RGomezPhotos said:IS on a 50mm? Why?
Zv said:That's cool I see your point ... but a cheap fifty without IS already exists.
insanitybeard said:Dylan777 said:insanitybeard said:How about light weight and compact size? No, I wouldn't do landscapes at 1.8, but IS gives me the option to shoot in lower light, maybe at a lower ISO or at a smaller aperture for DOF. Carrying a tripod isn't always practical or possible when hiking etc.
Adding IS will not make the lens lighter or smaller.
Maybe not, but the new 24 and 28mm 2.8 IS lenses are still compact and light relative to zooms or their faster aperture equivalents, is this not true?
Dylan777 said:Most Canon non-L prime lenses are quite out of date. Tech changes fast - smaller and faster. Still, adding IS will not decrease the lens size. I'm sure you recall cell phone sizes 5-7yrs ago. I still believe primary reason buying prime is fast aperture & shallow DOF. IS was introduced to prime due to video feature in DSLR. Again, I can't speak for everybody else. I prefer f1.4 with or without IS. and yet, sharp @ wide open.
Krob78 said:Let's not forget the other unforgivable reason they may well put this lens out. Profit. Canon is a profit center first and foremost. That is there duty and they will sell thousands and thousands of these lenses with the IS feature included, making??? Profit... Good plan...![]()
Exactly! That's why I said Canon is a profit center first and foremost. It's their duty and responsibility to their board and their investors... It's what they exist for and there is no knocking that!mrsfotografie said:Krob78 said:Let's not forget the other unforgivable reason they may well put this lens out. Profit. Canon is a profit center first and foremost. That is there duty and they will sell thousands and thousands of these lenses with the IS feature included, making??? Profit... Good plan...![]()
Profit is what keeps Canon in business, it allows them to invest in new technology and it secures a future for 'our' camera system.
Chosenbydestiny said:The argument for IS being used mostly for video is ridiculous. Like said previously, serious video use requires a support system just like some types of serious photography require a tripod. IS was introduced to lenses far before the video feature was introduced to DSLR. People used to argue often about NOT having IS in the body, which was also ridiculous since optical IS is better than electronic IS. They have IS on wide angle lenses like 24mm and 28mm now, why would it be impractical at 50mm? Just turn it off if you don't like it, or buy the old version. Or troll on out of here to another brand =P
Chosenbydestiny said:Serious video use requires a support system just like some types of serious photography require a tripod.
Chosenbydestiny said:People used to argue often about NOT having IS in the body, which was also ridiculous since optical IS is better than electronic IS.
paul13walnut5 said:Make a new version costing 4x as much and scrap the old version (ala 24, 28, 35) and the lens on which many a novice master dof and perspective becomes an exclusive tool.
Viggo said:paul13walnut5 said:Make a new version costing 4x as much and scrap the old version (ala 24, 28, 35) and the lens on which many a novice master dof and perspective becomes an exclusive tool.
I actually think that is a great point to make. "All" of us, at some point, bought our first fast lens, and they were mostly the cheapos, and that is when we saw how frikkin cool it is to play with DOF, and where we started to want more and maybe ending up with two-three, ten fast primes earning Canon som serious money.
If no novice can afford a fast lens anymore...
crasher8 said:I 2nd the post which said "Just turn it off" but those folks will complain about having to pay extra for it being there. Well, if it also comes with TRUE ring USM , a better build than the 1.4 and sharper wide open then be happy for the improvements you CAN use because you can't please everyone all of the time yadda yadda yadda
luciolepri said:In-camera IS can also be mechanic (sensor-shift). Canon claims to use an in-lens stabilizer to customize it for each lens and get the best performances. This choice has its pros (you see a stabilized image in the viewfinder and, if what Canon and Nikon say it's true, you get better results) and its cons (much more expensive lenses and less chances to have an up-to-date IS system, since you usually change bodies more often than you change lenses).