Hi all:
I need some info from the fine forum members here who have a collection of primes, and what set of focal lengths you have.
There was a recommendation I heard that to be economical, if I had one focal length I should spread every lens out 2x. (e.g. 24 + 50+ 100 or 35 + 85 + 135). Does this make any sense at all?
I have already started by ordering a 35mm f/2 IS USM, but I still need a 50mm (I will wait until the CR2 level rumored f1.8 IS USM comes 2014). I could not afford the L primes.
Thanks!
Background: Last week I purchased a 24-70mm f/2.8L II, it was a marvelous lens, real good sharpness/contrast/colors - it was hard to part with it, but as I'm not making money out of photography I came to my senses and realized it was an extravagant purchase for me personally. After a week I ashamedly returned it to the photo shop. (Nitpicked on my copy about the soft corner sharpness on the lower left even at 35mm f/8. All other corners were significantly sharper and the vignetting was heavier on the left of frame).
I am going back to primes. I ordered a 35mm f/2 IS USM. I love the 35mm focal length, I mostly do documentary/"fly on the wall" style of photography.
I need some info from the fine forum members here who have a collection of primes, and what set of focal lengths you have.
There was a recommendation I heard that to be economical, if I had one focal length I should spread every lens out 2x. (e.g. 24 + 50+ 100 or 35 + 85 + 135). Does this make any sense at all?
I have already started by ordering a 35mm f/2 IS USM, but I still need a 50mm (I will wait until the CR2 level rumored f1.8 IS USM comes 2014). I could not afford the L primes.
Thanks!
Background: Last week I purchased a 24-70mm f/2.8L II, it was a marvelous lens, real good sharpness/contrast/colors - it was hard to part with it, but as I'm not making money out of photography I came to my senses and realized it was an extravagant purchase for me personally. After a week I ashamedly returned it to the photo shop. (Nitpicked on my copy about the soft corner sharpness on the lower left even at 35mm f/8. All other corners were significantly sharper and the vignetting was heavier on the left of frame).
I am going back to primes. I ordered a 35mm f/2 IS USM. I love the 35mm focal length, I mostly do documentary/"fly on the wall" style of photography.