the price premium.

-PW
 
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Don Haines said:
I ended up getting the 70-200 F4 IS. It is a lot lighter than the F2.8 version, and if you are going to be lugging it around all day the extra weight becomes a big factor.

A great point that makes a huge difference in how likely you are to carry your 70-200mm vs leave it in the car or hotel room.

Finally I checked the original posters signature, he is shooting with a 6D. He's got the ISO flexibility to give up the stop to gain IS. It's a compromise, but since he said he's primarily shooting subjects that are stationary, he is probably better with IS, knowing that he's got the high ISO performance if he's shooting things that move.
 
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