Very compact mirrorless FF ILCs are possible, without any need to to limit oneself with a one-trick pony camera [bolted on prime lens only]. 
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fullstop said:Very compact mirrorless FF ILCs are possible, without any need to to limit oneself with a one-trick pony camera [bolted on prime lens only].![]()
ahsanford said:I'm not saying an FLC should be a high priority, but it should be in the portfolio mix somewhere.
ahsanford said:Architect1776 said:Funny how deceiving the photo of the cameras is fixed so the camera to the left is much farther down than the next camera and the next one farther down from the right camera to give a totally false impression of the far left one being substantially smaller than the far right camera.
It's not by design or bias, it's tied to whether the page aligns things to the eye cup or the LCD -- and CameraSize isn't exactly consistent on that front.
But here you go. Corrected.
The point is sufficiently clear (at least in this instance) that PS work shouldn't be necessary: the combination of pulling the mirror and tucking parts of standard/wide lens into the body in a fixed lens design adds up to a considerably smaller package. For all the perfectly fair darts we throw at a mirrorless rigs' thinness being fairly unimportant if you use long / fast glass, a modestly/intelligently spec'd fixed lens rig can sit in this sweet spot of size savings.
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melgross said:It’s likely that much of what you’re saying is true, but it’s also likely that they want to move all of their chips to onboard ADC. After all, that’s what got Nikon/Sony in front of Canon in the pixel level IQ race, and they haven’t looked back. Canon is about three generations behind there, even in the chips that do have it.
3kramd5 said:I think they should align them to the sensor plane. Sure, they’ll appear staggered, but at least then they’d be using an important reference all digital cameras have.
3kramd5 said:I think they should align them to the sensor plane. Sure, they’ll appear staggered, but at least then they’d be using an important reference all digital cameras have.
fullstop said:3kramd5 said:I think they should align them to the sensor plane. Sure, they’ll appear staggered, but at least then they’d be using an important reference all digital cameras have.
no. when it comes to SIZE i want to see how chubby or slim that baby is ... sensor plane is totally irrelevant to me in this context. If it has a protruding eye-cup on viewfinder, that eye cup eats up valuable space in my photo bag. The way camerasize does it is perfect. Making SIZE and *mirrorslapping air-filled mirrorbox bloatedness* clearly visible.![]()
3kramd5 said:Why is a picture needed for that, though? Total volume is pretty much what you’re interested in right? It would be pretty slick if it could could come up with how to pack things to maximize density. With the modularity limits in my bag, I pretty much have to mount the longest lens to a body and then jigsaw everything around it.
To be fair, I don’t use the website. I can buy the case for picking a volumetric envelope as an aligning feature. I just gravitate towards consistency, and the sensor plane is about the only thing you can count on every digital camera having.
dak723 said:melgross said:It’s likely that much of what you’re saying is true, but it’s also likely that they want to move all of their chips to onboard ADC. After all, that’s what got Nikon/Sony in front of Canon in the pixel level IQ race, and they haven’t looked back. Canon is about three generations behind there, even in the chips that do have it.
Hmmm...seriously? Three generations behind? That would be comparing the Sony A7R III with the Canon 5D...
When you compare the same generation, the differences are minor and mostly indistinguishable.
melgross said:It’s why I want to see a 1.5 stop improvement. That will have to hold up for 3 years in any particular camera model, even though companies will have even more updated sensors in cameras they release a year or two after that one. Just remember that Nikon/Sony aren’t standing still. What may slightly beat them this year, may be noticeably behind them in a year, or two. So you want to stay ahead of that now.
When you compare a 45mp sensor with better noise and dynamic range to a 30mp sensor, the the jump is bigger than you’re stating. Those are significantly smaller pixels, and formthem to still be better, even by a half stop, is significant. Why? Because of the well known phenomenon whareas two images of the same size, with equal pixel quality won’t look equal if one has significantly higher resolution. And I’m not talking about sharpness. It’s noise. The higher Rez picture will always look less noisy. We did tests on that in my own lab, years ago, and it still holds true today.ahsanford said:melgross said:It’s why I want to see a 1.5 stop improvement. That will have to hold up for 3 years in any particular camera model, even though companies will have even more updated sensors in cameras they release a year or two after that one. Just remember that Nikon/Sony aren’t standing still. What may slightly beat them this year, may be noticeably behind them in a year, or two. So you want to stay ahead of that now.
I hear you, but that's neither reasonable nor consistent with the trends of sensor progress over time. Using the generically cruddy numbers from DXO (as a convenience to make a general point):
A7 I: 14.2 Base ISO DR / 2248 ISO (using their SNR / DR / Color high ISO cutoff)
A7 II: 13.6 / 2449
A7 III: 14.7 / 3730
A7R I: 14.1 / 2746
A7R II: 13.9 / 3434 (in fairness, this is a jump from 36 to 42 MP here)
A7R III: 14.7 / 3523
From gen I to gen III, both A7 lines above gained a fraction of a stop of DR and high ISO performance. A fraction of a stop. It's easy to look at how these sensors test (or how RAW files handle in post) and declare the latest product 'the best ever' -- but when you look at it critically, it's more a trend of creeping up on an asymptote over time.
O course, on chip ADC was a huge deal. But everyone's done that now and any one-time bump to base ISO DR is effectively industry standard now.
Yes, Canon sensors are behind Nikon and Sony. But they are not tremendously behind them for me to want to walk away from the EF lenses + first party AF routines, build quality, ergonomics, service, 3rd party ecosystem, etc.
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ahsanford said:melgross said:It’s why I want to see a 1.5 stop improvement. That will have to hold up for 3 years in any particular camera model, even though companies will have even more updated sensors in cameras they release a year or two after that one. Just remember that Nikon/Sony aren’t standing still. What may slightly beat them this year, may be noticeably behind them in a year, or two. So you want to stay ahead of that now.
I hear you, but that's neither reasonable nor consistent with the trends of sensor progress over time. Using the generically cruddy numbers from DXO (as a convenience to make a general point):
A7 I: 14.2 Base ISO DR / 2248 ISO (using their SNR / DR / Color high ISO cutoff)
A7 II: 13.6 / 2449
A7 III: 14.7 / 3730
A7R I: 14.1 / 2746
A7R II: 13.9 / 3434 (in fairness, this is a jump from 36 to 42 MP here)
A7R III: 14.7 / 3523
From gen I to gen III, both A7 lines above gained a fraction of a stop of DR and high ISO performance. A fraction of a stop. It's easy to look at how these sensors test (or how RAW files handle in post) and declare the latest product 'the best ever' -- but when you look at it critically, it's more a trend of creeping up on an asymptote over time.
O course, on chip ADC was a huge deal. But everyone's done that now and any one-time bump to base ISO DR is effectively industry standard now.
Yes, Canon sensors are behind Nikon and Sony. But they are not tremendously behind them for me to want to walk away from the EF lenses + first party AF routines, build quality, ergonomics, service, 3rd party ecosystem, etc.
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ahsanford said:melgross said:It’s why I want to see a 1.5 stop improvement. That will have to hold up for 3 years in any particular camera model, even though companies will have even more updated sensors in cameras they release a year or two after that one. Just remember that Nikon/Sony aren’t standing still. What may slightly beat them this year, may be noticeably behind them in a year, or two. So you want to stay ahead of that now.
I hear you, but that's neither reasonable nor consistent with the trends of sensor progress over time. Using the generically cruddy numbers from DXO (as a convenience to make a general point):
A7 I: 14.2 Base ISO DR / 2248 ISO (using their SNR / DR / Color high ISO cutoff)
A7 II: 13.6 / 2449
A7 III: 14.7 / 3730
A7R I: 14.1 / 2746
A7R II: 13.9 / 3434 (in fairness, this is a jump from 36 to 42 MP here)
A7R III: 14.7 / 3523
From gen I to gen III, both A7 lines above gained a fraction of a stop of DR and high ISO performance. A fraction of a stop. It's easy to look at how these sensors test (or how RAW files handle in post) and declare the latest product 'the best ever' -- but when you look at it critically, it's more a trend of creeping up on an asymptote over time.
O course, on chip ADC was a huge deal. But everyone's done that now and any one-time bump to base ISO DR is effectively industry standard now.
Yes, Canon sensors are behind Nikon and Sony. But they are not tremendously behind them for me to want to walk away from the EF lenses + first party AF routines, build quality, ergonomics, service, 3rd party ecosystem, etc.
- A
melgross said:When you compare a 45mp sensor with better noise and dynamic range to a 30mp sensor, the the jump is bigger than you’re stating.
ahsanford said:melgross said:When you compare a 45mp sensor with better noise and dynamic range to a 30mp sensor, the the jump is bigger than you’re stating.
So my A7 I/II/III comparison of three different Sony sensors at the same resolution but from three different points in time was inappropriate... why exactly?
I'll wait.
My point was that sensors aren't galloping ahead in performance year over year. They are creeping forward ever so slightly, as those numbers show.