Hi,
I think the 18 mpixel would be fine, if it is a multi-layer sensor and not the good old Bayer mosaic.
As we read earlier there should be a 5 layer (UV+Blue+Red+Green+IR) in the pipe, but nobody knows when it will going to be reality.
The 12 FPS burst is not my world, I am a single shooter from the film era, even if I am shooting almost ten year with DSLRs.
More DR, more accurate color scene, higher ISO capability is what I really need. For example, a Bayer mosaic 18mp FF sensor has less pixel density than my APSC 50D, but with the multi layer technology it is really doesn't matter any more.
By a videographer standpoint, the 4K like what we have in the EOS 1Dc is a big file size, not more. An EOS 5DMkIII with the ML's 14 bit raw has almost same detail in an 1080p footage, more DR and far better color accuracy.
What is really needed is a 14 bit raw video flow instead of the funny frame by frame ML way. And with the global shutter, Dual pixel AF, 60p mode and so on.
An 1080p 14 bit raw footage has almost similar detail as the Canon's factory setting 4K.
I think the 18 mpixel would be fine, if it is a multi-layer sensor and not the good old Bayer mosaic.
As we read earlier there should be a 5 layer (UV+Blue+Red+Green+IR) in the pipe, but nobody knows when it will going to be reality.
The 12 FPS burst is not my world, I am a single shooter from the film era, even if I am shooting almost ten year with DSLRs.
More DR, more accurate color scene, higher ISO capability is what I really need. For example, a Bayer mosaic 18mp FF sensor has less pixel density than my APSC 50D, but with the multi layer technology it is really doesn't matter any more.
By a videographer standpoint, the 4K like what we have in the EOS 1Dc is a big file size, not more. An EOS 5DMkIII with the ML's 14 bit raw has almost same detail in an 1080p footage, more DR and far better color accuracy.
What is really needed is a 14 bit raw video flow instead of the funny frame by frame ML way. And with the global shutter, Dual pixel AF, 60p mode and so on.
An 1080p 14 bit raw footage has almost similar detail as the Canon's factory setting 4K.
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