Even if they both announce on the same day, both cameras don't really compete. Sony aims for high-end photography professionals, and Canon targets the advanced video maker crowd (Gen Z TikTok kiddies).
Personally, I think Sony pushing for more and more megapixels is as silly as Fujifilm's 40MP.
At 67MP, the diffraction limit already sets in at f/5.6.
Even if they both announce on the same day, both cameras don't really compete. Sony aims for high-end photography professionals, and Canon targets the advanced video maker crowd (Gen Z TikTok kiddies).
Personally, I think Sony pushing for more and more megapixels is as silly as Fujifilm's 40MP.
At 67MP, the diffraction limit already sets in at f/5.6.
Even after diffraction begins to reduce absolute resolution, a higher-resolution sensor will still out-resolve and render higher-contrast detail than a lower-resolution sensor using the same lens and aperture. And for those of us shooting fast primes, we’re often well away from diffraction-limited apertures anyway (typically f/1.2–f/4).
Additionally, many of Canon’s RF primes (such as the 135mm f/1.8L, 85mm f/1.2L, and 50mm f/1.2L) would benefit from sensors well beyond 45 MP, even wide open.
So, if Canon is clearly producing glass that can take advantage of higher resolution, why isn’t it offering a body to match? This feels like a segment Canon may be under-serving.
There’s also a broader ecosystem effect. Wedding and portrait photographers using high-end bodies and lenses are highly visible and tend to influence downstream purchasing decisions. Anecdotally, a few years ago I saw most carrying two Canon DSLR or R5 bodies—a major factor in how I (and many others) ended up in the Canon system. Today, I’m seeing more of that community diversifying into Leica, Fujifilm medium format, and Sony systems. Ceding that segment and the visibility that comes with it signals a lack of commitment to that part of the market.
For me, image quality is priority one. Others will understandably prioritize speed or hybrid capability. But while a 40 fps R1 is impressive, I would personally be far more interested in a higher-resolution body that fully leverages Canon’s best glass.
This uncertainty about Canon’s long-term direction, particularly the emphasis on hybrid-focused VCM lenses and V-series bodies, gives me pause when considering further investment in the Canon system. I suspect I’m not alone