wayno said:Enjoyable and interesting review, Justin. I echo your sentiments and thats the review id have written also.
Too much angst on here sometimes about things just not worth getting angsty about.
JVLphoto said:Some more 17-40mm images I've taken over the years...
wayno said:Enjoyable and interesting review, Justin. I echo your sentiments and thats the review id have written also.
Too much angst on here sometimes about things just not worth getting angsty about.
GMCPhotographics said:wayno said:Enjoyable and interesting review, Justin. I echo your sentiments and thats the review id have written also.
Too much angst on here sometimes about things just not worth getting angsty about.
Yarp, there's a lot of weirdos who are "into" photography and think they are experts...unfortunatly, they usually are expert forum trolls....which is why photography forums are full of weirdos and weird opinions.
My take on the 17-40L....it's one of the biggest selling lenses of all time. It delivers great results, it's an old design which makes it cheap but with plenty of scope for a mkII improvement.
As to the weird Nikkon f4 lens with VR....so people are using it on a d800 to handhold? Right? Surely that's an oxymoron right there....Tripod it and switch the VR off. Putting a VR unit into a lens doen't make it better or great. A 17mm lens can be hand held down to 1/20th second. If a photographer needs a VR unit becuase their shutter speed is lower and no tripod....then I wonder if any of their photos have any stature due to their lack of preparation and foresite.
surapon said:
JVLphoto said:Some more 17-40 photos, because that's what lenses are for 8)
(Roller girl was actually shot at f/4, which kind of shows I think).
Jim O said:JVLphoto said:Some more 17-40 photos, because that's what lenses are for 8)
(Roller girl was actually shot at f/4, which kind of shows I think).
I'm still trying to wrap my head around the (presumably Canadian) guy in a Blackhawks jersey...
JVLphoto said:surapon said:
Thanks, I never read that one... though it's comparing the 17-40 to the 16-35 f/2.8 (version 1)... so while the empirical tests on the 17-40 are still very good, the comparison is less relevant... unless of course someone's buying a used 16-35 version 1 ;D
JVLphoto said:GMCPhotographics said:wayno said:Enjoyable and interesting review, Justin. I echo your sentiments and thats the review id have written also.
Too much angst on here sometimes about things just not worth getting angsty about.
Yarp, there's a lot of weirdos who are "into" photography and think they are experts...unfortunatly, they usually are expert forum trolls....which is why photography forums are full of weirdos and weird opinions.
My take on the 17-40L....it's one of the biggest selling lenses of all time. It delivers great results, it's an old design which makes it cheap but with plenty of scope for a mkII improvement.
As to the weird Nikkon f4 lens with VR....so people are using it on a d800 to handhold? Right? Surely that's an oxymoron right there....Tripod it and switch the VR off. Putting a VR unit into a lens doen't make it better or great. A 17mm lens can be hand held down to 1/20th second. If a photographer needs a VR unit becuase their shutter speed is lower and no tripod....then I wonder if any of their photos have any stature due to their lack of preparation and foresite.
Yeah, I kind of agree with the VR thing. Never had a hand-holding vs. shutter speed issue with my wide angles. Haven't really used IS on anything wider than the 24-70 f/4 and even then, not sure if it made much of a difference. A few ideas I have about potentially using WA + IS would be for wedding shooters going for an abstract long exposure, people wanting to take photos where tripods aren't allowed (lots of international landmarks are like this) or just the casual photographer going for a stroll. Or people like me who maybe had a bit too much coffee in the morning.
And yes, the Nikon, as I mentioned, is great on its own merits. VR is just an accessory after the fact.
Frodo said:What I'd really like is a nice sharp 17mm. Something like the TS without the movements. I'd even settle for f4. I'd even take the 17-40 f4 if it was sharper. But in this age of super teles and zooms, is my request so difficult? A sharp 17mm, corner to corner? Zeiss 18mm?
nicke said:Frodo said:What I'd really like is a nice sharp 17mm. Something like the TS without the movements. I'd even settle for f4. I'd even take the 17-40 f4 if it was sharper. But in this age of super teles and zooms, is my request so difficult? A sharp 17mm, corner to corner? Zeiss 18mm?
I have the Zeiss 18/3.5 on my 5D mk III, and the lens is very sharp corner to corner. This lens is also rated as one of the ten sharpest lenses tested by the Swedish magazine Foto, http://translate.google.com/translate?sl=sv&tl=en&js=n&prev=_t&hl=en&ie=UTF-8&u=http%3A%2F%2Ftidningenfoto.se%2Fde-skarpaste-objektiven-fotos-tio-i-topp-lista%2F%23Carl%2520Zeiss%2520Distagon%2520T*%252018%2F3%2C5%2520ZF. småbildskamera = full frame camera.
ahsanford said:nicke said:Frodo said:What I'd really like is a nice sharp 17mm. Something like the TS without the movements. I'd even settle for f4. I'd even take the 17-40 f4 if it was sharper. But in this age of super teles and zooms, is my request so difficult? A sharp 17mm, corner to corner? Zeiss 18mm?
I have the Zeiss 18/3.5 on my 5D mk III, and the lens is very sharp corner to corner. This lens is also rated as one of the ten sharpest lenses tested by the Swedish magazine Foto, http://translate.google.com/translate?sl=sv&tl=en&js=n&prev=_t&hl=en&ie=UTF-8&u=http%3A%2F%2Ftidningenfoto.se%2Fde-skarpaste-objektiven-fotos-tio-i-topp-lista%2F%23Carl%2520Zeiss%2520Distagon%2520T*%252018%2F3%2C5%2520ZF. småbildskamera = full frame camera.
Seriously. Imagine what innovating Canon would have to do if Zeiss had AF lenses we could use in our mount. I've pondered getting one of their magical wide primes for some time for landscape work, which I'd shoot largely in LiveView. But AF would be so useful for non-tripod work.
What's the genesis of not having AF on Canon/Nikon-mount Zeiss lenses, anyway? It's not a patent thing, is it, b/c the other 3rd party lens folks reverse-engineer AF function into their hardware... Is it a trade agreement or something, and if so, why would Zeiss leave all that money on the table? Did they strike an AF-exclusivity deal with Sony? Just curious.
- A
ahsanford said:What's the genesis of not having AF on Canon/Nikon-mount Zeiss lenses, anyway? It's not a patent thing, is it, b/c the other 3rd party lens folks reverse-engineer AF function into their hardware...