AJ said:The answer is 85 mm. That's why Canon make both an 85/1.8 and 85/1.2, and both Zeiss and Sigma make an 85/1.4. Most other manufacturers have fast 85s as well.
jthomson said:Got into a bit of an argument, would like some ammunition. ;D.
I don't care about the aperture only the focal length. Note the question isn't what is your favourite focal length, it is which one is most popular, that is which one do most photographers have.
gregorywood said:jthomson said:Got into a bit of an argument, would like some ammunition. ;D.
I don't care about the aperture only the focal length. Note the question isn't what is your favourite focal length, it is which one is most popular, that is which one do most photographers have.
I don't mean to sound unhelpful, but I don't know which lens most photographers have, so how could I possibly vote in the poll and have it be meaningful data?
I can only answer the question, "which one do I prefer", at least with any objectivity.
As a suggestion, you could seek out some sales data. I'd think that would be more objective.
In my understanding, the image quality of Canon 100mm F2 is halfway between 85mm F1.8 and 135mm F2.cellomaster27 said:I use my 85mm 1.8 but on a crop sensor.. I love the images that I get from it, though I do need to edit some contrast in post. I can only imagine what the 135mm f2 brings to the table. Gotta love primes!
Now I'm wondering if I should go in for the 100mm f2? That could be dumb.. ha ha
ajfotofilmagem said:In my understanding, the image quality of Canon 100mm F2 is halfway between 85mm F1.8 and 135mm F2.cellomaster27 said:I use my 85mm 1.8 but on a crop sensor.. I love the images that I get from it, though I do need to edit some contrast in post. I can only imagine what the 135mm f2 brings to the table. Gotta love primes!
Now I'm wondering if I should go in for the 100mm f2? That could be dumb.. ha ha
I love my 100mm F2 and do not see how this could be improved without cost double the current price.
Tinky said:I know DXOmark is kind of a bad word around here... but they have the 100mm f2.0 rated higher than the 135mm f2.0, both tested on a 1Dsmk3...
Ruined said:Also, just in terms of preference, I'd rather have 50mm on one camera and 135mm on another than a 35/85 combo.
neuroanatomist said:Tinky said:I know DXOmark is kind of a bad word around here... but they have the 100mm f2.0 rated higher than the 135mm f2.0, both tested on a 1Dsmk3...
On the 1DsIII, they have the same sharpness (14 P-Mpix) and vignetting (1.4 EV), the 135L has less distortion (0.1% vs 0.3%) and less CA (4um vs 5um), but slightly less transmission (2.3 vs. 2.2 T-Stops). The 100/2 scores 4 points higher.
On the 5DIII, all the measurements are the same as above except sharpness, where the 135L tests much sharper (20 vs. 16 P-Mpix). The 100/2 still scores a point higher.
DxO isn't necessarily a bad word, but their Scores are a bad joke.
Tinky said:neuroanatomist said:Tinky said:I know DXOmark is kind of a bad word around here... but they have the 100mm f2.0 rated higher than the 135mm f2.0, both tested on a 1Dsmk3...
On the 1DsIII, they have the same sharpness (14 P-Mpix) and vignetting (1.4 EV), the 135L has less distortion (0.1% vs 0.3%) and less CA (4um vs 5um), but slightly less transmission (2.3 vs. 2.2 T-Stops). The 100/2 scores 4 points higher.
On the 5DIII, all the measurements are the same as above except sharpness, where the 135L tests much sharper (20 vs. 16 P-Mpix). The 100/2 still scores a point higher.
DxO isn't necessarily a bad word, but their Scores are a bad joke.
can't help it can you?
sdsr said:gregorywood said:jthomson said:Got into a bit of an argument, would like some ammunition. ;D.
Hard to disagree with that. The OP seems to be inviting guesses; I suspect he needs better "ammunition" than that....
To the extent what we actually own/use matters, I can't help there, either as I have several 85s, 100/105s and 135s. I suppose I find 85mm more generally useful than the other two, but that can change with what I'm photographing and how I happen to "see" the world that day, so it's hard to have a preference among those focal lengths (I do have a preference among the 135s I own - the image quality of the newish Rokinon/Samyang 135mm f2 is every bit as good as Dustin Abbott's review says it is).
jthomson said:that is which one do most photographers have.
... that out of those three, 85 mm is the most popular focal length for portraits, and 100 mm the most popular for macro, I guess? 135 mm is more specialist methinks.neuroanatomist said:AJ said:The answer is 85 mm. That's why Canon make both an 85/1.8 and 85/1.2, and both Zeiss and Sigma make an 85/1.4. Most other manufacturers have fast 85s as well.
Canon make both a 100mm f/2 and a 100mm f/2.8. Both Zeiss and Sigma make 100/105mm lenses, as does Tokina. Nikon, Canon, and Sony/Zeiss make 135mm lenses, and if you go back in time there are a whole bunch of manual 135mm lenses.
So your point is... ??
Amazon Best Sellers by Jim Thomson, on FlickrTinky said:neuroanatomist said:privatebydesign said:I disagree, when using zooms you (I) go to the position that gets me the perspective I want and then zoom to get the framing, with primes I don't have that level of control and I am forced to make a choice between the optimal perspective or framing, rarely can you get both with a prime.Tinky said:I love working with primes as they really force you to think about perspective in a way that zooms just don't.....
+1, that's one reason I use my 70-200/2.8 far more often than those three primes.
The flip side of zooms is that the lazy photographer will just zoom to get the composition. Not saying that applies to either of you, maybe it applies to me, and therfore primes make me work harder and thus get better shots. Either way it works for me. I wouldn't be out with just one prime in any case. My style is plan shot, reserach location, research position of the light for the time I'm shooting, arrive early, have a preferred lens in mind and then do some testing, practise practise, practise, by the time my shot comes round I'm ready and usually get it.
I don't really do spontaneity, it's probably my video guy taking over. I'm also chronic for indecision under pressure, so one less choice, or at least, one parameter kind of planned out and eliminated through testing lets me concentrate on say, focus tracking rahter than reframing etc.
It should be said that my favourite photo subjects are things like motorsports or transport where I can anticipate where a subject will be, and I often pivot around this point to find the best backdrop.. it's a technique that works for me, at least..
Tinky said:Nope. You really can't it seems.