Mikehit said:tron said:Actually I remember an interview of Canon's CEO where he had said that they always use the best sensor available. So even if I got 5D4 I believe what they did with 6D2 was a foul. 6D2 can still sell like hot cakes but its price has to get to the current price of 6D.applecider said:I think part of the disappointment with the 6D2 is that we were spoiled by the 6D1 sensor and we the public created the myth that the 6 line was where we were going to see new sensor tech. Turned out that that scenario was wishful thinking. Now it is the 5DSR wink wink.
In an ideal world shooting at ISO 12800 or higher could be done noiselessly and thus fast glass would be unnecessary and photography cheaper, gear lighter and the internet full of what you had for dinner.
And I think that raises on interesting question: why was the 6D2 sensor designed like it was? I presume the technicians had a specific objective in mind and wanted to resolve specific issue(s) so it would be interesting to know what that was and whether they had achieved it.
For example, the D5 has been widely acknowledged to take a hit on DR but with benefits elsewhere in the picture-making chain. What was the logic behind the 6D2. If it was simply 'because it is cheaper', then it does add to your comment.
Maybe they are using the best sensor available - for that camera and the vast majority of those customers that will buy one. We always come back to this one metric of shadow lifting (DR), yet those owners of the 6DII who want to turn their pictures into cartoon-like images will be very much in the minority. With the accuracy of the RGB meter there won't be many who hopelessly under expose and they have to lift the image three stops. So for files that are broadly correctly exposed, and without aggressive manipulation the chip probably is producing the best "IQ" in terms of colour, contrast, tonality etc for the majority of people.
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