snowleo said:To Ronak1003
I was in France 3 years ago and i passed the Millau Viaduct as well. I stayed in the little township underneath/nearby the bridge when - after dinner - the bridge got covered more and more by clounds. I just had to take my camera and got to the same point of view like you. These were the last pictures taken with my old 7D and the 10-22 mm lens. Heavy wind knocked over my tripod. Camera and lens have fallen 6 feet down on solid rock. The impact was so hard, i wasn't able to unscrew the 7D from the tripod without tools. While the 7D survived with some minor scratches, the 10-22 mm broke into 2 pieces. I only owed it for 2 months and it was brand new (and no insurance...).
Horrific story but wow, what an absolutely amazing shot!
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Mull of Galloway Lighthouse at night, taken with my old 5DII and EF35mm f2 (the one with no IS, no USM and weak corners). Manual blend of 2 exposures, one for the sky and lighthouse, one for the foreground.
Mull of Galloway Lighthouse at Night [IMG_8821] by Paul Roberts, on Flickr
Mull of Galloway Lighthouse at Night [IMG_8821] by Paul Roberts, on Flickr
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Here's one from the Voigtländer 20mm f/3.5 pancake I'm reviewing right now. Not amazingly sharp, but so handy to have a full frame covering 20mm lens in such a compact package.
Lost in the Fog (Voigtländer 20mm f/3.5) by Dustin Abbott, on Flickr
Lost in the Fog (Voigtländer 20mm f/3.5) by Dustin Abbott, on Flickr
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Dead Horse Point, Canyonlands UT.
Multi-row pano at sunrise, just because I'm practicing multi-row pano's.
105mm, 6D, f11, 38 images. I think the final file was 180mp. I had more of the sky but the computer was having problems processing it, it was a clear boring sky anyway.....
Multi-row pano at sunrise, just because I'm practicing multi-row pano's.
105mm, 6D, f11, 38 images. I think the final file was 180mp. I had more of the sky but the computer was having problems processing it, it was a clear boring sky anyway.....
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Incidental picture that I shot when doing Kirkstall Abbey in Leeds, England. This is a three frame (portrait orientation) panoramic, shot hand held on the 5DII + 28mm f/2.8 IS from beside the River Aire looking back towards the abbey ruin through the park.
Turner, one of the most famous nineteenth English landscape artists painted this view but from the other side of the river. His view has now disappeared behind trees, as have so many. There just were not the amount of trees about in England during the eighteenth, nineteenth and early twentieth century. In fact it was a denuded landscape compared with what we have now.
ISO 160, 1/160th, f/6/3
Turner, one of the most famous nineteenth English landscape artists painted this view but from the other side of the river. His view has now disappeared behind trees, as have so many. There just were not the amount of trees about in England during the eighteenth, nineteenth and early twentieth century. In fact it was a denuded landscape compared with what we have now.
ISO 160, 1/160th, f/6/3
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