Well, just on a 350D with 18-55 so far. Only starting to get into photography for real, but really want something I can grow with. Haven't upgraded for 6 years or so, about time I reckon
Yes, it's a very highly regarded lens. At the wide end, it's equivalent to 15mm f/2.5 on an APS-C -- so while it's not the widest lens out there, it would give you a wider fov than your current setup. btw if you just have the kit lens -- I'd recommend trying at least one fast prime.
Well, just on a 350D with 18-55 so far. Only starting to get into photography for real, but really want something I can grow with. Haven't upgraded for 6 years or so, about time I reckon
ok so thats equal to 28.8mm on the wide end, the 24-105 will appear to give you a nice wide boost. you can do alot with this 1 lens. I would also recommend picking up the nifty 50 for around $100 the 50mm f1.8 just to allow you to play with shallow DoF and low light shooting. should keep you pretty busy until you get bitten by the gear bug
Honestly, still tempted by the A77, and would have bought it by now if in stock (in the UK, and no one can give me any updates, the problem seems to be with the lens)
Honestly, still tempted by the A77, and would have bought it by now if in stock (in the UK, and no one can give me any updates, the problem seems to be with the lens)
You need to decide first whether or not you want to go full frame, then choose upgrades.
Given that you only have the kit lens, I'd recommend a glass first approach -- you will get much more bang for your buck with that approach (you'll need new glass if you get a full frame Canon or a Sony anyway)
That's not to discourage you from going with Sony if that's what you want -- but my advice there would still be essentially the same, which is, think about which lenses you're going to buy and then get a body to go with them (and it doesn't have to be the latest and greatest) rather than the other way around.
I appreciate all the advice - and I do agree with it (objectively, anyway). I actually looked at 7D initially instead of the A77, but thought the 5D2 was priced very well in comparison. If I seem confused, it's because I am
I just made the jump from the T3i to the 5D mk II. While I’m very happy I made the move, I must say that the mk II really shows the weaknesses in my 24-105L, especially with barrel distortion at 24mm.
Back to the OP though, the difference I’ve seen in moving to FF from a Rebel has amazed me. The two areas where the mk II stands out most for me are the vibrant colors and the performance at high ISO’s. I’m glad to be getting my feet wet in the FF world now rather than waiting for a camera that’s not even official yet. By the time the mk III is out, and in my price range, my experiences with FF on the mk II will allow me to make the most of the newer model.
Having said that, I do find that the T3i and the mk II are more complimentary than I would have thought. I plan to keep the T3i for a couple reasons. First, for some activities I like to shoot, like sporting events, I’ve become accustomed to the extra reach I get on my 70-200L’s. Second, the T3i is much more convenient for video. The T2i is not quite as user-friendly as the T3i with its articulating screen, but there’s still no menu diving required like with the mk II. And, of course, there’s something to be said about having a back-up camera.
I appreciate all the advice - and I do agree with it (objectively, anyway). I actually looked at 7D initially instead of the A77, but thought the 5D2 was priced very well in comparison. If I seem confused, it's because I am
Unless you have a specific reason to upgrade to full frame, it's cheaper to stick with APS-C.
If you must upgrade the body, the least expensive option that gives you good build quality would be to get a used XXD (e.g. 50D is a solid pick).
The body you have is old, so the urge to upgrade it is understandable but the gap in image quality between older and newer bodies isn't that great -- which is why Canon are prepared to have such long release cycles for their pro bodies. The difference between good glass and the kit lens on the other hand is substantial. You don't need to pixel-peep or split hairs to tell the difference between for example a shot taken with an ultra wide and the kit lens, or the 50mm f/1.4 vs the kit lens.