May 13: It’s Canon vs Sony

I am not convinced that it is likely.
I will believe it when I see it.
I can understand the skepticism because it would be a highly disruptive camera. A 67mp camera that can shoot FF images at 60fps? And 30mp 1.5x APS-C images at probably even higher frame rates? Combined with Sony's latest dual-readout system to increase DR? It's the dream camera for a lot people who do landscape or wildlife, or both. Or almost anything really. May 13 is going to be a very interesting day.
 
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Even if they both announce on the same day, both cameras don't really compete. Sony aims for high-end photography professionals, and Canon targets the advanced video maker crowd (Gen Z TikTok kiddies).

Personally, I think Sony pushing for more and more megapixels is as silly as Fujifilm's 40MP.
At 67MP, the diffraction limit already sets in at f/5.6.

Even if they both announce on the same day, both cameras don't really compete. Sony aims for high-end photography professionals, and Canon targets the advanced video maker crowd (Gen Z TikTok kiddies).

Personally, I think Sony pushing for more and more megapixels is as silly as Fujifilm's 40MP.
At 67MP, the diffraction limit already sets in at f/5.6.
Even after diffraction begins to reduce absolute resolution, a higher-resolution sensor will still out-resolve and render higher-contrast detail than a lower-resolution sensor using the same lens and aperture. And for those of us shooting fast primes, we’re often well away from diffraction-limited apertures anyway (typically f/1.2–f/4).

Additionally, many of Canon’s RF primes (such as the 135mm f/1.8L, 85mm f/1.2L, and 50mm f/1.2L) would benefit from sensors well beyond 45 MP, even wide open.

So, if Canon is clearly producing glass that can take advantage of higher resolution, why isn’t it offering a body to match? This feels like a segment Canon may be under-serving.

There’s also a broader ecosystem effect. Wedding and portrait photographers using high-end bodies and lenses are highly visible and tend to influence downstream purchasing decisions. Anecdotally, a few years ago I saw most carrying two Canon DSLR or R5 bodies—a major factor in how I (and many others) ended up in the Canon system. Today, I’m seeing more of that community diversifying into Leica, Fujifilm medium format, and Sony systems. Ceding that segment and the visibility that comes with it signals a lack of commitment to that part of the market.

For me, image quality is priority one. Others will understandably prioritize speed or hybrid capability. But while a 40 fps R1 is impressive, I would personally be far more interested in a higher-resolution body that fully leverages Canon’s best glass.

This uncertainty about Canon’s long-term direction, particularly the emphasis on hybrid-focused VCM lenses and V-series bodies, gives me pause when considering further investment in the Canon system. I suspect I’m not alone
 
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More pixels are mostly about flexibility. In good light, you keep the extra detail and cropping room. In lower light, you can downsample, which averages out random noise and improves SNR, giving a cleaner final image, especially in the shadows. So smaller pixels do not automatically mean worse real-world DR. Even if sensor DR does not increase, cleaner shadows can make the final image look like it has more usable dynamic range.
I agree but there were lots of reviewer comments about DR which were never really of practical consideration.

The A9iii had DR as its primary downside but it hasn't stopped sales of it. Even the slight decrease of R5ii vs R5 hasn't been a massive impact on real world usage.
That said, the R5ii isn't enough for me to upgrade. If I was doing weddings (priority AF) or wildlife (fps/14 bit) then perhaps but I will wait for my R5 to die or R5iii to come out.
I would probably keep my R5 as my backup even then.
 
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