cpsico said:Some really great condition 1ds III's are coming out for sale about the same price of a new 5 dIII and I wanted some advice on weather its better to get the older pro camera or the newer mid range camera. Does anyone have some good advice?
cpsico said:I am leaning towards lower ISO's higher quality files, I have a 5 Mark II, its nice does decent up 1600, 3200 requires careful attention to exposure but it leaves me wanting a better ISO 100. Landscapes and portraits are my bigger concern. Color rendition is important also.
Thank you to the two people that have taken the time to give thoughtful and detailed responses.
bdunbar79 said:cpsico said:I am leaning towards lower ISO's higher quality files, I have a 5 Mark II, its nice does decent up 1600, 3200 requires careful attention to exposure but it leaves me wanting a better ISO 100. Landscapes and portraits are my bigger concern. Color rendition is important also.
Thank you to the two people that have taken the time to give thoughtful and detailed responses.
Ok, I see your situation now. If you keep your 5D Mark II, you'll notice a drastic, and very noticeable improvement in color rendition, accuracy, saturation, at ISO 50-400 in the 1Ds3 over the 5D2. I shoot the 1Ds3 in Portrait mode, and I just absolutely love it. It's pretty magical in those ISO ranges and I have not observed any banding in the shadows yet. So yeah, you'd have your range covered with the 1Ds3/5D2 combo.
The other thing is the metering accuracy of the 1Ds3 over the 5D2. When I import RAW files the camera got it exactly right, whereas I cannot say this for when I owned the 5D2.
Louis said:Im telling you straight, I just had a 1DS 3 and now have a 5D3, trust me the 5D3 is way better I mean by miles!
Louis said:FPS, AF, ISO, Settings, so many of them etc, auto ISO etc, silent Shutter is amazing, Multiple exposures, just the general feel is so nice, I honestly loved the 1DS 3 before I had this in my hands, without a doubt I am so happy I made this choice its the right one, there's just so many options to this camera, its like it has everything you need, 22mps, is way enough generally, even HDR will have its uses and I hate HDR shots, but I know it could help if shooting interiors etc, its a move forward, also buffer time, its quick, the 1DS 3 is terribly slow if you turn on Iso NR, its a great camera..
wickidwombat said:Its strange that the prices of used 1d mk4 bodies are holding value much better than 1ds3 are considering that the later were much more expensive new too
infilm said:I understand that my post here is off topic, but I'll hope that all here forgive my poor posting manners. I have to say that I'm really happy that I stumbled upon this post, as it helped me make a camera body decision that I have been struggling with. I am a happy owner of both a 7D and more recently at 5D2. I had an old 30D and shot tons of images with it, and it was really what enabled me to fully embraced the digital world, (yes, I was one of those guys that was holding onto the dream of film...)So I got the 7D and was wildly impressed with it, even with the noisy nature of the images that it produced. Super AF, great metering, and 8FPS. Really, a great camera. But I missed the FF of 35mm film. So I found a 5D2 and was wowed at the IQ but the meter was just okay, and the AF sucked... Especially with my longer primes. My struggle has been sell both bodies and go where? Go backwards and grab a 1DsIII or go for the 5D3. After reading the posts here, the 5D3 is the perfect animal for the type of photos I tend to go for.. Thanks
smithy said:I went through the pain of making the 1DS3 vs 5D3 decision too, which was made harder by the fact that a used 1DS was A LOT cheaper than the 5D3. But I went for the 5D3, and am happy overall with it. I *do* long for AF point-linked metering though. It's a pain having to meter at the centre of the frame, then AE lock (*) and then compose and shoot using the outside AF points. It almost makes it worth going back to the good old centre AF point>focus>recompose method, which I've used on SLRs for the past 16 years... until now...